103 Sentences With "holograph" | Random Sentence Generator

If this is all true, it could be that the governing Trump will be a White House holograph.

The archive also contains several pieces of Forti's little-known visual art, including her 214 Xerox collages and part of her 26–79 series of moving image holograph works.

Reebok's Compression sports bra and Ultracor's Holograph Luster leggings both feel like a wetsuit made of butter (the latter is $185 which gives me anxiety on its own, but still).

The goal is to capture a person's attitudes, beliefs and memories and create a database that one day will be analogged and uploaded to a robot or holograph, according to the Lifenaut website.

For example, someone may someday be able to pull up a website like HBO Now or a sports game on their mobile phone and project a holograph of the content on their coffee table, he said.

But the scene where Black Panther rides atop a driverless Lexus through the streets of South Korea, while his sister Shuri does the driving from a Vibranium-powered holograph back in Wakanda, reminded me of something that was seen recently at CES.

The new interactive holograph-style display is part of BMW's i Inside Future study, the company says, which is designed to give CES attendees a glimpse at what it might look like to use cars that are fully connected and offer full self-driving features.

"I also wanted to play with the idea of the universe being a holograph, and how digital media makes a good case for this as we all project our own realities into the world via the images (of ourselves and our lives) we curate," Ferreira notes.

Adopted as Holograph is the eponymous debut studio album by Adopted as Holograph. Recorded in 2011/2012 at Green Door Studios in Glasgow, the album was released in January 2013.

The result was the discovery of the complete holographic manuscript of the novel To the Last Man. A comparison of the holograph with To the Last Man revealed that the holograph was much longer, and contained detail which altered the meaning of the story. The complete uncut version was published in 2004.

At the University of Minnesota, the collection Jack Kent Papers spans the years 1953 to 1985 and includes 50 pencil sketches, nine photocopies, 182 blue line illustrations, 251 ink illustrations (some with holograph, paste-ups, separations), two paste-ups for table of contents, eight pencil illustrations with holograph, three ink illustrations with color indications and three watercolor illustrations.

Andrew's eldest son, Peter, owned the original holograph of Burns's "The Cotter's Saturday Night" and chaired the 1859 Robert Burns celebrations in Bristol.

Holograph Score: Library of Music Conservatory "San Pietro a Majella", Naples, Shelfmark: 13.2.11-12. Original 1789 printed Libretto: Rossiyskaya Natsional'naya Biblioteka, St. Petersburg, Shelfmark: 13.16,2,4.

The first million copies of the album also have a holograph of the monk and cross on top of the album instead of the normal artwork.

Several ending themes from the game included as insert songs are also used in the anime such as "Holograph" in episode six and "Lost Forest" in episode nine.

As to wills of movables, there arc several important points in which they differ from corresponding wills in England, the influence of Roman law being more marked. Males may make a will at fourteen, females at twelve. A nuncupative legacy is good to the amount of £100 Scots (£8, 6s. 8d.), and a holograph testament is good without witnesses, but it must be signed by the testator, differing in this from the old English holograph.

Parts of the sequence appear in four versions: in the 1621 The Countess of Montgomeries Urania, the manuscript continuation of Urania, and Wroth's holograph manuscript held at the Folger Shakespeare Library. Nineteen sonnets are spread throughout the prose of the 1621 Urania, and eighty-three are printed in sequence at the back of the same volume. Three sonnets appear in the manuscript continuation of Urania. The holograph manuscript is the most comprehensive collection of the sequence.

Adopted as Holograph are a band from Glasgow, Scotland. Blending alternative rock with continental jazz and Balkan music, their music frequently incorporates Gothic themes and has been described as Gypsy Jazz Noir.

"Autograph" can refer to a document transcribed entirely in the handwriting of its author, as opposed to a typeset document or one written by an amanuensis or a copyist. This meaning overlaps that of "holograph".

Satie's autograph of Sports et divertissements (dated 15 May 1914) An autograph or holograph is a manuscript or document written in its author's or composer's hand. The meaning of autograph as a document penned entirely by the author of its content, as opposed to a typeset document or one written by a copyist or scribe other than the author, overlaps with that of holograph. Autograph manuscripts are studied by scholars, and can become collectable objects. Holographic documents have, in some jurisdictions, a specific legal standing.

50, No. 1, pp. 43–49. Margaret Atwood’s 2019 novel The Testaments refers to the book in that one of the main characters (Aunt Lydia) secretes her own defence ("The Ardua Hall Holograph") within its pages.

In A fair-copy holograph manuscript of the tale is held in The Carl H. Pforzheimer Library in New York, which shows that Shelley edited the original version of the tale to better fit the illustration.

Adopted as Holograph was originally formed in 2009 by former Uncle John & Whitelock and Cannon guitarist, David Philp. After touring with Isobel Campbell & Mark Lanegan in 2008, Philp enlisted Andrew Gifford (Fiddlers' Bid, Cannon) on double bass and Tom Pettigrew (Cannon) on violin. The band gigged as a three piece for the next year before adding Hussy and the Wolf band members Caroline Hussey and Ryan Buchanan respectively on accordion and guitar, and Chris Houston on drums. The band's name is a term from Scots law concerning documents like wills (where "holograph" means signature ).

Associated with the holograph in the Burns Library is a faint one-page typescript leaflet, dated April 7, 1943.Boston College, John J. Burns Library, this leaflet filed under MS1990.023 together with September 2, 1692 holograph including typescripts, and two other period documents. The leaflet is a description of three Mather A.L.S. (Autograph Letter Signed) being offered for sale. The leaflet begins: > These three Cotton Mather A.L.S. are addressed to William Stoughton who > presided at the Trials of the Witches in Salem and these letters pertain > entirely to Witchcraft.

Six of the original holograph manuscript versions of the poems from the Kilmarnock and Edinburgh editions are in the possession of the Irvine Burns Club in North Ayrshire, who also possess a copy of the Kilmarnock Edition and the Edinburgh Edition.

Haile, Eugen. Peace. n.d. Holograph of cantata. From the New York Public Library for the Performing Arts, Eugen Haile Papers. His instrumental works include a sonata for violin and piano and several other chamber pieces, also available in Haile's papers at the NYPL.

If it is a holograph, then Bredon, who died in 1372, cannot have been its author. It is possible that the text is a translation of a now-lost Latin original, but either way, the text is based on an Arabic original.

As a result of contact with notable musicians of Salzburg, St Peter's possesses a significant collection, much of it in holograph, with works by Johann Ernst Eberlin, Anton Cajetan Adlgasser, Leopold and Wolfgang Amadeus Mozart, Joseph Haydn, Sigismund von Neukomm, Robert Führer, and Karl Santner.

A holograph is a document written entirely in the handwriting of the person whose signature it bears. Some countries (e.g., France) or local jurisdictions within certain countries (e.g., some U.S. states) give legal standing to specific types of holographic documents, generally waiving requirements that they be witnessed.

Six of the original holograph manuscript versions of the poems published in the Kilmarnock, Edinburgh, London and later editions are in the possession of the Irvine Burns Club in North Ayrshire, who also possess a copy of the 1786 Kilmarnock Edition and the 1787 Edinburgh Edition.

Meanwhile, most checks have a variety of features to defeat both tampering and duplication (these are often listed on the back of the check). Technicians at the National Security Agency developed anti-tamper holograph and prism labels that are difficult to duplicate.Sharon A. Maneki. "Learning from the Enemy: The GUNMAN Project". 2012. p. 26.

Desmond Charne was a former holography technician who wanted to be a supervillain. To that end, he used holograph technology which could make him invisible or create 3-D illusions. He also became the leader of his own criminal gang at some point.The Official Handbook of the Marvel Universe Deluxe Edition Vol. 2 #18.

A page in Burns's holograph of 'Holy Willie's Prayer' The climax of the poems on a religious theme such as "Address to the Deil", "The Kirk's Alarm", "The Ordination" and "The Holy Fair" was "Holy Willie's Prayer." Written in 1785 and first printed anonymously in an eight-page pamphlet in 1789.Daiches, David (1952). Robert Burns.

1979-1984: Queen's University at Kingston; B.A.(Hons.) and M.A. M.A. Thesis: "A Characterization of The Middle English Breton Lay" (Supervisor: John Finlayson) 1984-1988: Hertford College and St. Cross College, University of Oxford; D.Phil. D.Phil. Thesis: "Four Middle English Charlemagne Romances: A Revaluation of the Non-Cyclic Verse Texts and the Holograph _Sir Ferumbras_ " (Supervisor: Douglas Gray).

It was there that Fr. Baltagă adopted and raised two children, Vsevolod and Margareta."Formular de serviciu al Iconomului Mitrofor Alexandru Baltagă, an 1939", 2-page holograph, arhiva doamnei Mariana Lungu, cf. A. N. Petcu (see Bibliography)Vlad Cubreacov, Unul dintre martiri – Pr. Alexandru Baltagă, in Liminătorul, an III (1994), no 4 (13), p. 17-20, cf.

Most of the law will be found in the German Civil Code, ss. 2064-2273\. A holograph will, either single or joint, is allowed. Other wills must be notarially executed, declared before a judge, or (if outside Germany) a consul. Two witnesses are required, unless the witness is a notary or a clerk of court (court registrar), any of whom will suffice.

La Damoiselle élue (The Blessed Damozel), L. 62, is a cantata for soprano soloist, 2-part children's choir, 2-part female (contralto) choir (with contralto solo), and orchestra,IMSLP: La damoiselle élue (Debussy, Claude). Holograph manuscript, n.d.(ca.1902) composed by Claude Debussy in 1887–1888 based on a text by Dante Gabriel Rossetti. It premiered in Paris in 1893.

The cantata text was published in 1728 in Ziegler's first collection, . The version set by Bach was slightly different, as he shortened the text here as in other cantatas by the same librettist. The music survived in a holograph manuscript, but was not published until 1876 when the cantata appeared in the Bach Gesellschaft´s first complete edition of Bach´s work.

662 note 78. If Silverman was working within a lineage that distrusted the authenticity of the AAS typescript, as the 1985 essays by Jantz and Levin suggest, it would be understandable why his reprint of the letter in 1971 was truncated. Digital copies of the letter are now available via email from both the AAS (original typescript) and Boston College (holograph).

400 note 5. Clive Holmes in a 2016 essay underscores the importance of the content of the September 2 letter and makes note of the typescript at AAS (but not the holograph at Boston College) and suggests Silverman's abridgment of the letter in 1971 was overly severe.Clive Holmes, "Reconsiderations" in New England Quarterly, December 2016, Vol. LXXXIX, Number 4, p.

No current holograph manuscript exists of the first written version of this selection. "'Hope' is the thing with feathers" first appeared in print in a second series of her poetry, titled Poems by Emily Dickinson, second series in 1891. It was published out of Boston. Upon the original publication, her poems were reassessed and transcribed by Thomas H. Jefferson in 1955.

The dynamic started to change with success. The band started to get treated like outsiders and the focus was placed mainly on Furnier, or the character of Alice. He started getting private cars, solo invitations to parties, solo interviews at radio stations, etc. Salvador Dalí contacted saying he wanted to do a moving holograph of Alice, but the band was not included.

Max Hall "Harvard University Press A History" 1986 Harvard University Press Cambridge MA p 43, p 61 TJ Holmes views seem to have eventually become more nuanced. In an essay from 1985, Harold Jantz writes "TJ Holmes at times deeply regretted having descended into this 'vast Mather bog' ... and he earnestly warned a very young man to stay clear of it."Harold Jantz "Fictions and Inventions in Early America" from Mythos and Aufklarung in der Americanishen Literature (Erlangen, 1985), pp 6-9, 16-19. The reflections by Jantz about TJ Holmes followed the discovery that a typescript copy of a September 2, 1692 letter from Cotton Mather to Chief Justice William Stoughton was authentic, and the heretofore missing "holograph" had been located and placed in the archivesBurns Archives of Boston College holds the holograph and AAS holds the typescript.

Lauder was born at Melville Mill and baptised 17 August 1595 at Lasswade church, the son of Andrew Lauder of Melville Mill, Lasswade (d. June 1658) and his first wife, Janet (d. April 1617), daughter of David Ramsay of Polton and Hillhead.Riddell, John, Remarks upon Scotch Peerage Law, Edinburgh, 1833: 204 His son, Sir John Lauder, Lord Fountainhall, recorded his ancestry in his Holograph Notes.

Members from the Jolly family included Elizabeth, Vincent, William, Harriet, John and Julia Ann Jolly. Solomon Chamberlain wrote in his 1858 autobiography that he was baptized shortly after the organization of the church.. Note: this is a transcription of a holograph; original manuscript held by the Harold B. Lee Library, BYU. Ziba Peterson was baptized on April 18. Ezra Thayre was baptized on October 10, 1830.

In the early 1990s, Jon Tuska, was researching the filmography of Zane Grey. During this research he discovered that Last of the Duanes and Rangers of the Lone Star were much altered from the holograph found "in the bottom drawer of a file cabinet in the Zane Grey, Inc. room where it had survived for eighty years.".Grey, Zane: "Tonto Basin", (quote from the Foreword by Jon Tuska) page 8.

In 2017, the museum opened the Take a Stand Center. It became the first museum in the world to employ a new technology that allows visitors to interact with speaking holographic images of Holocaust survivors. Connected to the holograph theater is an exhibit concerning organizations and individuals that have promoted human rights including the Universal Declaration of Human Rights, and such figures as Ruby Bridges and Malala Yousafzai.

The Delano Record began as the Delano Holograph in 1908. George Keyzers bought the newspaper in 1950, and operated it until its sale to Reed Print Co. in 1985. During the late 1960s it was known for supporting grape growers over workers during the Delano grape strike. Cesar Chavez recalled that the Record accused him of using "vicious dogs" to scare workers into signing up for the newly formed union.

One of the main characters is young Paul Gator, son of a female police officer Georgina Gator. John Gator, Paul's grandfather, was born at the dawn of the internet (around 2000) and has been writing computer code ever since. Paul an apprentice to his hacker grandfather, and is already manipulating code at a young age. Holograms are commonplace in 2057, and most children have holograph projectors embedded within their clothing.

Although he was one of the most popular poets of his time – according to Beal, Strode's 'I saw faire Cloris walke alone' was probably the most popular poem of the century – his poetical works remained uncollected until Bertram Dobell published an edition in 1907; this, being based on unreliable manuscripts, was inaccurate and incomplete and has been generally ignored by scholars. In 1953 a heavily corrected manuscript temporarily deposited in the Bodleian Library by Corpus Christi College, Oxford, was recognised by a librarian as a Strode holograph; she was also able to demonstrate that insertions in the manuscript by a later owner, the antiquarian William Fulman, relate to another Strode manuscript now lost. This manuscript was a fair copy of the English poems, apparently prepared with publication in mind. The discovery of the holograph made possible the preparation of a new edition by Margaret Forey, which was submitted as an Oxford B.Litt.

In June 2010 the British Library acquired Ballard's personal archives under the British government's acceptance in lieu scheme for death duties. The archive contains eighteen holograph manuscripts for Ballard's novels, including the 840-page manuscript for Empire of the Sun, plus correspondence, notebooks, and photographs from throughout his life. In addition, two typewritten manuscripts for The Unlimited Dream Company are held at the Harry Ransom Center at the University of Texas at Austin.

Wroth composed the second volume of Urania between 1620 and 1630.Mary Wroth, The Second Part of the Countess of Montgomery's Urania, ed. by Josephine A. Roberts, Suzanne Gossett, and Janel M. Mueller (Tempe, AZ: Renaissance English Text Society in Conjunction with Arizona Center for Medieval and Renaissance Studies, 1999), xxv. Currently held at the Newberry Library, Wroth's holograph manuscript was probably a working copy, as it contains a variety of corrections and additions.

A greater proportion of the Cwrtmawr manuscripts are from the eighteenth and nineteenth centuries but there is, nonetheless, also a reasonable number of sixteenth and seventeenth century manuscripts. The collection is predominantly of Welsh literary interest and contains a variety of different material including: religious works such as sermons and hymns, volumes of annotated press cuttings, holograph letters, diaries and journals, account books, pedigrees, commonplace books, recipes, dictionaries, music, and notes on philology and bibliography.

DeLamarter aided Sowerby in his becoming an accomplished organist. In 1915 he was organist at the Fourth Presbyterian Church in Chicago, IL. The following year he commissioned and gave the premiere performance of Sowerby's Comes Autumn Time. The Lila Acheson Wallace Library of The Juilliard School has several of his holographs as well as printed items. The University of Michigan Library holds the holograph of his organ concerto and a number of printed items.

David & Charles. p. 21. . However, there is little evidence that "heliograph" here is other than a misspelling of "holograph". The term "heliograph" for solar telegraphy did not enter the English language until the 1870s—even the word "telegraphy" was not coined until the 1790s. Henry Christopher Mance (1840–1926), of the British Government Persian Gulf Telegraph Department, developed the first widely accepted heliograph about 1869 while stationed at Karachi, in the Bombay Presidency in British India.

The 'Boxburgh' misprint in the subscribers section. The other well known error 'Duke of Boxburgh' for 'Duke of Roxburgh' was corrected. The corrected spelling of Roxburgh in the 'London Edition'. Six of the original holograph manuscript versions of the poems published in the Kilmarnock, Edinburgh, London and later editions are in the possession of the Irvine Burns Club in North Ayrshire, who also possess a copy of the 1786 Kilmarnock Edition and the 1787 Edinburgh Edition.

The anime's opening theme is by Maon Kurosaki, and the main ending theme is by Yoshino Nanjō. Additional ending themes include "Eden's Song" by Hana used in episode two, "Skip" used in episode five, and by Faylan used in episode thirteen. Several ending themes from the game included as insert songs are also used in the anime such as "Holograph" in episode six and "Lost Forest" in episode nine. The opening theme for The Eden of Grisaia is by Kurosaki.

In 1996 Lego returning to the white and transparent blue canopies of Futuron with the Exploriens Theme. Sets are known for their use of large, open (sometimes rickety) structures and special image elements (e.g., as foil-holograph stickers for viewscreens). The Exploriens were searching, evidently, for fossils and certain flat plates contained triple images: one in white, for the naked eye; one in blue, for viewing under transparent red scanners; and one in red, for viewing under transparent blue scanners.

The surviving manuscript of the instructional work A Manual of Religious Belief is written in the form of a theological dialogue between father and child written out in holograph by John Murdoch for William Burnes, Robert Burns's father. William had started to compose and compile the work before Robert Burns's birth and wrote the first rough draft that has not survived. This work was originally composed with a stronger Scots language content that Murdoch modified, as well as making grammatical corrections.

Wasserman began working in 1973 at Weiser Books, then the world’s largest bookstore and publishing company to specialize in esoteric literature. While working at Weiser, he met and befriended filmmakers and occultists Harry Smith and Alejandro Jodorowsky. Wasserman worked with Brazilian occultist Marcelo Ramos Motta to publish the Commentaries of AL in 1975, for which he wrote the introduction. Additionally, he supervised the 1976 Weiser publication of The Book of the Law, the first popular edition to append the holograph manuscript to the typeset text.

The Dower House at Dean Castle was home to the Robert Burns World Federation until 2018. The federation holds a number of Robert Burns artefacts such as the Betty Burns portrait by John Hunter of Kilmarnock and holograph letters, etc. held on the federation's behalf at the 'Burns Room' in the Mitchell Library, Glasgow.Burns in Scotland, page 45 As a number of Burns Clubs have ceased to function and the RBWF holds a number of chains of office from said clubs, donated to them for safe keeping.

Anthony Anthony has been identified as the compiler of the information and the artist behind the illustrations through his signature, which has been compared with holograph letters among the State Papers. Anthony's father was William Anthony (died 1535) a Fleming from Middelburg in Zeeland who migrated to England in 1503. William was a supplier of beer to the army, and Anthony followed in his father's footsteps. He went into beer exporting no later than 1530 and became a supplier of beer to the navy.

Cotton Mather's date and signature on September 2, 1692 letter now held by Boston College In a letter dated September 2, 1692, Cotton Mather wrote to judge William Stoughton., Cotton Mather Letters, [1691?]–[1692?], MS1990.023, John J. Burns Library, Boston College Among the notable things about this letter is the provenance: it seems to be the last important correspondence from Mather to surface in modern times, with the holograph manuscript not arriving in the archives for scholars to view, and authenticate, until sometime between 1978 and 1985.

Polonia Overture: holograph first page of Wagner's arrangement for pianoPolonia (WWV 39) is a concert overture written by Richard Wagner. Wagner completed Polonia in 1836, although it has been suggested that it may have been drafted as early as 1832.Anon, "Wagner's Early Overtures", Musical Times, 1 February 1905 , accessed 7 March 2015 Wagner states that Polonia resulted from a "dreamlike evening" in Leipzig when he heard uninterrupted Polish songs, including the Polish national anthem Poland Is Not Yet Lost at a celebration of May 3rd Constitution Day in 1832.Wagner (1992) p.

The manuscript score for the Scherzo was held in the Leningrad State Library in the archives of the pianist Nicholas Richter (1879–1944). Richter was an old acquaintance of Stravinsky and the dedicatee of the Scherzo. The first known publication of the score was a facsimile of the holograph which appeared in Valery Smirnov's 1970 book Tvorcheskoye formirovaniye I. F. Stravinskovo (The Formative years of I. F. Stravinsky). A facsimile version of the piece was also published by Faber Music in 1972, just a year after Stravinsky's death.

The library also has a virtually complete collection of Meredith's published work, including many of the anthologies and issues of literary journals in which individual poems were published or reprinted. The book collection also includes presentation copies of Robert Frost's poetry that Frost gave Meredith, several with inscriptions and holograph poems. A longtime admirer of W. B. Yeats, Meredith fulfilled his ambition to visit Yeats's spiritual homeplace of Sligo, Ireland, in 2006. While there he also attended the Yeats International Summer School, which attracts many academics and admirers of Yeats to Sligo every summer.

Notable individual manuscripts are two books of hymns scribed by William Williams (NLW MSS 77-78) and one written by his son Rev. John Williams (NLW MS 269), both of Pantycelyn; holograph copies by nineteenth century celebrities including Talhaiarn (NLW MS 192) and Ceiriog (NLW MS 307); and, a book of Manx Carols owned by George Borrow (NLW MS 409). Seven continental liturgical manuscripts (NLW MSS 493-499), including examples of fifteenth century illumination from Italian, French and Netherlandish schools, were purchased from Sir Edmund Buckley of Plas Dinas Mawddwy in 1912.

That he left no will suggests his death came suddenly and unexpectedly; he died in Oxford on 10 March 1645 and was buried in the Divinity Chapel of Christ Church Cathedral there. The widow moved to Bedfordshire, but Strode's papers seem to have remained in Oxford, where eventually some came into the possession of Richard Davis, the famous Oxford bookseller. The holograph owned by William Fulman was left by him to his college, and is now known as Corpus Christi College MS 325. The fate of the fair copy is unknown.

The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth. It is an important source for Chaucer's text, and was possibly written by someone with access to original authorial holograph, now lost. The Hengwrt Chaucer is part of a collection called the Peniarth Manuscripts which is included by UNESCO in its UK Memory of the World Register, a list of documentary heritage which holds cultural significance specific to the UK. It is catalogued as MS Peniarth 392D.

The surviving holograph manuscript for Political Justice is held in the Forster Collection at the Victoria and Albert Museum, along with several other works by Godwin. Following Godwin's death in 1836, many of the writer's manuscripts were bought at auction by the collector Dawson Turner. In 1859 the texts for Political Justice, Caleb Williams, Life of Chaucer, and History of the Commonwealth of England were all acquired by John Forster, who died in 1876. Forster's will stipulated that his extensive collection should be given to the South Kensington Museum after his wife's death.

The surviving holograph manuscript for Caleb Williams is held in the Forster Collection at the Victoria and Albert Museum, along with several other works by Godwin. Following Godwin's death in 1836, many of the writer's manuscripts were bought at auction by the collector Dawson Turner. In 1859 the texts for Political Justice, Caleb Williams, Life of Chaucer, and History of the Commonwealth of England were all acquired by John Forster, who died in 1876. Forster's will stipulated that his extensive collection should be given to the South Kensington Museum after his wife's death.

Only one volume bore his name as an imprint: a book of poems, The Serpent in the Wilderness, by Edgar Lee Masters, published in a fine-press limited edition in 1933.A note on the endpaper reads, "This edition consists of 400 numbered copies, of which 365 are for sale, numbers 1 to 84 inclusive, containing holograph manuscript. The book was made under the supervision of Vrest Orton & Ray Nash, and printed at the Marchbanks press on papier de Rives in Baskerville type." Edgar Lee Masters, The Serpent in the Wilderness (New York: S. Dick, 1933).

The first three quartos (printed in 1597 and 1598, commonly assumed to have been prepared from Shakespeare's holograph) lack the deposition scene. The fourth quarto, published in 1608, includes a version of the deposition scene shorter than the one later printed, presumably from a prompt-book, in the 1623 First Folio. The scant evidence makes explaining these differences largely conjectural. Traditionally, it has been supposed that the quartos lack the deposition scene because of censorship, either from the playhouse or by the Master of the Revels Edmund Tylney and that the Folio version may better reflect Shakespeare's original intentions.

Eight copies of Audubon's The Birds of America have sold for more than $1 million. This is a list of printed books, manuscripts, letters, music scores, comic books, maps and other documents which have sold for more than US$1 million. The dates of composition of the books range from the 7th-century Quran leaf palimpsest and the early 8th century St Cuthbert Gospel, to a 21st- century holograph manuscript of J. K. Rowling's The Tales of Beedle the Bard. The earliest printed book in the list is a Southern Song annotated woodblock edition of the Book of Tang printed c. 1234.

The sole manuscript containing these works, Cambridge University Library MS Mm.4.42, passed from the library of John Moore, Bishop of Ely about 1700, to the Cambridge University Library. This manuscript was a holograph written entirely by Ashby. According to Thomas Warton, Ashby was likewise the translator into English of several French manuals of devotion, ascribed by Robert Copland to Andrew Chertsey in his prologue to Chertsey's Passyon of our Lord Jesu Christ (printed by Wynkyn de Worde in 1520): but no authority is given for this statement. None of Ashby's works are known to have been printed.

This volume and the other two in Drakes "Witchcraft Delusion" series (volumes II and III are a full reprint of Robert Calef's book) can be found online, including here. Stacy Schiff, writing thirty years after Jantz and Levin, seems to be the first person on record to take notice of this fact, "Stoughton began his fulsome reply on the verso." Schiff also might be the first scholar, following Jantz and Levin, to note the location of the holograph at the John J. Burns Library of Rare Books and Special Collections at Boston College.Stacy Schiff, "The Witches" p 286.

"'Hope' is the thing with feathers" was first compiled in one of Dickinson's hand-sewn fascicles, which was written during and put together in 1861. In the 1999 edition of The Poems of Emily Dickinson: Reading Edition, R.W. Franklin changed the year of appearance from 1861, where the holograph manuscript exists, to 1862. It is listed in the appendix that poems numbered 272 to 498 were written during this year, which amounted to the third most poems Dickinson wrote in the span of years from 1860–1865, at 227. The edition that Dickinson included in the fascicle was text B, according to Franklin.

Scanlon & Cosner, p. 49–50 That latter year, she found a presumed-lost holograph draft of the Federalist Papers No. 64 in the John Jay papers at Columbia University. She also had an article in the William and Mary Quarterly that year that showed that James Rivington, a New York City newspaper editor during the British occupation of the city, fed information to an American agent. Crary published Dear Belle: Letters from a Cadet and Officer to His Sweetheart, 1858–1865 in 1965 and The Price of Loyalty: Tory Writings from the Revolutionary Era in 1973.

In 1969 scientists D. Wilshaw, O. P. Buneman and H. Longuet-Higgins proposed an alternative, non-holographic model that fulfilled many of the same requirements as Gabor's original holographic model. The Gabor model did not explain how the brain could use Fourier analysis on incoming signals or how it would deal with the low signal-noise ratio in reconstructed memories. Longuet-Higgin's correlograph model built on the idea that any system could perform the same functions as a Fourier holograph if it could correlate pairs of patterns. It uses minute pinholes that do not produce diffraction patterns to create a similar reconstruction as that in Fourier holography.

Letter written by George Rolle to Lady Lisle dated 28 February 1539, Lisle Letters, National Archives At some time shortly before 1500 the overlordship had been inherited, with Umberleigh, Heanton Punchardon and many other estates, by the Basset family of Whitechapel, Devon, and Tehidy, Cornwall, co-heirs of the Beaumonts. The Bassets made great efforts to recover the lease from the Coffin family, which struggle is mentioned in the Lisle Papers. The legal dispute forms the subject of a surviving holograph letter dated 28 February 1539 written by the North Devon lawyer George Rolle (died 1552) to Viscountess Lisle (formerly Lady Basset):Byrne, vol.5, letter 1359, pp.

The James Augustine Healy Collection of Modern Irish Literature contains over 7,000 primary and critical sources representing the Irish Literary Revival. It includes inscribed copies, manuscripts, and holograph letters of William Butler Yeats, items from the Cuala Press, and works from authors including Seán O'Casey, James Joyce, George Bernard Shaw, and others. It also includes the James Brendan Connolly collection. The Pestana Collection of World War I materials comprises 4,000 books, magazines, audio and visual recordings, artifacts, and memorabilia, primarily documenting the experience of the Western Front. Items such as postwar commentaries, memoirs, poetry, fiction, children’s books, handwritten letters and journals, videotape recordings, as well as audio and phonograph recordings.

The manuscript text of the play is in the collection of Lichfield Cathedral Library, where it is designated Lichfield MS. 68. The manuscript is a presentation copy of the play, sent to Brome's patron William Seymour, 2nd Duke of Somerset. (Brome also dedicated his play The Antipodes to Somerset upon its 1640 publication.) The MS. dedication is signed by Brome; both the dedication and the play itself appear to be in the same hand as the signature, indicating that the MS. is an authorial holograph – which would make sense in a presentation MS. to a noble patron. Watermarks in the paper suggest a date around 1640.

In 1914 John Gribbel printed, but did not publish, 150 copies of a facsimile of the two manuscripts in Philadelphia. These volumes were for presentation and not for sale. The printer's plates and negatives were broken to prevent further copies being printed. The first volume held an introduction signed by John Gribbel in holograph; the letter from the Scots Committee; a letter from the printer confirming the destruction of the plates; a copy of the Deed of Trust and at the end of the first volume a facsimile of the letter from the widow of William Wallace Currie offering the manuscripts to the Liverpool Athenaeum.

Hofmann constructed his version to fit Anthon's description of the document, and its discovery made Hofmann's reputation. Dean Jessee, an editor of Smith's papers and the best-known expert on handwriting and old documents in the Historical Department of the LDS Church, concluded that the document was a Smith holograph. The LDS Church announced the discovery of the Anthon Transcript in April and purchased it from Hofmann for more than $20,000. Appraised by the LDS Church for $25,000, it was purchased on October 13 in exchange for several artifacts the church owned in duplicate, including a $5 gold Mormon coin, Deseret banknotes, and a first edition of the Book of Mormon.

In 1786 he had already provided a 'parcel of songs' to Mrs Catherine Stewart of Stair, the Stair Manuscript and again in 1791, the Afton Lodge Manuscript. Additionally the so-called 'Geddes Burns' of Poems, Chiefly in the Scottish Dialect (Edinburgh Edition) contains holograph insertions on the end pages of twelve new songs thirteen and poems.Riddell's notes reveal that he had stimulated Burns to not only recover, mend or add to old fragments, but also to examine them as a scholar. The new works in this volume show that Burns's time in the area was highly productive in terms of his imaginative inspirations and resultant songs and poems.

Programme for the première of Morpheus, given by the composer Clarke gave the first performance of the work in a recital at the Aeolian Hall in New York City in February 1918, and subsequently performed it at Carnegie HallLondon Independent Records: CD liner notes in the spring of 1918 to great acclaim. She listed the work on the program and signed the autograph score with the pen-name 'Anthony Trent'.Morpheus: holograph listing at WorldCat Clarke was self-conscious about having a long list of pieces followed by her name in the composer's place. While the media had light praise for compositions bearing Clarke's name, it greatly applauded the work of the nonexistent 'Mr. Trent'.

Handsome Nell was the first song written by Robert Burns, often treated as a poem, that was first published in the last volume of James Johnson's Scots Musical Museum in 1803 (No.551) with an untitled tune. Burns recorded in holograph on page three of his first Commonplace Book that he wrote the song or Rhyme at the age of only fifteen whilst living at Mount Oliphant Farm, it is regarded as his earliest production, inspired by a farm servant aged fourteen, named either Nelly Kilpatrick or Nelly Blair. Some confusion exists as he also gave his age as 16 in his autobiographical letter to Dr. Moore; the autumn of 1774 is generally accepted.

The untitled third version, to which Yeats referred in his letters as "Michael," the hero's name in all versions of the novel, has 285 extant holograph pages, treble the length of its predecessors. The setting for the 1900 version is still on a remote estate in the west of Ireland, but the father is now only a minor character who, after spending his youth in art schools and womanizing on the Continent, is an irreligious recluse. The son, instead of the father, sees a vision of the Virgin Mary. The opening one-third of this 1900 version is an expansion of the two earlier versions, with considerable new attention given to the young hero's vision.

Ron Silliman, commenting on Robert Grenier's gesture some years afterward, wrote: Grenier's recent "books" have been variously described as folios of haiku-like inscriptions or transcriptions. Examples of his current holograph poems can be seen on-line through the Grenier Author Page at the Electronic Poetry Center (see section below: "External links"). Curtis Faville (who co-edited The Collected Poems of Larry Eigner with Grenier) states that Grenier "has gone on to produce a new hybrid form--neither "poetry" nor graphic art—which treats words (letters) as a form of literal visual design, in which "legibility" hovers at the edge of apprehension". He received the Foundation for Contemporary Arts Grants for Artists award (2013).

Skeat believed that the A-text was incomplete and based his editions on a B-text manuscript (Oxford, MS. Laud Misc. 581) that he wrongly thought was probably a holograph. Modern editors following Skeat, such as George Kane and E. Talbot Donaldson, have maintained the basic tenets of Skeat's work: there were three final authorial texts, now lost, that can be reconstructed, albeit imperfectly and without certainty, by rooting out the "corruption" and "damage" done by scribes. The Kane, Kane- Donaldson, and Russell-Kane editions of the three versions, published by the Athlone Press, have been controversial, but are considered among the most important accomplishments in modern editorial work and theory in Middle English.

The phrase was removed from legal usage in 1995 as part of a modernisation of archaic jargon. The band toured the UK festival circuit in 2011 and were featured in session on Mary Ann Kennedy's Global Gathering show on BBC Radio Scotland in April 2012. Influenced by Eastern European music, 1950s Rock and Roll and Gypsy Jazz, they have a style that has been described as Gypsy Jazz Noir and as having a "vaguely eastern/klezmer-y feel", and their music has drawn broad comparisons with The Doors, The Divine Comedy, Tindersticks and The Monochrome Set. Their eponymous debut album, Adopted as Holograph, was released in January, 2013 and received positive reviews.

He was not a founder member of the Tarbolton Bachelor Club, however he joined in 1781 and a holograph copy of the rules of the club inn his hand survives. He was a correspondent with Burns after he left Tarbolton in 1785 and was also the subject of two poems by Robert, namely the 'Epistle(s) to Davie.'Boyle, Page 140 In the summer of 1791 David was forced, probably due to his failing grocery business, to write and ask Burns for a loan, however the poet was not in a position to help, being just five shillings rich at present.Westwood, Page 126 Retrieved : 21 March 2013 In August 1791 Burns' wrote from Ellisland to David, who had clearly recently become a married man.

A more recent inclusion in History of the Church proclaims the ruins were likely Nephite or belonging to "the ancient inhabitants of America treated of in the Book of Mormon"."Did the Prophet Joseph Smith in 1842 Locate Book of Mormon Lands in Middle America?", by V. Garth Norman In view of the position that ancient peoples migrated from the north into Mexico and Central America, the linking of Mesoamerican artifacts with "ancient inhabitants ... of ... the Book of Mormon" is not inconsistent with Joseph Smith's statements placing Book of Mormon lands in northern America. The History of the Church statement was inserted under the date June 25, 1842 and is not taken from any holograph writing of Joseph Smith or records kept by his clerks.

It was written in the distinctive holograph of John Murdoch and may have replaced an earlier version as Murdoch is said to have corrected William's grammar. Dr. James Currie wrote that: "William Burnes was of a religious turn of mind, and, as is usual among the Scottish peasantry, a good deal conversant in speculative theology. There is in Gilbert's hands, a little "manual of religious belief" in the form of a dialogue between a father and his son, composed by him for the use of his children, in which the benevolence of his heart seems to have led him to soften the rigid Calvinism of the Scottish church, into something approaching Arminianism." It has been remarked that a number of features of John Murdoch's handwriting appear to feature in Robert Burns's early hand.

The law is mainly contained in art. 967-1074 of the French Civil Code. Wills in France may be of three kinds: #holograph, which must be wholly written, dated and signed by the testator; #notarially executed, i.e. drawn up by two notaries and signed in presence of two witnesses or by one notary before four witnesses; this form of will must be dictated by the testator and drafted by the notary, must be read over to the testator in the presence of the witnesses, and must be signed by testator and witnesses; #mystic, which are signed by the testator, then closed and sealed and delivered by him to a notary before six witnesses; the notary then draws up an account of the proceedings on the instrument which is signed by the testator, notary and witnesses.

Some forty of the manuscripts are from Egerton Phillimore's collection including Irish and Manx manuscripts. Among this group is the volume of poetry written by Thomas Evans in the early seventeenth century (NLW MS 253), which Davies suggests is the smallest Welsh manuscript in existence, measuring 85 x 70 mm. More than fifty manuscripts are the books and papers of Thomas Rees including a holograph of poetry by Vavasor Powel (NLW MS 366), the Register of Mynydd Bach Chapel, Llangyfelach (NLW MS 369), and letters to the managers of the Congregational Fund 1769-1811 (NLW MS 383). Other groups within the Additional Manuscripts are the collections of Thomas Edwards (NLW MSS 346-354), George Dunn (NLW MS 431-436), and four French manuscripts (NLW MSS 443-446) acquired at the Ashburnham sale in 1899.

This French translation was then retranslated into English in two London publications of 1793, and one of the London editions served as a basis for a retranslation into French in 1798 in an edition which also included a fragment of Part Two. The first three parts of the Autobiography were first published together (in English) by Franklin's grandson, William Temple Franklin, in London in 1818, in Volume 1 of Memoirs of the Life and Writings of Benjamin Franklin. W. T. Franklin did not include Part Four because he had previously traded away the original hand- written holograph of the Autobiography for a copy that contained only the first three parts. Furthermore, he felt free to make unauthoritative stylistic revisions to his grandfather's autobiography, and on occasion followed the translated and retranslated versions mentioned above rather than Ben Franklin's original text.

In the 19th century, it became common to capitalize pronouns referring to the God of the Abrahamic religions, in order to show respect: An interesting early case is Handel's 1741 oratorio Messiah, whose printed libretto and published score both use lower case pronouns, but whose holograph conductor's score consistently capitalizes: In the 20th century this practice became far less common: Today there is no widely accepted rule in English on whether or not to use reverential capitalization. Different house styles have different rules given by their style manuals. Reverential capitalization is not to be used, for example, according to the style guidelines set by the Chicago Manual of StyleThe Chicago Manual of Style, 15e, University of Chicago Press, 2003 or the Associated Press Stylebook. It is prescribed, for example, by the US Government Printing Office Style Manual (2008).

The Glenriddell Manuscripts is an extensive collection written in holograph by Robert Burns and an amanuensis of his letters, poems and a few songs in two volumes produced for his then friend Captain Robert Riddell, Laird of what is now Friars Carse in the Nith Valley, Dumfries and Galloway. The two volumes of the manuscript were handsomely bound in calf leather. The first volume of poems and songs was completed by April 1791 and was presented to Robert Riddell, however their friendship ceased due to the unfortunate 'The Rape of the Sabine Women' incident and Robert Riddell died shortly after before any reconciliation could take place. The first volume is partly in Burns's hand with one main amanuensis contributing much of the text in a far neater hand than the author himself and a possible third person contributing to the text.

Ladies Burns Clubs also exist such as the 'Irvine Lasses' that was established in 1975; it has appointed several male 'Honorary Lasses'. A number of Burns Clubs hold collections of Burns' manuscripts, artefacts or memorabilia such as the Irvine Burns Club which holds the only surviving holograph manuscripts from the Kilmarnock volume of "Poems, Chiefly in the Scottish Dialect" printed and issued by John Wilson, Kilmarnock, on 31 July 1786.Irvine Burns Club Retrieved : 2013-12-23Wellwood Burns Centre Many clubs also have libraries that contain volumes from the many printed works relating to the bard and to Scottish poets, history and culture. Annual wreath laying ceremonies are held to commemorate personal events such as the birth and death of the poet as well as other significant events in the Bard's life, such as the publication of the Kilmarnock volume.

In particular, this applies to the sinfonia and at least two other notable pieces, for which Metastasio's text also remained unchanged: Aristea's aria "Tu di saper procura" (which corresponds to the solo for the angel, "Fremi pur quanto vuoi")Celletti, I, p. 117. and the only duet, placed at the end of the first act, "Ne' giorni tuoi felici", between Megacle and Aristea (which corresponds to the duet "Di pace e di contento" between Saint William and Father Arsenio).Catalucci and Maestri, p. 9. Given that the holograph score of the earlier work by Pergolesi has not survived, it is even possible that it is not a case of L'Olimpiade borrowing from Guglielmo but rather the reverse, with the reuse of music from L'Olimpiade in later Neapolitan revivals of the other piece, attested by the scores of Guglielmo which have come down to us.

W. T. Franklin's text was the standard version of the Autobiography for half a century, until John Bigelow purchased the original manuscript in France and in 1868 published the most reliable text that had yet appeared, including the first English publication of Part Four. In the 20th century, important editions by Max Ferrand and the staff of the Huntington Library in San Marino, California (Benjamin Franklin's Memoirs: Parallel Text Edition, 1949) and by Leonard W. Labaree (1964, as part of the Yale University Press edition of The Papers of Benjamin Franklin) improved on Bigelow's accuracy. In 1981, J. A. Leo Lemay and P.M. Zall produced The Autobiography of Benjamin Franklin: A Genetic Text, attempting to show all revisions and cancellations in the holograph manuscript. This, the most accurate edition of all so far published, served as a basis for Benjamin Franklin's Autobiography: A Norton Critical Edition and for the text of this autobiography printed in the Library of America's edition of Franklin's Writings.

The Additional Manuscripts are those donated to the National Library of Wales by Sir John Williams that are not part of either the Peniarth or Llanstephan collections. These manuscripts are the first five hundred in the General Collection (NLW 1-500), of which 1-446 were catalogued by John Humphreys Davies, Principal of the University College of Wales in Aberystwyth, in Additional manuscripts in the collections of Sir John Williams. Sir John Williams A hundred and thirty-seven of the Additional Manuscripts were purchased at the Sir Thomas Phillipps sale in 1895, which Davies described as including some of considerable interest, for instance the letters contained in bound volumes of the papers of Bardd y Brenin, that Sir Thomas had bought. There are also some important manuscripts such as the holograph of George Owen's Treatise on the Lordships Marcher of Wales (NLW MS 10), a collection of notes by Lewis Morris (NLW MS 67), a copy of the journal that Sir Joseph Banks kept of his tour through Wales (NLW MS 147), a copy of the original manuscript of T. F. Dukes's Antiquities of Shropshire, the notebook of Theophilus Jones (NLW MS 235), and a volume of letters to the Welsh Antiquary Edward Lhuyd (NLW MS 309).