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"haunch" Definitions
  1. haunches [plural] the tops of the legs and buttocks; the similar parts at the back of the body of an animal that has four legs
  2. [countable] a back leg and loin of an animal that has four legs, eaten as food
"haunch" Synonyms
buttock flank hindquarter hunkers side upper leg buns buttocks hip leg loin posterior rump thigh quarter hand ham pleuron croupe crupper

91 Sentences With "haunch"

How to use haunch in a sentence? Find typical usage patterns (collocations)/phrases/context for "haunch" and check conjugation/comparative form for "haunch". Mastering all the usages of "haunch" from sentence examples published by news publications.

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When they are not being milked, they jostle haunch to haunch in file.
Will he ignore a slightly ill-formed haunch on behalf of an exhibitor friend?
It doesn't need to be a fancy meal with a haunch of roast lamb.
Serve a bunch of sliced tomatoes on the side alongside a haunch of crusty bread.
Likewise, note that the presence of flies means they have beat you to the haunch; maggots are self-explanatory.
Make sure to read my "How to Cook Ham" guide so you don't dry out that big, expensive haunch.
As I shoved the haunch into my shorts and knotted the drawstring tight, he explained exactly how to cook it.
Would you consider roasting a haunch so you can make po'boys for dinner, whether watching the Super Bowl or not?
The kitchen table was laid with homemade bread, butter, jam, a tureen of dried lamb tallow, and a haunch of fermented lamb.
People in every culture can be generous, whether they're lending a cellphone to an office mate or sharing an antelope haunch with a hungry family.
Or when the "culinary" offerings are peat-smoked oysters, fresh nasturtium leaves, haunch of venison, and whisky that's been mellowed in oak casks for eight years.
Aside from its badging and performance, the Mach-E includes Mustang design aspects such as a long hood, rear haunch, aggressive headlights and trademark tri-bar taillamps.
The only Jayden Smith that is even remotely dangerous is this tattoo of Jaden Smith on Impractical Joker Sal Vulcano's haunch, and even then it looks quite pleasant.
The lamb haunch was not at all to my taste, but, given a choice between eating it and foraging for a puffin egg, I know which I'd choose.
This 8-foot-wide scene of sinister figures in a wood-planked interior had been bought by its owner from the London gallery Haunch of Venison in 2009.
He had an exhibition at the Haunch of Venison Gallery in London, now defunct, in 2006, and a solo show at the Acquavella Galleries in New York in 2012.
Among the consumables: beaver bone soup, moose bone marrow, woodcock hung until it reached the desired "hallucinogenic point of decay," caribou haunch, eels with sour-grass sauce, roly-polies and pandowdies.
The Haunch of Venison dates from the 15th century — well before Columbus "discovered" the New World — but there's evidence of a pub of the same name on the site since the 1300s.
Cooking this way takes on its own satisfactions and makes the decision to cook a great haunch of meat all the more special when we come to it not as a matter of expectation but as an occasional treat.
Now helmed by a young Swedish chef, Simon Harrison, the restaurant features a dinner menu melding global and seasonal Greenlandic ingredients into dishes that are creative twists on the traditional, such as musk ox fillet and haunch wrapped in seaweed.
I found a notebook that had a note in it from 2008, and it had a few different little scribbles and one of them had to do with a woman's haunch, and the man sort of appearing over, almost like a sun [rising] or something.
All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours.
Several art experts point out that efforts to merge the skill sets of galleries and auction houses have failed in the past, namely the 50 percent interest Sotheby's bought in the gallery Deitch Projects in 1997, and its purchase of the André Emmerich Gallery in 1996, as well as Christie's acquisition of the gallery Haunch of Venison in 2007.
I'd like to be cooking barbecue right now, setting out a big brisket or pork shoulder or haunch of lamb to baste in smoke for the better part of the day before it collapses into itself so I can use the meat later for sandwiches and tacos, on top of grain bowls, as the flavor in a big mound of fried rice.
Haunch of Venison was founded in 2002, and named after the London courtyard (Haunch of Venison Yard) in which the original gallery space was based. In 2007, Haunch of Venison became a subsidiary of Christie’s International plc. but continues to operate as an independent company run by Senior International Director Emilio Steinberger. Artists represented by Haunch of Venison include Rina Banerjee, Justin Mortimer, Thomas Heatherwick, Jitish Kallat, Jamie Shovlin, Joana Vasconcelos"I Will Survive, an exhibition by Joana Vasconcelos at Haunch of Venison Gallery, London", Daily Telegraph.
Alexander the Great's horse was named Bucephalus after this brand on its haunch.
The Haunch of Venison in 2009 Haunch of Venison was a contemporary art gallery operating from 2002 until 2013. It supported the work of contemporary leading artists, presented a broad and critically acclaimed program of exhibitions to a large public through international exhibition spaces in London and New York.
Harry Christian Peter Blain (born 12 September 1967) Debrett's is a British art dealer and a co-founder of the BlainSouthern gallery. In 2002 he started Haunch of Venison gallery with Graham Southern. Together with Southern, Blain staged exhibitions at Haunch of Venison, including surveys of Abstract ExpressionismThe New York Sun, September 2010 and late twentieth century Russian art in New York and London respectively. In 2007 Blain and Southern sold Haunch of Venison The Independent March 12, 2009 Art Review Power 100 to Christie's International plc.
Haunch of Venison opened in New York in September 2008."Haunch: A New Gallery, With Strings Attached", The New York Observer. Retrieved 24 August 2010. The inaugural exhibition, "Abstract Expressionism - A World Elsewhere" - curated by David Anfam - showcased the paintings, sculptures and photographs of Franz Kline, Willem de Kooning, Lee Krasner, Barnett Newman, Jackson Pollock, Mark Rothko, Aaron Siskind, David Smith, and Clyfford Still.
Robert Woodford was born at Old, Northamptonshire on 3 April 1606, a son of Robert Woodford and his wife Jane Dexter. He was educated at Brixworth and trained as an attorney by John Reading, a barrister at Inner Temple. In 1635, Robert married Hannah Haunch (1617–1699) at All Hallows, London Wall, the daughter of Robert Haunch and his wife Susanna Heighes. The couple had 14 children, but many failed to survive to adulthood.
The London gallery temporarily relocated to 6 Burlington Gardens from March 2009 to November 2011. In September 2011, the London gallery moved back to its original location at Haunch of Venison Yard, following extensive renovations by leading architect Annabelle Selldorf. In March 2012, Haunch of Venison opened a second gallery space in London, located on Eastcastle Street in Fitzrovia. The new space, launched with an exhibition by young Scottish artist Katie Paterson (9 March – 28 April).
Graham Southern (born 21 September 1960) is an English art dealer and gallery owner. In 1994, Southern was the Founding Director of Christie's (London) Post-War & Contemporary Art Department which he ran until 2001, leaving to become a director of the Anthony d'Offay Gallery. In 2002, he founded Haunch of Venison gallery with Harry Blain. The gallery represented, amongst others, Turner Prize winners Richard Long and Keith Tyson. In 2007, Blain and Southern sold Haunch of VenisonArt Review Power 100 to Christie's International plc.
During his tenure, MCA was awarded the Arts Presenters/MetLife Foundation Award for Excellence in Arts Access. In February 2008 Fitzpatrick left his position at MCA in order to join the London-based (and Christie's-owned) gallery Haunch of Venison as its international managing director, where he oversaw the opening of Haunch New York, housed at Rockefeller Center. He stepped down from that post in March 2009. Fitzpatrick is the father of Michael Fitzpatrick, the titular "Fitz" of the neo soul band Fitz and the Tantrums.
A hit outside the circles but still on the target (except on the haunch) counted for 1 point. The maximum possible score was thus 40 points. Each nation could enter up to 12 shooters.Official Report, p. 39.
A hit outside the circles but still on the target (except on the haunch) counted for 1 point. The maximum possible score was thus 80 points. Each nation could enter up to 12 shooters.Official Report, p. 39.
Sarah Kent (2007): 'Public Pictures, Private Lives', in Uwe Wittwer - Hail and Snow. Haunch of Venison, Zurich / London, Kunde, Harald (2005). 'Conjectures About What Is Possible', in Uwe Wittwer - Geblendet/Dazzled, Heidelberg: Kehrer Verlag. The works of referenceAlso termed Appropriation Art.
2011 saw a survey exhibition of paintings by Peter Saul.Survey Exhibition of Important Paintings by Peter Saul at Haunch of Venison in New York The New York gallery was based in the Rockefeller Center from 2008 to 2011. In September 2011, the gallery relocated to a new space in Chelsea, also redesigned by Annabelle Selldorf. Haunch of Venison Berlin opened in September 2007 and closed in December 2010. The gallery was located next to the city’s contemporary art museum the Hamburger Bahnhof in a former industrial space allowing for the presentation of one-off projects and large-scale exhibitions. A concert by the fictional band ‘Lustfaust’ presented by Jamie Shovlin marked the opening.
The mosque is designed in eclectic architectural style and some details are used which are normally seen in the Indian and Iranian architecture. It is painted today in red and white, although the original color was yellow and beige. It has a square-plan of dimensions. It has one dome sitting on an octagonal haunch.
Haunch of Venison, London, 2009. Coventry added: > As a child I was a Roman Catholic. Every Sunday morning at seven o'clock I > had to go to church where I had a few minutes to look at the texts that I > had to read for the service. The image of Jesus is like a container for all > sorts of ideas.
The new space is situated in Fitzrovia; an area known historically for its artist communities and in recent years home to a number of significant contemporary art galleries. As of 28 March 2013, Haunch of Venison ceased to represent artists, and the gallery spaces were combined with Christie’s Private Sales to focus on the secondary market.
Fashion East has held events at many venues across London including: Old Truman Brewery, Tate Modern’s Turbine Hall and Tate Tanks, Natural History Museum, Institute of Contemporary Arts, Electric Ballroom, Curzon Mayfair Cinema, Haunch of Venison Gallery and Blacks Members Club Soho. Internationally, Fashion East has hosted events in Moscow and Paris, including a collaboration with Colette in Paris.
More recently, she has been researching and publishing on the history of art and photography in post-apartheid South Africa, including curating exhibitions on this subject (including Land Marks/Home Lands: Contemporary Art from South Africa at the Haunch of Venison Gallery in London in 2008). Garb's exhibition Figures and Fictions was nominated for a Lucie award in Curating.
A lifetime retrospective of drawings, Tom Wesselmann Draws, was shown at Haunch of Venison Gallery, New York, and then traveled to The Museum of Fine Art, Fort Lauderdale, FL, at Nova Southeastern University, and The Kreeger Museum in Washington, DC. A lifetime retrospective, to travel in North America, will open at The Montreal Museum of Fine Arts in May, 2012.
There were three concentric circles on the target, with the smallest counting for 4 points, the middle for 3, and the outermost for 2. A hit outside the circles but still on the target (except on the haunch) counted for 1 point. The maximum possible score was thus 40 points per shooter, or 160 for the team. Only 2 teams competed.
The word became obsolete for grooms in English from the middle of the 17th century, but was retained in Scots as "personal attendant of a Highland chief". It was revived in English by way of the novelist Sir Walter Scott, who took the word and its derivation, according to the New English Dictionary, from Edward Burt's Letters from a Gentleman in the North of Scotland, together with its erroneous derivation from haunch. The word is, in this sense, synonymous with gillie, the faithful personal follower of a Highland chieftain, the man who stands at his master's haunch, ready for any emergency. The modern sense of "obedient or unscrupulous follower" is first recorded 1839, probably based on a misunderstanding of the word as used by Scott, and is often used to describe an out-and-out adherent or partisan, ready to do anything.
The piece was first performed in Los Angeles at Disney Hall on 3 separate evenings in 2004, one act at a time, then given complete performances at the Bastille Opera in Paris in April and in November 2005.Adrian Searle: Bill Viola: Haunch of Venison/St Olave's College, London, The Guardian, June 29th 2006 The video pieces were later shown in London without Wagner's music in June to September 2006, at the Haunch of Venison Gallery and St Olave's College, London. The Tristan project returned, both in music and video, to the Disney Hall in Los Angeles in April 2007, with further performances at New York City's Lincoln Center in May 2007 and at the Gergiev Festival in Rotterdam, The Netherlands, in September 2007. It will be seen at the Canadian Opera Company in Toronto in February 2013.
A male okapi looks over his shoulder at White Oak Conservation Okapi have haunch stripes that resemble a zebra but are related to the giraffe. They are classified as endangered, and wild populations can be found only in the Democratic Republic of the Congo. White Oak maintains a captive breeding program and facilities for okapi. The center has imported okapi for breeding from the Okapi Conservation Project.
The Haunch of Venison, overlooking the Poultry Cross, operates from a 14th-century building; one of its attractions is a cast of a mummified hand, supposedly severed during a game of cards. The Rai d’Or has original deeds dating from 1292. It was the home of Agnes Bottenham, who used the profits of the tavern to found Trinity Hospital next door in circa 1380.
Best known product is "Visočka pečenica" which is permanent charcuterie product obtained from high quality parts of beef (haunch, back with the lumbar part, shoulder, and flank), dry salted only with kitchen salt and cold smoked and dried. Association of meat processors from Visoko was founded which goal is to create and geographically protect „Visočka pečenica“ as a brand with official application submitted on 29 January.
10 ins. It shows a recumbent animal having body and legs like those of a dog with the characteristic depth of rib and strength of thigh. The tail, long and curved, shows a definite tuft. The rear of the haunch, and still more the tail, are in exceptionally low relief, apparently due to the loss of a thin flake from the face of the slab.
As for the meaning of "Aqlivusta," Rashi has explained [it as being] the small bone lying on that bone which, [in French], is called hanche (haunch or hip), and [which is] connected to the vertebrae of the tail [of the sheep]. But Rabbi Yitzhak Alfasi explained [it as] that bone which holds fast all the [other] bones, while the Kol Bo has written Rashi's explanation under his name. Yet, the [book known as] Sefer Mitzvot Gedolot (Hasemag) has written [under] the prohibitive command # 138, Tarba de-Aqlivusta: Rashi has explained the Qaliboseth (i.e. tail bone) as being the small bone lying on that bone which is called [in French] hanche (haunch or hip), and [which is] connected to the vertebrae of the tail [of the sheep] from above, upon which there is suet beneath the loin, and which is among that suet found on the flanks.
Damara zebras are described as being striped on the head, the neck, and the flanks, and sparsely down the upper segments of the limbs then fading to white. One or two shadow stripes rest between the bold, broad stripes on the haunch. This main, distinguishing characteristic sets the Zululand Zebra apart from the other subspecies. Gray (1824), observed a distinct dorsal line, the tail only bristly at the end, and the body distinctly white.
Coventry studied Fine Art at Brighton Polytechnic - now the Faculty of Arts (University of Brighton) - from 1978 to 1981 followed by an MA at Chelsea School of Art, graduating in 1982. Haunch of Venison gallery Before he could support himself through his art he had a number of jobs, including working as a painter and decorator for the infamous property magnate Nicholas Van Hoogstraten and as a caretaker at a girls' public school in London.
As with arches, the "springing" of a dome is the base level from which the dome rises and the "haunch" is the part that lies roughly halfway between the base and the top. Domes can be supported by an elliptical or circular wall called a "drum". If this structure extends to ground level, the round building may be called a "rotunda". Drums are also called "tholobates" and may or may not contain windows.
In Memory]consists of an enclosed, artificial graveyard on the edge of an area of Scottish woodland. By chiselling out the names on the salvaged tombstones, Coley draws our attention to the manner in which we invest architectural objects with individual meaning. Coley's exhibition A Place Beyond Belief showed at Haunch of Venison in 2012 and included a range of photographic and sculptural work relating to the ritualised nature of protest and mourning.
Ornitz started writing plays, and had The Sock performed in 1918. His Deficit was produced by the People's Playhouse in New York City in 1919. His first literary success was his debut novel Haunch Paunch and Jowl (1923), an "anonymous autobiography" about his Jewish roots, which gained national notice. It contains an early use of stream-of-consciousness writing in American fiction, a technique originated by Irish writer James Joyce in his novel Ulysses.
Visually, it features an 'Aero Haunch' behind the driver, similar to 1950s D-Type, a quad exhaust and a fixed rear spoiler. The project 7 has a claimed 0–97 km/h (0–60 mph) acceleration time of 3.8 seconds and a top speed of . The Project 7 is a skunkworks design penned by Italian-Brazilian designer César Pieri. It was discovered by chance when Pieri accidentally showed it to Jaguar chief- designer Ian Callum.
Usage varies from animal to animal. Birds and cattle are said to have a rump and tailhead. Dogs are said to have a rump and dock. Horses are said to have a croup"How do I...Identify Parts of the Horse" Arabian Horse Association(croup)"Body parts of the horse" (Croup)"Identifying Horse parts and markings for Dummies" (Croup) (sometimes rump),"Learning the parts of the horse" American Miniature Horse Association (uses rump or croup) thigh or haunch, buttock, and dock.
Two of the several extinct vents make up the 'Lion's Head' and the 'Lion's Haunch'. George Square area of. Edinburgh. Arthur's Seat and the Salisbury Crags adjoining it helped form the ideas of modern geology as it is currently understood. It was in these areas that James Hutton observed that the deposition of the sedimentary and formation of the igneous rocks must have occurred at different ages and in different ways than the thinking of that time said they did.
The Old Bancroftians Association (OBA) was founded in 1892 when the Old Bancroftians' Football Club was formed, although there were already a few unofficial groups which had been around since the 1860s. The first meeting was held in 1896 at the Haunch of Venison in Fleet Street. However, a constitution was not agreed until 1909, when the first President, H.C Playne (who was also the school's Head Master), was appointed. The idea of the association was to keep young and old members together.
That year, Sotheby's inaugurated a new gallery space called S2 at its York Avenue headquarters with a show of work by American abstract painter Sam Francis. Unlike Haunch of Venison, a gallery that Christie's bought in 2007, S2 is solely devoted to showcasing the auction house's private sales.Shane Ferro (14 September 2011), Sotheby's Expands Beyond the Auction Floor With Its New S2 Art Gallery ARTINFO. The company reported $513 million in private sales in the first half of 2012, making commission revenues of $41.5 million on them.
In 2007 it brokered a $68 million deal that transferred Thomas Eakins's The Gross Clinic (1875) from the Jefferson Medical College at the Thomas Jefferson University in Philadelphia to joint ownership by the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts.Judd Tully (24 October 2011), Private Sales Go Public: Why Christie's and Sotheby's Are Embracing Galleries Like Never Before The New York Observer. In the same year, the Haunch of Venison galleryColin Gleadell (27 February 2007), Christie's move stuns dealers The Daily Telegraph.
Of 395 sheep killed in a sheep farming area in KwaZulu-Natal, 13% were killed by jackals. Jackals usually kill sheep with a throat bite, and begin feeding by opening the flank and consuming the flesh and skin of the flank, heart, liver, some ribs, haunch of hind leg, and sometimes the stomach and its contents. In older lambs, the main portions eaten are usually heart and liver. Usually, only one lamb per night is killed in any one place, but sometimes two and occasionally three may be killed.
He played just one match, though it brought him the last of his goals for the club. He subsequently spent four seasons in non-league football, first with Bedford Town F.C., with whom he won a Southern League Championship medal in the 1958-59 season, then with Hastings United and Romford. He left the game in 1962. After his retirement he ran a newsagents shop close to White Hart Lane in Northumberland Park and later became the landlord at the Haunch of Venison public house in Cheshunt, Hertfordshire.
The photographs were exhibited at Haunch of Venison gallery in London and Zurich. Her Turner Prize display included a film, Waiting, which was shot in a sisal-processing factory. The Tate gallery describes her work:In 2012, the first major survey exhibition of her work was held at Whitechapel Gallery, London, January–March 2012, which traced 25 years of her work. It opened with the joint premiere of her film, Yellow Patch (2011), at The New Art Gallery Walsall"Zarina Bhimji: Yellow Patch, 20 Jan 2012 – 13 Apr 2012, The New Art Gallery Walsall", ArtRabbit.
The Jaguar F-Type Project 7 Rear view with the Aero Haunch visible The Project 7 is based on the F-Type Convertible, and is powered by a 5.0-litre supercharged V8 engine, generating a maximum power output of . The engine is shared with the F-Type SVR. Only up to 250 units were made and the car is considered to be Jaguar's most powerful production car ever, alongside the F-Type SVR. The body shell of the car is made from aluminium, reminiscing the historical D-Type LeMans winner.
The auction exceeded expectations, setting a record for a single-artist auction, occurring as the financial markets plunged. The Sunday Times said that Hirst's business colleagues had "propped up""Hirst dealers bolster prices at record sale", The Sunday Times, 21 September 2008. Retrieved 10 February 2009. the sale prices, making purchases or bids which totalled over half of the £70.5 million spent on the first sale day: Harry Blain of the Haunch of Venison gallery said that bids were entered on behalf of clients wishing to acquire the work.
In April 1985, a bulge was detected at the haunch closest to the live tunnel; steps to address it included installing steel ribs to brace the area and additional monitoring. During the 1980s, the closed tunnel was backfilled with spoil to prevent further distortion of the tunnel's lining. In 1992, a pair of block walls were built in the first tunnel, an 83-yard section of tunnel between them was grouted, as was with No. 3 shaft, to prevent further deterioration. The work has precluded further use of the first tunnel as there is no provision for through-access.
Parts of the horse Quarter marks in checkerboard pattern on a horse's croup In horse anatomy, the croup refers specifically to the topline of the horse's hindquarters and surrounding musculature, beginning at the hip, extending proximate to the sacral vertebrae and stopping at the dock of the tail (where the coccygeal vertebrae begin). Below the croup is the thigh or haunch. Behind the thigh is the buttock. On horses appearing in parades and other public ceremonies, the croup may be decorated with a pattern in the horse's hair, formed by applying hair gel or spray, then brushing patches of hair in opposite directions.
Mithras stock epithet is Sol Invictus, "invincible sun". However, Mithras is distinct from both Sol and Sol Invictus, and they are separate entitites on Mithraic statuary and artwork such as the tauroctony scenes, in Mithras hunting scenes, and in the Mithraic banquet scenes in which Mithras dines with Sol. Other scenes feature Mithras ascending behind Sol in the latter's chariot, the deities shaking hands and the two gods at an altar with pieces of meat on a spit or spits. One peculiar scene shows Sol kneeling before Mithras, who holds an object in his hand, interpreted as either a Phrygian cap or the haunch of the bull.
1908 was the first time of running deer at the Olympics, and the target was specified to placed at 110 yards (100.584 meters) and made 10 runs of 75 feet (22.86 meters) for about 4 seconds each. The deer target a scoring area of three concentric circles, with the smallest counting for 4 points, the middle for 3, and the outermost for 2. A hit outside the circles but still on the target (except on the haunch) counted for 1 point. The target made 10 runs for each shooter both in the Single- and Double-Shot event, and in the Team event each team consisted of four shooters.
The books characteristically bring a fresh 'sideways look' in a peaceful and non-judgemental way to places perhaps unfamiliar at the time to a Chinese national: the author was struck by things the locals might not notice, such as beards, or the fact that the so-called Lion's Haunch on Arthur's Seat in Edinburgh is actually far more like a sleeping elephant. In his wartime books, Chiang Yee made it plain that he was fervently opposed to Nazism. His writings exude a feeling of positive curiosity, life-enhancing in a unique way. Some of his books have been re-issued in recent decades, at times with fresh introductions.
A second man, also wearing bluejeans and no shirt, stands by the bull's haunch and holds the end of a rope that swirls into another man's hand in the foreground, where the work of woodchopping has been interrupted. The bull's tail points into the surging, wavelike woods that rise out of the distance; a barn and silo emerge from the woods to the right. The undulating line of the rope and tail visually connect the woodlands and the timber produced from it. The right half of the panel is dominated by a giant bounty-producing cornucopia on which a dark- haired woman reclines, leaning on her elbow with her eyes closed.
Down the centerline, without changing directions Down the centerline (changing directions) The horse is ridden down the imaginary centerline of the arena, from the letters C to A or vice versa. This is one of the best ways to test the straightness of the horse, as the sides of the arena usually guide horses into straightness, while the centerline is very open. The centerline may also be used as a way to change direction, although it is generally not as preferred as the other options. The horse should first and foremost stay straight through his whole body, without dropping a shoulder or haunch inward.
All of the three EPs featured cover art by Montreal-based photographer Guillaume Simoneau. Also in 2009, he was featured on a Truckback Records remix project for dancehall artist Erup's hit "Click My Finger" alongside Grahmzilla of Thunderheist, Nick Catchdubs and Lunice. In January 2010, Poirier's music was used alongside Flying Lotus and Roberto Carlos Lange, among others, as the soundtrack to New York artist Brian Alfred's It’s Already the End of the World, "a solo exhibition of new work by Brooklyn artist Brian Alfred...featur[ing] 14 new paintings, collage works, and a major new video work"."New Work by Brooklyn Artist Brian Alfred at Haunch of Venizon", Artdaily.org.
Generally, the size of the mortise and tenon is related to the thickness of the timbers. It is good practice to proportion the tenon as one third the thickness of the rail, or as close to this as is practical. The haunch, the cut-away part of a sash corner joint that prevents the tenon coming loose, is one third the length of the tenon and one-sixth of the width of the tenon in its depth. The remaining two-thirds of the rail, the tenon shoulders, help to counteract lateral forces that might tweak the tenon from the mortise, contributing to its strength.
Jones, Laura K. "London Dispatch" 20 February 2008 These were then abstracted from their contexts within Howard's rapidly executed line drawings, forming the basis of the paintings. The series ultimately offers an investigation into the aesthetics of suicide.Husni-Bey, Adelita "Rachel Howard – Haunch of Venison" March/April 2008 Possible instruments of death are depicted – a pair of scissors, a ladder, as well as the symbolic, lone Black Dog (a common metaphor for depression, coined by 18th Century writer Samuel Johnson). Then there are the faceless figures; many hang from ropes, while the body of a woman lying across a bed recalls the psychosexual claustrophobia of Walter Sickert.
As the Greek adjective ἱερός may also mean "strong", it has also been suggested that os sacrum is a mistranslation of a term intended to mean "the strong bone". This is supported by the alternative Greek name μέγας σπόνδυλος by the Greeks, translating to "large vertebra", translated into Latin as vertebra magna. In Classical Greek the bone was known as κλόνις (Latinized clonis); this term is cognate to Latin clunis "buttock", Sanskrit ' "haunch" and Lithuanian šlaunis "hip, thigh".used by Antimachus; see The Latin word is found in the alternative Latin name of the sacrum, ossa clunium, as it were "bones of the buttocks".
Chauntecleer attacks the weasel with his spur, cutting at John Wesley's haunch, which he just brushes off and continues running through the canyon. The rooster in all of his rage, leaps onto the black stag that had carried him there, and commands him to take after the weasel, reinforcing it with a sharp jab of his other spur, deep into the stag's side. The animal reacts to the pain by starting a stampede of all the confused animals that had come along with Chauntecleer. The weasel manages to stay ahead of them just long enough to reach the coyote's den where one of the young coyotes comes to John Wesley's rescue.
A 2006 project by Shovlin was an archive of letters and writings titled Mike Harte - Make Art. This piece consisted of an ongoing mail correspondence during 2001 from the Mike Harte, a long-time friend and collaborator of Shovlin. Shovlin's work can be found in the following collections, Charles Saatchi (Naomi V Jelish Project), Elspeth & Imogen Turner Collection (Lustfaust Memorabilia Collection, The Black Room Installation, The Ties That Bind Installation, Fontana Modern Masters and others), David Roberts (Fontana Modern Masters). Shovlin is represented by Haunch Of Venison (London, Berlin, Zurich, New York City), Unosunove Gallery (Rome), Horton Gallery (New York City) and Cosmic Galerie (Paris).
In 2004, Viola began work on a new production of Richard Wagner's opera Tristan und Isolde, a collaboration with director Peter Sellars, conductor Esa-Pekka Salonen and executive producer Kira Perov. The opera premiered at the Opéra National de Paris in 2005 and Viola's video work was subsequently shown as LOVE/DEATH The Tristan Project at the Haunch of Venison Gallery and St Olave's School, London, in 2006. During 2007, the Centro Andaluz de Arte Contemporáneo in Sevilla, organized an exhibition at the Palace of Charles V in la Alhambra- Granada- in which Viola's work dialogues with the Fine Arts Collection of the museum.
Based on Upper Palaeolithic cave paintings, the Irish elk seems to have had overall light colouration, with a dark stripe running along the back, a stripe on either side from shoulder to haunch, a dark collar on the throat and a chinstrap, and a dark hump on the withers (between the shoulder blades). In 1989, American palaeontologist Dale Guthrie suggested that, like bison, the hump allowed a higher hinging action of the front legs to increase stride length while running. Valerius Geist suggested that the hump may have also been used to store fat. Localising fat rather than evenly distributing it may have prevented overheating while running or in rut during the summer.
Having some literary facility, he made money by writing several disreputable novels, such as The Life and Adventures of Benjamin Brass (1765), partly based on his early life, The History of Sir Edward Haunch, and others. His book The Adventures of William Williams, an African Prince, whom Oakman met in Liverpool prison, had some success through its attack on slavery as an institution. "He wrote for two guineas a set of two volumes; and such was his rapidity, that he could produce one work a week." Oakman had a gift for song- writing, and wrote many popular songs for Vauxhall Gardens, Bermondsey Spa and elsewhere; he also wrote burlettas for the performances at Astley's Amphitheatre.
Southern remained within the business and continued to run the gallery with Blain when they both left to launch BlainSouthern in 2010. The gallery was originally based at 21 Dering Street, but moved to 4 Hanover Square in October 2012. Together with Blain, Southern staged many acclaimed exhibitions while at Haunch of Venison, including major surveys of Abstract ExpressionismThe New York Sun, September 2010 and late twentieth century Russian art in New York and London respectively; in Berlin they put on an exhibition with Damien Hirst and Michael Joo in 2010The Independent, 12 May 2010 In 2010, Southern and Blain were cited in an Evening Standard survey as being among the most influential people in London.
There is a single bill of fare for a "Ball Supper for 300 Persons", and one for a "Public Dinner" for the same number. A Bill of Fare for a dinner for Her Majesty Queen Victoria There are 13 bills of fare for "Her Majesty's Dinner", each with an exact date in 1841 and the words "(Under the control of C. Francatelli.)". Each of the royal dinners has either eight or nine courses (including a buffet or sideboard), except for that of 30 June which is divided into two "Services" and has 11 courses. The royal dinners are described almost entirely in French, with the exception of the heading, the phrase "Side Board", and a few specifically British dishes such as "Roast Mutton" and "Haunch of Venison".
It was used mainly by the Royal Academy Schools. On 29 August 2006, the building was damaged by a fire, but there was no loss of Academy artworks as it was being prepared for a future exhibition. Giampietrino’s copy of Leonardo’s Last Supper, which will be housed in the building after redevelopment In 2006 Colin St John Wilson drew up a masterplan for the whole complex, which included a more modest link between the buildings than that proposed by Hopkins. However, Wilson died the following year, which led to another competition being held in 2008, won by David Chipperfield Architects. In order to raise capital for Chipperfield’s design, the building was lent to the commercial gallery Haunch of Venison, which occupied the site from 2009 to 2011 while their existing building was being renovated.
There were many pubs in and around this area but in recent years all but a few have closed and been demolished. The Bagnall Arms (School Road/Warstock Lane), The Warstock (Prince of Wales Lane/Yardley Wood Road), The Haven (251 School Road, later known as The Mercury), The Valley (Yardley Wood Road/Haunch Lane), and The Maypole (at the Maypole) have all been demolished. The Dog and Partridge (146 Priory Road) still stands but is now used as a church. The nearest surviving pubs are now The Prince of Wales at the southern end of Prince of Wales Lane, The Horseshoe on Alcester Road, The Lodge in Solihull Lodge, and DJ Quinns formally Behans Bar and originally The Sherwood on Highfield Road, along with Yardley Wood Social Club at the northern end of Prince of Wales Lane.
Howard's Suicide Paintings were first shown at the Bohen Foundation in New York, 2007, and were later exhibited at Haunch of Venison, London, 2008"Goings on about town – Art" 14 May 2007Hubbard, Sue "A voyage to the dark side" 21 January 2008 The series evolved after an acquaintance of Howard's committed suicide. He was discovered, not in the imagined drama, 'swinging from the rafters', but kneeling in a pose almost of prayer. It was this particular detail that Howard found most disturbing, and which led her to create the series, coupled with the fact that for her, suicide is one of the last taboos.Howard, Rachel "In Conversation with Adam E. Mendelsohn" in Fiction/Fear/Fact published by Other Criteria, 2007 The source material for the paintings came from trawling through forensic magazines and internet sites for pictures of suicides.
In 2015 Maciá's sculpture 'Something Going on Above My Head' (1995-9) was exhibited at Tate Britain. This sound installation comprises sixteen speakers that play a symphony of two thousand birdcalls from Africa, the Americas, Asia and Europe. For five years the artist collected birdcalls from international ornithological archives and audio libraries. These he reworked into a symphony, scored according to the birds’ pitches. This sculpture has been exhibited at X-Teresa, Mexico D.F. in 1999; Whitechapel Gallery, London in 2000; Event Uppsala, Sweden in 2000; Tirana Biennale, Albania in 2001; Afroamerica, Haiti in 2002; Museo Nacional Centro de Arte Reina Sofía, Madrid in 2003; The Power Plant, Toronto in 2003; Haunch of Venison, London in 2004;at the Daros Collection, Zurich in 2005; and at the 51st Venice Biennale in 2005 At Manifesta 9 in Belgium (2012) Maciá presented 'Martinete' (2011-2012), 'Martinete' (2011-2012) an olfactory- acoustic sculpture that he began researching for the 2011 Porto Alegre Biennial in Brazil.
Since both cattle and horses have long been raised in the same fashion in the same areas, inter- species herds are often formed. Even the terminology referring to animals of different age as well as some terms of herding apply to both horses and cattle. Each individual breeder has their unique brand for marking the animals on the left haunch. Today, the Haras Nationaux, the French national association of horse breeders, has further refined the definition of living conditions for animals in a manade: "a manade means raising Camargue horses in freedom with at least four mares in reproductive age stationed the year long in the native area of the breed (berceau de la race), in an area with only one animal over 18 months of age per two hectares in an area of at least 20 hectares owned or rented by an individual." Official description of the Camargue breed by the French national association of horse breeders (‘Haras Nationaux’) AOC-label.
The Sunday Times said that three of Hirst's business colleagues, with an interest in ensuring his work maintained a high value, had "propped up" the sale prices, making between them purchases or bids which totalled over half of the £70.5 million spent on the "crucial" initial sale day: Jay Jopling won the first lot at twice the estimate with a bid just short of £1 million, and was a high bidder on The Kingdom; his White Cube gallery was the underbidder on lots which reached an estimated £20 million. Hirst's dealer in the United States, Larry Gagosian won one lot at £880,000, and made the second highest bid for another lot which sold for £10.3 million. Harry Blain, a co-founder of the Haunch of Venison gallery which trades in Hirst's art, underbid on two items and won two, including a cabinet at £1.3 million. The White Cube and Gagosian declined to discuss their motivations for bidding; Blain said that bids were entered on behalf of clients wishing to acquire the work.

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