Auch dieses Jahr fand der jährliche Neujahrsapéro der Kantonspolizei Basel-Stadt mit der direkten Anwohnerschaft der Polizeiwache Kannenfeld statt.
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Country singer Jana Kramer is currently competing on Dancing with the Stars, fand she's blogging about season 23 exclusively for PEOPLE.
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The data collected by SpaceKnow provides a rough guide to factory production in Guangdong, said Jeremy Fand, the SpaceKnow chief executive.
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Er half Yasser dabei, den Antrag auszufüllen, um sie nach Deutschland zu holen und fand für ihn eine bescheidene Einzimmer-Einliegerwohnung in Eisenärzt.
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Selbst Knochen und Knorpel lassen sich mittlerweile im 3D-Druck herstellen—bislang fand die Anwendung der Technik an einer Gewebedicke von 200 Mikrometern allerdings ihr Limit.
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Susan Finn, PhD, RND, FAND is the director of United 4 Food Science, a coalition of scientists, academics, nutritionists, toxicologists and experts in agriculture and food production.
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Fand inspired William Larminie's Fand and Other Poems (Dublin, 1892) and Arnold Bax's tone poem The Garden of Fand (1916). Fand has also appeared as a recurring character in Kevin Hearne's The Iron Druid Chronicles series.
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Cúchulainn and Fand then become lovers. The relationship does not last, as Cúchulainn's wife, Emer is very jealous and comes to attack the couple with a troop of women armed with knives. Fand sees that Emer is worthy of Cúchulainn, and obviously upset by their affair, so Fand chooses to leave him. She chants a poem, and then returns to her husband Manannán, who shakes his magical cloak of mists between Fand and Cúchulainn, that they may never meet again.
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16 Bax was a great admirer of Celtic culture, including Irish myths, in which the garden of Fand is the sea. The old saga, The Sick-bed of Cuchulain tells of a hero, Cuchulain, who is seduced away from home and duty by the Lady Fand, daughter of Manannan, lord of the ocean. Cuchulain's wife, Emer, pursues him and persuades Fand to release him. Manannan shakes his "Cloak of Forgetfulness" between Cuchulain and Fand, and each forgets the other completely.
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They are Fand and Lí Ban, whom he assaulted while they were in bird form. They have horsewhips and beat him almost to death. He lies ill in bed for nearly a year, until Lí Ban returns, asking him to come to Mag Mell and help Fand defeat her enemies in a battle there. In exchange for his military aid, Fand will agree to heal him of his illness.
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After much discussion both women recognize the other's unselfish love, and request that Cú Chulainn take the other. Fand decides that since she already has a husband, Manannán mac Lir, Emer should stay with Cú Chulainn so she will not be left alone. Cú Chulainn and Fand are both heartbroken, however. Fand asks Manannán to shake his cloak of mist between her and Cú Chulainn, ensuring that they will never meet again.
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The mermaid figure may ultimately derive from another Lí Ban, Sister of Fand, in Irish mythology.
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This obtains on one level under the rules of substitution of sounds (ibdal). In Persian fand is recognized expressly as a form of band (Dehkhoda, vol. 37, p. 325). By the 9th century “fand” had begun to replace “band” in Iranian place-names: As recorded by Yahya b.
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Fand ("tear", "teardrop of beauty") or Fann ("weak, helpless person'") is an otherworldly woman in Irish mythology. The two forms of her name are not phonetic variants, but two different words of different meaning and the history of her name is debated.James MacKillop, A Dictionary of Celtic Mythology (Oxford: Oxford University Press, 1998), s.v. "Fand".
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Manannán knows their relationship is doomed because Cú Chulainn is mortal and Fand is a fairy; Cú Chulainn's presence would destroy the fairies. Emer, meanwhile, tries to kill her rival, but when she sees the strength of Fand's love for Cú Chulainn she decides to give him up to her. Fand, touched by Emer's magnanimity, decides to return to her own husband. Manannan shakes his cloak between Cú Chulainn and Fand, ensuring the two will never meet again, and Cú Chulainn and Emer drink a potion to wipe the whole affair from their memories.
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Antonie van Leeuwenhoek first reported observations of Volvox in 1700.Herron, M. (2015). “…of the bignefs of a great corn of fand…”. Fierce Roller Blog, .
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Dort fand er für seine Streitmacht, die auf etwa 5.000 Mann - vorwiegend Reiter - geschätzt wird,F.W.Theodor Schliephake: Geschichte von Nassau, Vol. 3, Wiesbaden, 1869, pp. 471f.
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According to MacKillop, "her mother is sometimes given as Flidais, the woodland deity. In variant texts she is described as the wife of Eochaid Iúil, one of Labraid's enemies vanquished by Cúchulainn". The goddess or otherworldly woman, Niamh of the Golden Hair, is said to be a daughter of Manannán. As Niamh and Fand share some of the same characteristics, it is possible Niamh is also the daughter of Fand.
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The Garden of Fand (1916) is a tone poem by the English composer Arnold Bax. It was inspired by an Irish mythical figure, Fand, the daughter of the lord of the ocean. The work does not portray the events of the mythical tale, but evokes Fand's island. The composer had been greatly influenced by Celtic culture in his earlier works, but described this one as his last in that vein.
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Though Cú Chulainn had many lovers, Emer's only jealousy came when he was entranced into love with Fand, wife of Manannán mac Lir, the king of the great sea, as recounted in the narrative Serglige Con Culainn ("The Wasting Sickness of Cú Chulainn"). She decided to kill her rival, but when she saw the strength of Fand's love for Cú Chulainn she decided to give him up to her. Fand, touched by Emer's magnanimity, decided to return to her own husband. Manannán shook his cloak between Cú Chulainn and Fand, ensuring the two would never meet again, and Cú Chulainn and Emer drank a potion to wipe the whole affair from their memories.
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Some sources mention another possible daughter of Manannán, Cliodna, but as Manannán is known to have partnered with a number of goddesses and mortal women, her connection with Fand is unclear.
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Fand appears most prominently in the Ulster Cycle tale, Serglige Con Culainn ("The Sickbed of Cúchulainn") as the daughter of Áed Abrat, sister of Lí Ban and one Angus, and wife of Manannán. She enters the story in the form of an otherworldly sea bird. In her sea bird form, she flies with a flock of enchanted birds, with each pair joined together by a silver chain. Fand, flying with her sister Lí Ban, stands out from the rest as they are connected by a gold chain.
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Coll's brother Bran, who lives with the Druids, is torn between the two camps. The struggle between Nectan and Domnall for mastery of the tribe culminates in Domnall choosing Nectan's daughter Fand for a human sacrifice. Coll, who loves Fand, takes the advice of Bran on how to stop the sacrifice, believing that he will die in her place. In fact it is Bran who dies, fulfilling the prophecy made about him when he was a baby and devastating Domnall who loved him like a son.
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The hero Cúchulainn hurls stones at the seabirds, one of which passes through Fand's wing feathers. Later, Fand and Lí Ban return in the form of "Otherworldly women" and confront him on the shore of the lake. They beat Cúchulainn with horsewhips until he falls ill and lies abed for a year, unable to rise. Cúchulainn eventually regains his health by the favor of Fand when, via negotiators (Lí Ban, and Cúchulainn's charioteer, Láeg), Cúchulainn reluctantly agrees to travel to the Fand's otherworld island and help her in a battle against her foes.
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1224) defined fand as a section of a mountain (jabal). His work contained references to a number of place-names that contained the morpheme /fnd/ such as in Fendalau in Sham (Syria), Fandavayn in Marv (Northwest Iran), Fandisajan in Nahavand (Iran) and Sarfandeh, a village in the Sur region of Syria. With the exception of a few place-names that have retained the morpheme /fnd/ there is no mountain in modern Iran that is referred to as “fand” or by its variant fend. Yaqut's Fandavayn in Marv and Fandisajan in Nahavand regions of Iran are decidedly mountainous in character.
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Among less than a handful of contemporary fand-bearing toponyms in Iran, Fandoglu near Miyaneh in Azarbaijan and Fandokht near Birjand in Kohrassan are mountainy places, too, as are Fand in the Damavand region, and Fenderesk northeast of Gorgan. It is not clear exactly when fand or fend entered the nomenclature of place-names in north- central Iran other than it would have been associated with Islamic conquest of Mazandaran and the ensuing 8th century migrations by descendants of Muhammad from Hejaz, Syria and Iraq into areas of present-day northern Iran such as Amol, Babol (formerly Barforush, earlier Mamtir) and Babolsar (formerly Mashadsar), Qaemshahr (formerly Shahi, earlier Aliababd), Sari and Gorgan (formerly Astarabad, presently Golestan). In the course of migration of the descendants and adherents of Imam Ali from Hejaz, Syria and Iraq to Mazandaran/Tabarestan in northern Iran, there was one Ebrahim (b. Madina after 765 AD) and his sister Bibi Sakineh, children of Imam Musa Kazem (d.
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Luminescent Orchestrii are a gypsy punk band from New York City, whose music also incorporates elements of Middle Eastern, punk, and Appalachian music. The band's founding members were Sxip Shirey, Sarah Alden, Rima Fand, Julie Carney, Aaron Goldsmith, and Benjy Fox-Rosen.
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The second of the Quinlan Concerts in October/November included the tenor Joseph Hislop and the violinist Jacques Thibaud. The programme contained notes by Edwin Evans. Held at British Library. Arnold Bax's tone-poem The Garden of Fand received its British première on 11 December.
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Teach seven and eight- year-olds about Darwin with a resource from the Royal Botanic Gardens, Kew." It is similar to the better-known Darwin Day, held on the anniversary of his birth (12 February 1809). Compared to Darwin Day, "der „Evolution Day“ am 24. November fand bisher nicht solche Aufmerksamkeit.
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Hardenberg fand – wieder durch Bemühungen des Grafen von Oldenburg – Unterschlupf im Kloster Rastede. 1562 trat ein Umschwung zugunsten der philippistischen Richtung ein, die zum reformierten Bekenntnis hinüberführte. Hardenberg blieb indessen im Kloster Rastede und wurde dann 1565 Prediger in Sengwarden. 1567 wurde er Erster Prediger in Emden, wo er bis zu seinem Tode wirkte.
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"Zum letzten Musikdirektor vor der nationalsozialistischen Machtübernahme wurde 1932 der 1909 in Babenhausen geborene Dirigent Georg Ludwig Jochum ernannt. Dieser hatte in München studiert und fand als Musikdirektor in der westfälischen Provinzialhauptstadt seine erste große Anstellung. Jochum war zu dieser Zeit der jüngste Generalmusikdirektor Deutschlands." Like his brother, he is especially associated with the music of Anton Bruckner.
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The work has remained among Bax's more popular compositions, even during his most neglected years in the late 1940s and the 1950s. Among those who kept it before the public were Sir Thomas Beecham and Sir John Barbirolli, who played it in concert and made recordings of it: Beecham for 78 rpm records in 1948, and Barbirolli for LP a decade later."The Garden of Fand" WorldCat, retrieved 20 September 2015 With the greatly increased representation of Bax's works in the LP and then the CD catalogues from the 1960s onwards, The Garden of Fand has received several modern recordings, including one conducted by Boult, fifty-two years after he introduced the work to England.Parlett, Graham Discography, The Sir Arnold Bax website, retrieved 20 September 2015; and Stuart, Philip.
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Service, Tom. 'Ken Russell celebrated his – and my – eccentric musical obsessions', in The Guardian, 29 November, 2011 Set in 1948, when the film Oliver Twist (with music by Bax) had just been released, the film mostly uses earlier compositions such as The Garden of Fand, Tintagel and the Symphony No 2 as its soundtrack. Lewis Foreman was musical adviser.Foreman, Lewis.
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The couple's engagement came shortly before Cäcilie's death on 3 December 1812. Schulze wrote, "In Cäcilie, whilst truly chaste, I was made many times more beautiful and wonderful. It was what, perhaps, I could become if there were immortality, instead of now residing in gloom."„[…] in Cäcilien fand ich mich selbst, doch viel reiner, viel keuscher, viel schöner und herrlicher.
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Darband (, ), formerly a village close to Tajrish, Shemiran, is a neighborhood inside Tehran's metropolitan limits. It is the beginning of a popular hiking trail into Mount Tochal, which towers over Tehran. A chairlift is also available for those not interested in hiking. The Persian term darband translates to "door of the mountain" (band, a variation of vand and fand, meaning "mountain").
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Da die alte Holzhütte wurde geschlissen ab, fand man eine Schrift, die Zeugnis gab, Dass die Entlebucher und die von Obwalden, Um diese Landschaft einen Krieg gehalten. Weil die die von Obwalden dazumal, In Anspruch genommen das ganze Tal. Da sind unsere lieben Altväter gekommen Und haben ihnen das Banner und Land genommen. Wir danken unsern lieben Alten, Dass sie haben den Sieg erhalten.
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Matthias David, Frank C. K. Chen, and Jan-Peter Siedentopf, Ernst Gräfenberg: Wer (er)fand den G-Punkt?, Deutsches Ärtzteblatt, November 2005, Seite 498: "Ernst Gräfenberg war für kurze Zeit mit der Schriftstellerin Rosie Waldeck verheiratet." The U.S. Copyright Renewals, 1962 July – December indicate that Rosie Waldeck is also known as Rosie Graefenberg Waldeck, and as "R.G." was author of Prelude to the past; the autobiography of a woman.
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The origin of the name Fenderesk is rooted in the administrative structure of the mountain districts of northern Iran. On the Iranian landscape today, a mountain is generally referred to as a kuh (Persian), dagh (Turkic) and, to a much lesser extent, jabal (Arabic). Lost among these are words such as “gar or jar,” “ostan,” “fand/fend,” “band/vand” that in their own context also mean “mountain.” Mountain worship.
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Maharaj drew the attention of the sadhus towards the sincerity and devotion of that devotee. Premanand Swami got up and instantly composed a kirtan while focusing on the murti of Maharaj. He sang: “Vandu Sahajãnand rasrup anupam sãrne re lol, Jene bhajtã chhute fand, kare bhav pãr ne re lol...” Maharaj Himself started swaying to the beats and tunes of this bhajan. The whole assembly was completely spellbound.
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Bax did not depict the original story in his symphonic poem, but painted a picture of a ship, cast ashore on Fand's enchanted island. The crew are drawn into Fand's eternal world of dancing and feasting, as the rising sea overwhelms the island, and the garden of Fand is lost from sight.Gilman, Lawrence. "Music of the Month: Some Celtic Music, Old and New", The North American Review, May 1921, pp.
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A favourite of Enid fans was the story of The Archangel Barry. This was the introduction to "Albion Fair" in which an angel exhorted the band to write music with "more notes in it". His magnum opus however was the story of Fand. This ancient myth was amalgamated with the legends of King Arthur to create an epic and magical tale that was at once fresh and rooted in tradition.
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Biography at Chronik der Mauer.de .Hamburger Abendblatt article "In der Tasche der Toten fand man die Adresse der Schwester", 23 August 1961 . After World War II, Berlin was divided into four Allied sectors, and while the street and the sidewalk of the Bernauer Straße lay in the French sector of West Berlin, the frontage of the buildings on the southern side lay in the Soviet sector of East Berlin.
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Lí Ban (;Carney, James, "The Earliest Bran Material", in: Bernd Naumann (ed.), Latin Script and Letters A. D. 400-900, 1976, p. 188.Koch, John, Celtic Culture, ABC-CLIO, 2006, p. 1608. thus 'paragon of women') may refer to an otherworldly female figure in Irish mythology. This Lí Ban claimed the beautiful Fand as sister, and was wife to Labraid Luathlám ar Claideb ("Labraid of the swift sword-hand"), the ruler of Magh Mell.
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Moving From the Darkness to the Light ,Beth E. Fand, The Trenton Times, July 6, 2003 In 1965 Klabunde moved to Edgewater, New Jersey, and working as a designer of interiors - classrooms and labs - for NYU. In 1967,he found an apartment in Greenwich Village and was able to open his first studio. One of his first commissions was from Lublin Graphics, which led to shows at local galleries. Soon, about 30 galleries were carrying his work.
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"Cúchulainn rebuked by Emer", illustration by H. R. Millar from Charles Squire, Celtic Myths and Legends, 1905 Cú Chulainn has many lovers, but Emer's only jealousy comes when he falls in love with Fand, wife of Manannán mac Lir. Manannán has left her and she has been attacked by three Fomorians who want to control the Irish Sea. Cú Chulainn agrees to help defend her as long as she marries him. She agrees reluctantly, but they fall in love when they meet.
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It was released on Vinyl LP with slightly altered track names and the poem "To Sleep" by John Keats featured on the album cover. In 1985 Robert John Godfrey and Stephen Stewart recorded an extended version of Fand that was released for the fan club. This extended version appears on CD releases of the reconstructed Aerie Farie Nonsense. In June 2010, following the Inner Sanctum releases, EMI agreed to grant an Exclusive Worldwide License for the original EMI release of the album to Operation Seraphim.
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Láeg, or Lóeg, son of Riangabar, is the charioteer and constant companion of the hero Cú Chulainn in the Ulster Cycle of Irish mythology. His horses are Liath Macha and Dub Sainglend. Cú Chulainn sends Láeg to the Otherworld with Lí Ban, sister to Fand, and he brings back bountiful descriptions of the Otherworld in the tale Serglige Con Culainn (The Sickbed of Cúchulainn). In the tale of Cú Chulainn's death he is killed by Lugaid mac Con Roí with a spear intended for Cú Chulainn.
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Manannán's father is the sea-god Ler ("Sea; Ocean"; Lir is the genitive form), whose role he seems to take over. As Oirbsen, his father is named as Elloth, son of Elatha.Lebor Gabála Érenn §64 In the Altram Tige Dá Medar Manannán calls himself the foster-son of the Dagda. According to Táin Bó Cúailnge (the Cattle Raid of Cooley), his wife is the beautiful goddess, Fand ("Pearl of Beauty" or "A Tear" – later remembered as a "Fairy Queen", though earlier mentions point to her also being a sea deity).
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Schramm attempted to intervene and was repeatedly struck in the face by Baab, but not arrested himself. Hermann Schramm testified against Baab at his trial.Zeitungs-Artikel Herbert Küsel p 174, 1973 "Da fand Baab ein Straßenbahnkärtchen in der Handtasche; sieh mal an, eine Jüdin, die trotz dem Verbot mit der Straßenbahn fuhr. ... Es ist der alte Opernsänger Hermann Schramm, Ehrenmitglied der Städtischen Bühnen " The Baab trial in Frankfurt was described by American journalist Kay Boyle in an article in The New Yorker, later also published as an introduction to her story collection The Smoking Mountain.
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A messenger arrives, bound for Arthur and seeking help for a lady who is besieged by a sultan: > Mete and drynke was ther dighte, And men to serve tham full ryghte; The > childe that come with the knyghte, Enoghe ther he fand. At the mete as thay > beste satte, Come the portere fro the gate, Saide a man was theratte Of the > Maydenlande; Saide, 'Sir, he prayes the Off mete and drynke, for charyté; > For a messagere es he And may nott lange stande.'Braswell, Mary Flowers. > 1995.
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Sometimes the hero returns after what he believes is a short time, only to find that all his companions are dead and he has actually been away for hundreds of years. Sometimes the hero sets out on a quest, and a magic mist descends upon him. He may find himself before an unusual palace and enter to find a warrior or a beautiful woman who makes him welcome. The woman may be the goddess Fand, the warrior may be Manannán mac Lir or Lugh, and after strange adventures the hero may return successfully.
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Boatbuilding was poorly paid. In the early 19th century a ½-Hunt barge cost Thl. 80, by its end ℳ 250-300 and ℳ 450 for a full-Hunt barge. In 1934 Heinrich Grabau paid for a ½-Hunt barge ℛℳ 450 to Hinrich Grotheer, with a down payment of ℛℳ 100 for wood.Hermann Giere, 25 Jahre Heimatverein Schlußdorf e.V. 1968–1993, Heimatverein Schlußdorf (ed.), Ritterhude: Diem \+ Neumann, 1993, p. 57, after RB., „Torfschiffswerft fand bundesweit Interesse: Heimatverein Schlußdorf zog Bilanz“, in: Osterholzer Anzeiger, 31 January 1990, page unknown. In 1950 a full-Hunt barge cost deutschmark (DM) 1,000.
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Jaber al-Baladhuri (d. 892), for example, Ashband, a district near Naishahpur, in Khorassan became Ashfand. On another level, fand is also an acceptable form for vand, particularly in Arabic transformation of Persian or other foreign words – such as in Fandal, which is the Arabic for Vandal, a Germanic people who ruled parts of North Africa from 429 to 534 AD. Another example of this “v” to “f”’ substitution is offered in the place-name Sarvandkar/Sarfandkar in Sham (Syria) as reported in the geographical work of Abulfeda (d. 1331). Yaqut al-Hamavi’s geographical dictionary (ca.
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130px The first fabill in the Romulus text, De Gallo et Jaspide (The Cock and the Jewel), depicts a cockerel who rejects a valuable gemstone in preference for more precious grain. The Morall Fabillis opens with the same example.Morall Fabillis: :And to begin, first of ane cok he (Aesop) wrate, :Seikand his meit, quhilk fand ane jolie stane... lines 61-2. Although the fabill has no substantial story as such, Henryson's version quietly keeps the narrative promises made in the prolog by re-imagining the material as a strongly realised vignette, giving it a specific setting and hinting at a fully characterised cockerel.
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Together with Howle, the two sang a duet for the main track of a film called "Glissando." Shaner performed as the lead singer of Industrial Tepee. The band released three albums including, "What Divine Engine", "Hymns For the Civil Savage", and a self titled album. The band toured extensively throughout the United States of America. Among the musicians and friends Shaner has worked with are Whit Smith of Hot Club of Cowtown, Claude Coleman, Jr., of Ween,” Pete Fand, Paul Wegmann, Josh Margolis, Phil Cohen, Bob Sharkey, Rob Cimno, Dan Green, Chris Harfenist of “Sound of Urchin,” Merrill Garbus of Tune-Yards, Emmy Bean, and many others.
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Upon arriving home the wife observes the chaos wrought by her husband. :Scho fand all wrang that sowld bene richt, :I trow the man thocht richt grit schame, After a quarrel the husband decides, with some persuasion from his cudgel-wielding wife, to return to his usual work. :Than up scho gat ane mekle rung, :And the gudeman maid to the dur, :Quod he, deme, I sall hald my tung, :For and we fecht ill get the woir :Quod he, quhen I forsuk my pluche, :I trow I but forsuk my seill, :And I will to my pluch agane, :For I and this hous will nevir do weill.
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The Dindsenchas relate that Loch Léin was where he would make bright vessels for Fand the Long-Haired, the daughter of Flidais. Every night, after finishing his work, it is written that he used to fling his anvil away to a nearby hill called the Indeoin na nDési or 'Anvil of the Dési' and the showers that came from the back of the hill were said to be pearls off his anvil as it was flung. Whether the name Lén can be philologically related to the Romano-Celtic god Lenus is disputable. While the meaning of the name is uncertain, the Old Irish words lén 'defeat, misfortune'Entry for lén in the online dictionary of Sabhal Mòr Ostaig.
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" Hans Ganser is also a noted musicologist. For example, Ganser was with Hans-Dieter Munck the first to fit one of Wolkenstein's song texts to a tune by Binchois.Early Music History: Studies in Medieval and Early Modern Music ed. Iain Fenlon - 2009 Page 205 "Hans-Dieter Muck and Hans Ganser, who subjected the text to renewed scrutiny, were the first to demonstrate that it is quite possible to make it fit.29 Even they, however, were left with ..."Jahrbuch der Oswald von Wolkenstein Gesellschaft Volumes 1 & 2 Oswald von Wolkenstein Gesellschaft - 1981- Page 252 "... als ich für meine fertig und abgeschlossen vorliegende Melodieübertragung einen sachkundigen Lektor suchte und Hans GANSER vom 'Augsburger Ensemble für frühe Musik' fand.
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In 1945 it hosted one of the Allied Rheinwiesenlager :Heimattreue (Faith in the Homeland) :Draußen im Lande ein Mädel ich fand, :mit hellblondem Haar und feinzarter Hand :und sie hat Augen so klar wie der Wein: :sag Mädel die Heimat, sag bist du vom Rhein! :sag Mädel die Heimat sag bist du vom Rhein! :Refrain: :Wo die Ahr zum Rhein hinfließt, :heilend Wasser der Erd entsprießt, :wo Mädchenaugen sind so blau, :mitten in der goldnen Au. :An dies Städtchen denk ich gern, :bin ich denn auch noch so fern, :an dich denk ich immer dar, :Sinzig Rhein und Ahr. Frederick I Barbarossa :Ferne am Strande des weiten Meeres, :steht eine Frau, schwer ist ihr ums Herz.
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Selections of a film she shot in connection with the exhibition on Easter Island can be viewed on YouTube in parts as the background of a talk she gave in 2009 at the Brooklyn Museum in New York. In 2009, she represented Austria at the 53rd Biennale of Venice in the Austrian Pavilion along with Dorit Margreiter, Fand ranziska and Lois Weinberger. In this show she dealt with the rare art-historical phenomenon of a nude male model painted by a heterosexual woman and the last film by Friedrich Wilhelm Murnau Tabu. Since her solo exhibition at Susanne Vielmetter Los Angeles Projects, the gallery gives access to part of the Elke Krystufek Archive on the subject of immigration.
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The name Maran also occurs in toponyms Maran and Marankuh in the Tankabon (Shahsavar of the Pahlavi era) region of north-central Iran. According to Mohammad-Ebrahim Nazari (from Shahi, now Qaem-Shahr) (Tarikh-i katul, 1996), the fand/fend in Fenderesk refers to the mountainous topography of the region, but in the Gilaki tongue of northern Iran, the term fander signifies looking in a watchful or inquisitive fashion, which, according to Nazari, could have been the function of the area's Maran fortress. While the foregoing explains how fend (mountain) evolved to fenderiyya or ostandariyya evolved to fenderiyya (mountain administrative unit) and then to Fenderi, it does not explain how Fenderesk came to acquire its ~sk ending.
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The homestead was operated as a farm from the 1750s to 2006, when the owner died. After being threatened by a previous owner who wanted to tear down the house and build a new one on the nearby pond, the community rallied around the town historical commission and the owner sold the land and house to Cape Abilities, a nonprofit organization that helps provide jobs and housing to those with disabilities. In 2016, in need of major repairs, the historic farm was purchased from Cape Abilities by Dr. Joan Elizabeth Fand, a practicing anesthesiologist and beekeeper from Brookline, Massachusetts. In an effort to preserve the historic nature of the farm, the original home and barn were restored.
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Provokation und Tradition: Hans-Martin Linde, Regula Rapp - 2000 "Hier bot sich nun endlich die Gelegenheit, Johann Michael Bach (II) als den ,Wuppertaler' Bach vorzustellen, als der er sich für uns inzwischen erwiesen hatte und dessen Kantate wir im Januar 1986 beiseite gelegt hatten. "Hugo Riemann (1849-1919): Leben, Werk und Wirkung Michael Arntz - 1999 "Es gab sogar noch einen weiteren bühnentauglichen Schreiber in der Dynastie, Johann Michael Bach hieß er, ... fand sein Auskommen als Musiklehrer eines Gymnasiums im bergischen Elberfeld, heute Wuppertal, wo er 1820 mit 75 Jahren starb." His main theoretical work was his Kurze und systematische Anleitung zum General-Bass und der Tonkunst uberhaupt published at Kassel in 1780.
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Under the name Caitlín Níc Shíothaigh, O'Brien wrote Irish textbooks, and developed an Irish language edition of Gregg shorthand in the 1920s. O'Brien wrote a number of plays, included Apartments, a one-act farce which was performed at the Abbey Theatre in September 1923 which she wrote under the name Fand O’Grady. O'Brien's extended family were divided over supporting Britain in World War I, and convinced her husband not to make speeches in favour of recruiting into the army, especially as he was medically unfit to serve himself. O'Brien was the only one of her sisters not to be widowed in 1916, when all three of her brothers-in-law died: Bernard Culhane, Francis Sheehy Skeffington, and Thomas Kettle.
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Next to the Love story Samuel August from Sevedstorp and Hanna i Hult the Swedish Edition also includes a few other essays, for example Det började i Kristins kök, in which Astrid Lindgren writes about her neighbour Kristin who read the first books to her and made Astrid Lindgren become interested in literature. In another chapter Minnes.... (Let us remember) Lindgren is talking about her childhood, inspired by a poem from Harry Martinson. In 2015, in Sweden the essay Luise Justine Mejer : en kärlekshistoria från 1700-talets Tyskland was released as a book on its own by Novelix. It is about the German book Ich war wohl klug, daß ich dich fand, which contains letters of Luise Mejer and Heinrich Christian Boie.
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Apart from the practical application – the use of folklore material as the basis of literary fand musical work – a large scale propaganda of remarkable folk poetry and songs formed a major instrument for stimulating the Georgian people's patriotic sentiments. Many contemporaries of Paliashvili were engaged in folklorist work, including Meliton Balanchivadze (father of well-known Soviet composer Andria Balanchivadze and of George Balanchine, an American choreographer), Dimitri Arakishvili, Filimon Koridze, Zacharia Chkhikvadze, Kote Potskhverashvili.Dzigua, pp. 31-32 In the summer of 1903, Paliashvili and A.S. Khakhashvili (Khakhanov), professor at the University of Moscow and specialist in the history of Georgian literature, made a tour of Svanetia (a high-altitude area in western Georgia), where they recorded some rare old Georgian folk songs.
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Then a yel heep o' stuff he talk'd aboot sin, An' sed he'd forgi' me whativer aw'd deun; An' if that aw'd murder'd byeth fayther and muther, For a five shillin peece, wey, aw might kill me bruther. Says aw, "Mister Pope, gi's ne mair o' yur tauk, But oot o' wor huddock aw's beg ye to wauk; An' if ye divent get oot before aw coont Nine, Byeth ye and yor kees, man, aw'll fling i' the Tyne." So aw on tiv me feet wiv a bit iv a skip, For aw ment for to give him an Orangeman's grip; But aw waken'd just then in a terrible stew, An' fand it a dream as aw've teld ye just noo.
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William Larminie (1 August 1849 - 19 January 1900) was an Irish poet and folklorist. He was born in Castlebar, County Mayo, of Huguenot descent and was educated at Kingstown School and Trinity College Dublin, from which he graduated in 1871 with a moderatorship in Classics. He moved to London while he was employed in the British India Office from 1873 until 1887, at which point he retired and returned to Ireland to devote himself to writing, settling in Bray, County Wicklow. He published two volumes of poetry--Glanlua and Other Poems (1889), and Fand and Other Poems (1892)--as well as a collection of stories which he had collected from local people in County Donegal, County Mayo and County Galway: West Irish Folk-Tales and Romances (1893).
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After being gradually sidelined, Müller retired in 1958 amidst longstanding concerns over his loyalty to the East German administration, and came under increasing pressure from the Stasi. He was said to be suffering from schizophrenia, and was hospitalised for a period in 1960; allegations also resurfaced that he had been involved in the mass killing of Jews in Artemovsk and the shooting of POWs. He died in 1961, in somewhat controversial circumstances, as he fell from the balcony of his home on the day he was scheduled to return to hospital; it was rumoured that he had committed suicide when a police vehicle drew up outside. A posthumous autobiography, Ich fand das wahre Vaterland (), was published in 1963, edited by Klaus Mammach, a SED historian.
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Da der Mechanismus dieses Instruments äußerst einfach ist, und die Hauptsache bei der Herzvorbringung des Tons eine Fraktion an Holz, und nicht an Metall oder Glas ist so ist dasselbe nicht nur leichter, als ein gewöhnliches Fortepiano, sondern es kann auch in der Folge gewiss um einen günstigen Preis angeschafft werden. Als ich das Melodion, von Petzold gespielt, hörte, fand ich, dass die Basstöne verhältnismäßig [...] schwach waren, welchen Fehler das Uranion keineswegs hat; auch sind bei diesem die hohen mittleren und tiefen Töne nicht so verschiedenartig als bei jenem, und lassen alle Abstufungen vom leisesten Piano bis zu beträchtlichem Forte zu. Sein Ton ist wahrhaft himmlisch und wirkt stark auf das Herz. Der Erfinder heißt Buschmann, und wohnt in dem 1 Meile von Gotha gelegenen Bergstädtchen Friedrichroda.
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"The mild saviour arose as a battle-god, a chivalrous leader of the heavenly host, who found greatest pleasure in combat and the noise of battle; his humble apostles were imagined as proud Paladins" (Der milde Heiland erhob sich zum Schlachtengott, zu einem ritterlichen Führer himmlischer Heerscharen, der das grösste Gefallen fand an Kampf und Waffenlärm; seine demütigen Apostel wurden als stolze Paladine gedacht Alwin Schultz, cited after Otto Zarek, Die geschichte Ungarns (1938), p. 98)Padberg 1998, 87 In the Battle of Tolbiac he prayed to Christ for victory. Clovis was victorious, and afterward he had himself instructed in the Christian faith by Saint Remigius.Padberg 1998, 52 That a pagan like Clovis could ask Christ for help shows the adaptability of Germanic polytheism.
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Flidas is mentioned in the Metrical Dindshenchas as mother of Fand, and in the Lebor Gabála Érenn as the mother of Argoen, Bé Téite, Dinand and Bé Chuille. Dinand and Bé Chuille are mentioned as "she-farmers" in a passage about Dian Cecht in Lebor Gabála Érenn and as witches in the Second Battle of Moytura, where they agree to enchant the trees, stones, and sods of the earth to become a host under arms. In the Middle Irish glossary Cóir Anmann ("Fitness of Names") Flidas is said to be the wife of the legendary High King Adamair and the mother of Nia Segamain. The Ulster Cycle tale "The Tidings of Conchobar" says that it took seven women to satisfy Fergus, unless he could have Flidais.
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It did not play on the Irish stage until May 1926, when it was staged by the Dublin Drama League at the Abbey Theatre. Emer is mentioned in Yeats' poem "The Secret Rose": "and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss;" Emer is described in Angela's Ashes by Frank McCourt as "The Greatest Pisser" in how she came to win Cuchulain's hand for marriage. She is also referenced as part of the Táin-based imagery in Máirtín Ó Cadhain's The Withering Branch. In November 1943, Scottish Gaelic poet Sorley MacLean published his first individual collection of poems, Dàin do Eimhir agus Dàin Eile (Poems to Eimhir and Other Poems).
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The term 'Martial' does not necessarily refer only to military drumming but in general to ominous/dramatic atmospheres and a particular thematology, style, aesthetics and Weltanschauung. Similarly, the term 'industrial' does not denote only old- school industrial music, but rather the broad spectrum of post-industrial scene (from neofolk acoustics to harsh noise). Thus, sonically diverse bands like Genocide Organ (power electronics), Oda Relicta (sacral), Stahlwerk 9 (industrial), N.K.V.D. (industrial black metal), Die Weisse Rose (darkwave), Axon Neuron/Vagwa (dark ambient), Feindflug (EBM), Gae Bolg and the Church of Fand (medieval), H.E.R.R. (neoclassical) and Scivias (neofolk) can all be grouped under the umbrella of 'martial industrial'. Martial industrial music frequently uses imagery related to war, totalitarian regimes, European nationalism, military displays, and political mass gatherings – contexts, in short, where the individual is subsumed by history and the mass will.
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396 & 397: "Der grossere Teil der Produktion ging ins Ausland, weil der Ford Escort [Mk I] auf dem deutschen Markt wegen seiner pummeligen Form, seiner simplen Konstruktion, seiner holprigen Straßenlage und seines bescheidenen Komforts nur mäßigen Zuspruch fand... 848 388 [Escort Mk Is fertigten] die deutschen Ford-Werke, doch nur 234 667 Exemplaren fanden deutsche Käufer." At the end of 1972, with rumours of a replacement appearing in the trade press, Opel nevertheless felt it necessary to prepare a series of special edition Opel Kadetts with a number of "options" included as standard features, but with little chance for customers to vary the specifications. By building large batches of identically equipped cars the manufacturer was able to provide attractively low prices to customers prepared to forego the chance to specify their Kadett "à la carte" from the colour, trim and options lists. Forty years on, some of the options listed have become standard on cars of this class, while others have fallen completely out of favour.
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The songs on the album were written and/or performed in English, as part of the English- medium music scene Malaysia experienced in the 1990s, where local music was able to reach and grab the interest of international fans. The album featured a well established fand, OAG, but was primarily a debut album for several up and coming teen aged artists, like Nita, as well as some relatively unknown bands, like Nicestupidplayground, a teenage group from Sarawak, Borneo who until this album had not recorded professionally. The first and only single from the album was by Nicestupidplayground, called "Bedroom Window", and it is considered to have brought the band out of obscurity. Boys & Girls 1+1=3 also marked the recording debut for punk rock all-girl trio IntoXicated, goth rock duo Brodwyn (later renamed Juliet the Orange), and for Nita, who sang the song "He's a Mod", which is a cover of a song by The Senators called "She's a Mod" that was popularized in the 1960s by the band Ray Columbus & the Invaders.
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Some critics have commented that Ashton was not yet fully in control of a full-length ballet, with intermittent weaknesses in the choreography, but the comedy of the stepsisters was, and has remained, a favourite with audiences. The ballet critic Laura Jacobs called it "slapstick of a celestial order", and recalled that she and her fellow New York critics were "struck speechless by this luminous ballet."Jacobs, pp. 36–37 In the late 1940s and early 1950s Ashton worked more frequently for other ballet companies, creating works for the Ballets de Paris (Le Rêve de Léonor, 1949, to Britten's Bridge Variations) and the New York City Ballet (Illuminations, 1950, to Britten's Les Illuminations, and Picnic at Tintagel, 1952, to Bax's The Garden of Fand). He created dances for films, including The Tales of Hoffmann (1951) and The Story of Three Loves (1953), and directed operas at Glyndebourne (Britten's Albert Herring, 1947) and Covent Garden (Massenet's Manon, 1947, and Gluck's Orpheus, 1953, conducted by Sir John Barbirolli with Kathleen Ferrier in the title role).
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