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8 Sentences With "extemporising"

How to use extemporising in a sentence? Find typical usage patterns (collocations)/phrases/context for "extemporising" and check conjugation/comparative form for "extemporising". Mastering all the usages of "extemporising" from sentence examples published by news publications.

And while he disagrees with the likes of Donald Trump on almost everything, he shares the American president's fondness for extemporising.
Allan gave a speech, extemporising on the words flabbergasted and fizgig, and it was generally agreed that it was really one of the nicest prize-giving ceremonies any of us had ever attended.
As a result, it was probably rather too complex and came dangerously close to breaking down in execution. However, Cotton was flexible in extemporising once his original plan was rendered irrelevant when his central force made its presence known to the enemy too soon. Slade's heavy brigade did not make an appearance at all.Fletcher, pp.
There was no fixing of character and throughout the twelve performances, the life between the text was always in a state of flux, which meant that each night was considerably different from the other. This was the European and UK premiere of the work which was played at the Glasgow Citizens Theatre in the Circle Studio. During his years in Egypt, he has continued to refine and expand his Somatic approach to consciousness in theatre in which the actor works out of a dual extemporising reality as both storyteller and story.
After the curtain falls, Sir changes out of his costume and shows some tenderness toward Norman, asking what will happen to him if Sir is unable to continue performing, an idea Norman dismisses. Thornton appears and expresses his joy at having played the principal role of Fool, extemporising on the opportunity theatre offers to even older actors. Sir becomes distant and withdrawn, dismissing Norman's attempts at cheer and preparation for the next night's performance of Richard III. Her Ladyship appears to say a spiteful goodnight, followed by Oxenby, who diminishes Sir's authority in the company.
Angold, pp. 131-133 Though Alexios I was sometimes forced by circumstances into extemporising finances and into over-reliance on his kinsmen and other magnates to fill out the ranks of his armies, regular recruitment based on salaries, annual payments and bounties remained the normal method of supporting soldiers.Haldon (1999), p. 126 Prior to the Komnenian period records of payment rates for troops are extant and show a great variation in the amounts paid to individuals, based on rank, troop type and perceived military worth, and the prestige of the unit that the soldier belonged to.
The original sharers in the Chamberlain's were eight. Probably the most famous in the 1590s to the 1600s was William Kempe, who had been in the company of the Earl of Leicester in the 1580's, and had later joined the King's Men. As the company's clown, he presumably took the broadest comic role in every play; he is identified with Peter in the quarto of Romeo and Juliet, and probably also originated Dog-berry in Much Ado About Nothing and Bottom in A Midsummer Night's Dream. Kempe has traditionally been viewed as the object of Hamlet's complaint about extemporising clowns; whether this association is right or wrong, Kempe had left the company by 1601.
Since the opportunities for large scale composition and public performance were limited, music under the Protectorate became a largely private matter and flourished in domestic settings, particularly in the larger private houses. The consort of viols enjoyed a resurgence in popularity and leading composers of new pieces were John Jenkins and Matthew Locke.D. D. Boyden, The History of Violin Playing from Its Origins to 1761: and its Relationship to the Violin and Violin Music (Oxford: Oxford University Press, 1990), p. 233. Christopher Simpson's work, The Division Violist, first published in 1659, was for many years the leading manual on playing the viol and on the art of extemporising "divisions to a ground", in Britain and continental Europe and is still used as a reference by early music revivalists.

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