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"hairbreadth" Definitions
  1. a very small distance or margin
  2. very narrow : CLOSE

49 Sentences With "hairbreadth"

How to use hairbreadth in a sentence? Find typical usage patterns (collocations)/phrases/context for "hairbreadth" and check conjugation/comparative form for "hairbreadth". Mastering all the usages of "hairbreadth" from sentence examples published by news publications.

She reminds us that we all live a hairbreadth from death.
Yet he portrays her as being just a hairbreadth short of a ­masochist.
In fact, the 2016 hairbreadth election is actually a norm in presidential contests.
The gorgeous gliding phrases, the hairbreadth pauses, the coloratura flourishes all emanate from the same source.
But even by that standard, the disputed, hairbreadth race for governor is plowing litigious and acrimonious ground.
And this man, with the support of tens of millions of Americans, is a hairbreadth from the Oval Office.
Once, on her return from a quick errand to a neighbor's, he hurls a machete, missing her by a hairbreadth.
Should the electoral officials' math hold up, the hairbreadth victory is likely to provide only limited comfort to Mr. del Mazo's party.
But half of voters said they were confident that he would make good decisions on the economy, giving him a hairbreadth edge over Mrs.
The year closed with the hairbreadth victory of a law-and-order Presidential nominee whose Southern strategy of racial politicking remade the electoral map.
The setting is a lauded but financially ailing stage production of N. Richard Nash's 1954 play, "The Rainmaker," whose cast is a hairbreadth from unemployment.
If you build a different spacecraft — one that's bigger, or shaped a hairbreadth differently, or made from different materials — it could introduce all sorts of errors and complications.
That's not much more than a hairbreadth, aeronautically speaking, and a collision could have been catastrophic — to the crews and to the already fragile diplomatic relations between China and its regional neighbors and the United States.
Assing shielded him when he was on the run from conspiracy charges in connection with John Brown's raid on Harpers Ferry, when he came within a hairbreadth of being captured and marched to the gallows with his revolutionary friend.
She has a portraitist's skill with tiny subtleties of expression and lighting and a New Objectivist's eye for the raw grotesquerie of bodies and their surroundings, and her illustrative technique extends from impossibly delicate hairbreadth shading to passionate marker-mashing scribbles.
The music's pulse runs on apace; but they pack every measure with important-seeming activity, now and then playing with the beat, here a hairbreadth behind and there a bit ahead of the music, sometimes pausing miraculously amid the pressing momentum of the dance.
On Friday afternoon, Mr. Buttigieg and Mr. Sanders both claimed victory in Iowa on different grounds, with Mr. Sanders brandishing his lead in the popular vote and Mr. Buttigieg staking his claim on a hairbreadth lead over Mr. Sanders in state delegates, the traditional metric for judging a winner in the caucuses there.
In an accompanying exhibition essay, author Michael Tisserand notes that "one of the country's first editorial cartoons, a severed snake with the title 'Join, Or Die' (published in 1754), was drawn by the founding father and chess enthusiast Benjamin Franklin," while C. W. Kahles, who created the early 1900s comic Hairbreadth Harry, decorated the walls of the Brooklyn Chess Club, of which he was president, with his art.
Along the way, there are mishaps galore, near misses and hairbreadth escapes, managed by our intrepid young archetype with the aid of some unexpected (and mostly unwelcome) allies and hangers-on: a thievish waif, a good-hearted witch, a literal straw man with arguably more humanity than your average human, as well as the occasional colorful bit player, like the innkeeper with the interesting side job of vivisectionist.
I had nearly forgotten what looked like a hairbreadth escape.
Every day had its own romance, its hairbreadth escape, its thrilling adventure.
It was the nervous laugh of a shallow nature, after a hairbreadth escape.
I saw the hairbreadth escape and the splash, but whether or not the godwit dived to get away, I could not tell.
Non sequitur they may be but never nonsense. There is nothing trivial or silly here, and there is always the awareness that tragedy is just a hairbreadth away.
For whatever reason, the Ledger Syndicate favored comic strips with alliterative titles, including Babe Bunting, Daffy Demonstrations, Deb Days, Dizzy Dramas, Hairbreadth Harry, Modish Mitzi, and Somebody's Stenog.
Hairbreadth escapes for his life were long remembered. Having removed to Bristol, Alleine was there brutally ill used. In the ‘Commission’ of 1650 he is entered ‘William Allen, a learned, orthodox, able divine, the present incumbent.’ In 1653 he is similarly designated.
The gamble at the icefall succeeded, and the men reached their depot two days later. However, they had great difficulty navigating down the glacier. Lashly wrote: "I cannot describe the maze we got into and the hairbreadth escapes we have had to pass through."Lashly diary, quoted in Preston, p.
Poster for Vamps and Variety (1919) Earl Triplett Montgomery (May 24, 1894 – October 28, 1966) was a film director, writer, and comedian who performed in silent films including as the character Hairbreadth Harry. He established the producing company Earl Montgomery Comedy Company. Joe Rock partnered with him at Vitagraph. Montgomery was born in Santa Cruz, California.
F. O. Alexander's Hairbreadth Harry (from 1930s), featuring a Hamlet parody. Franklin Osborne Alexander (November 3, 1897 – January 17, 1993), known professionally as F. O. Alexander, was a comic strip artist and editorial cartoonist.F.O. Alexander Papers 1943-1990 Syracuse University, 19 Aug 2010, Retrieved 11/30/2010 He is credited for having designed the board game Monopoly, including the iconic mascots and characters.
15, 2017. During the mid-1920s, Alexander launched two comic strips, Finney of the Force (1925–31) and The Featherheads (1926–36),Franklin O. Alexander entry, The Comic Strip Project, "Who's Who of Comic Strip Producers", A-Part 1. WebCitation archive. but he is best known for the comic strip Hairbreadth Harry, which he took over in 1931 after the death of its creator, C. W. Kahles.
They travel to Venus on a Martian "ethervolt" spacecraft.Peter Nicholls, The Science Fiction Encyclopedia, New York, Doubleday, 1979; p. 470.Jess Nevins, The Encyclopedia of Fantastic Victoriana, Austin, TX, Monkeybrain, 2005; p. 395. The publisher promoted the book as "full of exciting adventures, hairbreadth escapes, and perilous vicissitudes, among primeval monsters and semi-human creatures, the episodes following each other in such breathless succession that the interest of the reader never flags."B.
Sugden The Sheppard story has been revived three times on film in the 20th century: The Hairbreadth Escape of Jack Sheppard (1900), Jack Sheppard (1923), and Where's Jack? (1969), a British costume drama directed by James Clavell with Tommy Steele in the title role. Jake Arnott features him in his 2017 novel The Fatal Tree. In Confessions of the Fox, a 2018 novel by Jordy Rosenberg, the Sheppard story was recontextualized as a queer narrative.
He had hairbreadth escapes from the authorities. He left Scotland for Paris to meet his superior, James Gordon, late in 1611; at that time there was only a single Catholic priest in Scotland. Anderson gathered nearly a hundred young Scots as candidates for the priesthood, and in 1615 he became the first Jesuit rector of the Scotch College in Rome. Returning to Scotland, Anderson was betrayed, and committed to the Old Tolbooth, Edinburgh.
Although filmed on low budgets, the Pollard shorts were popular enough to boost the Weiss Brothers' standing among comedy producers. After one year, the Pollard series was replaced by a new one with a major star, the cross-eyed Mack Sennett comic Ben Turpin. This marked a period of ambition and expansion for the Weiss Brothers. They signed circus acrobat Poodles Hanneford for a series of shorts, and added new series with comic characters Hairbreadth Harry (played by Earl Montgomery) and Winnie Winkle (played by Ethelyn Gibson).
They have not been actually defeated by any fleet before. Thunder Jet and Sunluck visit the pirate and demand allegiance to T.J.. Cobin gets outraged but Colin talks down him to support T.J. Adding the strong space pirates under his command, the power of T.J. increases tremendously. EPISODE #20. HAIRBREADTH ESCAPE FROM THE KILLERS Garer's brothers, Gasan and Gaten, tell Garer to demote Thunder Jet and his supporter, Rogina, out of fear of increasing power of T.J.. Garer trusts Rogina and turns down his brothers' idea.
Richard "Dicky" Barrett (1807–1847) was one of the first European traders to be based in New Zealand. He lent his translation skills to help negotiate the first land purchases from Maori in New Plymouth and Wellington and became a key figure in the establishment of the settlement of New Plymouth. He was described by Edward Jerningham Wakefield, son of New Zealand Company founder Edward Gibbon Wakefield, as short, stout and "perfectly round all over" and fond of relating "wild adventures and hairbreadth 'scapes".Edward Jerningham Wakefield, "Adventures in New Zealand", Vol 1, 1845.
He researches and lectures on many areas of interpretation, music aesthetics, recorder acoustics, sound techniques, and performance issues. Laurin can plausibly be said to be one of the greatest players of the recorder active today. He has explored and widened the sonic possibilities of the recorder and has an unequalled technical facility. His playing explores a wide palette of tonal colours and a striking control of dynamics; the expressiveness of his playing is marked by a freedom in moving from the mutest pianissimo to a clear forte within hairbreadth spaces of time.
Chub reached Pearl Harbor from New London 24 January 1945, and after final training, put to sea for action waters 13 February. Her first war patrol, in Tonkin Gulf and the Java and South China Seas, found her skill and determination tried in four hairbreadth escapes from destruction. On 3 March, she was attacked by an enemy submarine whose torpedoes she evaded. On 29 March, she began a long surface chase after an escort group, which she carried through the next day, even though forced six times to go deep by enemy aircraft.
The syndicate's most popular/long-running comic strips were A. E. Hayward's Somebody's Stenog; Hairbreadth Harry (by C. W. Kahles and later by F. O. Alexander); Frank Godwin's Connie and Babe Bunting; Joe Bowers' Dizzy Dramas; Clare Victor Dwiggins ("Dwig")'s Footprints on the Sands of Time and Nipper; and Roy Powers, Eagle Scout ("the official strip of the Boy Scouts of America"). Frank Godwin had a number of strips with the Ledger Syndicate, including Rusty Riley, Vignettes of Life, War on Crime, and Roy Powers, Eagle Scout, in addition to Connie and Babe Bunting.
GameSpot called DeathDrome "one of the best games of its kind to arrive on the scene in quite some time." He particularly praised the creative weapons and the tension created by having the "scrub" mechanic instead of the game immediately ending when time runs out. He remarked that the fact that enemies always spawn at the center podium is too easily exploited in single-player mode, but felt the main draw is the multiplayer mode in any case. Next Generation also noted the creative weapons and "truly hairbreadth escapes" as time runs out as the highlights.
Today it is known as Mackinaw Island or Mackinac in Michigan. Ramsay was with George Gillespie (employed by Dickson) in 1805 and was in St Louis, Louisiana, for him from 1805 to 1807 learning the fur trade. By 1807, Ramsay had enough funds, supplemented by the fur trading Choteau Family, to form a partnership with Robert McClellan with the aim of trading with the Indians on the Missouri River. McClellan was described as “a man of many perilous exploits and hairbreadth escapes, a sure shot, and one of the most romantic characters in the annals of the Western fur trade”.
Farnsworth, who was born in Chicago, Illinois to Frederick Wilkinson Farnsworth and Anna M. Semer, was appointed to the U.S. Naval Academy in Annapolis, Maryland in 1911 on the recommendation of then-Representative Nicholas Longworth. He became notorious for his drinking escapades, earning him the nickname "Dodo" (among others). The Naval Academy yearbook described him as "daring and reckless", further stating that if Farnsworth lived in the days of the old navy, he "would have been famous for his desperate deeds and hairbreadth escapes". Nevertheless, he was also recognized for his sterling abilities as a future naval officer.
In 1894, one member of the art department was the 16-year-old C. W. Kahles, later famed as the creator of the long-run comic strip Hairbreadth Harry. Remington typewriters arrive at Grit in 1892. Grit displayed news and features aimed at rural America, and climbed to a weekly circulation of 100,000 by 1900, following an editorial policy outlined by Lamade during a banquet for Grit's employees: While introducing such innovations as national newsboy delivery and direct mail, Lamade expanded his content to combine news, human interest articles, comic strips (sometimes filling ten pages), puzzles and serials in fiction supplements ("Grit Story Section"). Circulation reached 300,000 in 1916.
Neumann returned to Britain in 1897 where he recuperated and enjoyed his notoriety for the following two years. As was in his nature he pursued a peripatetic existence. He visited the Macleod stronghold of Dunvegan Castle, where he wrote of his exploits and published them as Elephant Hunting in East Equatorial Africa, a well-received autobiography that the Edinburgh Review described thus; ‘’we have seldom read a more exciting narrative than this, and the story of many hairbreadth escapes is told with a straightforward simplicity that commands implicit credence’’.Edinburgh Review 1899 Neumann was not one to play down his exploits and his memoirs were widely read by a public more than willing to lap up tales of derring-do from the Empire.
The Public Ledger Syndicate was founded in 1915 by Public Ledger publisher Cyrus H. K. Curtis,Frederic Hudson, Alfred McClung Lee, Frank L. Mott, editors. "The Daily Newspaper in America," American Journalism 1690-1940 (Psychology Press, 2000), p. 594. The first big comic strip success was A. E. Hayward's Somebody's Stenog, launched in late 1918. The Syndicate was particularly active in the 1920s, when it launched a number of comic strips, including such long-running titles as Connie, Dizzy Dramas, Dumb-Bells, Hairbreadth Harry, and Modish Mitzi. In 1933, just as the concept of "comic books" was getting off the ground, Eastern Color Printing began producing small comic broadsides for the Ledger Syndicate, printing Sunday color comics from 7" x 9" plates.
Brown, Mitchell. Following that success, the Ledger Syndicate became a regular source of material for Eastern Color's ongoing anthology series Famous Funnies. The Ledger Syndicate provided strips for Famous Funnies issues #1–87, from 1934 to 1941, including A. E. Hayward's Somebody's Stenog and The Back-Seat Driver; Frank Godwin's Connie, The Wet Blanket, Babe Bunting, Roy Powers, Vignettes of Life, and War on Crime; F. O. Alexander's Hairbreadth Harry and High-Gear Homer; Clare Victor Dwiggins' Footprints on the Sands of Time; Joe Bowers' Dizzy Dramas; Gar (Schmitt)'s Dumb-Bells; and Walt Munson & Kemp Starrett's Such is Life. Not so happily, the Ledger Syndicate was one of a number of syndicates in 1936–1937 which rejected Jerry Siegel & Joe Shuster's proposed Superman comic strip.
Horne keeps the action fairly straight until the last chapter, when he inserts some obvious humor (two henchmen, exhausted from their fist-fight, haphazardly swing at each other and then collapse). The action-filled screenplay employs a typical serial formula of fist-fights, gun battles, explosions, and car chases, not forgetting secret weapons, death traps, and hairbreadth escapes as The Gargoyle tries to steal some top secret plans. The Spider serials are unique in that The Spider is also sought by the police with the same vigor that he is sought by criminals. The one real difference between this and the first serial is the police know Wentworth goes undercover at times in disguise as petty criminal Blinky McQuade; they work with him following the leads he uncovers as McQuade.
The Ledger Syndicates' most notable strips during its 30 years in operation were A. E. Hayward's Somebody's Stenog; Hairbreadth Harry (by C. W. Kahles and later by F. O. Alexander); Frank Godwin's Connie and Babe Bunting; Joe Bowers' Dizzy Dramas; Clare Victor Dwiggins ("Dwig")'s Footprints on the Sands of Time and Nipper; and Roy Powers, Eagle Scout ("the official strip of the Boy Scouts of America"). The George Matthew Adams Service debuted in 1916, which syndicated such strips as Billy DeBeck's Finn an' Haddie, Robert Baldwin's Freddy, Edwina Dumm's Cap Stubbs and Tippie and Ed Wheelan's Minute Movies. Adams' syndicate peaked in the 1920s and 1930s. Cartoonist Sidney Smith's popular strip The Gumps, which debuted in the Chicago Tribune in 1917, played a key role in the rise of syndication.
The Ledger Syndicate provided many strips for Famous Funnies issues #1–87 (from 1934 to 1941), including A. E. Hayward's Somebody's Stenog and The Back-Seat Driver; Frank Godwin's Connie, The Wet Blanket, Babe Bunting, Roy Powers, Vignettes of Life, and War on Crime; F. O. Alexander's Hairbreadth Harry and High-Gear Homer; Clare Victor Dwiggins' Footprints on the Sands of Time; Joe Bowers' Dizzy Dramas; Gar (Schmitt)'s Dumb-Bells; and Walt Munson & Kemp Starrett's Such is Life. Issue #2 marked the start of original material produced specifically for the book, including Art Nugent's Funland (occasionally called Funland Everybody's Playmate), which appeared in most issues from #1 to #162 (1934–1948). Issue #3 began a run of Buck Rogers features. Buck Rogers would eventually run in issues #3–190 and 209–215.

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