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49 Sentences With "ill matched"

How to use ill matched in a sentence? Find typical usage patterns (collocations)/phrases/context for "ill matched" and check conjugation/comparative form for "ill matched". Mastering all the usages of "ill matched" from sentence examples published by news publications.

This somewhat ill-matched pair will conduct the investigation of Zalie's death.
But his honorable performance was ill-matched to Mr. Grigolo's hotheaded aristocrat.
The anguished tones of ill-matched couples arguing lull me back to a peaceful slumber.
She keeps changing her hair color, wears ill-matched rainbow color dresses, and is really into astrology.
Even The Avengers took some time to honor the thorny challenges of throwing together a ragtag team of ill-matched warriors.
I look at it as the exploits of two ill-matched people whose relationship is likely to implode at any time.
Europe's preliminaries have proved especially ill-matched, with the likes of San Marino and Gibraltar taking thrashing after thrashing from the continent's heavyweights.
In the ideal production, it creates the sense of fire meeting fire in a folie à deux between two ill-matched yet inexorably bound lovers.
His response that she would be ill matched playing against even one of the lowest-ranked men fueled outrage that he was belittling her talents.
While eager to build global industrial champions around French companies, President Emmanuel Macron's government is all too aware of the dangers of ill-matched industrial combinations.
Sometimes at Christmas I'll write a column that gently tweaks the sterner sort of atheist, whose theories seem ill-matched with the empirics of the universe and the stuff of human life.
What a sublimely ill-matched couple the actors make: Hayek is steady and foursquare, with unflattering bangs and a disconcerting gaze, while Lithgow, twice her height, is lanky, richly amusable, and pink of cheek.
FANS of "Of Mice and Men", the 1937 novella by John Steinbeck, will recall the character of Lennie Small, an oafish, dim-witted man whose physical strength is ill-matched to his love of rabbits.
FANS of "Of Mice and Men", the 1937 novella by John Steinbeck, will recall the character of Lennie Small, an oafish, dim-witted man whose physical strength is ill matched to his love of rabbits.
Yes, the plot about two ill-matched couples and a man posing as the king of Poland is a bit opaque, but Verdi's music, stylishly conducted by Francesco Pasqualetti, speaks clearly and in its own voice.
But the mantra that worked in the 1990s is nonetheless ill-matched to the momentous challenges posed by a nation split by vast inequities of income and opportunity; where the very idea of getting ahead has become an abstraction to tens of millions of Americans.
Pop emerged with blood reportedly spurting from his torso, and after attempts to patch him up with gaffer's tape failed, none other than Alice Cooper finally took him to the ER. Patti Smith Punk's poet laureate, Smith was on an ill-matched tour with Bob Seger in 20103 when she fell 15 feet off stage in Tampa, Florida, landing in —  what else — an orchestra pit.
Howard, p.310. As he explains it, "an ill-matched crew of Elizabethan theatre people are transformed and united by the process of creating Romeo and Juliet". The film's climax includes Judi Dench's Elizabeth I declaring that Shakespeare's play "can show us the very truth and nature of love."Howard, p.
Annie moved to Sibsey with her husband, and within a few years they had two children, Arthur and Mabel; however, the marriage was a disaster. As Annie wrote in her Autobiography, "we were an ill-matched pair".Annie Besant: an Autobiography (Unwin, 1908), 81. The first conflict came over money and Annie's independence.
Dynamo's most noteworthy rival in their home city are Dresdner SC, although they are perpetually ill- matched, as Dresdner SC are mired in local football leagues. Another club, SC Borea Dresden were formed out of SG Dynamo Dresden-Heide, a former feeder club for Dynamo, but there is no longer an official connection.
He lacked great ambition, preferring to lead a life of pleasure.Acton, The Last Bourbons of Naples, p. 82 Leopold married Princess Maria of Savoy, second-eldest daughter of Prince Joseph Maria of Savoy, Count of Villafranca (son of Eugenio), and his wife Pauline Benedictine de Quélen de Vauguyon, on 16 June 1837 in Naples. They were ill-matched and their marriage was unhappy.
The critical response to the film was mixed. Variety enjoyed the "total immersion in the couple’s rocky rapport" and praised the camerawork of Joost Van Starrenburg as well as the editing by Menno Boerema. In contrast, Time Out summed it up as a "well-meaning, not unintelligent, but rather tiresome look at the volatile relationship of two ill-matched lovers".
The Ill-Matched Lovers is an oil painting by the early Netherlandish master Quentin Massys, usually dated between 1520 and 1525. This painting depicts the trope that old age can make one foolish. Massys depicts this theme by showing an older man besotted by a younger, beautiful woman. He gazes at her adoringly, not noticing that with the aid of an accomplice, she is stealing his purse.
162 She was well suited to the demands of life as a missionary's wife, and inspired the character Edith in Keable's later novel Peradventure, but the pair were temperamentally ill-matched (and described by Keable's biographer Cecil as "sexually incompatible"). They had no children; Hugh Benson suspected that the marriage had been a gesture on Keable's part to render impossible the lingering prospect that he might become a monk.
Camille is a 2008 American romantic comedy film directed by Gregory Mackenzie and starring James Franco and Sienna Miller. The film concerns two ill-matched newlyweds Silas Parker (Franco) and Camille Foster (Miller) and their honeymoon trip to Niagara Falls. After Camille is killed in a motorcycle accident early in the film, she continues to behave as though alive and the remorseful Silas develops loving feelings for her.
Ill-Matched Lovers, oil on panel, c. 1520-1525, National Gallery of Art, Washington Many artists depicted the theme of marriage between people of differing age. Goya, Leonardo da Vinci, Dürer and Lucas Cranach the Elder dedicated works and studies to this subject. The representation of an old man marrying a younger woman is more common, but here Matsys depicts the opposite: a rich old woman marries a young man.
Wittily sarcastic, he enjoys archaeology and travelling to the continent, interests Sophie cares little for. Camilla finds him intelligent but saturnine and intolerant of clever women. Over time it becomes clear that he and Sophie are ill-matched, as she prefer frivolous subjects like fashion. Alethea begins learning from an Italian maestro, to the dismay of Letitia who believes her sister is going too far with her musical interests.
In the late 1950s and early 1960s he was a teacher of History, English Language and English Literature at Hazelwood School, Limpsfield, Surrey, teaching 8- to 13-year-old pupils. He brought his enthusiasm for boxing into the school and, while he did not exactly teach it, he ensured there were interesting, sadistic and voyeuristic bouts between boys ill-matched in size and weight. He was also able to write poetry about boxing.
They tell Hikaru that he doesn't have a chance with his "Madonna" because Amamiya is much better-looking. Hikaru believes they are talking about Amamiya and Shima, because they are ex- lovers. Nagisa also tells Hikaru that his "Madonna" is probably using him because he is so young and inexperienced, and that they are "ill matched". Hikaru's self-confidence suffers and he begins to wonder if Shima actually loves him, since he never shows any jealousy.
The Ill-Matched Marriage (also known as The Marriage Contract) is an oil painting by the early Netherlandish master Quentin Matsys, usually dated between 1525 and 1530. The panel, probably inspired by an original lost drawing of Leonardo da Vinci, illustrates a marriage for economic reasons between persons of different ages. The painting is in the São Paulo Museum of Art. It was donated to the museum in 1965 by the Baron Hans Heinrich Thyssen- Bornemisza.
Sangam literature, both akam and puram, can be subclassified into seven minor genre called tiṇai (திணை). This minor genre is based on the location or landscape in which the poetry is set. These are: kuṟiñci (குறிஞ்சி), mountainous regions; mullai (முல்லை), pastoral forests; marutam (மருதம்), riverine agricultural land; neytal (நெய்தல்) coastal regions; pālai (பாலை) arid. In addition to the landscape based tiṇais, for akam poetry, ain-tinai (well matched, mutual love), kaikkilai (ill matched, one sided), and perunthinai (unsuited, big genre) categories are used.
The show met with mixed reviews. Most critics were in agreement that the video footage of Sondheim was the highlight of the show, that the technical aspects of the show were expertly handled and that some performances were good (notably Cook, Williams and the supporting cast). Negative reviewers tended to feel that the show was not as substantial as it could have been, that some material was poorly chosen or ill-matched to the performers, and that some performances were not successful (notably Wopat).Fick, David.
Callas's father had shortened the surname Kalogeropoulos first to "Kalos" and subsequently to "Callas" to make it more manageable. George and Litsa Callas were an ill-matched couple from the beginning. George was easy-going and unambitious, with no interest in the arts, while Litsa was vivacious and socially ambitious and had dreamed of a life in the arts, which her middle-class parents had stifled in her childhood and youth. Litsa's father, Petros Dimitriadis (1852–1916), was in failing health when Litsa introduced George to her family.
Hôtel des Amériques (1981), set in Biarritz, explores the strained relationship between a successful middle-aged woman and an unfulfilled and emotionally unbalanced man in a story of hopelessly ill-matched love. This film marked a turning point in Téchiné's career, anchoring his work in a more realistic universe than the previous romantic one. For the first time Téchiné let his actors improvise, a practice he has continued ever since, adjusting his scripts to accommodate the new material. “From Hôtel des Amériques onwards my films are no longer genre films,”Philippon, André Téchiné, p.
Styled as the memoir of a famous composer named Kuhn, Gertrud tells of his childhood and young adult years before it comes to the heart of the story; his relationships to two troubled artists, the eponymous Gertrud Imthor, and the opera singer Heinrich Muoth. Kuhn is drawn to Gertrud upon their first encounter, but she falls in love with and marries Muoth, whom the composer befriended as well some years before. The two are hopelessly ill-matched, and their destructive relationship provides the basis for Kuhn's magnum opus.
The ill-matched pair (coincidentally from the same village in Poland) and the colonel's orderly, Szabuniewicz (Akim Tamiroff), drive away. Jacobowsky is dismayed when the colonel first heads to Reims in the direction of the advancing German army to pick up his girlfriend, Suzanne Roualet (Nicole Maurey), a French innkeeper's daughter. Prior to their arrival, Suzanne attracts the unwanted admiration of German Major Von Bergen (Alexander Scourby), but he is called away before he can become better acquainted with her. As they flee south, Jacobowsky begins to fall in love with Suzanne.
Trueman and Riley is a British radio drama series written by Brian B. Thompson and produced by Toby Swift. It stars Robert Daws and Duncan Preston as a pair of ill-matched, middle-aged, marginalised Leeds detectives who are consigned to work on cases deemed too trivial for their more high-powered colleagues. Originally named Trueman it began life as a BBC Radio 4 Afternoon Play on 17 April 2002 with Detective Inspector Trueman being called back to work after a nervous breakdown in order to solve a high profile murder case, backed up by Detective Sgt. Riley (Duncan Preston).
T-Mobile's "Poser Mobile" advertisements exploited the stereotype customized Asian cars as bad imitations of authentic car culture Rice burner is a pejorative term originally applied to Japanese motorcycles and which later expanded to include Japanese cars or any East Asian-made vehicles. Variations include rice rocket, referring most often to Japanese superbikes, rice machine, rice grinder or simply ricer. Riced out is an adjective denigrating a badly customized sports compact car, "usually with oversized or ill-matched exterior appointments". Rice boy is a US derogatory term for the driver or builder of an import-car hot rod.
Richard Church biography His mother was distantly related to the novelist George Eliot but kept quiet about this because of her bohemian lifestyle. His father was a sorter for the General Post Office and his mother was a schoolteacher who suffered ill-health and died in 1910 when he was only seventeen. After leaving school at sixteen, he started work as a clerk in the Customs and Excise branch of the Civil Service. In his first volume of autobiography he recounts the physicality of his father, the intelligence of his mother, his resourceful older brother, privations, and the difficult relationship of his ill-matched parents.
Yankee scouts on the West Coast recommended Stengel, and Webb's support helped bring around co-owner Dan Topping. Stengel was introduced as Yankee manager on October 12, 1948, the 25th anniversary of his second World Series home run to beat the Yankees. Joe DiMaggio attended the press conference as a sign of team support. Stengel faced obstacles to being accepted—Harris had been popular with the press and public, and the businesslike Yankee corporate culture and successful tradition were thought to be ill matched with a manager who had the reputation of a clown and who had never had a major league team finish in the top half of the standings.
John Harrington is a handsome, 30-year-old man who feels compelled to murder young brides to remember details of a childhood trauma. John lives in a spacious villa outside Paris, where he manages a bridal dress factory belonging to his deceased mother and financially supported by his wife Mildred. He and Mildred are ill-matched, but she refuses to consider his appeals for a divorce. Whenever he hears that one of the models working at the dress factory is to be married, he hacks her to death with a meat cleaver while she is wearing her bridal gown, burns the body in the furnace of his greenhouse, and uses the ashes as fertilizer.
There is also a great deal of disagreement amongst critics as to the essential meaning of the speech. John Dover Wilson, for example, sees it as nothing more than a parody, Shakespeare mocking the work of his contemporaries by writing something so bad. He finds no other tonally analogous speech in all of Shakespeare, concluding it is "a bundle of ill-matched conceits held together by sticky sentimentalism."Dover Wilson (1948: liii–liv) Similarly, Eugene M. Waith determines that the speech is an aesthetic failure that may have looked good on the page but which is incongruous in performance.Waith (1984: 61) However, defenders of the play have posited several theories which seek to illustrate the thematic relevance of the speech.
He married his second wife, Komsomol activist Margarita Kainova, in 1956; the couple proved ill-matched, and divorced five years later. In 1954, Shostakovich wrote the Festive Overture, opus 96; it was used as the theme music for the 1980 Summer Olympics. (His '"Theme from the film Pirogov, Opus 76a: Finale" was played as the cauldron was lit at the 2004 Summer Olympics in Athens, Greece.) In 1959, Shostakovich appeared on stage in Moscow at the end of a concert performance of his Fifth Symphony, congratulating Leonard Bernstein and the New York Philharmonic Orchestra for their performance (part of a concert tour of the Soviet Union). Later that year, Bernstein and the Philharmonic recorded the symphony in Boston for Columbia Records.
Isabella accompanied her sister to England, and on 11 July 1372, at about the age of 17, married John of Gaunt's younger brother, Edmund of Langley, 1st Duke of York, fifth son of King Edward III and Philippa of Hainault, at Wallingford, Oxfordshire, as part of a dynastic alliance in furtherance of the Plantagenet claim to the crown of Castile.; . According to Pugh, Isabella and Edmund of Langley were 'an ill-matched pair'.. As a result of her indiscretions, including an affair with King Richard II's half-brother, John Holland, 1st Duke of Exeter (d. 1400), whom Pugh terms 'violent and lawless', Isabella left behind a tarnished reputation, her loose morals being noted by the chronicler Thomas Walsingham. According to Pugh, the possibility that Holland was the father of Isabella's favourite son, Richard of Conisburgh, 3rd Earl of Cambridge, 'cannot be ignored'.
Florence Beerbohm drawn in about 1918 by Max Beerbohm It has been estimated that during their six-year courtship Beerbohm wrote over 1,000 letters to Kahn. When they were apart he wrote everyday, sometimes more than once a day.Hall, pg 111 After their marriage on May 4, 1910 at Paddington Register OfficeHall, pg 125Death notice in Time Magazine January 22, 1951 the couple moved to the Villino Chiaro in Rapallo in Italy where they remained for the rest of their lives apart from when they returned to the United Kingdom during World War I and World War II. From the start of the marriage, Beerbohm's friends did not like Kahn, thinking the couple ill- matched. They thought Kahn to be "nervous, shy, timid, retiring, humourless, moralizing, idealizing, prudish, frequently sad and depressed and anti- social", in fact the very opposite of Beerbohm.
He painted landscapes and is considered a member of the school of Frankenthal. The school of Frankenthal included the painters Gillis van Coninxloo, Pieter Schoubroeck, and Hendrik van der Borcht the elder and the latter's son.School of Frankenthal at the Netherlands Institute for Art History Artists of the school of Frankenthal at the Netherlands Institute for Art History River landscape with elegant figures on a path A majority of Miro's landscape are distinguished from those of his contemporaries by the presence of richly dressed figures that populate the woody paths. These figures often seem ill matched with their surroundings. In the River landscape with elegant figures on a path (at Sotheby's on 3 July 2013, London, lot 6) a magnificently dressed young lady is serenaded by a lute-playing gentleman while they stroll on a path along which there are several beggars.
As this is a high-risk-low-return strategy for the winning side, already defeated side, or ill-matched opponent (difference of personal standing or martial reputation) it was acceptable to decline or elude the single combat. An example of single-combat with the tragic result for the victor is told in Heike Monogatari as Kumagai Naozane defeated Taira no Atsumori at the Battle of Ichi-no-Tani. It could be banned by the overall commander as needed and notably during Mongol invasions of Japan, particularly during the second invasion in 1281, samurai fought as massed mounted archer/warrior with the annihilation of enemy as the goal. This tradition declines and disappears during the Sengoku period as each side prepared trained armies in thousands or even tens of thousands making the single combat have a limited, if any, effect on the outcome of the battle.
Still life with copper dishes Joannes de Cordua was a versatile artist who painted still lifes, genre scenes, portraits, and biblical subjects. His contemporary, German art historian Joachim von Sandrart, notes in his comprehensive dictionary of art Teutsche Academie that "Johann von Cordua is a skillful painter of still lifes which he could render in a very natural manner". The genre paintings of de Cordua include typical genre subjects in Netherlandish art such as the ill-matched couple (representing a couple of widely different ages) (two examples in the Bavarian State Painting Collections), market scenes such as the Saleswoman with a young boy (Valtice Castle, Czech Republic), kitchen scenes such as the Kitchen interior with an old woman (Dorotheum Vienna auction of 12 December 2011, lot 202) and scenes of professionals in their workspace such as a Doctor in his study (Dorotheum Vienna auction of 16 June 2011, lot 123). His still lifes include vanitas still lifes, fruit still lifes and still lifes of brass and copper utensils and pots as well as hunting still lifes.
Jan van Hemessen, The Prodigal Son, 1536 Courtly party scenes, typically of couples of young lovers in a "garden of love", were popular in the late Middle Ages, mostly in illuminated manuscripts and prints rather than panel paintings, and often as part of calendar series showing the months, or book illustrations."Merry Company", Istvan Nemeth, Museum of Fine Arts, Budapest, for Google Cultural Institute In the Renaissance such scenes tended to be given specific settings from religion or classical mythology, such as the Feast of the Gods which, unlike merry company scenes, was an excuse for copious amounts of nudity. In 16th century Dutch and Flemish Renaissance painting traditions of genre painting of festivities or parties began to develop, most famously in the peasant scenes of Pieter Bruegel the Elder, which were the first large paintings to have peasant life as their sole subject. There was also a tradition of moralizing urban scenes, including subjects such as the "Ill-matched Couple" and "Prodigal Son",Franits, 68–69, 72–75; van de Pol and a court tradition of recording actual or typical entertainments at a particular court, with portraits of the leading personages.

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