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9 Sentences With "extemporisation"

How to use extemporisation in a sentence? Find typical usage patterns (collocations)/phrases/context for "extemporisation" and check conjugation/comparative form for "extemporisation". Mastering all the usages of "extemporisation" from sentence examples published by news publications.

At the premiere Handel gave an organ extemporisation on the fugal subject taken up by the choir.
It was an artificial charade, cynically created to suggest to the viewer unrehearsed extemporisation, just as these revolting talk-shows do.
Thomas was born in Banbury, England. He was educated at Magdalen College School, Brackley, before going on to read music at Gonville and Caius College, Cambridge where he was organ scholar. Upon graduating, he spent a year studying for the Postgraduate Certificate in Education. He gained the FRCO diploma in 1985 and was awarded the prize for extemporisation.
Mohan's biggest release of 2015 came with Amit Trivedi's Bombay Velvet, where she performed six jazzy tracks for the album. Trivedi was in search of a voice with an "Asha Bhosle meets Nina Simone" tonal quality for Anushka Sharma's Jazz singer character Rosie in the film, when he considered Mohan as the choice. According to The Indian Express, "what has worked" in the song "Mohabbat Buri Bimari" is Mohan's extemporisation in the middle of the track—with all the hiccups, laughs and squeals in place. The film marks the first time she read a script before recording a track to the respective film.
Contemporaries held a high opinion of his organ playing and ability at fugal extemporisation. He composed organ works, concertos and possibly an opera, but is most remembered today for the numerous copies he made, often the only ones now remaining, of works by more notable composers. Amongst these copies in his hand are Johann Sebastian Bach's cantata Weichet nur, betrübte Schatten, BWV 202 and the oldest copy of the famous Toccata and Fugue in D minor, BWV 565. It is possible that the copies were made from versions in Kellner's collection, who was a pupil of Bach.
Standardized pedhalangan is also taught at Indonesian state institutions such as the Indonesian Institute of the Arts, Yogyakarta. Pedhalangan falls into three main areas - musical, vocal and puppetry. The musical aspects include the direction and cueing of the gamelan and the singing of mood-setting songs (sulukan), the vocal includes the recitation of set texts at scene-openings (kandha) and the extemporisation of dialogue showing mastery of Javanese linguistic etiquette, while the puppetry itself (sabetan) involves a complex system of movements and positions. There is an extensive study of sabetan in English by Roger Long (see Further reading).
Murphy's discography includes world première presentations of works of 18th century symphonists Stamitz, Richter, Abel, Reichardt, Schmitt ("The Dutch Haydn"), , and Zappa. His CD of Corelli's Concerti Grossi, made during the 2003 Utrecht Early Music Festival, was the first disc to ever present Corelli's own large scale, authentic orchestral soundscape, featuring Corelli's preferred instrumentation with lost of continuo instruments (cello, bass, organs, harpsichords, baroque lutes, baroque guitars, archlutes and theorbos) and improvisation and extemporisation. It was voted by Dutch national radio as one of the top 5 highlights in the 30-year history of the festival and was reviewed by the BBC Music Magazine as "the best of both worlds ... the NDA is a big band playing on period instruments". Murphy's CD albums for PENTATONE include Early Mannheim String Symphonies by Stamitz and Richter Vol.
The group eventually consolidated and settled on the name "The School of Night", after Sir Walter Raleigh's secret society. Raleigh's School of Night (also called The School of Atheism) was a group of highly literate and intellectual men who would meet to discuss forbidden topics. Campbell's take on it was that the group, which included playwrights and poets, were steeped in the art of extemporisation and would create from scratch, in perfect meter, plays and poems. Campbell's School of Night group has become well known in the improvisational theatre and comedy scene, putting on shows and workshops and appearing in festivals as far afield as Elisnore Castle, the Wiesbaden Summer Improv Festival and the Improvaganza festival in Edmonton, Canada, the Edinburgh Festival Fringe; and returning several times to Shakespeare's Globe.
The NDA's discography includes world première presentations of works of 18th century symphonists Stamitz, Richter, Schmitt ("The Dutch Haydn"), Graaf, Schwindl and Zappa. The groundbreaking NDA recording of Corelli's Concerti Grossi, made during the 2003 Festival of Early Music Utrecht, was the first disc to ever present Corelli's own large-scale, authentic orchestral soundscape, featuring Corelli's preferred instrumentation with a large variety and amount of basso continuo instruments (cello, bass, organs, harpsichords, baroque lutes, baroque guitars, archlutes and theorbos), together with improvisation and extemporisation. It was voted by Dutch national radio as one of the top 5 highlights in the 30-year history of the festival and was reviewed by the BBC Music Magazine as "the best of both worlds ... the NDA is a big band playing on period instruments". The NDA's CDs for PENTATONE include Early Mannheim String Symphonies by Stamitz and Richter Vol.

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