It has a chat app inside it, for Pete's sake.
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The man deserves to relax a little, for Pete's sake.
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A House being run by Tip O'Neill, for Pete's sake.
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Do not eat,' then for Pete's sake, do not eat.
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I'm running for office, for Pete's sake, I can't have illegals.
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"Oh for Pete's sake," he muttered, pressing a button on his headphones.
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But the fate of humanity is at stake here, for Pete's sake.
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And, for Pete's sake, let's stop shaming women for their personal beauty decisions.
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The week before the election, she was campaigning in Arizona, for Pete's sake.
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Or Showtime's Billions, which stars Paul Giamatti and Damian Lewis, for Pete's sake!
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For pete's sake, it was the focus of his very first television campaign ad.
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The Academy could have nominated and given it to Ed Sheeran, for Pete's sake.
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The singer can walk on grates in six-inch heels like she's in sneakers, for Pete's sake.
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I mean, they all have their own group chat for Pete's sake — still waiting on our invite, BTW.
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"Oh, for Pete's sake, that's ridiculous — no, he does not," said Senator Kevin Cramer, Republican of North Dakota.
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"Oh, for Pete's sake, that's ridiculous — no, he does not," said Senator Kevin Cramer, Republican of North Dakota.
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All similarities aside (the trailer begins in the woods, for Pete's sake) Bird Box looks addicting on its own.
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For Pete's sake, the telecast even brought out actress Stacey Dash to wish everyone a happy Black History Month.
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Hanukkah is such a big deal in America — there's a menorah lighting on the National Mall, for Pete's sake!
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For Pete's sake, Trump's running mate, Mike Pence, wasn't even willing to call David Duke deplorable in an interview Monday.
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Alexander Hamilton in the dang show Hamilton for Pete's sake, is my age, and grew up 30 minutes away from me.
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But for Pete's sake, it would be easier to have some perspective if the president himself stopped echoing Nixon all the time.
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And so all we can do ... And look, we have ... Barry Goldwater, for Pete's sake, was a huge fan of public broadcasting.
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Actually, Muslim Americans aren't "refusing to assimilate" into America — and for Pete's sake, there weren't thousands of them cheering on 9/11.
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I mean, for Pete's sake, how do you edit the transcript and leave in 'I'd like you to do us a favor, though'?
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"It's a symptom of hate in society that you should have to protect your child's grave, for Pete's sake," Bro told the Beast.
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And of course you have to leave the head and tail on—for Pete's sake, those are the parts that make it look cool.
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He says he accepts the way I feel about the recent marriage and included a smiley face, for Pete's sake, in a recent email.
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It's a dinner party, for Pete's sake — who needs a babbling drunk like Hemingway, or some preening member of the Bloomsbury "set," making everyone else feel inadequate?
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Harness the sheer power of your awkwardness to become an Internet meme of your own ("MacBook Pro, baby") and for Pete's sake, let yourself eat some dairy once in awhile.
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For one, she's a supermodel — she kicks ass, ferociously upholds her role as the reigning queen of athleisure, and, lest we forget, eats out of Yolanda's Fridge, for Pete's sake. #BowDown.
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The film producer and former hairdresser was famously married with Life Stinks actress Lesley Ann Warren before connecting with superstar Barbara Streisand on the set of the 1974 comedy For Pete's Sake.
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THAT WE'VE GOT THIS SORT OF NARROW LENS, AND THE REALITY IS MEDIA HAS ALWAYS BEEN – BEN FRANKLIN WROTE UNDER A PSEUDONYM FOR PETE'S SAKE, THAT, PERHAPS, MEDIA ISN'T WHAT WE THINK IT IS?
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It shouldn't be so shocking (it's 2020, for pete's sake), but for Love Island, a show that has been plagued with rightful criticism about its overwhelmingly white cast since its series premiere in 2015, that is a huge deal.
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There were a lot of A-listers to behold at tonight's Golden Globes — the carpet itself was 902 feet long, for Pete's sake — but Pose star Billy Porter has held our attention all weekend with lewk after lewk... after lewk.
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The latest exemplar of this brand of sorrow manifested itself in the littlest pilot—a Dayton Flyers fan—as he saw his team snuffed out in the first round against Syracuse (who is actually pretty bad this year—they lost to St. John's for Pete's sake).
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Pete AguilarPeter (Pete) Ray AguilarDemocratic leaders seek balance amid liberal push to go big on immigration Katherine Clark quietly eyes leadership ascent The Hill's Morning Report - Crunch time arrives for 2020 Dems with debates on deck MORE's (D-Calif.) breezy "For Pete's Sake IPA" finished second.
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You know, that thing where the flow suddenly slows to a halt and you inch forward for a half hour and then things pick up again and you look around for an accident or construction or anything at all for Pete's sake that might justify the time you just wasted.
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We've all seen it across a million formats, the ways we fantasy book a lackluster WWE pay-per-view, the raging battle over just what The Last Jedi means and for whom it was made in the first place, or the retread remakes of faded series (they're bringing back Lost, for Pete's sake) in increasingly widening spirals of fan service.
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Billie Thomas first appeared in the 1934 Our Gang shorts For Pete's Sake!, The First Round-Up, and Washee Ironee as a background player. The "Buckwheat" character was a female at this time, portrayed by Our Gang kid Matthew "Stymie" Beard's younger sister Carlena in For Pete's Sake!, and by Willie Mae Walton in three other shorts.
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Born in New York City, New York, Williams is best remembered for his role in the Our Gang films For Pete's Sake! and The Lucky Corner.
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For Pete's Sake! is a 1934 Our Gang short comedy film directed by Gus Meins. It was the 127th (39th talking episode) Our Gang short that was released.
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As older brother Stymie was the main breadwinner for the Beard family, his success with the Our Gang series opening the door for his siblings. Carlena Beard appeared as Stymie's younger sister in Shiver My Timbers and For Pete's Sake!.
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"'Noles Roll For Pete's Sake No. 1 FSU Pulls Rank On Miami", New York Daily News. October 10, 1999. Accessed December 31, 2015. The week after the Miami game, the Seminoles had an even closer call against the Clemson Tigers—their closest, in fact, of the entire season.
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He wrote All in a Night's Work Come September A Soldier in the Rain For Pete's Sake He wrote the story for What Did You Do in the War, Daddy? He had an extensive career writing in radio and later, television, before his film career. His son is the famous artist Lance Richlin.
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Maher's film credits include For Pete's Sake, Heaven Can Wait, Time After Time, Just Tell Me What You Want, I'm Dancing as Fast as I Can, The Evil That Men Do, Frankenweenie, My Stepmother is an Alien, Sister Act, Funny Farm, I.Q., In & Out, The Shadow, Mars Attacks! and The Out-of-Towners.
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This lineup would record a 7-inch as a three-piece, before recruiting Armand Majidi on drums, having Carroll move over to only vocals. They played their final gig on 3 May 1987, playing one reunion gig in 1988 at the "For Pete's Sake" benefit, after which Carroll was rarely seen, if ever.
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Artie Butler home page. Retrieved 12 May 2013 In the 1970s he began working on films, creating the scores for The Love Machine (1971), What's Up Doc? (1972), The Harrad Experiment (1973), the TV movie Wonder Woman (1974), For Pete's Sake (1974), Rafferty and the Gold Dust Twins (1975), the Disney film The Rescuers (1977), Sextette (1978), and O'Hara's Wife (1982).
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Most definitely!" and called his specials "some of the best-looking in ... any fighting game." Patrick Roesle of Hardcore Gaming 101 enthused, "It's hard to find a place to begin describing how cool Jedah is ... [he] kicks ass. He's the bloody Antichrist, for Pete's sake." Rare Gamer described him as "intimidating" and among "the most creative [character] designs that Capcom’s ever put out.
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After 1920s, many great puppet films appears among different European countries, such as Germany's "Eva and Grasshopper"(1928), Poland's "For Pete's Sake"(1966) and France's "Frags Who Wanted a King"(1923). The main genre is comedy. In the USA, puppet film starts from 1910s. Similar to Europe, puppets in the films are controlled by strings which are usually hidden under the ground.
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New York Times 21 May 1972: D15. Yates stayed with crime with The Friends of Eddie Coyle (1973) starring Robert Mitchum. He then did two comedies: For Pete's Sake (1974) with Barbra Streisand, and Mother, Jugs & Speed (1976); he produced the latter along with writer Tom Mankiewicz. Yates had a big commercial success with the adventure film The Deep (1977), where Mankiewicz did some uncredited writing.
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In 1996, Mayes appeared at the Long Beach Blues Festival. By the time For Pete's Sake was released (1998), Mayes was still actively managing the Double Bayou dance hall. Following years of ill health, which included heart problems, diabetes and the amputation of both legs, he died in Houston in December 2008, aged 70. He was survived by his wife, a son and a brother.
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Tork's "For Pete's Sake" was used as the closing theme for the television show. Nesmith continued in his country-rock leanings, adding the pedal steel guitar to three of the songs, along with contributing his self-composed countrified-rock song "Sunny Girlfriend". Tork added the banjo to the Nesmith- composed rocker "You Told Me", a song whose introduction was satirical of the Beatles' "Taxman".
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Rosemary De Angelis was born on April 26, 1933 in Brooklyn, New York to Francis and Antoinette (née Donofrio) De Angelis. She made her film debut at age 41 in Columbia Pictures' For Pete's Sake in 1974. She appeared in The Last Detail that same year and the PBS television special, Monkey, Monkey. In 1977, she played the role of the Mother in the play The Transformation of Benno Blimpie at the Astor Place Theatre in New York City.
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Some levels have additional requirements beyond merely getting to the end of the level. For example, the level "For Pete's Sake", involves making sure the computer- controlled Peter Puppy character gets through the level unharmed, which is accomplished by whipping him to make him jump over pits, and defeating enemies before they can damage him. Failure to do so results in Peter lashing out at Jim, taking away from his health. Levels commonly culminate with a boss battle.
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The exhibition returned in 2015 with works by 20 artists, including a life-sized sculpture of a crucified Pete Doherty, called For Pete's Sake. A collaboration between Doherty, Nick Reynolds and Schoony, it was created in 2008 and publicly displayed for the first time at Stations of the Cross at St Marylebone Parish Church in 2015, curated by Moore."Lifesize Pete Doherty crucifixion sculpture to be unveiled in church," The Guardian, 18 February 2015.Nick Clark, "Pete Doherty crucified – for art," The Independent, 19 February 2015.
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The rhythm section is Cecilia Coleman-piano, Tim Givens-bass, and Vince Cherico-drums. The album is a mix of originals and standards. Ron has two of his own originals, Sophia (written for his granddaughter) and For Pete's Sake (written for the late bassist and close friend Pete Chivily.) Although none of the 12 cuts are tunes that Blakey recorded, Ron confesses that in writing for this project Blakey's Jazz Messengers kept popping into his head. Future plans will include Ron's son Matt who is a violinist, and his wife, jazz vocalist Angela DeNiro.
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As a child, Peters was recruited as an extra in Cecil B. DeMille's 1956 film The Ten Commandments as one of the Jews liberated by Moses. Peters was so enthralled by the experience that he refused to wash off his makeup when returning home. Prior to becoming a producer, Peters first joined the family hairdressing business at Rodeo Drive where he made many film industry connections. He designed a short wig that Barbra Streisand wore for the comedy For Pete's Sake (1974); as a result, Peters and Streisand began a relationship.
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Pete Mayes (born Floyd Davis Mayes, March 21, 1938 - December 16, 2008) was an American Texas blues singer, guitarist and songwriter. He was variously known as Texas Pete Mayes and T-Bone Man (because his guitar playing resembled that of his hero T-Bone Walker). Mayes made few recordings but For Pete's Sake was released in 1998, nearly fifty years after he first appeared on stage. It was his most widely distributed recording and won the Blues Foundation's W. C. Handy Award in the category Comeback Album of the Year.
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The Heights is produced in Perth, Australia by Matchbox Pictures and For Pete's Sake Productions. It was created by Warren Clarke and Que Minh Luu. The first season was written by Hannah Carroll Chapman, Romina Accurso, Peter Mattessi, Megan Palinkas, Nick King, Clare Atkins, Niki Aken, Dot West, Magda Wozniak, Mithila Gupta, Tracey Defty‐Rashid, Larissa Behrendt, Miley Tunnecliffe, Katie Beckett and Melissa Lee Speyer. The first season was directed by James Bogle, Andrew Prowse, Renee Webster and Darlene Johnson and produced by Peta Astbury-Bulsara and Warren Clarke.
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Boyce and Hart observed quickly that when brought into the studio together, the four actors fooled around and tried to crack each other up. Because of this, they often brought in each singer individually.Sandoval (2005), p. 46. According to Nesmith, it was Dolenz's voice that made the Monkees' sound distinctive, and even during tension-filled times Nesmith and Tork sometimes turned over lead vocal duties to Dolenz on their own compositions, such as Tork's "For Pete's Sake", which became the closing title theme for the second season of the television show.
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The theme song to The Monkees, "(Theme from) The Monkees" (released as the single in some countries in 1967), is one of the group's most well known songs. The line "We're the young generation, and we've got somethin' to say" reflected the new youth counterculture and their desire to give their own opinions on world events and choosing how to live their own lives instead of abiding by the traditions and beliefs of their elders. For the second season, the show used a version of the song "For Pete's Sake" as the closing theme, which appeared on the Monkees' Headquarters album.
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Sarrazin supported James Coburn in Harry in Your Pocket (1973) and received excellent reviews for the television film Frankenstein: The True Story (1973).He was Barbra Streisand's leading man in the screwball comedy film For Pete's Sake (1974), then starred in the horror film The Reincarnation of Peter Proud (1975), about a man doomed to die the same kind of death twice. Sarrazin went to Europe to star in The Loves and Times of Scaramouche (1976). He starred in The Gumball Rally (1976), then had lead roles in the Iran-shot film Caravans (1978) and the Canadian mystery thriller Double Negative (1980).
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Though other members of the group were not allowed to play their instruments on their first two albums, he played what he described as "third chair guitar" on Michael Nesmith's song "Papa Gene's Blues" on their first album. He subsequently played keyboard, bass guitar, banjo, harpsichord, and other instruments on the band's recordings. He co- wrote, along with Joey Richards, the closing theme song of the second season of The Monkees, "For Pete's Sake". On the show, he was relegated to acting as the "lovable dummy", a persona he had developed as a folk singer in Greenwich Village.
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Miller directed episodes of numerous successful television programs throughout the 1950s and 1960s, including Damon Runyon Theater, Bachelor Father, Peter Loves Mary, Get Smart, Bewitched, The Ann Sothern Show and My Mother the Car. (He had been a regular on Sothern's radio show The Adventures of Maisie.) In 1958, he played Roscoe Dewitt, an impressionist who bothers Bob Collins in The Bob Cummings Show episode "Bob Judges a Beauty Pageant". In 1968, he played Lucille Ball character Helen North's date Doctor Ashford, who was shorter than North's three children. In 1974, he briefly appeared as a drunk driver in the Michael Sarrazin and Barbra Streisand comedy For Pete's Sake.
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Billy Graham was inducted to the Gospel Music Hall of Fame in 1999 for providing a platform to many Christian artists through the Billy Graham events. These artists include: Michael W. Smith, Amy Grant, Sandi Patty, Larnelle Harris, Steven Curtis Chapman, dc Talk, Jars of Clay. Others associated with Graham's ministries are also inductees: George Beverly Shea (soloist of the Billy Graham Evangelistic Team); Cliff Barrows (music director and choirmaster for all Billy Graham Evangelistic Campaigns); Ralph Carmichael (producer for the music in Billy Graham films such as "Mr. Texas", "For Pete's Sake", "The Restless Ones", and "His Lane"); and singers Ethel Waters and Stuart Hamblen.
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Some levels have additional requirements beyond merely getting to the end of the level. For example, the level "For Pete's Sake", involves making sure the computer- controlled Peter Puppy character gets through the level unharmed, which is accomplished by whipping him to make him jump over pits, and defeating enemies before they can damage him. Failure to do so results in Peter lashing out at Jim, taking health away from him. The developers also created a wide variety of colorful villains for the game as well, including Psy-Crow, Queen Slug-for- a-Butt, Evil the Cat, Bob the Killer Goldfish, Major Mucus, and Professor Monkey-For-A-Head.
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The pork belly futures contract became an icon of futures and commodities trading. It is frequently used as a pars pro toto for commodities in general and appears in several depictions of the arena in popular entertainment (such as the 1974 movie For Pete's Sake and the 1991 cartoon "Ren and Stimpy"). Inaugurated on August 18, 1961 on the Chicago Mercantile Exchange (CME), frozen pork belly futures were developed as a risk management device to meet the needs of meat packers who processed pork and had to contend with volatile hog prices, as well as price risks on processed products held in inventory. The futures contracts were useful in guiding inventories and establishing forward pricing.
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In 2016, she starred in Israel Horovitz's new play Out Of The Mouths Of Babes along with Judith Ivey directed by Barnet Kellman at The Cherry Lane Theater in New York City. In 2004, Parsons was inducted into the American Theatre Hall of Fame."Hall of Fame honors hoofer" Variety, October 24, 2004. Her film career includes an Oscar for Best Supporting Actress for her portrayal of Blanche Barrow in Bonnie and Clyde (1967), and a nomination for Rachel, Rachel (1968). She received a BAFTA Award nomination for her role in Watermelon Man (1970), and appeared in I Never Sang for My Father (1970), Two People (1973), A Memory of Two Mondays (1974), For Pete's Sake (1974), Dick Tracy (1990) and Boys on the Side (1995).
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His accomplishments also included composing jingles for commercials (including Baskin-Robbins, Datsun, Kodak, Pontiac and Levi's among others) and scores for motion pictures. He contributed both his voice and his musical compositions to advertisements for companies such as Yamaha, which used the music from "Silver Bird" as the background to one of its commercials. He also composed music for the movies For Pete's Sake and The Love Machine, sung by Barbra Streisand and Dionne Warwick, respectively, and for a 1982 documentary, The Killing of America, as well as a song for the movie Savage Streets. In 1980 he dubbed a voice and co-wrote the musical score (with W. Michael Lewis) for the American version of the Japanese movie Shogun Assassin.
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Dolenz felt that once he had accomplished something and became a success at it, there was no artistic sense in repeating a formula. Jones and Tork, 1966 In 1967, free from Don Kirshner's restrictions, Tork contributed instrumental flourishes, such as the piano introduction to "Daydream Believer" and the banjo part on "You Told Me", as well as exploring occasional songwriting with the likes of "For Pete's Sake" and "Lady's Baby". Tork was close to his maternal grandmother, Catherine McGuire Straus, staying with her sometimes during his Greenwich Village days and after he became a Monkee. "Grams" was one of his most ardent supporters and managed his fan club, often writing personal letters to members and visiting music stores to make sure they carried Monkees records.
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Other Broadway credits include Excursion (1937), Virginia (1937), Stop-over (1938), Junior Miss, Snafu, U.S.A., Barefoot Boy With Cheek (1947), Montserrat (1949), Misalliance (1953), Double in Hearts (1956), Midgie Purvis (1961), A Minor Adjustment (1967) and The Love Suicide at Schofield Barracks (1972). His film credits include The Connection, Such Good Friends, Fantastic Voyage, A New Leaf and For Pete's Sake. Redfield's best known film appearance was as Dale Harding in One Flew Over the Cuckoo's Nest. On television, Redfield played the title role in the DuMont series Jimmy Hughes, Rookie Cop (1953), and appeared in The Philco Television Playhouse, Lux Video Theatre, The United States Steel Hour, Studio One, As the World Turns, Alfred Hitchcock Presents, Naked City, Maude, Rich Man, Poor Man Book II, Bewitched , and The Bob Newhart Show.
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She is born in the United States, appears to be part of the post-9/11 generation and is a teenager." Muaaz Khan of The Guardian compared Kamala Khan to Malala Yousafzai and indicated that the rest of entertainment industry should follow Marvel's example. However, Dr. Leon Moosavi of the University of Liverpool felt that the character's family would reinforce the stereotype of restrictive Muslim parents and that her shape-shifting ability resembled several anti-Muslim stereotypes, especially taqiyya: a legal dispensation whereby a believing individual can deny his faith or commit otherwise illegal or blasphemous acts while they are at risk of significant persecution. Political satirist Stephen Colbert, whilst parodying right-wing commentators on his show The Colbert Report, remarked, "A Muslim cannot be a superhero — for Pete's sake they're on the no-fly list.
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