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"filmdom" Definitions
  1. the motion-picture industry
"filmdom" Antonyms

43 Sentences With "filmdom"

How to use filmdom in a sentence? Find typical usage patterns (collocations)/phrases/context for "filmdom" and check conjugation/comparative form for "filmdom". Mastering all the usages of "filmdom" from sentence examples published by news publications.

But even with the raunch and gore, there really isn't anything about the character's origin story or his movie that sets Deadpool apart from the rest of the superhero filmdom.
17 Oct 1951: b7. Filming finished by August 1951.Trend in Filmdom Toward Musicals: Producers Have 41 Features Scheduled Before Year's End—Box-Office Gains Seen of Local Origin. By Thomas M. Pryor.
J. Doyle Wallis of DVD Talk gave the film 4.5 out of 5 stars and a positive review praising it for having "one of the better plots in kung fu filmdom" as well as the action choreography and pacing.
She was replaced by Arline Judge who signed a three picture deal with Pine-Thomas.DRAMA: Unique Stories Again Prevail in Filmdom Schallert, Edwin. Los Angeles Times 10 Jan 1942: 7. The film reportedly had Pine-Thomas' biggest budget yet to date.
Wrecking Crew is a 1942 American film directed by Frank McDonald and starring Richard Arlen, Jean Parker, and Chester Morris.DRAMA: Unique Stories Again Prevail in Filmdom Schallert, Edwin. Los Angeles Times 10 Jan 1942: 7.Wrecking Crew Monthly Film Bulletin; London Vol.
Retrieved April 14, 2019. In September 1965 'it was reported Disney commissioned a sequel from the Gordons called Undercover Cat Prowls Again but it was not made.Looking at Hollywood: Elvis Shows His Gratitude to Filmdom Hopper, Hedda. Chicago Tribune 27 Sep 1965: b4.
Rediff wrote:"Poi is a case in point – you expect so much from Balachander, a genuine icon of Tamil filmdom; if you leave adulation aside, though, you have to say that his latest film disappoints". Nowrunning wrote:"Poi lacks the marks of KB's earlier films".
Pakru became a director with the 2013 Malayalam movie Kutteem Kolum, in which he also played the lead role in the movie. He may be the shortest director in filmdom. The film starred Aditya, Sanusha, Laya, Munna, Suraj Venjaramoodu, Vijayaraghavan and Ponnamma Babu. The camera was handled by Vinod Bharathi and music by Shaan Rahman.
MARIO LANZA TO DO ROMBERG OPERETTA New York Times 3 Apr 1952: 44. By June the film's title had been changed to The Lion's Share and then Violence at Thunder Run. Dahl had dropped out and Jan Sterling and Colleen Grey signed to co star.SENATE COMMITTEE TO STUDY FILMDOM New York Times 17 July 1952: 20.
In spite of these hit songs, his name remained relatively unknown in Kannada filmdom. However Mungaru male which became the most successful box office hit in Kannada film industry earning Rs. 750 million brought Mano murthy into limelight. It earned him enormous popularity and critical acclaim. Next came another super hit movie Cheluvina Chithara (2007) which gave him much more fame.
His most notable movie was Parasakthi,Guneratne 2003, p. 216 a turning point in Tamil cinema, as it espoused the ideologies of the Dravidian movement and also introduced two prominent actors of Tamil filmdom, Sivaji Ganesan and S. S. Rajendran. The movie was initially marred with controversies and faced censorship troubles, but was eventually released in 1952. becoming a huge box office hit.
M. G. Ramachandran, Jayalalithaa was the most successful. He launched his own Dravidian party after personal differences with the leaders of DMK, and rose to power as Chief Minister of Tamil Nadu mostly with the help of his movie fans and low level cadres. The legacy of politics in Tamil filmdom still continues, though less prominently than in the 1950s to 1970s.
Ramarajan hails from a small town Melur situated near Madurai. He grew up from a Cinema entrance ticket validator and plantain seller to a cinema producer. Known for his films with rustic simplicity, he had disappeared from filmdom following a string of failures. His films were so popular and made big at box-offices that they were equally competent to Superstar Rajinikanth and Kamalhassan's films.
The film's launch was held at the AVM Studios in Vadapalani, Chennai in December 1996. The Jeans invitation was printed, wrapped in denim and hand delivered by Shankar to his close colleagues and friends in Chennai, which included prominent actors in the Tamil filmdom. The cast and crew of the film wore their favourite pair of blue jeans to the launch, as requested by the film's producers.
In 1971, one of her short stories titled "Inquilab Zindabad" was made into a film of the same name. In the same film she wrote a song ( 'aarude manasile gaanamayi njan', music G. Devarajan, Singer P.Leela) presumably by first women lyricist in modern Malayalam filmdom. From 1973, she did not contribute more for a period of ten years. In 1982, she resumed writing and has been a frequent contributor since then.
B. Venkateshwarlu (left) receiving Nandi Award from Chief Minister of Andhra Pradesh, Mr. N. Chandrababu Naidu (right). Telugu Cinema Vythalikulu, (English: The Legends of Telugu Cinema) is a 2002 research book on Telugu cinema persons like directors, actors, artists, producers and technicians, by film critic, writer and journalist Bulemoni Venkateshwarlu. The book is considered one of the major studies of Telugu Filmdom and film personalities between 1908 and 2002.
One of the blurbs on posters was "Lovely, luscious, exotic Jean Harlow as the Blonde Bombshell of filmdom."Richard Havers, Richard Evans, Marilyn, 2010, , p. 16. Hollywood soon took up the blonde bombshell, and then, during the late 1940s through the early 1960s, brunette, exotic, and ethnic versions (e.g., Jane Russell, Dorothy Dandridge and Sophia Loren) were also cultivated as complements to, or as satellites of, the blonde bombshell.
Vivek Tamil actor Vivek (Vivekanandan) (born 19 November 1961) is an Indian film comedian who works mainly in the Tamil film industry. He has won three Filmfare Best Comedian Awards for his performances in Run, Saamy and Perazhagan. In April 2009, Vivek received the Padma Shri award by the Government of India for his contribution to the arts. He was introduced to filmdom by renowned director K. Balachander.
His journey in filmdom began as a child actor in the film Sri Valli in 1961. Vijaykumar was the little Lord Murugan in Sri Valli, starring Sivaji Ganesan and Padmini. Though not many offers were forthcoming for the little actor, he was supposed to play Lord Murugan in Kandhan Karunai, but instead Sivakumar played that role. Vijayakumar acted in a small role as one of the Lords that was arrested by Surapadman.
Gulshan Kumar Dua lost his life in a shooting outside the Jeeteshwar Mahadev Mandir, a Hindu mandir dedicated to Lord Shiva of which he attended daily in Jeet Nagar, Andheri West suburb of Mumbai,Gulshan Kumar shot dead, scare in filmdom The Indian Express, 13 August 2001. on 12 August 1997. He was shot 16 times. On the day of the assassination, his bodyguard, provided by the Uttar Pradesh government was sick.
Kutty Padmini was born on 5 June 1956 in Madras in an orthodox Iyengar family. Her father, Srinivas Chakravarthy was the General Manager of Metro–Goldwyn–Mayer India and also a film producer and her mother Radhabhai was also a renowned actress of her time. Radha acted in many Tamil movies, including Gentleman, and Agni Natchathiram. Being entered into filmdom at the age of 3, Kutty Padmini was not able to receive proper school education.
Padmini entered filmdom at the age of 3. She went on to act in many movies as child artist. However, her notable film role was in the 1965 Tamil film Kuzhandaiyum Deivamum along with Jaishankar and Jamuna, where she played dual roles. She received the National Film Award for Best Child Artist for her performance and she is the first person from Tamil Nadu to have received this award since its inception.
She, then took a hiatus and returned to filmdom in Marmabani (1958) under Sushil Majumdar's direction. She rose to prominence after she had appeared in the Uttam Kumar starrer blockbuster Sonar Harin (1959) directed by Mangal Chakraborty. She rose to higher prominence after she had played the role of Amrapali in Amrapali (1959) directed by Sree Tarashankar and produced by Nalanda Films. Vyjayanthimala who was later found to play the same titular role was full of praise for her performance in the film.
" Other condolences came from Maharashtra Governor K. Sankaranarayanan, Chief Minister Prithviraj Chavan, Deputy Chief Minister Ajit Pawar and Republican Party of India leader Ramdas Athawale. His death also elicited reaction from Bollywood, partly as a result of his son's career in filmdom. These included Madhuri Dixit, Karan Johar, Bipasha Basu, Dia Mirza and Raveena Tandon, as well as Shah Rukh Khan who called Deshmukh a "wonderful" gentleman and said "I'm feeling very sorry. I have known him (Vilasrao) for years.
He became popular and earned fame for his portrayal of Ramappa Pantulu character in Kanyasulkam drama.Mudigonda Lingamurthy in Nata Ratnalu, Mikkilineni Radhakrishna Murthy, Second edition, Sitaratnam Granthamala, Vijayawada, 2002, pp: 484-6. He moved to filmdom in 1937 and acted in the movie Tukaram along with Chittor V. Nagaiah. He later joined Vijaya Vauhini Studios and was associated with them for about 7 years and acted as Ajamisa in Bhakta Potana, Gangadu in Swarga Seema, Abirama in Yogi Vemana and Ramadas in Peddamanushulu.
Matinee is a 2012 Malayalam romantic film directed by Aneesh Upasana and starring Maqbool Salmaan and Mythili in the lead roles. The film marks the directorial debut of still photographer Aneesh Upasana while Mammootty's nephew Maqbool Salmaan plays his first lead role. The story is about two person's journey to filmdom and how their life changes on one Friday's matinée show. The film's lead role is played by Maqbool Salmaan who had earlier appeared in a short role in A. K. Saajan's Asuravithu.
The format was similar to the first show, with songs and dances through the ages. The television rights were given to STAR Vijay. In February 2006, the third installment Netru, Indru, Naalai, a Broadway musical style tribute to the Tamil filmdom premiered at the Jeppiar Engineering College, in Chennai, Tamil Nadu. Directed by Mani Ratnam, the three-hour song, dance, and drama extravaganza brings to life definitive celluloid moments from Tamil cinema, across its different eras (Netru (yesterday), Indru (today), and Naalai (tomorrow)), to the stage.
She, then took a hiatus and returned to filmdom in Marmabani (1958) under Sushil Majumdar's direction. She rose to prominence after she had appeared in the Uttam Kumar blockbuster Sonar Harin (1959), directed by Mangal Chakraborty. At the beginning of the 1960s, she came to a bigger attention for her successive roles in films such as Meghe Dhaka Tara (1960), Shuno Baranari (1960), Komal Gandhar (1961), Swaralipi (1961), Agnisanskar (1961) and others. She made her Bollywood debut opposite Dharmendra in Begaana (1963) under Sadashiv Rao Kavi's direction.
He begins to investigate and finds out that Neela Sen had illegitimate liaisons with the film's lead actor Chand Kumar (Bhaskar Bandopadhyay) for a long time. It also revealed that Neela had planned to dump Chand for marrying director Manish Bardhan (who was incidentally directing Raktamukhi Neela). The villain of the film Raju Ray, who was also a seasoned actor, had a serious relation with Bipasha (the hair- dresser of the unit). Bipasha was the entity who had introduced Neela with the domain of filmdom.
With Frank Capra in 1952, Diptendu Pramanick - 2nd from left The Films Division of the Government of India sponsored and organized the First International Film Festival of India in 1952. BMPA played a pivotal role in organizing the festival in Calcutta. Frank Capra, the famous American director flew in and was overwhelmed by the reception he got at Calcutta after visiting Bombay and Delhi. In his autobiography he wrote This photograph depicts his welcoming at the Dum Dum Airport as in his autobiography, with the who's who of Calcutta Filmdom.
While not a professional singer, she even managed to record two songs, the theme song of the movie, Oh, My Mama! and the gold record hit "Ngayon at Habang Panahon". Aside from a sold out concert at the Smart Araneta Coliseum entitled "Hello, Hello Maricel" in 1987, she has appeared in hit concerts locally and abroad in the late 1980s and early 1990s. With her film output already reaching the millennium mark and a range of films unsurpassed by all other actresses, she is one of the few bestowed by filmdom with this title.
There are different speculations regarding how she attained her role in Sandhi (1944). Anandalok wrote that she was stalled on her way to the shooting floor of Meri Bahen, by Apurba Mitra who offered her to act in his directorial venture.বাংলা ছবির রূপসী নায়িকারা by Anandalok (August, 2005 ed.) Cineplot claimed that it was actually Sumitra Devi herself who proposed Debaki Bose to act in his film and it was Bose who finally cast her in his nephew Apurba Mitra's directorial venture. According to the source, Bose wanted to enquire whether she had her father's consent to step into filmdom.
Also hosted several stage shows such as Suvarna Film Awards, Filmfare Awards, TV9 Film Awards, Zee Music Awards, SIIMA Awards, Celebrity Cricket League and went on feature in prominent Shows like, Comedy Khiladigalu and Twenty-Twenty Comedy Cup, Kuniyona Baara and others. She made her entry to filmdom with Benkipatna which won her the NAK Media Achievement Award for Best Debut Actress. She won the Karnataka State Film Award for Best Dubbing Artist for the film Murali Meets Meera in 2011. Anushree has played a lead role in the film Uppu Huli Khaara which was directed by Imran Sardhariya.
During the same period, Noel also got into Radio Jockeying for 93.5 Red FM and gained a lot of fan following. He then consecutively appeared in various notable roles in several big projects and established himself as a versatile actor in Telugu filmdom. It was in 2015, that tables turned around for Noel as an actor, when he was signed for the movie 'Kumari 21F under Director Sukumar's production in which he played the role of Shankar, the antagonist. His performance in the movie was applauded for both by the critics as well as the audience.
Ragini Dwivedi (born 24 May 1990) is an Indian film actress and model who works primarily in Kannada films. As a model, she was the runner-up of the 2008 Femina Miss India South contest and won the Richfeel Femina Miss Beautiful Hair award at the 2009 Pantaloons Femina Miss India contest. She made her entry to filmdom with Veera Madakari (2009) which won her the Suvarna Film Award for Best Debut Actress. She rose to fame starring in successful Kannada language films, Kempe Gowda (2011), Shiva (2012), Bangari (2013) and Ragini IPS (2014), thus establishing herself as one of the leading actresses in Kannada cinema.
Located in the heart of Hollywood, Blessed Sacrament has had close ties to the movie industry in its early years. As early as June 1916, the "popular stars of filmdom" were giving their time and talents gratis for a three-act burlesque on the "old-time melodrama" and novel specialty numbers. When the parish needed funds to build a new church in the 1920s, the movie industry, which often used the church as a shooting location, again offered its help. The movie studios including Universal and Keystone helped the parish raise funds for the new church, providing actors and equipment for the church's fundraising events.
The K.C.N. Gowda family crossed 50 useful and successful years in filmdom, the prestigious production house of Karnataka. It has made the South Indian film industry in Tamil, Telugu and Malayalam to turn back and take a look at the marvelous work it has done. The California based Gold Stone Company was contacted by K.C.N. Gowda in giving a facelift of color to the black and white Satya Harischandra of K.C.N. Gowda. He also re-released his prior black and white produced movies in "color" and using "3D technology" lately, he colourised most of his favourite hero Dr. Rajkumar movies such as Satya Harischandra, Kasthuri Nivasa, Kaviratna Kalidasa, Babruvahana and Veera Kesari.
While working there he often acted as an "unofficial scribe" (in his own words) for people working in the film industry, and said that his efforts consisted of "writing most heart rending appeals for loans and salary advances." He also began writing about his experiences working in the film industry in a set of columns for the Illustrated Weekly of India; these columns later became his book, My Years with Boss (sometimes translated as Fourteen Years with Boss). The 'boss' referred to was S.S. Vasan, the owner of Gemini Studios. His experiences here and his interaction with people from the Tamil filmdom later took the form of his book "My Years with Boss".
He produced Bhootayyana Maga Aiyyu and Hemavathi movies along with his friend – Chandulal Jain. Varadappa[Varadaraj], after the success of Bedara Kannappa – starring Rajkumar – he stood behind his brother and his family when they settled in Chennai – then Madras; He remained a most trusted guide and friend to Rajkumar to the extent of his involvement in selection of stories for home productions – Vajreshwari Combines. It is believed that without the efforts of Varadappa, Kannada filmdom would have missed out a great actor – Rajkumar. It is said that, he was an integral part of Rajkumar and his family, and was responsible for the success of Rajkumar's films along with his sister-in-law Parvathamma Rajkumar.
The writer Lauren Collins quoted Pidgeon as saying, "For every Deep Roy, there are a hundred and fifty of us who are forced to do whacked out shit on the Man Show!" Pidgeon continues to act and will be featured as the first homo-erotic dwarf zombie in the annals of cult filmdom in the Mindfire Productions slasher "Dead and Deader" with Dean Cain scheduled for release in 2007. He has appeared on episodes of "Charmed," "General Hospital" and The Tonight Show with Jay Leno. To date he has appeared in several national commercials and in over 10 music videos, including Sean Lennon's "Parachute" from the new release "Friendly Fire," Papa Roach, "She Loves Me Not," Wakefield, "C'mon Baby" and "The Worst," from the Wu-Tan Clan.
The film subsequently won him positive reviews, while his follow up in Kick 2 (2015) was equally appreciated. In order to maintain the high quality of his acting roles, Kabir chose to carefully analyse his characters before committing to roles and turned down other ventures which would have seen him portray the protagonist as well as a role in Bengal Tiger (2015). The actor then made his debut in Tamil films by portraying a villain in Siva's revenge drama Vedalam (2015), which had Ajith Kumar in the lead role. Following the success of his initial films, Kabir began working on several Telugu films at the same time including Dictator and Sardaar Gabbar Singh, and was reported to be the "busiest baddie in Southern filmdom".
According to Philip Lutgendorf, the movie is an allegory that "synthesizes classical and mythic narrative, soft-core political and social commentary (here condemning the corruption of politicians and capitalists and championing the nascent environmental initiatives of Prime Minister Rajiv Gandhi). The narrative recapitulates the Abhijñānaśākuntalam story that first appeared in the epic Mahabharata and then was reworked, some six hundred years later, by the poet Kalidasa." The final song sequence "Ek Radha ek Meera" brings Raj Kapoor's personal experiences with filmdom and reality. This song sequence is the climax of the plot where the bride-to-be is face-to-face with the other "saut", the culturally "polluted" dancer who has made that journey from the pure source of the Himalayas to the ever-flowing and ever-absorbing Ganges with all of the human impurities.
Like any upcoming young artiste of that era, it was also a struggle and a difficult thing for him to get the first major breaks as a performing artiste and more so as a teenager. So, he had a significant stint as a key Veena artiste, in film music from 1948–1962, when he worked in the South Indian Film Industry as a recording artiste, playing Veena for numerous background scores in movie soundtracks under the batons of many eminent music directors of the time like Saluri Rajeswara Rao, Pendyala Nageswara Rao, and the duo of Viswanathan-Ramamoorthi among others. A key element in many of the super hit songs of that time period in Telugu and Tamil, was the Veena by Chitti Babu After having established himself as a Carnatic musician, Chitti Babu still had opportunity to associate himself with filmdom for a while. Some of his key works include: – Playing the Veena soundtrack in Director CV Sridhar's classic Tamil movie called Kalai Kovil in 1964.

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