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"grandness" Definitions
  1. the fact of being impressive and large or important
  2. the fact of needing a lot of effort, money or time to succeed while intended to achieve impressive results
  3. the quality in people of behaving in a proud way because they are rich or from a high social class

74 Sentences With "grandness"

How to use grandness in a sentence? Find typical usage patterns (collocations)/phrases/context for "grandness" and check conjugation/comparative form for "grandness". Mastering all the usages of "grandness" from sentence examples published by news publications.

I could play it with French horns and add a grandness.
All these impart both a sense of grandness and of continuity.
Grandness was not a word one would associate with the evening.
Sports of The Times NEW BRUNSWICK, N.J. — Ah, how grandness beckoned.
The grandness of scale is matched by a kind of grandiosity of ambition.
Despite their grandness, open worlds are compressed environments which run to compressed clocks.
The Bannermans' signature style satisfies the British desire for grandness tempered by whimsy.
"There was a grandness to the cinema making and going experience in India," Ms. Raman said.
You've got to have something big you build—it means something, there's a grandness to it.
" A review in Slate likened China to its "manic rate of construction and grandness of organizational possibility.
U.S. manufacturers used the color, which represented royalty in China, to signal to consumers their product's grandness.
In her work, Ms. Vacheva marries the grandness of history with absurd elements from the present day.
New York, he said, still mystified him in its grandness — as unlikely as his own rich life.
" Makepeace, who has seen 16 total eclipses, added, "So you sort of get that little scale of diminishing grandness.
"  D.K.: "Some of the compositions and the way we shoot them is also part of what gives them the grandness.
In providing the grandness, evocative gestures and eccentric touches that enhance reality and inspire reverie, the Bannermans have certainly succeeded at Trematon.
What I had somehow missed in my middle-school nervousness is that the grandness of my gesture was known to me alone.
The movie, which runs about four hours with an intermission, exudes old Hollywood grandness and tells the story of Moses, played by Charlton Heston.
This masterpiece was filmed with the all cinematic grandness of an episode of The Bachelor, but it has approximately 12 times the "aww" factor.
These series focused on the wonderful grandness and diversity of life on earth, conjuring up images of a world that is seemingly untouched by humans.
The State Ballet Theater of Russia, founded by the ballerina Maya Plisetskaya, brings the expected Russian poise and grandness to this story of adolescent awakening on Christmas Eve.
In the pairing of Browder and Hankwitz in the first room on the right, the two pieces connect over the intensity of their color and the grandness of their gestures.
Idris Elba proudly flew the "flag" for London's gritty East End on Friday as he headed west to the grandness of Buckingham Palace to be awarded for his services to drama.
Intimidated by the grandness of that city's Renaissance art, he gravitated to working from the landscape, producing many enchanting red-chalk drawings of dense gardens and classical ruins overgrown by foliage.
The evening, which was decorated with colorful flowers from both the local bodega and the Chelsea flower market, embraced a similar kind of whimsical eclecticism without losing a sense of grandness.
The show mines the gap between the grandness of Payton's ambition and the triviality of the election for laughs, but that contrast also makes it hard to take Payton seriously at all.
It's got everything: old school storytelling, the grandness of Lawrence of Arabia or something in that desert setting, it's playing with the idea of religion, good and evil, it's biblical in a way.
The company, founded by the ballerina Maya Plisetskaya, brings the expected Russian poise and grandness to this oft-told tragedy, choreographed here by Vladimir Vasiliev, a star of the Bolshoi Ballet in the 2212s and '2769s.
My dream for both my children is that they will grow up in a country that judges them only on the strength of their character, the grandness of their ideas, the decency of their values and, ultimately, their actions.
Still, she needed to offset the grandness of the space with warm touches: low-hanging light fixtures made out of frozen glass that keep the eye looking straight ahead, handmade banquettes that seat intimate groups, and deep, earthy-colored fabrics.
I don't understand sports that much, but when I read the Jordan profile, which is included here, I see the aspects of magazine stories that still thrill me: grandness, skepticism, drama, humor and an overwhelming sense of emotion and heart.
When Meadow discovers this theater in ''Innocents and Others'' — its ''former grandness still evident, the gold wallpaper peeling, the velvet seats in attendant rows, though ripped and ruined'' — she starts crying: ''Not because it was a wreck, but because I felt the history.
The word Baianai has Altaic-Turkic roots with a meaning of "wealth", "richness", "grandness", "greatness" and "divinity".
According to the Zuo zhuan, xia () signified the "grandness" in the ceremonial etiquette of China, while hua () was used in reference to the "beauty" in the clothing that the Chinese people wore ().
To return the forest to such pristine grandness will require extensive planning to remove the more dense fuel loads and careful prescribed burns to liquidate remaining pockets of heavy fuels left on the forest floors by 70 years of neglect.
The tincture azure (blue) in the field of the shield is symbol of nobility, justice, perseverance, zeal and loyalty; the metal Or (gold) is symbol of glory, splendor, grandness, wealth, sovereignty; the metal argent (silver) is symbol of peace, friendship, labour, prosperity, purity, religiosity.
The White House has a specially designed D-274, which is normally placed in the largest room of the White House, the East Room."White House History Timelines: Musical Performances" , The White House Historical Association. Accessed March 18, 2010."A Piano Is Born, Needing Practice; Full Grandness of K0862 May Take Several Concerts to Achieve", The New York Times. Accessed March 18, 2010.Steinway & Sons – 150 Years, p. 65."A Piano Is Born, Needing Practice; Full Grandness of K0862 May Take Several Concerts to Achieve, p. 2", The New York Times. Accessed March 18, 2010. The 2002 White House Christmas card features this piano.
Local shop keepers and mill owners were often coerced into contributing to such festivals, and adjoining localities competed with each other in the grandness of their contributions.Chadavarkar , (1998) p. 172 The local liquor shop or gymnasium was a common meeting place. The workers of Girangaon patronized arts like poetry, theatre and dance (tamasha).
I > think I'm still in shock. I haven't completely acknowledged the grandness of > the award. His past works, such as Two Sisters and a Piano, have earned him a reputation for writing lyrical, atmospheric plays with powerful emotions and language. Anna in the Tropics was honored with two nominations at the 2004 Tony Awards.
Robert Long made the decision to build the farm and the grandness shows no expense was spared. A place in the country was needed for his animals as the house in town (Corinthian Hall) was too small. By 1912 a place was selected and the planning began. In 1914 a small "town" had been created.
Howell believed that the grand coronation of Haile Selassie (who was widely traditionally claimed to be the descendant of King David, King Solomon, and the Queen of Sheba, in part due to the medieval Ethiopian text Kebra Nagast), was the realization of a prophecy. The grandness of the emperor's ascension to power appeared to validate Howell's imperative claim.
Drawing frequent comparisons to a flying saucer, it reminded others of a sunken Seattle Space Needle. It was accused of not fulfilling its goal of appropriateness for its setting, instead being "incompatible with the rustic character of Paradise". Others disagreed with this assertion, claiming that "although it doesn't match the rustic styling of Paradise's other buildings, its grandness seems to fit the location".
Jaime I restored the Braganzas' status after his father's execution and built the Ducal Palace of Vila Viçosa. João of Braganza, Marquis of Montemor-o-Novo led the Portuguese conquest of Tangiers in 1472. Jaime I's tenure as Duke of Braganza was one of restoration and grandness. Upon his return to Portugal from exile, Jaime took possession of the House's formerly confiscated properties.
References to the complex are found in Herodotus’, Diodorus Siculus, Strabo and presumably Hecataeus of Abdera and Manetho, but we only retain fragments of their works, though none of these authors relates more than rudimentary information about the complex. Strabo states that Thebes at the time of his visit is nothing more than a collection of smaller villages, though its once grandness could still be imagined.
Venmurasu ( Veṇmuracu) is a Tamil novel by writer Jeyamohan. A modern renarration of the Indian classical epic Mahabharatha, it is Jeyamohan's most ambitious work to date, with a scope and scale that seeks to match the grandness of the epic itself. Jeyamohan started writing the work in January 2014 and has announced plans to write it every day over ten years. The overall volume is expected to cross 25,000 pages.
The three tower stone castle with five Windows denotes grandness, protection and security; the Golden fleur-de-lis symbolizes generosity, perfection, light and life; the rampant Wolf embodies perseverance while hunting for a long period of time and adverse events. The shield’s base colors blue and golden represent strength, loyalty and respect. The coat of arms has the count Crown awarded by the kingdom of Spain in 1768.
The owner had a house integrated into the design at the southern end of the Works and this is the probable reason for the grandness of the façade. The entrance to the house was on the side wall and had a pillared porch, today this is the main entrance and reception for the entire building."Pevsner Architectural Guides - Sheffield", Ruth Harman & John Minnis, , Page 171 & 172 Gives details of architecture and some history. Gives architectural details and some history.
These ceremonies attracted much attention and were seen as a sign that the former grandness of Venice should return. Pisana was described as a simple and retiring person, more interested in her household than in her role as dogaressa, who abhorred pomp and became popular for her involvement in charity. In 1766, she presided at the marriage of her son to Francesca Grimani. She was deeply affected by the early death of her daughter-in-law, and lost interest in public life.
Woodiwiss's hero, Brandon, was initially depicted as ominous and dangerous, "darkly tanned" with black hair and a willingness to imprison the heroine to get his way. As the book progressed, the hero was instead subjugated by his love for the heroine. In the novel's climax he was described as "pale" and "trembling", the antithesis of his initial description. In her book The Dangerous Lover, Deborah Lutz labels this reversal a "grandness of contradiction distinct from other romance formulas, particularly earlier ones".
The first movement is in sonata form and begins with both hands in unison, followed by some trills and a repeat in E minor. This material is used and varied for the first theme, finally cadencing to the dominant, where the second theme provides a more graceful contrast to the grandness of the first. The development section includes many different keys, but starts in the dominant, using counterpoint and harmonic imbalance and exploration. This gives a feeling of tension, which is then resolved before returning to the recapitulation in the home key.
After thousands of years wandering Sheol, Memnoch discovers an especially powerful group of souls who have forgiven God for his indifference and absence and appreciate the grandness of all creation. God accepts these souls into Heaven, permanently changing it forever. God is highly pleased with the new composition of Heaven, but Memnoch continues to accuse God of not showing concern for the other souls of Sheol. Memnoch finally loses trust in God and demands that He should take human form to understand passion and, in fury, God banishes Memnoch from Heaven.
The Grotto of Massabielle In contrast to the grandness of Rosary Square and the various basilicas, the grotto at Massabielle where St Bernadette's visions took place is very simple and stark. The recess of the grotto itself is undecorated, although a plain stone altar and lectern have been placed there so that Mass can be celebrated. Above the main recess is the niche where the apparitions took place and Fabisch's statue now stands. A large stand of candles next to the altar is kept burning throughout the year.
Yan Zhenqing is popularly held as the only calligrapher who paralleled Wang Xizhi, the "calligraphy sage" (). He specialized in the regular (kaishu 楷書) and cursive (caoshu 草書) scripts, though he also mastered other styles. His style of regular script, often called Yan script (Yanti 顏體), brought Chinese calligraphy to a new realm, emphasizing strength, boldness, and grandness. Like most of the master calligraphers, Yan Zhenqing learnt his skill from various calligraphers, and the development of his personal style can be basically divided into three stages.
Prentiss Taylor spent a great of time in the Charleston, SC area and produced a group of prints that captured the feel of the time. His work in the American Southwest depicts a grandness of scenery coupled with his usual almost realistic mystery. Taylor began his study of lithography in 1931 at the Art Students League in New York City. "With the first magic feeling of the crayon working in the fine grain of stone, I knew I was at home in lithography," the artist was to later write.
Model of the former Ambassador's Staircase Before entering the King's State Apartments, one had to climb the Ambassadors Staircase - a suitable entrance as its magnificence matched the grandness of the apartments. The Ambassadors Staircase (Escalier des Ambassadeurs) was built in 1674 but was finished in 1680. Although it was designed by architect Louis Le Vau, the staircase was built by François d’Orbay and was primarily painted by Charles Le Brun. Destroyed in 1752, the staircase was the entrance to the King's Apartments and was the official grand entrance into the Chateau, specifically intended to astonish and impress foreign dignitaries.
Construction of the Victoria Embankment proved to be difficult because of the grandness of it. Parliament was assured that three years would be ample time to complete the project, which did not hold true. In addition to not having a large enough labour force to complete the work on schedule, the project's architect and property appraiser were challenged in successfully securing rights to all the wharves and other property that were required for access and storage during the project's construction. They also ran into difficulty in acquiring contracts to maintain access to the steamboat landings at Westminster and Hungerford.
The commons, located at the base of the 'U', is adorned with wood finishes and is flooded with natural light provided by the glass curtain wall facing the courtyard. The commons "provides grandness and warmth" to the Business Instructional Facility. Furthermore, Craig Copeland, a senior associate of Pelli Clarke Pelli Architects, characterized the daylight provided by the glass curtain wall as "a part of the architectural expression" of the Business Instructional Facility." Rafael Pelli described the commons as "the central space, not only physically central, but it's central to the functioning and the use of the space.
Sarenput II built for himself the finest and largest tomb of Qubbet el-Hawa (No. 31). After crossing a courtyard, a hallway lead to a large hall whose ceiling is supported by six pillars. Then another hallway – with several niches containing osirian statues of Sarenput on both sides – lead to the inner room, with four pillars and a niche once hosting a granodiorite statue whose remains are now in the British Museum (EA98Statue of Sarenput II at the British Museum). In spite of the tomb's grandness, only the niche and few pillars of the innermost chamber are decorated; nevertheless, the scenes are vividly painted and detailed, chiefly depicting the tomb owner.
On December 13, 2009, Top Combine released their second record Grandness Equal to Heaven (), the name of which is a pun on the name "Great Sage Equal to Heaven" (). The album, which is their only full-studio release to date, displayed a blend of Chinese classical instruments and Western rhythms. Four of the songs on the album were composed by Mars, and the other four group members contributed to the lyrics for another song each. In September 2010, Top Combine traveled to the United States to receive training and to record two singles with American producer Nicholas Cooper for their third studio release, Lucky Boys.
Quinn got into trouble running the streets of Highbridge and hated school, so he began working at 15. After traveling the world (twice), getting married in 1962, and a tour of duty with the Merchant Navy in Vietnam in 1966, Quinn decided to settle down after his first child was born, and went into construction. He soon got a job with the dock builders' union, working at the World Trade Center (WTC). He claims to have been inspired after seeing a model of the WTC, not paying much attention to the grandness of such an architectural achievement, but the great BASE jumping opportunity that it offered.
Werris Creek is a large Victorian station complex with a major freight and locomotive facility which developed because of its location at the junction of the main north line with the north west branch. The town developed to support the railway facility and the grandness of the facilities reflects the importance of the railway in the area. The present station building is the second on this site and was built in 1880, 2 years after the railway opened. It is architecturally significant as it comprises a collection of major non standard buildings laid out in the junction of the two lines giving an unusual and unique platform and building arrangement.
The impression of grandness lies in part in its sheer size, (56 m long by 29.5 meters high) and in its lofty location overlooking a broad piazza. It is also a building of beautiful proportion, unusual for such a large and luxurious house of the date in having been built principally of stuccoed brick, rather than of stone. Against the smooth pink-washed walls the stone quoins of the corners, the massive rusticated portal and the stately repetition of finely detailed windows give a powerful effect, setting a new standard of elegance in palace- building. The upper of the three equally sized floors was added by Michelangelo.
Lage is a community on the river Dinkel in the district of Grafschaft Bentheim in Lower Saxony with roughly 1,000 inhabitants. It belongs to the Joint Community (Samtgemeinde) of Neuenhaus. Of particular sightseeing interest are the church, built in 1687, the watermill, built in 1270, the castle ruins (first mentioned in a document in 1183, destroyed in 1324–1326 and 1626), the lordly manor, built in 1686 and the historic Oak Avenue with the manor staff’s old houses. The extended name Herrlichkeit Lage – “Herrlichkeit” means grandness or magnificence – refers to the time between the end of the Thirty Years' War and the year 1803, in which Lage was a self-standing small state with its own jurisdiction.
Moeran came late in the canon of last major British composers heavily influenced by folk-song and thus belongs to the lyrical tradition of such composers as Delius, Vaughan Williams and Ireland. The influence of the nature and landscapes of Norfolk and Ireland are also often evident in his music. Some of his larger-scale orchestral pieces were composed (or at least conceived) whilst Moeran walked the hills of western England, particularly in Herefordshire, and Ireland, where the grandness of the mountain ranges of Kerry inspired him greatly. Moeran was capable of conveying a wide range of emotions through his music and wasn't afraid of writing in a darker and harsher idiom when it suited him.
Balthasar Neumann (1687–1753), architect to 4 Schönborn bishops The House of Schönborn, especially its ruling prelates of the Roman Catholic Church, were among the most important builders of Southern German baroque architecture. While the private estates, at a large part still today owned by the family, were of more modest size, sometimes of elder origin, churches, monasteries, ecclesiastical residences and hospitals built by the Schönborn bishops were of immense grandness and splendor. Financing these was only possible with flourishing economies, which the Schönborn bishops did their best to uphold and enhance. Their famous court architect Balthasar Neumann was responsible for many of these buildings, others were Johann Dientzenhofer, Maximilian von Welsch and Johann Lukas von Hildebrandt.
Cassone from the 15th century Large cassoni (singular cassone) or marriage chests, were the most desired and common features of homes, and despite the fact that they were expensive, were bought by nearly all the social classes. Made with gesso and wood, these chests were often dark and elaborate, and their grandness depended on people's different classes (wealthier people had more sumptuous ones, whilst poorer classes' chests were often far simpler). The best decorators and sculptors in Italy often produced grand and beautiful chests for some of the most important noble families of the time. Even though these chests were used to put objects inside of them, many were used simply for decoration.
The four movements last around 25 minutes: # Vivace (4–5 mins.) # Andante (8–13 mins.) # Moderato (8–9 mins.) # Vivace (1–2 mins.) The outer movements serve in a way as prelude and postlude, with the middle two comprising the bulk of the concerto. The Andante is reflective and makes rhetorical use of the strings, expanding with Romantic grandness. The remarkable third movement in modified sonata form, punctured and playful — some have said “sarcastic” — offers arresting, emphatic dialogs between the piano and the percussion section; it is marked Moderato and to be effective must be played strictly as such: not the least bit hurried. The Vivace ends abruptly, with the piano running up pianissimo to a high B-flat7.
Sultan Suleiman during the Siege of Rhodes Of the 69 paintings in the Süleymannâme, about a dozen are scenes of combat ensued by Suleiman's territorial conquests. Though there are stylistic differences between painters because they were made by different artists, each captures a specific “psychological symbolism” of the various events that ultimately display the Ottoman perspective and the power of Suleiman. “Siege of Belgrade” emphasizes the grandness of the Ottoman camp through geometric decoration of the tents and barriers on the left half image, with the Sultan sitting enthroned and surrounded by a decorative tent. His soldiers also solemnly gaze at the destruction of Belgrade, where clusters of men lament their losses.
Morgan describes a Mars established as a colony for the benefit of Earth-based megacorporations, where potentially-dangerous industry can occur with minimal risk to humankind. Several streets on Mars are named for Chicago School economists and conservative politicians; in an interview Morgan stated that "neoliberalism has set loose a vast capital investment potential that certainly accommodates the necessary scale and ambition, but it is, of course, utterly rapacious, anti-humane and self-interested at the same time." Alt URL The protagonist's view of Mars repeatedly critiques the "Martian High Frontier Myth", reflecting a theme common to Morgan's works, of grandness left to decay: With Martian terraforming having been partly abandoned, the atmosphere is described as "four percent Earth sea level standard"; the colonists of Mars are of mainly Andean and Himalayan stock.
" Alexis Petridis of The Guardian concluded that SR3MM is "a decent triple album, but it would have been better yet boiled down to an eclectic single album" as "the grandness of the presentation slightly oversells the contents. Neither of the albums are as epic a statement as the concept suggests, and the best tracks from each could happily live side by side on a single album." Sheldon Pearce of Pitchfork summarized: "The triple album from Slim Jxmmi and Swae Lee is their clearest personal statement yet." Meaghan Garvey of Rolling Stone wrote that "The hip hop duo's 27-track opus takes the electric chemistry that made them stars into rich new territory", adding that "their music has grown lusher, their cadences more complex, making the leap to SR3MM less of a stretch that it might seem.
A panic and utter chaos ensues, and the hotel staff members begin to violently take on what they think is a sudden infestation, unknowingly massacring the helpless mice-witches as they run around squeaking. "Her Grandness" herself in her rodent form, now left without any sort of power whatsoever except still being able to talk even after the overdose, is spotted by Luke, who tells his grandma not to "let her get away." Frantically pleading "get away from me", she is trapped under a glass water pitcher by Helga, who asks the hotel manager, Mr. Stringer, to dispose for her of this "especially infectious one." The Grand High Witch ends up unceremoniously executed when she is sliced in half with a meat cleaver in her rat form, finally ending Helga's long conflict, and with the witch population of England now wiped out.
The first evidence of the construction of the residence in Mosbach can be traced back to when the town's fortification was erected by Count Palatine Otto I early in the fourteenth century. The context of the castle's first reigning occupant helps amplify its importance today and at the time it was first built. Through the partition of King Rupert's lands among the four surviving sons at the time of his death, Mosbach came to be the center of power for that portion of the Palatinate inherited by Otto, with Mosbach Castle as the sovereign's residence. Count Palatine Otto I, who was born in Mosbach in 1390 and then chose to have his residence there as the heir to the Palatinate Electorate in 1410, and his son Otto II, had the Castle expanded considerably after 1430, although the work done on the building was not intended to exude grandness.
Prewar playwrights, such as Vasil Iljoski, continued to write, and the theatre was invigorated by new dramatists, such as Kole Cašule, Tome Arsovski, and Goran Stefanovski. Cašule also wrote several novels. A main theme of his work is the defeat of idealists and idealism. His play Crnila (1960; “Black Things”) deals with the early 20th-century murder of an IMRO leader by other Organization's activists and with the characters of both executioners and victim. Among the best-known writers of prose is Zivko Cingo, whose collections of stories Paskvelija (1962) and Nova Paskvelija (1965; “New Paskvelija”) are about an imaginary land where clashes and interactions between old traditions and revolutionary consciousness are enacted. His novel Golemata voda (1971; “The Great Water”), set in an orphanage, shows the grandness and sadness of childhood. Other notable writers include Vlada Uroševic (Sonuvacot i prazninata (1979; “The Dreamer and the Emptiness”)) and Jovan Pavlovski (Sok od prostata (1991; “Prostate Gland Juice”)).
Cloud Busting, the ceramic mural artwork by Malcolm Mobutu Smith, is inspired by the common pastime of identifying shapes and forms among the clouds. In the same way imaginative scenes and stories are derived from undetermined clouds, Cloud Busting offers shapes and forms that seem to float along the wall, awaiting interpretation. This work transforms the waiting room into a colorful, lighthearted, and fun space where visitors can engage with the inspiring and intriguing work. Smith describes Cloud Busting: “In this work I hope the viewer can engage in a continuous sense of mystery and imagination, aided by the grandness of scale, bold and complex surfaces, and the ‘liquid elevation’ of elements. These are gravity-defying ceramic forms floating in mid-air; the air implied or “made real” by the undulating painted motif on the background and the physicality of the hovering tile forms.” - Malcolm Mobutu Smith Cloud Busting consists of eight tiles made by hand and individually mounted to a wall painted with a swirling, playful pattern.

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