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"gloaming" Definitions
  1. twilight; dusk.

145 Sentences With "gloaming"

How to use gloaming in a sentence? Find typical usage patterns (collocations)/phrases/context for "gloaming" and check conjugation/comparative form for "gloaming". Mastering all the usages of "gloaming" from sentence examples published by news publications.

It seemed his cleats were stuck in the soggy gloaming.
Melanie Finn's second novel, "The Gloaming," sends prosperous Westerners to eerie, treacherous Africa.
The gallery slowly widens, expanding from a narrow walkway to a more cavernous gloaming.
Build a fire out back, sit in the gloaming, letting it warm my knees.
But, with the "Gloaming" twist, you realize he's really asking if the ritual was bad.
There was a soft breeze in the gloaming; the heat was finally off the day.
Its tone reminds me of the gloaming—that lambent, transitional moment between night and day.
Some of these convey important information; others emerged, devoid of any useful meaning, from the marketing gloaming.
Time to get the new Alan Furst novel and read it in the gloaming, in bare feet.
When it comes to getting lost in the gloaming of existential nothingness, there's no place like home.
Everyone, upstairs and down, seemed to agree instead to pretend they were basking in an eternal, sentimental gloaming.
Will dabbled with acting in the past, appearing alongside Close in the 1997 TV Movie In The Gloaming.
Circling at one over was the world No. 210, Jason Day, who equaled Grace's 113 in the gloaming.
There were two giants in our house, in our lives, that seemed to grow larger in the gloaming.
Episode 9 — "In the Gloaming" Well, all the clues were correct and Ben was involved in the Becky ritual.
It was easy to lose yourself in the gloaming as the sun dimmed and the city turned on its lights.
Those little white butterflies pausing in the gloaming on the water-beaded broccoli made for a tableau of bucolic harmony.
The desert had experienced a rare snowfall the day before, and there were patches of snow glowing softly in the gloaming.
At the start of "Gloaming," Becky takes over Sasha's body to cry in her mother's bosom before trying to kill her host.
His confession comes out in one of the last scenes of "In the Gloaming," when Becky has taken full control of Sasha's body.
Still, there are what looks like boats visible in the gloaming, their bows, sterns, and sails curving like cursive vessels surfing the waves.
In sorting through their motives, "The Gloaming" delivers a searing taxonomy of loss, and shows the way it leads to a cycle of violence.
This week, a protest song from Willie Nelson, a few unwise words from Chris Brown and a St. Patrick's Day surprise from the Gloaming.
In the gloaming it was difficult for James to see the doctor's expression when he asked him if he might call on Mr. Brandon.
The fans at the panel's sides were making a faint whinging sound, still blowing as the last of the solar power worked in the gloaming light.
What caught my eye was a cluster of tiny seedlings colored the bright new green of springtime, so bright it seemed to glow in the gloaming.
Set behind iron gates, the half-acre private compound built in 1957 is tucked away at the end of Gloaming Drive, surrounded by sweeping mountain views.
Martinez and his friend followed Bedolla's little yellow car as it wound its way in the early morning gloaming down country roads, stopping once to pick up another worker.
When it finally did end, after 6 hours 36 minutes with the numbers on the scoreboard glowing in the gloaming, Isner walked to the net with his chin down.
But there he was on Friday, with the Shinnecock Hills practice green all to himself, searching in the gloaming for the one missing piece in his Hall of Fame career.
In the gloaming you can make out an old woman who has broken her ankle, moaning in Spanish for help; a people-smuggler, or coyote, complains in English that they're slowing down.
If, for some reason, you felt compelled to make me recite the last lines of "White Angel," by Michael Cunningham, or "In The Gloaming," by Alice Elliott Dark, I'd cry on the spot.
The gloaming setting, the dead girl at the heart of the narrative, the casual use of the gory or grotesque, even the ominous synth theme (ahem, Stranger Things)—these have all become familiar tropes.
Subtitled The Gloaming and overflowing with nearly an hour of dark, frigid songs, the album indeed turned out to be a grueling account of a world gone foul with political, societal, and environmental rot.
On Tennis PARIS — Out on Court 3 in the gloaming, Serena and Venus Williams were playing ferocious doubles: ripping returns and passing shots with unmistakable intent; finishing each serve with a bit of extra venom.
Playing Wilde in the lonely gloaming of his life in David Hare's "The Judas Kiss," which opened on Tuesday night at the Brooklyn Academy of Music, Rupert Everett only rarely budges from an indomitably seated position.
I initially thought these figures were life-size, until I was able to discern — in the gloaming of a sustained, velvety night (lighted by José Luis Cifuentes) — the larger human beings in black who manipulate them.
Woods, who turns 20193 at the end of the month, raised his hand to captain this year's United States team at a time when his competitive playing career appeared done, or at least in the gloaming.
In the gloaming, these white jumpsuits, moving irregularly amid the deep green of the manicured grounds, brought to mind an avant-garde film about a lunatic asylum: the inmates, in their hospital gowns, out for a constitutional.
The minarets of the Forest Hills Inn and the groves of Forest Hills Gardens, the comfortable residential pocket in which the club nestles, stood confidently in the gloaming, sturdy defenders of the faith, gray against an azure evening.
For now, Nadal has a 24-15 edge in head-to-head matches, and Federer has a 2-1 edge at Wimbledon, having defeated Nadal in the 2006 and 2007 finals before losing in the gloaming in 2008.
There were sourdough waffles to start the day and tuna sandwiches for lunch, a few hours of everyone reading novels in separate corners before a long solitary walk in the gloaming, accompanied by gloved waves across generally empty streets.
There were sourdough waffles to start the day and tuna sandwiches for lunch, a few hours of everyone reading novels in separate corners before a long solitary walk in the gloaming, accompanied by gloved waves across generally empty streets.
One evening, as we sat in the gloaming dimness of his library, Kubitschek delivered a long lament about what he perceived to be the ills of modernity: banal consumption, the decline of Christian belief (Kubitschek is a Catholic), mechanization that is making workers superfluous.
G.R. St. Patrick's Day is not popularly associated with introspection, but try it with a song from the new live album by the Gloaming, a group steeped in Irish tradition that carries the music into pensive, even mystical realms, particularly when Thomas Bartlett's piano transmutes the harmonies.
It will no doubt be a Netflix series before long, but read it right now and maybe join me in my reverie: walking Tchoupitoulas Street in the gloaming, bound for Cochon, an oyster and bacon sandwich, an ice-cold Miller High Life, the rest of the book.
To Martin Hayes, a fiddler from County Clare who founded the group, the Gloaming continues a century-long dialogue between Irish music and its American diaspora, restoring some of the subtleties that were discouraged by the limitations of early recordings and the guitar-strumming enthusiasm of the 1960s folk revival.
"The Gloaming" is chillingly cinematic in contrasting East Africa's exquisite landscape with the region's human needs — not just the hungry children in rags torturing dogs for entertainment but the makeshift nature of a society in which doctors have scant access to drugs and even the mortuary has no electricity, so corpses must be stored in a fish factory.
The Holly Bush is a traditional jig, arranged by The Gloaming. Samhradh Samhradh lyrics traditional (author unknown), music traditional, arranged by The Gloaming.
Gloaming has had his portrait painted by the noted equine artist, Martin Stainforth and it was reproduced in Racehorses in Australia.Painting of Gloaming by Martin Stainforth Retrieved 2010-2-28 Gloaming was one of five inaugural inductees into the New Zealand Racing Hall of Fame, alongside Carbine, Kindergarten, Phar Lap and Sunline. The Group Three Gloaming Stakes (1,800m) contested at Sydney's Rosehill Gardens Racecourse is named in his honour.
Gloaming Gloaming (September 1915 – 5 May 1932) was an outstanding Thoroughbred racehorse, owned, trained, and based in New Zealand. He set many records which included the Australasian record (jointly held with Desert Gold, Black Caviar and Winx) of 19 successive wins, many in Principal Races. Gloaming was unusual in that he was a champion who won many major races in both Australia and New Zealand. Gloaming still holds the Australasian record of 45 seconds for four furlongs.
The race is named for Gloaming who jointly at one time held the Australasian record (with Desert Gold) of 19 successive wins. Gloaming had 67 race starts, won 57 and was second 9 times.
After the release of their third studio album and a concert tour in 2019, the band announced that it would "take a break" in 2020. They have recorded three studio albums, The Gloaming (2014), The Gloaming 2 (2016), The Gloaming 3 (2019), and a concert recording, Live at the NCH (2018). Thomas Bartlett, the band's pianist, produced all four albums. The first was recorded at Grouse Lodge in County Westmeath in Ireland and the second at Real World Studios near Bath, England.
Traditional, arranged by The Gloaming. The Rolling Wave - The Rolling Wave (jig), Music in the Glen (reel). Fáinleog - The Wanderer (tune), Fáinleog (song), The Holly Bush (jig), Samhradh Samhradh (song). The Wanderer and Fáinleog written and arranged by The Gloaming. Fáinleog uses a traditional lyric extract from “Na Laoithe Fiannuidheachta”.
Rogilla, 1933 & 1934 winner. Beau Vite, 1941 winner. Gloaming, 1918 winner Gold Rod, 1936 winner. Phar Lap, 1930 winner.
Published by MOC Music. Music written and arranged by The Gloaming. Incorporates the reel Touch Me if You Dare.
The race was won by three of the New Zealand Racing Hall of Fame horses Gloaming, Nightmarch and Desert Gold.
The Gloaming 3 was produced at Bartlett's studio in New York. Unlike the first two studio albums, which were recorded after rehearsals or during tours, The Gloaming 3 contains music that the group had not played live together, with Bartlett taking a more active role as producer. Live at the NCH contains 6 songs chosen by Bartlett from live recordings of several of the group's National Concert Hall shows. The Gloaming won the Meteor Choice Music Prize for 2014 Irish Album of the Year for their first album.
Elder, pp. 12–22. He also wrote three novels: Column of Thieves and Blood Brigade and Take the High Road: Summer's Gloaming.
Martin Hayes (born 4 July 1962) is an Irish fiddler from County Clare. He is a member of the Irish-American supergroup The Gloaming.
The Gloaming 2 (also referred to as "2") is the second studio album by the contemporary Irish/American music group The Gloaming. It was released on February 26, 2016 on Real World Records, and on Brassland Records in America, Justin Time Records in Canada, and Planet Records in Australia. The album debuted at No.1 in the Irish Album Chart and was met with critical acclaim.
The Gloaming is the debut studio album by the contemporary Irish/American music group The Gloaming. It was released on January 20, 2014 on Real World Records, and on Brassland Records in America, Justin Time Records in Canada, and Planet Records in Australia. The album received widespread critical acclaim on its release and is considered one of the finest recordings of 2014. The Gloaming made several end-of-year lists for publications such as the Irish Times (who named it No.1 Best album of 2014), Irish Independent, and NPR, while also being nominated for three BBC Radio 2 Folk Awards, winning Best Traditional Track for "Samhradh Samhradh".
Nouveau Gloaming is the first full-length album by Norwegian/English black metal band Code. The album was released on June 13, 2005 through Spikefarm Records.
He was one of five inaugural inductees into the New Zealand Racing Hall of Fame, alongside the other four turf immortals Carbine, Gloaming, Phar Lap and Sunline.
She received an Emmy Award nomination for the 1997 TV film In the Gloaming, and a second Golden Globe Award nomination for the 2001 TV film No Ordinary Baby.
The race has been won by horses that later became champions. These include Kingston Town, Beau Zam and Tie the Knot. The Gloaming Stakes is considered a major preparatory race for this event.
Alice Elliott Dark is a modern short story author and novelist. She is the author of two story collections, Naked to the Waist and In the Gloaming, and one novel Think of England.
Performers included Laurie Anderson, Damien Rice, Bell X1 (band), The Lost Brothers, Bryce Dessner and Aaron Dessner, Gabriel Byrne, Paul Muldoon, Colum McCann, and others. With fiddle player Martin Hayes, guitarist Dennis Cahill, vocalist Iarla Ó Lionáird, and hardanger fiddle player Caoimhín Ó Raghallaigh, Bartlett is a member of The Gloaming. They have released four albums, all produced by Bartlett. In 2019 Bartlett and fellow Gloaming member Caoimhín Ó Raghallaigh released a collaborative studio album entitled Caoimhín Ó Raghallaigh and Thomas Bartlett.
He was a robust bay gelding standing 15 hands 3 inches high with a good length of rein. Gloaming was sired by the good imported racehorse and sire, The Welkin (GB) out of the unplaced mare, Light (GB), by the good sire, Eager. His paternal grandsire was the English Triple Crown champion, Flying Fox. Gloaming was a brother to seven other named horses, all by The Welkin, including Gloaming's Sister (won AJC Kirkham Stakes), but none were nearly so successful as him.
Gloaming had 67 race starts, won 57 (including 39 Principal Races) and was second 9 times. Gloaming fell in his only other race start, at barrier rise in the North Island Challenge Stakes which was a race he later won three times. When he retired he was the leading Australian racing stakes winner. He was the first horse to defeat the great mare, Desert Gold over a mile and he still holds the Australasian record of 45 seconds for four furlongs.
The short story "In the Gloaming" was first published in The New Yorker in 1993 and was selected by John Updike for inclusion in the Best American Short Stories of the Century. Prior to that, it was included in The Best American Short Stories 1994, as selected by Tobias Wolff. In the Gloaming was made into an HBO film starring Glenn Close and directed by Christopher Reeve. Dark's short story "Watch the Animals," first published in Harper's Magazine, was subsequently awarded an O. Henry Award in 2000.
Regarding the pair as "most promising young artists", they purchased both Jones' The Dry Season and Streeton's An Australian Gloaming,"Notes on Art". Illustrated Sydney News (Sydney). 7 July 1890. p. 22. Retrieved 10 January 2020.
In her final season of racing, Desert Gold had three starts for a third in the G.G. Stead Memorial Stakes which was won by Gloaming. Desert Gold retired with a record of 59 Starts: 36-13-4 and earnings of £23,239.
Only a small number of fillies have ever won the Derby against the male horses including the great Desert Gold. Many of New Zealand's most famous racehorses feature on the Derby winners' list, including Kindergarten, Desert Gold, Mainbrace and Gloaming.
The Gloaming Stakes is an Australian Turf Club Group 3 Thoroughbred horse race, for three-year-olds, at set weights, over a distance of 1800 metres, held annually at Rosehill Racecourse, Sydney, Australia in September. Total prize money for the race is A$200,000.
The album's title is derived from the word gloaming and describes someone coming to life during that strange and magical time of day after the sun goes down, but before darkness falls.Guppy, Sarah (16 August 2013). "Loon Lake New Album & Australian Tour 2013 Announced". Tone Deaf Magazine.
Live at the NCH is a live album by the contemporary Irish/American music group The Gloaming. It was released on March 2, 2018 on Real World Records. The album received widespread critical acclaim upon its release and went to No.3 in the Irish Album Charts.
His usual jockey was Ken Bracken. Among the other horses he vanquished were acknowledged champions in their own right, Desert Gold, Gloaming and Eurythmic. For this reason, as a six-year-old, he was allocated the handicap of 10 stone (63.5 kg) for the 1920 Melbourne Cup.
Iarla Ó Lionáird is an Irish singer and record producer. He sings in the traditional sean-nós style. He was a member of the Afro Celt Sound System and is a member of the Irish-American supergroup The Gloaming. He has recorded several solo albums for Real World Records.
A two-time Tony Award winning producer, Paleologos was also the recipient of a prime time Emmy Award nomination for the HBO film In the Gloaming. His last production on Broadway was Chitty Chitty Bang Bang. Feature films he produced include Ghosts of Mississippi, Lansky, Little Fugitive, and Hurlyburly.
'Max Brown is an Australian film, television and theatre actor from Melbourne, Victoria . Max is best known for his portrayal of Oscar Wolfe in the TV series 'The Gloaming' on Stan . His mainstream theatrical debut was in Benjamin Laws play Torch the Place for Melbourne Theatre Company in 2020 .
The Hill Stakes is an Australian Turf Club Group 2 Thoroughbred horse race run at Weight for Age over a distance of 1800 metres at Randwick Racecourse, Sydney, Australia in September. Total prize money for the race is A$500,000. Peter Pan, 1932 & 1935 winner. Gloaming, 1922 winner.
In the Gloaming is a 1997 American made-for-television drama film based on a story written by Alice Elliott Dark. Directed by Christopher Reeve in his directorial debut, it stars Glenn Close, Bridget Fonda, Whoopi Goldberg and Robert Sean Leonard. The film originally premiered on HBO on April 20, 1997.
Makybe Diva was an outstanding stayer and Sunline was a champion middle distance horse. Sunline led in most of her races, and sometimes settled just behind the leader; she was difficult to pass. Sunline was an inaugural inductee into the New Zealand Racing Hall of Fame, along with Carbine, Gloaming, Kindergarten and Phar Lap.
The Gloaming is the story of an unorthodox and troubled policewoman, Molly McGee, who leads an investigation into the murder of an unidentified woman. McGee has to team up with Alex O'Connell, a man she has not spoken to for 20 years. They discover that the murder has links to a cold case from the past.
Beauford, was a brown Thoroughbred gelding, performing in Australia was best known for the races against the New Zealand champion Gloaming at Randwick Racecourse in 1922. Beauford raced exclusively in N.S.W from a three-year-old to a nine-year-old recording 17 wins from 6 furlongs to 1½ miles with regular jockey Albert Wood winning 12 races.
"Time to embrace our dark side", The Mercury. Retrieved 4 December 2012. MONA launched Dark Mofo, a winter festival focusing on the winter solstice and pagan themes in 2013Sister event, the Huon Valley Mid-winter Festival, is also held annually. Television series The Kettering Incident (2016) and The Gloaming (2020) are also regarded as examples of Tasmanian Gothic.
" Husar, 1974.Burns, Edward, "I Was There...: Hartnett's 'Homer in the Gloaming' Sparks Cubs to '38 League Title," Chicago Daily Tribune; Jan 7, 1954; p. B1 Pieper names Rogers Hornsby as the greatest all-around player he'd seen. "He did everything well: hit, run, field. Hornsby wasn’t a flashy player, just a great who had his head jammed with baseball knowledge.
In 1996, Reeve narrated the HBO film Without Pity: A Film About Abilities. The film won the Emmy Award for "Outstanding Informational Special". He then acted in a small role in the film A Step Towards Tomorrow. In 1997, Reeve made his directorial debut with the HBO film In the Gloaming with Robert Sean Leonard, Glenn Close, Whoopi Goldberg, Bridget Fonda, and David Strathairn.
Bono joined lead singer Glen Hansard on 8 May 2012 in New York City's The Living Room venue to perform the song. At the Ceiliúradh (celebration) at Royal Albert Hall on 10 April 2014, it was sung by a collection of performers including Glen Hansard, Lisa Hannigan, Elvis Costello, Conor O’Brien (of Villagers), Paul Brady, Imelda May, John Sheahan, Dónal Lunny, Andy Irvine and The Gloaming.
Retrieved September 14, 2019Harvey, Dennis. "'King,' 'Wonderland' top S.F. Film Festival," Variety, May 20, 1997. Retrieved September 14, 2019 The film also won a CableACE Award for Historical Documentary Special or Series and a Best Documentary (Long Form) at the 1998 Nashville Independent Film Festival."HBO and In The Gloaming Tops Winners at 1997 CableACE Awards," The Associated Press (AP), Saturday, November 15, 1997.
Will Scheffer is an American playwright and co-creator and executive producer of Big Love with longtime life-partner Mark V. Olsen. He is President and CEO of Anima Sola Productions, which he founded with Olsen in 1992 to create television and film content. His writing credits include Big Love: In the Beginning, Ellis Island, Duck Town, Easter, In the Gloaming, The Pact, Citizen Baines, and Getting On.
The three CDs, The Gloaming, Episcoval and Hold Your Prize, comprised electronic music alongside piano and guitar sketches. Radiohead had tried to record some of the songs, such as "I Will", for Kid A and Amnesiac, but were not satisfied with the results. They spent May and June 2002 arranging and rehearsing the songs before performing them on their tour of Spain and Portugal in July and August.
He jointly held the Australasian record of 19 wins in succession with Desert Gold, who he met five times and defeated four times. The record is now held at 33 wins by Winx. When Gloaming was retired from the turf to his owner's property at Teviotdale, he was the leading stakes-winner in Australasia with fifty-seven wins and £43,100 in prize-money. He died on 5 May 1932.
Library of Congress Prints and Photographs Division, Washington, D.C. 20540. Accessed 2013-04-25 On display are original furnishings from the Nickerson era along with American and European decorative arts of the late 19th and early 20th centuries, including art nouveau furnishings and a number of works by Louis Comfort Tiffany.Dwyer, Ann Elizabeth (03 November 2011). "In the gloaming, Gilded Age glamour", Chicago Tribune, retrieved 2013-04-25.
As six-year-old Desert Gold had 10 race starts for 2 wins and 5 seconds. She was allotted a handicap weight of 9 stone 6 pounds in the Melbourne Cup but was unplaced to the winner, Night Watch, who carried 6 stone 9 pounds. Her only principal win was when she defeated the three-year-old colt, Gloaming in the 1919 Taranaki Stakes. She also finished second in the Awapuni Gold Cup.
Gloaming, 1919,1922,1924 winner Amounis, 1928 winner 1939 Craven Plate racebook showing the winner, High Caste. The race has long been part of the AJC Spring Carnival and in the late 19th and early 20th century was considered one of the elite races. The race history of brilliant racehorses who have won this race - The Barb, Phar Lap, Peter Pan, Tim Whiffler, Carbine, Chatham, Windbag, Tulloch, Duke Foote, Prince Darius and Summer Fair.
Keaton Henson (born 24 March 1988) is an English folk rock musician, visual artist, and poet. Henson has released six studio albums (one under the name 'Behaving'). He has also released a wordless graphic novel called "Gloaming", published by Pocko, which is "essentially a field guide to a spirit world beyond our reality", and a book of poetry called "Idiot Verse". Henson suffers from anxiety and, as a result, rarely plays concerts.
Tomorrow's Modern Boxes blends Yorke's vocals and piano playing with electronic beats and textures. Critics described it as "eerie" and "neurotic", with "a quiet, restrained sense of dread". The A.V. Club likened its music to the Radiohead tracks "Like Spinning Plates" (from 2001's Amnesiac) and "The Gloaming" (2003's Hail to the Thief). The opening track, "A Brain in a Bottle", combines Yorke's falsetto with a stuttering beat and "old-school" oscillator effects.
Sound the Alarms was released in 2008 produced by a team that included Steve Ennever and Paul Burton. The Gloaming Hour EP was released in 2009. They were also a regular feature in the Christian music scene in the UK, playing at Nth Fest, Creation Fest, Greenbelt festival, Grace Festivals, and the Big Church Day Out Festival. They also played outside the Christian music scene and opened for bands such as Frightened Rabbit.
Nightmarch was the first horse to win both the Melbourne Cup and Cox Plate in the same year (1929), a feat repeated by Phar Lap the following year (1930), fellow New Zealand racehorse Rising Fast in 1954, Saintly in 1996 and Makybe Diva in 2005. Overall he had 69 starts for 23½ wins (including a dead heat), 18 seconds and 11 thirds for £32,116. At the time the two greats Gloaming and Nightmarch were considered New Zealand's true champions.
The Gloaming is a contemporary Irish/American music supergroup. Its members are fiddle player Martin Hayes, guitarist Dennis Cahill, sean-nós singer Iarla Ó Lionáird, hardanger fiddle player Caoimhín Ó Raghallaigh, and pianist Thomas Bartlett. The group was formed in 2011 and began a first tour of Ireland with a sold out performance in the National Concert Hall (NCH). Since then they have played the NCH annually, increasing to a residency of seven consecutive nights by 2017.
Pring, Peter; "Analysis of Champion Racehorses", The Thoroughbred Press, Sydney, 1977, Light was inbred in the third generation (3x3) to Sterling.Ahnert, Rainer L. (Ed. in Chief), “Thoroughbred Breeding of the World”, Pozdun Publishing, Germany, 1970 Gloaming was sold as a yearling in 1916 for 230 guineas to H. Chisholm acting on behalf of George D. Greenwood, of Teviotdale in the Canterbury region, New Zealand. Following the sale he made his first of 15 crossings of the Tasman Sea.
In 2016 A Portable Shelter was longlisted for the Edge Hill Short Story Prize, and in 2017 the collection was shortlisted for the Green Carnation Prize. A paperback edition of A Portable Shelter was published by Vintage in November 2016. Logan's second novel, The Gloaming, was published by Harvill Secker in 2018. In 2012 she was one of twenty-one women writers and artists who contributed to the Glasgow Women's Library 21 Revolutions publication, released to mark the organisation's twenty-first year.
Gloaming had a long career, racing from age three to nine years, which included victories over other champion racehorses such as Desert Gold, Beauford, Kennaquhair, Whittier and The Hawk. He was successful at distances from four furlongs to a mile and a half. He was put into work as a two-year-old, but became shin-sore, and was gelded before being spelled. In June 1918 he was shipped to Sydney, after he had showed promise in track work in New Zealand.
In 2002, McNerney went on to form the UK band Void (as Ionman) when they released Posthuman album on Samoth from Emperor's Nocturnal Art label. In the same year in association with Aort, McNerney Co-founded Code and released their first demo in 2002 titled Neurotransmissions: Amplified Thought Chemistry. In 2005, Code signed to Spikefarm Records for Nouveau Gloaming release. Joining Dødheimsgard from Norway in 2004, he wrote lyrics and performed vocals on the album Supervillain Outcast released in 2007 by Moonfog Productions.
Gwyllion or gwyllon (plural noun from the singular Gwyll or (Yr) Wyll "twilight, gloaming") is a Welsh word with a wide range of possible meanings including "ghosts, spirits" and "night-wanderers (human or supernatural) up to no good, outlaws of the wild." Gwyllion is only one of a number of words with these or similar meanings in Welsh. It is a comparatively recent word coined inadvertently in the seventeenth century by the Welsh lexicographer Dr John Davies (Mallwyd).Geiriadur Prifysgol Cymru, vol.
Groucho played an "old movie" villain, who "sported a long moustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end.
According to Yorke, "We Suck Young Blood" is a "slave ship tune" with a free jazz break, and is "not to be taken seriously". With ill-timed, "zombie- like" handclaps,Forbes the song satirises Hollywood culture and its "constant desire to stay young and fleece people, suck their energy". Jonny Greenwood used the ondes Martenot, an early electronic instrument, on several tracks. "The Gloaming (Softly Open our Mouths in the Cold)" is an electronic song with "mechanical rhythms" that Jonny Greenwood built from tape loops.
The event attracted many thousands of spectators to the Hastings Racecourse where, in the run to the line, Gloaming lengthened his stride to pass The Hawk and win by a length in record time. The Hawk continued racing in New Zealand until the age of 13. His wins during his later years included the 1927 WRC Metropolitan Handicap, the 1927 and 1928 Taranaki Stakes, and the 1930 Taranaki Cup when aged 11. At age 12 he won his thirty-first, and last race in the Dannevirke Cup.
On eight occasions he either equalled or broke the race record.He is regarded as one of the greatest horses to have raced in New Zealand.Pring, Peter; Analysis of Champion Racehorses, The Thoroughbred Press, Sydney, 1977, Included among his Principal (or stakes) wins are the Awapuni Gold Cup, Champagne Stakes, Great Northern Derby, New Zealand St. Leger, Great Northern Foal Stakes, Royal Stakes, Great Northern Guineas, Wellington Guineas, Foxbridge Plate, King's Plate, North Island Challenge Stakes, Taranaki Stakes, Wellington Stakes, Gloaming Stakes, Trentham Stakes and ARC Welcome Stakes. His regular rider was Grenville Hughes.
Ride's lyrics are described as "chants and rants, rhythmic elements that are barely intelligible—though full of bleak, deranged, or drugged-out thoughts". Ride's lyrics engage with various topics, including sex, drugs, addiction, economic collapse, insanity, suicide, occultism, paranoia, and techno-futurism. John Calvert of The Quietus wrote, "Death Grips embroils MC Ride's consciousness in a schematised Braque-esque maze, a gloaming constellation, a synaptic thing." Chase Woodruff of Slant Magazine argued that Ride's lyrics "hint at a contemporary, vaguely political edge to all his rage and alienation".
In Rainbows – From the Basement was filmed in a day with sound by Nigel Godrich and video direction by David Barnard at The Hospital Club's TV Studio in London's Covent Garden for longtime Radiohead collaborator Godrich's podcast and television programme From the Basement. The Radiohead performance was the beginning of the second series of the programme. Radiohead performed songs from their 2007 album In Rainbows, plus "Myxomatosis", "Where I End and You Begin" and "The Gloaming" (from 2003's Hail to the Thief), and "Optimistic" (from 2000's Kid A).
M.C. on "Go Kindergarten", "Whirring" by The Joy Formidable on "YOLO", "Gloaming" by Ludovic Decosne on "Spell It Out", "The Bells" by James Brown on "I Don't Give a Honk", "Utai 1: Making of Cyborg" by Kenji Kawai on "The Compliments", and "Universal Love" by Woods Empire on "Perfect Saturday". Speaking about producing the single "YOLO", Needlz revealed that the song was initially intended to feature Katy Perry, and that Adam Levine and Kendrick Lamar were only added to the record approximately "a week and a half" before its debut on Saturday Night Live.
His fascination with the gloaming light at dusk was often revisited in Stott's paintings. They include Home by the Ferry (1891) and The Harvester’s Return (1899) at opposite ends of the decade. The latter was enthusiastically received as conveying the feeling of a long and tiring traipse after the workers had finished their work.The Daily News, 7 April 1900 Many Victorians possessed a somewhat sentimentalised view of childhood and Genre paintings of children such as those produced by William Henry Gore and Blanche Jenkins amongst numerous others were immensely popular.
On two of those occasions, fillies have also finished second – Cure in 1986 and Fix in 2013. Many of New Zealand's most famous racehorses feature on the list of New Zealand Derby winners, including Nightmarch, Kindergarten, Balmerino, Desert Gold, Mainbrace, Gloaming, Bonecrusher, Xcellent, Jimmy Choux, Silent Achiever and Mongolian Khan. Vinnie Colgan holds the record for the most Derby wins by a jockey. He scored his fifth Derby win aboard Habibi in 2013, breaking Robert Vance's previous record of four, and added a sixth victory with Rangipo in 2016.
His first break came when he was cast as the lead role in Jewboy, a film that screened at the Cannes Film Festival and Sundance Film Festival. He has played lead roles in Three Blind Mice, Dead Europe, The Butterfly Tree and The Daughter. He has also appeared in Kokoda, The Railway Man, Sleeping Beauty, The Mule, Sweet Country and The Nightingale. Notable roles on TV include Operation Buffalo, The Luminaries, The Gloaming, The Cry, Safe Harbour, Fighting Season, Deadline Gallipoli, Devil's Dust, Mabo, Redfern Now and Rake.
She sang the title song on the soundtrack of the HBO drama In the Gloaming, directed by her husband. Reeve also had another cameo in her husband's movie The Brooke Ellison Story as a teacher. She authored the book Care Packages: Letters to Christopher Reeve from Strangers and Other Friends. In 2004, she was performing in the Broadway-bound play Brooklyn Boy at South Coast Repertory in Costa Mesa, California when she had to rush home to reach her husband's bedside after he went into cardiac arrest and a coma.
The Gloaming 2 was released February 2016 to positive reviews and debuted at No.1 in the Irish Album Charts. In its review, the Herald said that the new body of work “takes things to a higher level”, while the Irish Times called it a “richly textured thing of beauty”. The Guardian once again dubbed The Gloaming’s music “exquisite” in its review, and NPR labelled the record “wistful, tender and completely transforming”. “Top-class” was the verdict of The Telegraph, while Mojo described these new recordings as “an album of dark beauty and unnerving enchantment”.
Mainbrace was a champion New Zealand Thoroughbred racehorse who won 23 of his 25 race starts and was placed second in the other two. Notably the two losses were to the same horse, The Unicorn, who he beat on other occasions. When he broke down he had won 17 races in succession, which was only two behind Gloaming and Desert Gold's Australasian record. It was only a defeat in his first start as a 3-year old that prevented a winning streak of 24Costello, John & Finnegan, Pat, "Tapestry of Turf - The History of New Zealand Racing", Moa Publications, Auckland, 1988, .
Before they recorded their debut album, Cthonian departed the band and they were joined by Viper aka Vicotnik from the bands Ved Buens Ende and Dødheimsgard on bass guitar. Vyttra joined on session Guitar and AiwarikiaR, former drummer of Ulver, joined on drums. Aort wrote all of the music and Kvohst co-wrote the lyrics with an English writer called Andrew Nicol for the next two studio albums. The band was eventually signed to Spikefarm Records, an imprint record label of Spinefarm Records. Through Spikefarm, they released their first full-length, entitled Nouveau Gloaming on 13 June 2005.
One track, "Opening Set", includes a series of seven individual traditional tunes within the one composition, one of which, "An Chúil Daigh Ré", is from the singing of Conchúbhar Ó Cochláin, Doire Na Sagart, Ballyvourney, Co Cork. Production duties were carried out by pianist Thomas Bartlett and The Gloaming, while Patrick Dillett (David Byrne, St Vincent) engineered and mixed the record at his studio in New York. It was mastered by UE Nastasi at Sterling Sound. The album sleeve was designed by Marc Bessant, with the cover art image – entitled 'Passage' – created by US conceptual photography duo Robert and Shana ParkeHarrison.
In the years following the accident, Reeve returned to creative work, directing In the Gloaming (1997) and receiving a Screen Actors Guild Award and a Golden Globe Award nomination for his performance in the television remake of Rear Window (1998). He also made several appearances in the Superman-themed television series Smallville. Beginning in the 1980s, Reeve advocated for environmental and human-rights causes, and for federal funding of the arts. After the accident, he lobbied for spinal cord injury research, including human embryonic stem cell research, and for better insurance coverage for people with disabilities.
Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer. He has released four solo albums as Doveman, four albums as a member of The Gloaming, and duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh. As a producer, Bartlett has worked with a range of notable artists, including The National, Sufjan Stevens, Yoko Ono, St Vincent, Anna Calvi, Norah Jones, Florence + The Machine, Glen Hansard, Bell X1. "Mystery of Love", a collaboration with Sufjan Stevens for the soundtrack to Call Me by Your Name, was nominated for an Academy Award for Best Original Song and performed at the 2018 ceremony.
For the Pirates, 1938 marked the closest they would come to going to the World Series between 1927 and 1960, as the team would slip to sixth place the following year, with average seasons in the early 1940s and a late pennant race in 1948 only to become one of baseball's worst teams from 1949 until 1956, not contending for the National League pennant again until the late 1950s. "Roamin' in the Gloamin'" was a popular song dating to 1911, written and recorded by Harry Lauder. "Gloaming" is a regional dialect term of Scots origin denoting "twilight". Writers picked up on these facts and Hartnett's clutch hit became known in Cubs lore as the "Homer in the Gloamin'".
Rothstein, Mervyn."A Life in the Theatre: Jane Greenwood", playbill.com, 28 June 2008 In addition to her many Broadway credits, she has designed costumes for many productions for the Manhattan Theatre Club, recently Accent on Youth (2009), Lincoln Center Theater, recently Belle Epoque, 2005, and The Roundabout Theatre Company, Waiting for Godot (2009), A Month in the Country (1994–95), Outer Critics Circle Award nomination, and She Loves Me (1992–93). In England, she was nominated for the Olivier Award for her costume designs for She Loves Me (1995). Her television work includes several Public Television plays for "The American Playhouse", made-for- television movies, such as In the Gloaming, HBO (1997) and the miniseries Kennedy (1983).
Seán Mac Erlaine (born 30 July 1976) is an Irish musician and composer specialising in woodwinds and electronics. He studied jazz performance in Newpark Music Centre under Ronan Guilfoyle where he also taught for a number of years before completing his formal education at Dublin Institute of Technology where he was awarded a Masters in Jazz Performance as well as a PhD focusing on solo woodwind performance with live electronics. He plays alto saxophone, clarinet and bass clarinet which he often processes through software created with Max/MSP. He has performed with leading musicians including Jan Bang, Bill Frisell, David Toop, Ernst Reijseger, The Smith Quartet, Hayden Chisholm, Eivind Aarset, Caoimhín Ó Raghallaigh, Ronan Guilfoyle, Iarla O'Lionaird, Valgeir Sigurðsson, Damo Suzuki and The Gloaming.
Cahill's chordal accompaniment uses standard tuning. In 1999 a New York Times reviewer described Hayes and Cahill's approach as "stripping old reels and jigs to their essence, leaving space between the notes for harmonics and whispered blue notes," resulting in "a Celtic complement to Steve Reich's quartets or Miles Davis's Sketches of Spain. " Hayes and Cahill have toured extensively and released three recordings on the Green Linnet label: The Lonesome Touch (1997), Live in Seattle (1999), and Welcome Here Again (2008). Cahill and Hayes, along with singer Iarla Ó Lionáird, fiddler Caoimhín Ó Raghallaigh and pianist Doveman, are the members of The Gloaming, an Irish-American supergroup whose first album was released in 2014, winning the Meteor Choice Music Prize for Irish album of the year.
In February 2018, RTÉ reported that The Gloaming were readying the release of a concert album timed for release with the group's sold-out seven-night residency in Dublin's National Concert Hall in March (their only live dates of that year). The release would act as a celebration of the 17 sold-out shows the band had performed at the NCH over the course of their career to that point (that figure now stands at 24). In an interview, pianist and producer Thomas Bartlett said of the venue: “After playing our very first show there, we became really bonded to the National Concert Hall. It’s still absolutely amazing to me to have fallen into the situation where such a thing was even possible.
I think because the room holds such importance for us as a band, and because the residency has become an annual tradition, we approach these shows with a particular kind of fire and focus, but also in the knowledge that we can really take our time to stretch out and explore, and that the audience will happily go wandering with us.” Compiled by Bartlett from two years’ worth of concert recordings, the album was produced by Bartlett and The Gloaming, with Patrick Dillett on mixing duties. The live recordings had been originally made by Phil Hayes and Andy Knightley at the National Concert Hall, with the group's live sound mixed by Matt Purcell. Marc Bessant's sleeve design featured photography by Hugh McCabe and Rich Gilligan.
He won six of his ten races as a two-year-old and broke the Australasian record for six furlongs as a three-year-old in winning the Waterloo Stakes. As a five-year-old The Hawk had his first season racing in Australia where his wins included the Hill Stakes, St George Stakes, Futurity Stakes, Essendon Stakes and C M Lloyd Stakes. At aged six he continued his Australian campaign winning the Caulfield Stakes, Challenge Stakes, St George Stakes, Essendon Stakes, Rawson Stakes and All Aged Stakes. In the autumn of 1925 he returned to New Zealand to meet the great old champion Gloaming (then rising ten years old) in a match race in the Hawke's Bay J.D. Ormond Memorial Gold Cup at Hastings.
Hayes added that the music on The Gloaming 2 possibly had a euphoric and joyful quality, a sentiment shared by bandmate and fellow fiddle player Caoimhín Ó Raghallaigh. Lyrically and musically, the group drew from age-old sources just as they had on their debut LP. For example, “The Pilgrim's Song” comprises two extracts of poems by the mid-20th century Irish poet Seán Ó Ríordáin – “Oilithreacht Fám Anam” and “A Sheanfhilí, Múinídh Dom Glao”, both taken from Eireaball Spideoige (1952). “Fáinleog”, meanwhile, uses a traditional lyric extract from Na Laoithe Fiannuidheachta as well as a traditional Irish jig called “The Holly Bush”. “Oisín's Song” also used a traditional lyrical motif from Na Laoithe Fiannuidheachta called “The Dialogue of Oisín and Pádraig”.
These exercises fueled Terry's work as she and the company produced such plays as Keep Tightly Closed in a Cool Dry Place at the Sheridan Square Playhouse and Gloaming, Oh My Darling at the Martinique Theater, both in 1965. The self-guided theatre experiments were cut short by the ensemble's outrage at the United States' decision to go to war with Vietnam. In protest, Terry and her ensemble began work on what would become Viet Rock: As the first rock musical to be written and performed in the United States, and the first play to address America's involvement in Vietnam, Viet Rock was a landmark production for both The Open Theater and Terry as a playwright. The collectively-created piece evolved from workshop improvisations in The Open Theater laboratory, with music by Marianne de Pury.
She was named New Zealand Horse of the Year four times and is also the first of only 3 horses ever to win the Australian Horse of the Year championship three times, the others being Black Caviar and Winx. The only horse besides Sunline to win as many major races in both Australia and New Zealand was Gloaming, who raced around 1915. Sunline recorded 13 wins from her 25 starts in Group One races (a winning strike-rate of 52%), while Makybe Diva, with whom she is often compared, won seven of her 14 (a winning strike-rate of 50%). Greg Childs, the jockey who rode Sunline in 33 of her races, said she deserved to be bracketed with the Diva as the best racemares of the modern era.
In 1996 Hayes formed an acoustic duo with Dennis Cahill, developing an "unrushed, lyrical, highly expressive interpretation" of traditional Irish music. In 1999 a New York Times reviewer described Hayes and Cahill's approach as "stripping old reels and jigs to their essence, leaving space between the notes for harmonics and whispered blue notes," resulting in "a Celtic complement to Steve Reich's quartets or Miles Davis's Sketches of Spain. " Hayes and Cahill have released three recordings on the Green Linnet label: The Lonesome Touch (1997), Live in Seattle (1999), and Welcome Here Again (2008). Hayes and Cahill, along with singer Iarla Ó Lionáird, fiddler Caoimhín Ó Raghallaigh and pianist Doveman, are the members of The Gloaming, an Irish-American supergroup whose first album was released in 2014, winning the Meteor Choice Music Prize for Irish album of the year.
In an interview with the Irish Times in August 2014, fiddle player and band founder Martin Hayes said that the quintet were all eager to begin work on new material. In December 2015, The Gloaming entered Real World Studios in Wiltshire, England to record material that had mostly been written and previewed during the group’s 2015 touring schedule. Commenting at the time on the recording sessions, vocalist Iarla Ó Lionáird felt that a “stronger” record was being made to the band’s 2015 debut, and that while the group had not become completely removed from its “initial creative area”, something of a departure had been made. Hayes, meanwhile, said that the album had “more feeling” than its predecessor because the five individuals in the band had bonded more deeply in terms of a shared aesthetic in the interim period.
Here is his "transvernacularisation" of the opening stanza: Aquí me pongo a cantar Al compás de la vigüela Que el hombre lo desvela, Una pena estrordinaria Como la ave solitaria Con el cantar se consuela. I sit me here to sing my song To the beat of my old guitar To the man whose life is a bitter cup, With a song may yet his heart lift up, As the lonely bird on a leafless tree That sings 'neath the gloaming star. In the preface to the translation of La Araucana, Owen invites the reader to share with him the intimate details of the process by which he takes the original poem of the Chilean conquest, makes a first rough semi-literal translation, and then plays with each line, word, and syllable to achieve the translation which most closely conveys the spirit, meaning and rhythm of the 16th Century Spanish original. This preface stands as one of the most complete explanations which a poet-translator has ever given of the intricacies of his work.
He always pulled hard in races, which cost him any chance in the three Melbourne Cups he contested. His best season was at six years of age, when he won 11 from 17 starts and in 1934 he defeated the champion Peter Pan in four successive meetings including the AJC Kings Cup. Rogilla when racing in Melbourne was stabled at Caulfield with trainer Cecil T Godby who trained the Caulfield Cup winners Purser 1924, Gaine Carrington 1933 and Northwind 1936. J.E.(Ted) Boadle proprietor 'Star Shoeing Forge' Hamilton, Newcastle was a master blacksmith and racecourse farrier for 33 years originally from Grafton was accredited with Rogilla's success to withstand racing over multiple seasons when shod with special bar shoes and raced in bar plates also accompanied trainer Les Haigh to Melbourne for the 1932 Caulfield Cup . Ted Boadle also put the first set of shoes on the champion Beauford best remembered for his historic clashes with the wonder horse Gloaming and in later years was secretary of the Newcastle Farriers Association for a 6-year period.
Many Cubs fans who lived outside Wrigleyville opposed the idea simply due to the fact that the Cubs' stance as the last team to resist night baseball was a point of pride, as it was seen as a vestige of baseball's heritage as a pastoral game, played in natural sunlight. Some Cubs fans also had fond associations with Gabby Hartnett's famous "Homer in the Gloaming," in which Hartnett hit a crucial home run in the bottom of the ninth of a game on the verge of being called for darkness, helping the Cubs to win the 1938 pennant. The City of Chicago had passed an ordinance banning night events at Wrigley Field, due to its presence in the residential Lakeview neighborhood, so Tribune was unable to install lights unless the ordinance was repealed. They compromised by scheduling a significant number of 3:00 starts, which typically carried games into the evening but did not require lights for games that completed within three hours or so. This debate continued for several years, and became more intense as the Cubs returned to competitiveness during the early 1980s.
Mount the Air received a five-starred review in The Daily Telegraph. Reviewer Helen Brown described the album as "a slow, swirling affair that mixes original material with traditional tales. Underpinned by McNally’s cool, fluid piano it’s simultaneously ancient and fresh." Joe Breen, writing in The Irish Times, also gave the album five stars, describing the Unthanks' Mount The Air as "their most ambitious work" and saying that it "places them in the same league as the likes of The Gloaming and the Punch Brothers". In a four-starred review for the Financial Times, David Honigmann said: "Once a bleak Northumbrian chamber folk outfit, the Unthanks have reinvented themselves on a symphonic scale, as witness the 10-minute title track, ushered in on harps and with an orchestration that recalls Gil Evans’s work for Miles Davis." Robin Denselow, in a four-starred review for The Guardian, said: "This is a return to the gentle melancholia of Last, and while there are fine vocals from the Unthank sisters, the dominant figure is Rachel’s husband, Adrian McNally, who plays keyboards and percussion, and produced and wrote much of the music... It’s a lush, often exquisite set".
Beauford raced between 1919 -1926 but did not race at 2 years and raced for seven seasons which included in the spring of 1922 the historic four successive W.F.A races over distances from 9 furlongs to 1½ miles being the Chelmsford Stakes, Hill Stakes, Spring Stakes and Craven Plate against the champion Gloaming. Trainer Sid Killick's stables were named 'Myra Bluan' at 32 Everton Street Hamilton, Newcastle and leased the champion Beauford for 2 years then after raced by his breeder other notable stable winners were Myra Bluan 1911 Villiers Stakes, Angelique 1913 Tatts Club Cup, Salrak 1921 Breeders' Plate and Lady Valais 1924 AJC St Leger. Jockey Albert Wood was considered one of the best jockeys in Australia during the First World War into the 1920s, originally from Freeman's Reach Windsor he built a career on success in feature races on the Australian turf with notables being Artilleryman, Cetigne, David, Beauford, Rebus, Kennaquhair, The Fortune Hunter, Richmond Main, Wolaroi, Scarlet and on retirement in 1924 was to become a successful trainer. . In 1982 The Beauford Club was established in Newcastle to honour the champion and to promote the fellowship of persons in the sport of horse racing.
Their album Mount the Air, released in February 2015, received five-starred reviews in The Daily Telegraph and The Irish Times. The Telegraph 's reviewer Helen Brown described the album as "a slow, swirling affair that mixes original material with traditional tales. Underpinned by McNally’s cool, fluid piano it’s simultaneously ancient and fresh." Joe Breen, writing in The Irish Times, called it "their most ambitious work" and said that it "places them in the same league as the likes of The Gloaming and the Punch Brothers". In a four-starred review for the Financial Times, David Honigmann said: "Once a bleak Northumbrian chamber folk outfit, the Unthanks have reinvented themselves on a symphonic scale, as witness the 10-minute title track, ushered in on harps and with an orchestration that recalls Gil Evans’s work for Miles Davis." Robin Denselow, in a four-starred review for The Guardian, said: "This is a return to the gentle melancholia of Last, and while there are fine vocals from the Unthank sisters, the dominant figure is Rachel’s husband, Adrian McNally, who plays keyboards and percussion, and produced and wrote much of the music... It’s a lush, often exquisite set".
Cyril Wiseman Herbert (1847–1882), was an English painter. Herbert was the youngest son of John Rogers Herbert, R.A. He was born in Gloucester Road, Old Brompton, London, on 30 September 1847. He was the godson of Cardinal Wiseman, and was educated at St. Mary's College, Oscott, and King's College, London. Trained like his brothers in his father's studio, he visited Italy in 1868, where he made many elaborate sketches, chiefly among the mountains in the neighbourhood of Olevano. His first picture,‘Homeward after Labour,’ representing Roman cattle driven home after the day's toil, was exhibited at the Royal Academy in 1870. The next year he sent ‘An Idyll;’ in 1873, ‘On the Hill-tops:’ and in 1874, ‘Returning to the Fold,’ Welsh sheep driven home in the gloaming, which was purchased by Sir Andrew Walker and presented to the Walker Art Gallery at Liverpool. He exhibited at the Royal Academy for the last time in 1875, when he sent ‘Escaped Home,’ a collie dog returning to its mistress at a cottage door. Besides these he painted ‘The Knight's Farewell’ and some other works which were never exhibited.
Verse 1 Far away on the hills of old New Hampshire, Many years ago we parted, Ruth and I; By the stream where we wandered in the gloaming, It was there I kissed my love a sad goodbye She clung to me and trembled when I told her, And pleadingly she begged of me to stay; We parted, and I left her broken hearted, In the old New Hampshire village far away. Refrain Now the sunshine lingers there, And the roses bloom as fair In the wildwood where together we would roam. In the village churchyard near Sleeps the one I loved so dear On the hills of my old New Hampshire home Verse 2 In my dreams by the stream last night I wandered, And I thought my love was standing by my side; Once again then I told her that I loved her, Once again she promised she would be my bride; And as I stooped to kiss her I awakened, I called her, but she was not there to hear; My heart lies buried with her 'neath the willow, In the old New Hampshire home I love so dear.
In November 2001 the band released the single "Gadfly Adolescence", which was described by NME as 'a magnificent debut from these shamelessly prog-tinged guitar alchemists, running the gamut of classic English teen anthems from "Pinball Wizard" to "All The Young Dudes" to "Eton Rifles" and beyond...a heady mix of ragged riffs, symphonic song structures and heart-tugging lyrics about lazy childhood summers spent "deep in the gloaming".' This song was re-recorded for the group's debut album The Spring Heel Penny Dreadful & Other Tales of Morbid Curiosity, released in May 2003 by the indie label Must Destroy who were at the time finding success with one of their other signings, The Darkness. Opening song "I Are Becoming Instinct" was also released as a single. The album's sequencing was influenced by Guided By Voices' Bee Thousand, The Beatles' The White Album and Faust's The Faust Tapes and was championed by Julian Cope ('The best and most disconcerting psychedelia I’ve heard these past coupla years ... [it] managed to heft several vats of raw Faust in the direction of post-Oasis Beatlemania'), and DJ John Peel who invited them to record a session for his Radio One show.

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