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"humph" Definitions
  1. the way of writing the sound that people use to show they do not believe something or do not approve of it
"humph" Antonyms

27 Sentences With "humph"

How to use humph in a sentence? Find typical usage patterns (collocations)/phrases/context for "humph" and check conjugation/comparative form for "humph". Mastering all the usages of "humph" from sentence examples published by news publications.

She hung up the phone with a humph, and a satisfied smile.
Jeb: Oh, uhmp, humph, I'm Jeb Bush, Exclamation Point, I'm at your service, Chump.
Refinery29: "Humph" or "Naughty Boy" have these very distinct, quirky, childlike themes — personal space and troublemaking, respectively.
"The Humph" offered the line "answer the question Prime Minister" to a collaboration with 1Xtra's Charlie Sloth back in 2014.
Same with the choreography — Shinwon does a specific gesture when he's embarrassed, so we added that to ['Humph''s] choreography.
" Hui: "For 'Humph' specifically, I got inspiration from emotions I had growing up, but overall in life there's a point when you want to draw a line and set up boundaries.
However, it was played by Jack Dee and Jeremy Hardy in the Christmas special Humph in Wonderland, and has been sporadically played since series 55.
Jeremy Hardy also ruled himself out, saying "Humph had big shoes to fill and I wouldn't do it." In the Clue mailout for September 2008 Naismith stated: "Despite the rumours, we've made no decisions about possible replacements for Humph, and are unlikely to make any decisions this year at least. Certainly I don't envisage us selecting anyone on a permanent basis for several series." It was announced that the show would continue recording beginning in 2009.
One Bf 110 was damaged while their gunners shot down and wounded Flight Lieutenant 'Humph' Russell. Seconds later, No. 64 Squadron's eight Spitfires turned up, led by Squadron Leader Donald MacDonell. They dived on the Dorniers from high- altitude.
Jackson proposed trumpet player, bandleader, broadcaster and writer, Humphrey Lyttelton for an honorary doctorate at the University of Warwick, which was awarded in 1987. Lyttelton appeared as a guest with Spicy Jazz and wrote the sleeve note for their recording, Coming of Age.Spicy Jazz, Coming of Age, BSL3131, recorded 27 April 2002, reissued March 2016 Following Humphrey Lyttelton's death in 2008, Jackson accepted an invitation to become patron of the Humph Trust.The Humph Trust website Jackson has also played Jazz in Sweden and in Norway, including playing with Bjørn Alterhaug, Vigleik Storaas and other leading Norwegian jazz musicians.
Cole Mathieson published his memoirs in the spring of 2008: The Concorde Club, the First 50 Years It has an introduction by Humphrey Lyttelton, who 'left the building' the day the book was due to go to press. Humph, who made his last appearance at the Concorde Club on 9 April 2008, signed off his introduction with his autograph accompanied by a caricature of himself. It was the last cartoon that Humph drew, and he agreed that it could be auctioned for charity, not realizing the full significance of it. His final cartoon raised £1,300 for the Wessex Cancer Trust.
His judgment in Powell v McGlynn and Bradlaw,[1902] 2 I.R.154 concerning liability for a runaway pony, affords an excellent example of his judicial style. The question of whether one defendant employed the other depended partly on whether the expression "humph" had any legal meaning. Madden, drawing on his knowledge of English literature, cited Jane Austen and Sir Walter Scott, among other authors, to prove that "humph" had a definite meaning, namely an expression of disagreement. His judgment in Boyers v Duke[1905] 2 I.R. 617 is a leading decision on the concept of offer and acceptance in contract law, and in particular the precise meaning of a quotation by a seller of goods.
The Oxford English Dictionary records: "the custom (in the 18th century prevalent in France and sometimes imitated in England) of going away from a reception, etc. without taking leave of the host or hostess. Hence, jocularly, to take French leave is to go away, or do anything, without permission or notice." OED states the first recorded usage as: 1771 SMOLLETT Humph.
"Cab Kaye to sing with Humph band", Melody Maker, 28 November 1959, p. 20. The Manchester Evening News announced on 25 August 1960 that the next day's BBC TV Jazz Session was to feature the Dill Quintet, the Bob Wallis Storyville Jazzmen, and singer Cab Kaye. In the same year Kaye came ninth in Melody Maker's Jazz Poll.Jazz Poll British Section , Melody Maker, 23 January 1960, p. 3.
McWain preferred solitude, and was deeply annoyed when he first saw smoke rising about away at Paris Hill. "Humph," he said, "I would like to know who is settling over there right under my nose!" Other grantees arrived nevertheless, most from the Massachusetts towns of Bolton, Harvard, Stow, Northborough and Rowley. Indeed, the northwestern part of the plantation was once known as Rowley after the inhabitants' former hometown.
Lyttelton regarded his band as a family, with some members returning to the fold after periods away and/or staying for long periods (Bruce Turner, Stan Greig, Adrian Macintosh, Stobart, Hastings). The band maintained a busy schedule, frequently performing sold-out shows across the country. Performances occasionally included a guest singer, or a collaboration with another band. During the 1990s the band toured with Helen Shapiro in a series of Humph and Helen concerts.
Just before the "mystery voice" tells the listeners the title of the subject, Humph usually announces that the team to perform it and the audience are being shown it on the "laser display screen" (sometimes described in more elaborate terms). This is, in fact, the programme's producer running on to the stage holding a large card with the title written on it — a joke only for the benefit of the studio audience (and to make listeners wonder why they laugh a moment after the words "laser display screen"). Occasionally, particularly if the apparatus has been described with more ridiculous lavishness (with terms such as "multiplex", "digitally enhanced", etc.), Humph has added another joke based on its actually being a big card by saying it has been "so generously funded by our hosts". In keeping with the nature of the show, sometimes the team giving the definition purposely make it so obvious that the opposing team pretends not to know what the title is, and has to be given numerous hints, for comic effect.
After a period of split chairmanship in the first series, Humphrey Lyttelton ("Humph") served in this role from the programme's inception until his death in 2008. In April 2008, following the hospitalisation and subsequent death of Lyttelton, recording of the 51st series was postponed. The show recommenced on 15 June 2009 with Lyttelton being replaced by three hosts: Stephen Fry, Jack Dee and Rob Brydon. Dee went on to host all episodes of the 52nd series later that year, and continues in that role.
John E. Wood, the representative of > the Health department, also came up. When he saw the third box he asked the > man in the grave what it was for. “Oh, I guess there’s another one here,” > said the grave-digger, as he threw a shovelful of earth into the box. Mr. > Wood looked into the grave, said “Humph,” and walked away. Another shovelful > of earth and some crumbled wood was then thrown into the box, the “remains” > were disinfected, the lid fastened on and the “body” of “274, B. H.,” > shipped to Riverside.
Oh Boy was an ABC/ITV show produced by Jack Good, who had produced Six-Five Special on which Kaye had appeared. That same year, Kaye was voted eleventh in Melody Maker 's Jazz Music Magazine Poll. Kaye appeared again on Six-Five Special on 1 March 1958 (season 1, episode 57). In 1959, he joined the ensemble of Humphrey Lyttelton in London, which led to the recording of the album Humph Meets Cab (March 1960), with his characteristic witty vocals on pieces such as "Let Love Lie Sleeping".
The event was organised and hosted by his son Stephen Lyttelton, who is also the founder and Chairman of The Humph Trust, an organisation set up after his death to support young up and coming jazz musicians and to provide sponsorship and support. The event was opened by the 2010 winner of the Humphrey Lyttelton Royal Academy Of Music Jazz Award, Tom Walsh, who played Horace Silver's "Song for my Father" with his quintet from the Royal Academy of Music. The Lyttelton Arms pub, opposite Mornington Crescent station in Camden, is named after Lyttelton. It was formerly named The Southampton Arms.
East London Royals was a basketball club started by Humph Long producing many great cadet and junior basketball teams. The name was later taken by a British professional basketball team, based in the Barking & Dagenham area of London, England. The franchise was established in 2012 and admitted to the top-tier British Basketball League in the same year, originally planning to compete in the 2012-13 season. On 23 July 2013, it was announced that the Royals would use the Mayesbrook Park Arena at Sport House as its venue for home games, which will be set up to accommodate 2,000 spectators.
Jonny Briggs is a Children's BBC kitchen sink realism television programme first broadcast in 1985. It revolves around the exploits of a young boy, the eponymous hero (played by Richard Holian), his pet dog, Razzle, and his eccentric family members: Mam (Jane Lowe) and Dad (Leslie Schofield), older sister Rita (Sue Devaney) and older brothers Albert (Tommy Robinson) and Humph (Humphrey) (Jeremy Austin). Another older sister, Marilyn, is mentioned but never seen. The stories often centre on Jonny's school life, where he and his best friend Pam are constantly in battle with the dreadful twins Ginny and Josie.
Humph concluded his introduction to the round as follows: :"...miming the titles...against a strict time limit. The most highly skilled of all was Lionel Blair — but how the tears of frustration welled up in his eyes during their Italian tour at not being allowed the use of his mouth to finish off Two Gentlemen of Verona!". This caused Toksvig to corpse, and the game was held up for almost a minute while peals of laughter echoed from the audience in response to Sandi's hysterical laughing that had rendered her completely helpless. This is possibly the only time that Radio 4 has broadcast a minute of uninterrupted laughter.
Humphrey Richard Adeane Lyttelton (23 May 1921 – 25 April 2008), also known as Humph, was an English jazz musician and broadcaster from the aristocratic Lyttelton family. Having taught himself the trumpet at school, Lyttelton became a professional musician, leading his own eight-piece band, which recorded a hit single, "Bad Penny Blues", in 1956. As a broadcaster, he presented BBC Radio 2's The Best of Jazz for forty years, and hosted the comedy panel game I'm Sorry I Haven't a Clue on Radio 4, becoming the UK's oldest panel game host. Lyttelton was also a cartoonist, collaborating on the long-running Flook series in the Daily Mail, and a calligrapher and president of The Society for Italic Handwriting.
The game has been played in several Christmas specials (requiring "One Carol to the Tune of Something Else" — in particular, singing "Silent Night" to the tune of "Tequila"), and a variant was played in the 2007 special Humph In Wonderland, in which panellists sang a Lewis Carroll poem to the tune of a song. Tim Brooke-Taylor and Graeme Garden sang "Jabberwocky" to the tune of "Jerusalem", and Andy Hamilton and Rob Brydon sang "You Are Old, Father William" to the tune of "I Know Him So Well". Occasionally, some of the panellists imitate backing singers for the panellist actually singing when there is a suitable gap in the song, such as one of the 2009 episodes hosted by Jack Dee, where Barry Cryer and Graeme Garden backed Tim Brooke-Taylor.
A composer with a sense of humor, in her Variations sur le nom de Beethoven for orchestra (1974), not only is each letter of the composer's first and last name transcribed by a note (with enormous intervals between each one), but one detects allusions to his 5th Symphony in the middle of a personal melody. In Pavane pour un timbalier dèfunt: A Félix Passerone in memoriam (Pavane for a deceased timpanist: For Félix Passerone, former principal timpanist of the Paris Opera and teacher at the Conservatoire). The work is for military drum or snare drum accompanying singers forced to sing “tataralatatarasa… tiguidiguiditatalota…” punctuated by the interjection given in the subtitle… “Scrogneugneu!” (which translates to Humph!) Vilcosqui, 2007, p. 102-103. The use of a name represented by notes was also used in Desportes’s saxophone and harp duet, Une fleur sur l’étang (a flower on the pond).

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