A dreamy, shy étude seems to sleepwalk through remote keys.
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Jorma Elo's "Nocturne/Étude/Prelude" is a characteristically incoherent fit of hiccups.
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Chopin designed an étude to teach pianists how to become metrically ambidextrous.
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But in the Étude in A minor ("Winter Wind"), Ms. Rana showed her demonic side.
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Although the Étude comprises a series of repeated phrases, he doesn't settle into any patterns.
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So for now, no one should count on hearing a Sondheim piano fantasy or étude or whatever.
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From the opening moments of the first étude, in A flat, Ms. Rana had the audience rapt.
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Stockhausen's flinty, shattering "Klavierstücke I" somehow set the mood for a beguiling Minimalist étude by Philip Glass.
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There's one time he told me I needed to change something, and it was Étude No. 5.
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The second is like a flinty, modernist étude that unfolds in one breakneck, twisting line, with no chords.
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Steve Reich's 1967 "Violin Phase" came off here as a potential étude for the demanding exactitude of Bach.
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Listen to Mr. Glass's take on Étude No. 2, for example: Mr. Olafsson's version is often more atmospheric.
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Two encores, Tchaikovsky's Nocturne in C sharp minor and Liszt's "La Campanella" étude, were gratefully received by the enthusiastic audience.
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She and Vinnie seem to exist in precise, kinetic counterpoint, like the left and right hands of a piano étude.
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For example, in "En Suspens," the 11th étude, the right hand has six beats per measure, while the left has four.
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Other crucial pieces will include Lorenzo De Ferrari's "Étude de naïade" and work by Giovanni Battista Paggi and Giovanni Benedetto Castiglione.
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He brought rich colorings and tenderness to the dreamy "Paysage" étude and conveyed the hellbent fervor of "Mazeppa," with its staggering bursts of octaves.
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It also makes capitalizing accented letters easier, such as été (summer) or étude (a short piece of music), without changing the position of the letters.
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There's a spiraling waltz variation; an unruly impromptu; and a final dance and epilogue that turns ominous, like some wild étude by that Chopin-lover Scriabin.
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Rachmaninoff, represented here by his mercurial Étude-Tableau in A minor, held his own quite well with all these living composers, thanks to Mr. Tao's subtle performance.
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After the Ligeti étude, Mr. Denk ended by repeating the second piece he had played, a wistful medieval song by Gilles Binchois, which made this story seem circular.
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After this, he tackles a rarely heard étude, marked "Quasi Improvised," by Muhal Richard Abrams, one of the founders of the Association for the Advancement of Creative Musicians.
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Selon une étude de 2015 commandée par l'Association Française des Orchestres, le public du classique en France se compose pour moitié de cadres d'une moyenne d'âge de 54 ans.
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Looking over at her fascinated is another exuberantly exposed Rodin, "Victor Hugo, assis, nu, étude pour le Monument avant" (before 1909) where we encounter an amputated Hugo face to face.
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It's the way many of the current keyboards make it a hassle to capitalize accented letters in names and words like Étienne and Étude, thus leading many speakers to mistakenly believe accents aren't necessary.
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Caleb Teicher was the most daring, dancing sparely and shirtlessly to a Chopin étude; his brooding body language couldn't quite fill the silences, but his wild turns sucked in air like a jet engine.
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In 222, he set up a studio in Paris where he experimented with photomontage, solarization, and other special lighting effects, as seen in "Étude publicitaire pour 'Magic Phono,' portrait de Marie Bell en photomontage" (1930).
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Over some 80 minutes, with no breaks, Mr. Denk played 23 works spanning 600 years, from a lament by the 14th-century French composer Guillaume de Machaut to an obsessive 1985 étude by Gyorgy Ligeti.
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One is like an étude, with dazzling runs in double thirds for the pianist's right hand; in another, the left hand holds things steady with a chordal pattern while the right hand unfolds in carefree filigree.
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Focused solely on Philip Glass's 20 Études for piano, it featured — along with the composer himself, in a star turn — 40 youngsters, most seeming of high school age, each playing one étude in two cycles of the full work.
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But it is outshined by the gorgeously sensual and fluid drawing by Jean-Auguste-Dominique Ingres, "Étude pour l'Odalisque à l'esclave" (1838), which strangely has a dismembered hand floating around in midst of two reclining nudes rendered with delicate panache.
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And a few were remarkably fine: Theodore Rockas in a bravura account of the Étude No. 6 and Asia Hickman in a beautifully shaped version of No. 7 in the first cycle; and Ella Kronman and Sabina Marra, sensitive and lyrical in Nos.
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Listen to the Russian pianist Sviatoslav Richter playing the 19th-century Polish composer Frédéric Chopin's "Revolutionary Étude" as if unleashing a demon within, or the American pianist Cecil Taylor making the same instrument speak a language entirely his own, one that's labyrinthine, beyond music.
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First measures of Chopin's Étude Op. 25, No. 2. (Urtext edition). Étude Op. 25, No. 2, in F minor, is an étude composed by Frédéric Chopin. It was marked 'Presto'.
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The first two measures of the Transcendental Étude No. 5 Transcendental Étude No. 5 in B "Feux follets" (Wills o' the Wisp) is the fifth étude of the set of twelve Transcendental Études by Franz Liszt.
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Excerpt from the beginning of the Étude Op. 25, No. 5 Étude Op. 25, No. 5 in E minor, is a technical study composed by Frédéric Chopin in 1837. Marking a serious departure in the expected technique developed previously, Chopin wrote this étude with a series of quick, dissonant minor seconds. The effect has earned the étude the nickname "Wrong Note".
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Excerpt from the 'Allegro deciso' section of Transcendental Étude No. 4 Franz Liszt's Transcendental Étude No. 4 in D minor, "Mazeppa", is the fourth Transcendental Étude, published in 1852, and part of a much larger cultural legacy of Mazeppa. The étude was inspired by Lord Byron's poem "Mazeppa", in which the legendary hero is strapped onto a horse which is set free to run wild.
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Excerpt from Étude Op. 10, No. 4 Étude Op. 10, No. 4 in C minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France,("French edition"). Paris: M. Schlesinger, June 1833. Germany,("German edition").
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Excerpt from Étude Op. 10, No. 1 Étude Op. 10, No. 1 in C major, known as the Waterfall étude, is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France,French edition. Paris: M. Schlesinger, June 1833. Germany,German edition.
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Excerpt from the Étude Op. 25, No. 10 Étude Op. 25, No. 10, in B minor is a solo piano study in B minor, composed by Frédéric Chopin in 1835.
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After that, the right hand plays some intense arpeggiated figures, and then a final closing chord. This étude is one of the easiest to play along with Transcendental Étude No. 3 (Paysage).
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Five works for phonograph (known collectively as Cinq études de bruits—Five Studies of Noises) including Étude violette (Study in Purple) and Étude aux chemins de fer (Study with Railroads), were presented.
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She also wrote pedagogical pieces, such as "Staccato Étude in B".
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The first three bars of the Transcendental Étude No. 11 Transcendental Étude No. 11 in D, "Harmonies du soir" is the eleventh étude of the set of twelve Transcendental Études by Franz Liszt. This étude is a study in harmonies, broken chords played in quick succession, full octave jumps, chromatic harmonies, chord variations, interlocking hands, bravura, massive chords, especially proper pedaling, and performance as a whole. This piece is considered one of the most artistic of the études, along with No. 12 "Chasse- neige".
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Excerpt from the beginning of Étude Op. 10, No. 11 Étude Op. 10, No. 11, in E major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
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"Étude" is taken from the Francisco Tárrega piece "Recuerdos de la Alhambra".
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The first bar of the Transcendental Étude No. 12 Transcendental Étude No. 12 in B minor is an étude for piano written by composer Franz Liszt. It has the programmatic title "Chasse-neige" (impetuous wind which raises whirls of snow), and is the 12th and last of the Transcendental Études. The étude is a study in tremolos but contains many other difficulties like wide jumps and fast chromatic scales, and it requires a very gentle and soft touch in the beginning. The piece gradually builds up to a powerful climax.
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The first two bars of the Transcendental Étude No. 9 Transcendental Étude No. 9 in A-flat, "Ricordanza" is the ninth of the twelve Transcendental Études by Franz Liszt. It has wild but gentle cadenzas and demands delicate finger work. There are some areas with syncopation similar to Frédéric Chopin's Étude Op. 10, No. 3. This is a good introduction to Liszt's pianistic style.
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The opening of Étude Op. 8, No. 12 features large jumps in left hand part. Étude in D-sharp minor, Op. 8, No. 12, is an étude for piano composed by Alexander Scriabin in 1894.Score at Sheetmusicfox.com It features many technical challenges, including treacherous stretches with intervals up to an eleventh, numerous jumps in the left hand, repetitive chord strikes, and abundant octaves.
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The first three bars of the Transcendental Étude No. 3 Transcendental Étude No. 3 in F, "Paysage" (Scenery), is the third of twelve Transcendental Études by Franz Liszt. It is generally considered to be one of the easier studies. The piece suggests a peaceful country scene. It is said that Liszt got the idea of writing this étude while watching the scenery change during a train ride.
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Eisetüde (Ice Étude) is an East German film. It was released in 1956.
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At the end of the étude the fair copy autograph contains the directive attacca il presto con fuoco which means that Chopin foresaw the joint performance of both this étude and the following one.Ekier, Jan, ed. (National Edition). "Source Commentary".
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The opening bar of the Transcendental Étude No. 1 Transcendental Étude No. 1 in C "Preludio" is the first of twelve Transcendental Études by Franz Liszt. It is a short piece which can be played in less than a minute at concert speed.
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In 2011, she worked on Canvas 4: Achrome Étude by providing Elis Hōsen's character design.
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The Étude pour Pianola is a 1917 composition for Pianola by Russian composer Igor Stravinsky. The Étude was first published on music roll in 1921 and the premiere was given by Reginald Reynolds at Aeolian Hall in London, on 13 October of that year.
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In 1995, Art critic Sarane Alexandrian published the essay book Jacques Hérold. Étude historique et critique.
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The beginning of Chopin's Étude Op. 10 No. 3 Étude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France,("French edition"). Paris: M. Schlesinger, June 1833. Germany,("German edition").
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Luthi, Dave. Le Château de Donneloye: étude historique. Bureau de recherches en histoire de l'architecture, Lausanne 2002.
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Excerpt from the Étude Op. 10, No. 6 Étude Op. 10, No. 6, in E minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in 1833 in France,("French edition"). Paris: M. Schlesinger, June 1833.
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Virtuoso pianist and composer Leopold Godowsky later transcribed the étude for the left hand alone (transposed to F-sharp minor).
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Aperçu historique et général. Étude monographique des genres et des espèces. Archives de Zoologie Expérimentale et Générale, 77, 1-453.
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Revolutionary Étude in octaves, at every concert. This is a list of compositions by Czech pianist and composer Alexander Dreyschock.
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Alkan-Paganini, no. 5 of The History of Photography in Sound."Michael Finnissy: History of Photography in Sound" , Ian Pace Pianist, accessed 4 July 2013. Marc-André Hamelin's Étude No. IV is a moto perpetuo study combining themes from Alkan's Symphony, Op. 39, no. 7, and Alkan's own perpetual motion étude, Op. 76, no. 3.
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"Triple Étude nach Chopin" in 12 Études in allen Moll-Tonarten ["12 Etudes in all the Minor Keys"]. Edition Peters (EP68235). from 1992, Canadian pianist Marc-André Hamelin combines Chopin's Étude Op. 10 No. 2 with Chopin's other A minor études, Op. 25 No. 4 and Op. 25 No. 11, trying to emulate Godowsky whose triple version has been lost. Scottish composer Alistair Hinton likewise combines Chopin's A minor Études Op. 10 No. 2 and Op. 25 No. 11 in his Étude en forme de Chopin Op. 26\.
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Miscellanea di studi, Recco 2008, pp. 65-90.Jean-Philippe Dalbera, Les parlers des Alpes-Maritimes. Étude comparative. Essai de reconstruction.
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The étude was retitled "Madrid", and the orchestration of all four pieces, titled Quatre études pour orchestre, was premiered in 1930.
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Many of the master's students, particularly in their dissertations,Each of these eminent professors would present a dissertation on regional geography. Thus Demangeon, La plaine picarde : Picardie. Artois. Cambrésis. Beauvaisis. Étude de géographie sur les plaines de craie de la France du Nord de la France (1905); Blanchard, La Flandre. Étude géographique de la plaine flamande en France. Belgique.
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Oiseaux miocènes de Beni Mellal (Maroc); un complément à leur étude. Notes Mem. Serv. geol. Maroc, 31 (237): 109–111. and Bulgaria.
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Esthesioneuroblastoma was first characterized in 1924.Berger L, Luc G, Richard D. L'esthésioneuroépithéliome olfactif. Bull Assoc Franç Étude Cancer 1924;13:410-421.
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'Think it out to the end!' And I would, by God. Never any effort > involved. Like an étude gliding off a glacier.
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Heitor Villa-Lobos's Étude No. 8, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 6, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 7, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 10, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 2, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 3, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 5, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 9, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 11, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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Heitor Villa-Lobos's Étude No. 1, part of his 12 Studies for Guitar, was first published by Max Eschig, Paris, in 1953.
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Première partie. Aperçu historique et général. Étude monographique des genres et des espèces. Archives de Zoologie Expérimentale et Générale, 77, 1-453.
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Première partie. Aperçu historique et général. Étude monographique des genres et des espèces. Archives de Zoologie Expérimentale et Générale, 77, 1-453.
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3), ed. for piano by Busoni (1915) BV B 68 :::4.^ Étude No. 4 (in E major) after Paganini (S.141, no.
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Heitor Villa-Lobos's Étude No. 12, the last of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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4), Arpeggio, ed. for piano by Busoni (1921) BV B 74 :::5.^ Étude No. 5 (in E major) after Paganini (S.141, no.
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The étude has been transcribed for clarinet and piano by Ivan Butirsky.Chopin, Frédéric. Etude Op. 10 No. 2 "chromatic" . Transcription of I. Butirsky.
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The main theme of the Transcendental Étude No. 8, in E flat major Transcendental Étude No. 8 in C minor "Wilde Jagd" (Wild Hunt) is the eighth étude in the twelve Transcendental Études by Franz Liszt. The 1837 version of this piece is in sonata form, with a first subject in C minor, second subject in E major, and a recapitulation of the first subject. It is monothematic (the second subject material is derived from the first subject material). Liszt removed the final recapitulation of the first subject in the 1851 version of the piece, along with an extended bravura passage preceding it.
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It was preceded by a relative major key. It is based on a polyrhythm, with pairs of eighth-note (quaver) triplets in the right hand against quarter-note (crotchet) triplets in the left. The étude is sometimes known as "The Bees". Johannes Brahms wrote a revision of this étude, where the right hand part is played entirely in sixths and thirds.
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Excerpt from the beginning of the Étude Op. 25 No. 4 Étude Op. 25, No. 4 in A minor is a technical study composed by Frédéric Chopin. It is marked Agitato at the head. This piece is like a polka. The technique explored in this piece is the performance of off-beat staccato chords set against a regular on-beat bass.
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Another significant element of Bozza's output was educational methods and étude books. During his tenure as director in Valenciennes, Bozza composed at least 18 étude collections for many instruments including: violin, double bass, flute, oboe, clarinet, bassoon, saxophone, trumpet, horn, and trombone. This compositional history lends itself as a partial explanation to the popularity of Bozza's music in academic institutions.
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Heber-Suffrin Francis. Saint-Pierre-Aux-Nonnains.R. Will (1972). Étude archélogique et historique de Saint-Pierre aux Nonnains à Metz (Moselle).Xavier DeLeon (1988).
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Further progress was made by Prigogine in 1945 and later.Prigogine, I. (1947). Étude thermodynamique des Phenomènes Irréversibles, Desoer, Liège. Prigogine (1947) cites Onsager (1931).
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An étude is a musical composition (usually short) designed to provide practice in a particular technical skill in the performance of a solo instrument.
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1), Tremolo, ed. for piano by Busoni (1923) BV B 75 :::2.^ Étude No. 2 (in E-flat major) after Paganini (S.141, no.
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University of Berne, Switzerland). Accessed on March 8, 2008. seven years before Louis Agassiz published his famous work Étude sur les glaciers (Study on Glaciers).
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Juan Fernández de Heredia, Alfred Morel -Fatio. Imprimerie Jules -Guillaume Fick.L'Achaïe féodale: étude sur le moyen âge en Grèce (1205-1456). Diane de Guldencrone. 1886.
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Heitor Villa-Lobos's Étude No. 4 ("de acordes repetidos"), part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
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The first two bars of the Transcendental Étude No. 7 Transcendental Étude No. 7 in E, "Eroica" is the seventh of the twelve Transcendental Études by Franz Liszt. It is a study of rapid downward runs, bravura and octaves (at the end). In a customary manner of Liszt, the piece begins with some sharp notes and fast descending scales. The "heroic" theme is then introduced.
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This session produced Franz Liszt's Transcendental Étude in F minor and Paul de Schlözer's Étude in A-flat, Op. 1, No. 2. In 1934, for the Proms' 40th season, she played Busoni's Indian Fantasy. She became one of the BBC's most regular broadcasting artists, as well as being in demand for concert tours in the provinces. In 1935, she was a supporting artist for Richard Tauber.
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However, it was based on the fourth étude from Douze Grandes Études (S.137). Hence they are more similar in form than the last published version.
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5) "La Chasse" for piano, ed. for piano by Busoni (1923) BV B 76 :::6.^ Étude No. 6 (in A minor) after Paganini (S.141, no.
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Retrieved 2013-01-28. Nearly 40% of the plant's employees live in the borough.Frédéric Munger. Étude sur la mobilité de la main d'œuvre au Saguenay : rapport d'analyse.
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"Le sermon sur la passion de Jean Courtecuisse: étude de la tradition manuscrite et édition." Montréal: Éditions CERES, 1985. Le Moyen Français 16 (1985-1986): 7-114.
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102 (p. 122)Charles Bruno - Étude phonetique des patois d'Ardenne (1913) p. 45 (p. 63) although it also has a striking similarity to the name Aubrebis/Auxbrebis.
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Porée-Maspero, Eveline. Étude sur les rites agraires des Cambodgiens. Tome I. École Pratique de Hautes Studes - Paris. Paris: Mouton & Co./La Haye. 1962. pp. 657-658.
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A few of Wetzels' academic journal publications are listed alphabetically here. 1977\. ‘Les pronoms clitiques du français. Une étude explicative des mécanismes transformationnels’. Grazer Linguistische Studien, nr.
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2), Andantino capriccioso, ed. for piano by Busoni (1916) BV B 70 :::3.^ Étude No. 3 "La Campanella" (in G-sharp minor) after Paganini (S.141, no.
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It is also a study in the way hands should affect the melody with its many accentuations, or phrasing with alternating hands. The melody is quite dramatic, almost Impressionistic, radically changing in dynamics at times, and has inspired many listeners. The étude has been considered by many pianists as one of the most beautiful piano pieces ever composed. Liszt kept the étude in his repertoire until his final years.
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His work Étude médico-légale sur les attentats aux moeurs, is still used by Egypt as a basis for medical tests to determine if a person is homosexual.
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"Le site magdalénien de Monruz, 2. Étude des foyers à partir de l’analyse des pierres de leurs remontages." In Archéologie Neuchâteloise 38. Office et Musée Cantonal d’Archéologie Neuchâtel.
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In research, Jeannin shows an interest in the chemistry of transition metals, in the synthesis and structure of the species they form. First in solid state chemistry with the study of the non-stoichiometry of binary and ternary chalcogenides of titanium and zirconium,Y.Jeannin, J.Bénard, « Étude de la phase non-stoechiométrique TiS2 : étude du domaine et nature des défauts », C.R.Acad.Sc., 248, (1959), p. 2875Y.Jeannin, A.Mosset, « Non-stoechiométrie du silicoséléniure de zirconium », J.Less Com.Met.
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Excerpt from the beginning of the Étude Op. 25 No. 8 Étude Op. 25, No. 8, in D-flat major, is a technical piano study composed by Frédéric Chopin. This etude is composed with sixths being played in both hands. The technical skill required to play it makes this etude one of the most difficult in Op.25. Its unusual sound is due to the uninterrupted succession of ascending, descending and chromatic sixths.
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He was at the relief of Thionville in 1558.Adrien Bonvallet, Le château des Bordes et ses seigneurs : Étude Historique, Nevers, 1869. Lieutenant général in Piedmont and governor of the Marquisate of Saluzzo he returned to France and on December, 22 1562le 22 décembre 1562, the Queen of France Catherine of Médicis gave him the dignity of Marshal of France.Adrien Bonvallet, Le château des Bordes et ses seigneurs : Étude Historique, Nevers, 1869.
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Charcot–Bouchard aneurysms are named for the French physicians Jean-Martin Charcot and Charles-Joseph Bouchard.C. J. Bouchard. Étude sur quelques points de la pathogénie des hémorrhagies cérébrales. Paris, 1867.
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The first public performance of this étude (together with those of Études 1 and 7) was given by Andrés Segovia on 5 March 1947 at Wellesley College in Wellesley, Massachusetts .
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The first public performance of this étude (together with those of Études 1 and 8) was given by Andrés Segovia on 5 March 1947 at Wellesley College in Wellesley, Massachusetts .
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The first public performance of this étude (together with those of Études 7 and 8) was given by Andrés Segovia on 5 March 1947 at Wellesley College in Wellesley, Massachusetts .
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This étude was written in 1887, when Scriabin was just 16 years old. It was the first of the Three Pieces, Op. 2, and was one of Scriabin's earliest successes.
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Bauchot, M.-L., 1959 [ref. 15993] Étude des larves leptocéphales du groupe Leptocephalus lanceolatus Strömman et identification à la famille des Serrivomeridae. Dana Report No. 48: 1-148, Pls. 1-2.
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Excerpt from the beginning of the Étude Op. 25 No. 3 Étude Op. 25, No. 3, in F major, is a technical study composed by Frédéric Chopin in 1836. The romanticized nickname of this piece (not given by Chopin, who thought that idea was repulsive) is "The Horseman" or "The Knight", probably because of its "galloping" style. It is mostly a study in rhythm. The study has four different voices that must be brought out by the performer.
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Austrian composer Franz Schubert chose this key for his third impromptu from his first collection of impromptus (1827). Polish composer Frédéric Chopin wrote two études in the key of G-flat major: Étude Op. 10, No. 5 "Black Key" and Étude Op. 25, No. 9 "Butterfly". French composer Claude Debussy used this key for one of his most popular compositions, La fille aux cheveux de lin, the eighth prélude from his Préludes, Book I (1909-1910).
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A type of electroacoustic music, musique concrète is characterized by its use of recorded sound, electronics, tape, animate and inanimate sound sources, and various manipulation techniques. The first of Schaeffer's Cinq études de bruits, or Five Noise Etudes, consisted of transformed locomotive sounds.Alex Ross, The Rest Is Noise: Listening to the Twentieth Century (New York: Farrar, Straus and Giroux, 2007), p. 369. The last étude, Étude pathétique, makes use of sounds recorded from sauce pans and canal boats.
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He is unknown as a composer except for two études, Op. 1, for piano. The assertion made in reference materials – that Sergei Rachmaninoff used Étude No. 2 in A-flat as his daily warm-up exerciseJorge Bolet – Encores – may also not be entirely accurate (one source refers to this story as a legend). There are several easily available recordings of the étude, such as by Jorge Bolet and Stephen Hough. There is also a famous 1933 recordingArkivMusic.
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Copious pedal point notes and phrase markings are present in the second theme, but the entire étude lacks any pedal indications. Similar to the Op. 10, No. 4 étude, Chopin emphasizes legato playing through the phrasing and (lack of) pedal marking. Throughout the entire work, Chopin marks only five dynamic markings; the entire first theme is to be played forte to fortissimo, and the whole second theme is piano.Palmer, W: Chopin Etudes for the Piano, page 108.
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A biography of Gevartius by Marcel Hoc was published under the title Le déclin de l'humanisme belge: étude sur Jean-Gaspard Gevaerts, philologue et poète (1593-1666) (Brussels, Paris and London, 1922).
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Wherever this applied, the results of métayage appeared to be as eminently satisfactory, as they were decidedly the reverse wherever the landlords held themselves aloof. Cruveilhier, J. (1894) Étude sur le métayage Paris.
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Achtzehn Studien zu Frederic Chopins Etuden [sic] [18 Studies on Chopin's Etudes]. In Motu Contrario [In Contrary Motion]. Heidelberg: Willy Müller, Süddeutscher Musikverlag, 1958. In his Triple Étude (after Chopin)Hamelin, Marc-André.
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Excerpt from the Étude Op. 25, No. 12 Étude Op. 25, No. 12 in C minor is the last of Frédéric Chopin's formal studies for the piano, opus 25, dedicated À Madame la Comtesse d'Agoult. It was first published in 1837 in French, German, and English. In the first French edition, the time signature is 4/4, but most recent editions of this piece follow the manuscript and German editions, which indicate cut time.Palmer, W: Chopin Etudes for the Piano, page 126.
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The first few bars of Scriabin's Étude Op. 2 No. 1 Étude Op. 2 No. 1 is in 3/4 time and is in the key of C-sharp minor. The melody is poignant and heartfelt, showing many characteristics of Russian Gypsy music. It is accompanied by repeated chords in both hands, featuring rich harmonies, inner voices, and large spreads in the left hand. The dynamics of the piece are varied constantly to display emotion and passion and to add interest.
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Zoroastre : étude critique, avec une traduction commentée des Gâthâ, Paris, Robert Laffont, 1976, 265 p. "Pour l'étude de Hafiz ", in Acta iranica, vol. XXI (1981), p. 141-163. Dictionnaire des religions, Paris, PUF (1984).
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He died at Fontainebleau on April, 4 1567. He had no children and his niece Françoise de la Platière became his heiressAdrien Bonvallet, Le château des Bordes et ses seigneurs : Étude Historique, Nevers, 1869.
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However, Gauffre (1996) referred Orosaurus to his nomen ex dissertationae Kholumolumosaurus along with Meroktenos and Plateosauravus.Gauffre F-X. 1996. Phylogénie des dinosaures prosauropodes et étude d'un prosauropode du trias supérieur d'Afrique Australe . PhD Thesis.
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Mazon, André. Contes slaves de la Macédoine sud-occidentale: étude linguistique ; textes et traduction ; notes de folklore, Paris, 236 p. The first complete dictionary of the Kostur dialect was published by Blagoy Shklifov.Шклифов, Благой.
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Bill Down, “Seafarers,” in Chaplaincy: The Church's Sector Ministries, ed. Giles Legood (London: Cassell, 1999). Kaarlo Kalliala, Strangership: A Theological Étude on Strangers Abroad and Aboard. Trans. Hal Martin (Helsinki: The Finnish Seamen's Mission, 1997).
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The Earliest Keyboard Duets. The Musical Quarterly, 29(4), 438–457. In Renaissance music, a duet specifically intended as a teaching tool, to be performed by teacher and student, was called a bicinium (see Étude).
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His teachers included Armand Trousseau. In 1858 he received a medical degree for his thesis Étude sur la Mélancolie (Éditeur du Montpellier Médecal). He returned to Paris and set up a private homeopathic practice.Henley, Jon.
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In 1879 he published a long article in the Revue historique titled Étude sur l'Afrique septentrionale des origines à l'invasion arabe. On 3 May 1879 he was promoted to lieutenant-colonel and returned to France.
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Bianchon appears in several novels and stories of La Comédie humaine, including Le Père Goriot. He is the narrator of Étude de femme and La Grande Bretèche.Raphael, Sylvia. "Introduction". Honoré de Balzac: Selected Short Stories.
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American music critic James Huneker (1857–1921) believes that "despite its dark key color" this étude "bubbles with life and spurts flame."Huneker, James. "The Studies—Titanic Experiments." In Chopin: The Man and His Music.
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Excerpt from the beginning of Étude Op. 10, No. 8 Étude Op. 10, No. 8 in F major is a technical study composed by Frédéric Chopin. This work follows on from No. 7 as being primarily another work concerned with counterpoint. In this case, however, the principal melody is in the left hand, the secondary being embedded in the arpeggios of the right hand. As with many of the études, the work is divided into three sections – bars 1–28, 29–60 and 61–95.
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Beginning of the Étude Op. 25, No. 11 Étude Op. 25, No. 11 in A minor, often referred to as the Winter Wind in English, is a solo piano technical study composed by Frédéric Chopin in 1836. It was first published together with all études of Opus 25 in 1837, in France, Germany, and England. The first French edition indicates a common time time signature, but the manuscript and the first German edition both feature cut time.Palmer, Willard A.: Chopin Etudes for the Piano, page 116.
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Revolutionary étude (Chopin, top) bears comparison to Presto in the continual left-hand figures and minimal melody. The fourth piece is similar to the second in the quality of its performance. The fourth piece reveals resemblance to Chopin's Revolutionary étude in the taxing left hand figure place throughout. The piece is 67 measures long, with a duration of about three minutes, and has the fastest tempo of the set, Presto (quick) at 104 quarter notes per minute, and is the shortest work in terms of playing time.
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Le festin d'Ésope (Aesop's Feast), Op. 39 No. 12, is a piano étude by Charles- Valentin Alkan. It is the final étude in the set Douze études dans tous les tons mineurs (Twelve studies in all minor keys), Op. 39, published in 1857 (although it may have been written during the previous decade). It is a work of twenty-five variations based on an original theme and is in E minor. The technical skills required in the variations are a summation of the preceding études.
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Eternal Sonata features a large soundtrack, mostly composed by Motoi Sakuraba, with seven of Chopin's compositions performed by Russian pianist Stanislav Bunin and presented in 5.1 surround sound. Featured music of Chopin's include Étude Op. 10, No. 12, Étude Op. 10, No. 3 and Polonaise Op. 53. A Japanese aria composed by Sakuraba titled is also performed by Akiko Shinada for the soundtrack. The game's background music was released in Japan as the four-disc album on July 25, 2007 under the King Records label.
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Excerpt from the Étude Op. 10, No. 5 (opening) Étude Op. 10, No. 5 in G major is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, Germany, and England as the fifth piece of his Études Op. 10\. This work is characterized by the rapid triplet figuration played by the right hand exclusively on black keys, except for one note. This melodic figuration is accompanied by the left hand in staccato chords and octaves.
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The so-called "Black Key Étude" is one of the composer's most popular. It has been a repertoire piece of pianists since Chopin's time and has inspired numerous exercises, arrangements and paraphrases. Chopin himself did not believe the study to be his most interesting one, and in a letter to his pianist friend and musical executor Julian Fontana he comments on Clara Wieck’s performance: Hans von Bülow (1830–1894) spoke rather disdainfully of Op. 10, No. 5 as a "Damen-Salon Etüde" ("ladies' salon étude").
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Dalembertia is a plant genus of the family Euphorbiaceae first described as a genus in 1858.Baillon, Henri Ernest. 1858. Étude générale du groupe des Euphorbiacées 545Tropicos, Dalembertia Baill. It is native to Mexico and Guatemala.
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Olivier Dubuquoy studied history and geography at Aix-Marseille University (AMU). In 1999-2000, he was involved in research centred on ancien paleoenvironments at Sidon, Lebanon.Olivier Dubuquoy et al., Étude paléoenvironnementale du port antique de Sidon.
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Une étude de perception sur la Sequenza VI pour alto solo de Luciano Berio. In Actes du symposium « Composition et Perception musicales », 1987. Université de Genève, Contrechamp 10, 85-104. (Co-auteur A. El Ahmadi.) 1989\.
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Boltanski's most recent work deals with the links between detective novels and the emergence of the nation state.cf « Une étude en noir », Tracés, n°20 et Enigmes et complots : Une enquête à propos d'enquêtes, Gallimard, 2011.
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Etude House () is a South Korean cosmetics brand owned by Amore Pacific. The brand name 'Étude' means 'study' in French. As of 2018, there are 393 Etude House stores. In 2019, there are 285 Etude House stores.
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Characteristic semiquaver-tuplets that make up most of this étude The étude is a study for developing stamina, dexterity, and technique – essential skills for any concert pianist. It begins with a piano introduction of the main melody. The first theme follows, consisting of tumultuous cascades of semiquaver-tuplets (sixteenth-note- tuplets) and a leaping figure for the left hand in the relative major, C major, which shortly segues into a repetition of the first theme. It finishes with a short development into a fortissimo coda, and ends with one final statement of the theme.
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On 8 September 1831 Warsaw lay in Russian hands, and the remainder of the Polish Army retreated to Modlin. The November Uprising ended soon afterwards, with the remnants of the Polish Army crossing the borders of Prussia and Austria, to avoid being captured by the Russians. In the 19th century the fight for Warsaw became one of the icons of Polish culture, described by, among others, Polish romantic poets Adam Mickiewicz and Juliusz Słowacki. It was also the main inspiration behind Chopin's Revolutionary Étude, initially called the Étude on the Bombardment of Warsaw.
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Editor Ferruccio Busoni later gave the names Fusées (Rockets) to the Étude No. 2, and Appassionata to the Étude No. 10; however, Busoni's titles are not commonly used. For example, music publisher G. Henle Verlag refers to these two by their tempo indications, molto vivace and allegro agitato molto, respectively.Liszt: Transcendental Studies, Urtext Edition Henle ranks No. 4 (Mazeppa), No. 5 (Feux follets), No. 8 (Wilde Jagd), No. 10 (Appassionata) and No. 12 (Chasse-neige) as the most difficult études of the set at difficulty 9 out of 9, according to the editor Henle's scale.
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Triennale di Milano. and is held in private contemporary art collections. At an auction at the Étude Million at the l'Hôtel Drouot in 2008, his work sold at a price comparable with the upper echelons of French contemporary art photographers.Sud-Ouest (newspaper), Monday, June 2, 2008 His photograph, "Batman Girls", sold for a record price in London in May 2012 at the auction house, Philip de Pury. The sale of Rancinan’s "The Feast of the Barbarians" by the Étude Pillon in Versailles on 18 May 2014 – achieved the highest price of any living French photographer.
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The deceptively simple first bars of the Transcendental Étude No. 2 Transcendental Étude No. 2 in A minor, "Molto Vivace", or Fusées (French: “Rockets”) is the 2nd piece of the Transcendental Études by Franz Liszt. The title Fusées is not Liszt's own, but was added by Ferruccio Busoni in his edition of the Études, referring to the right hand figures that leap off the keyboard, giving impressions of rockets going off. It is a study in alternating hands, hands overlapping, both hands playing the same note alternatingly, and steep right hand leaps.
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The middle section of the Scherzoso is replaced with a sequential passage.] ::Beispiele: Czerny, Toccata [Op.92] (score) ::::Weber, Rondo aus der I. Sonate [Op.24] (score) ::::Saint-Saëns, Étude d'après le Finale du 5 Concerto [Op.111, No.6] (score) ::::Alkan, "Comme le vent" [Op.39, No.1] (score) ::::Alkan, "Le chemin de fer" [Op.27] (score) ::::Alkan, Étude pour les deux mains à mouvement semblable et perpétuel [Op.76, No.3] (score) :[The following four sections (d) to (g) also appear in the Second Edition, Book 1 "Scales" as sections (b) to (e).
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The type specimen of Ceratosoma pustulosum is in Muséum Nationale d'Histoire Naturelle, Paris and was studied by Pruvot-Fol.Pruvot-Fol A. (1935). Les Doridiens de Cuvier publiés dans les Annales du Muséum en 1804. Étude critique et historique.
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Liszt: The Complete Music for Solo Piano, Vol. 4 – Transcendental Studies (1989), Hyperion Records, Leslie Howard Lyapunov's set of études was dedicated to the memory of Liszt, and the final étude was titled Élégie en mémoire de Franz Liszt.
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Idool (also Idol) is a village in the commune of Belel in the Adamawa Region of Cameroon, on the road from Ngaoundéré to Bebel and Mbang.Jean Boulet, Idool : étude d'un village pilote de l'Adamaoua, ORSTOM, Yaoundé, 1967, p. 1.
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The Konkrete Etüde (Concrète Étude) is the earliest work of electroacoustic tape music by Karlheinz Stockhausen, composed in 1952 and lasting just three- and-a-quarter minutes. The composer retrospectively gave it the number "" in his catalogue of works.
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Triguères is a choice candidate for being the Vellaunodunum mentioned by Julius Caesar's in Commentarii de Bello Gallico.M.A. Bréan, Itinéraire de l'expédition de César, 1865. Étude sur les expéditions de Jules César dans les Carnutes. Eugène Boutet de Monvel.
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Comparison of Bach's Prelude No. 1 in C major (BWV 846) with Chopin's Étude Op. 10, No. 1 The étude, like all études by Chopin, is in ternary form (A–B–A), recapitulating the first part. The first part of the middle section introduces chromaticism in the left hand octave melody while the second one modulates to the C major recapitulation via an extended circle of fifths. James Huneker states that Chopin wished to begin the "exposition of his wonderful technical system" with a "skeletonized statement" and compares the étude to a "tree stripped of its bark." Excerpt of harmonic reduction (bars 41–49: circle of fifths leading to recapitulation) after Carl Czerny Its harmonies resemble a chorale and its relationship to Bach's Prelude No. 1 in C major (BWV 846) from The Well-Tempered Clavier has been noted by musicologist Hugo Leichtentritt (1874–1951), among others.
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The Auctoritates Aristotelis ("Authoritative [passages of] Aristotle") was a popular florilegium (anthology of brief extracts) probably composed around the end of the thirteenth century by the Italian scholar Marsilius of Padua.Les Auctoritates Aristotelis. Un florilège médiéval. Étude historique et édition critique.
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In the early part of his career, Segond's contributions concerned the urinary system with publications including his work on prostatic abscess.P. Segond and Édouard Brissaud. Étude sur l’anatomie pathologique des rétrécissements de l’urètre. (Study of the pathological anatomy of urethral strictures).
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The first acoustic recording in history of one of Delaborde's compositions was Étude d'après une petite Valse de V. Dolmetsch, recorded by Vincenzo Maltempo in 2014, as a part of the Rarities of Piano Music at the "Schloss vor Husum" Festival.
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Boutet de Monvel Eugène, Nouvelle étude sur les ruines celtiques et gallo-romaines de la commune de Triguères. In Mémoire de la Société d'Agriculture, Sciences, Belles-Lettres et Arts d'Orléans, tome 7, éd. Émile Puget & Co, Orléans, 1863, pages 137-172.
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In the microbiological laboratory of Professor Léon Massol in Geneva, he discovered that a certain strain of bacillus is the true cause for the existence of natural yogurt.Grigoroff, Stamen, 1905. Étude sur une lait fermentée comestible. Le “Kissélo mléko” de Bulgarie.
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Robert-Henri Bautier, Anne de Kiev, Reine de France, et la Politique Royale au XI E SIÈCLE: Étude Critique De La Documentation. Revue Des études Slaves 57, no. 4 (1985):544. The later Roman Emperor Henry III was his half-brother.
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Asdracha Catherine, La région des Rhodopes aux XIIIe et XIVe siècles: étude de géographie historique, Athen: Verlag der Byzantinisch-Neugriechischen Jahrbücher, 1976, pp. 74-75. Arutjunova-Fidanjan, Viada. Типик Григория Пакуриана. Введение, перевод и комментарий (The Typikon of Gregorius Pacurianus).
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For the Symbolist roots of Brâncuși's art, see also: Șotropa (2007), p.22, 23-24; Matei Stîrcea-Crăciun, "La dimension symboliste de la sculpture brancusienne. Étude de cas: Le Baiser", in Revue Roumaine d'Histoire de l'Art. Série Beaux-arts, 2007, p.
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His thesis for his doctors' degree, republished in 1882, Hérédité: étude psychologique (5th ed., 1889), was his most important and best known book. Following the experimental and synthetic methods, he brought together a large number of instances of inherited peculiarities.
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The first bar of the Transcendental Étude No. 6 Franz Liszt's Transcendental Étude No. 6 in G minor "Vision" is the sixth of his twelve Transcendental Études. It is a study of the extensions of the hand, hands moving in opposite directions, arpeggiated double notes, and tremolos. It is one of the easiest études out of Liszt's 12 Transcendental Études, though the beginning of the piece can be quite troublesome if it is played as directed: completely with the left hand (linked hand in the second edition [Dover]). It would require large stretches and dexterous leaps if done so.
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Hollande (1906); Cholley, Les préalpes de Savoie (Genevois/Bauges) et leur avant-pays : étude de géographie régionale (1925); Baulig, Le plateau central et sa bordure méditerranéenne : étude morphologique (1928); Martonne, La Valachie : essai de monographie géographique (1902). produced regional geographies that were both physical and human (even economic). The context chosen for these descriptions was a region, whose contours were not always very firmly fixed scientifically. Undoubtedly because this approach was more structured, many of Vidal's successors, and still more those of Martonne, specialized in a geomorphology that became gradually stronger, but that also, by its narrowness, weakened French geography.
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After graduating the School of Exact Sciences (Realschule) in Kishinev in 1902,School of exact science activity in Chişinău in period of 1873-1918 at nationalmuseum.md he started attending the Kharkov Polytechnic Institute, then Montefiore Electrotechnical Institute in Liege, Belgium (between 1905 and 1907), and graduated as engineer from Kharkov Polytechnical in 1908. He then continued his postgraduate studies at the University of Göttingen and Humboldt University of Berlin (1908-1909), and received, in 1911, his Ph.D. at Sorbonne, for a study of aircraft stability (Étude de la Stabilité de l`aeroplane).Étude de la stabilité de l'aéroplane at catalog.hathitrust.
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Mazda Étude The Étude looked similar to the 323/Familia, but was a bit longer and had a lower roofline, providing a generally more suave appearance - like a 323 in a tuxedo. It was marketed as a "personal coupé" and received very full equipment (sliding sunroof, two-tone paint, power steering and windows, etc.) coupled with a more comfort oriented suspension than did sedans. The B- and C-pillars were blacked out and the greenhouse had an entirely flush surface, helping to differentiate it from its more staid siblings. This styling feature was called "Terraceback" by Mazda.
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Scottish jig) after Leichtentritt (A section) Étude Op. 10, No. 5 is known as the "Black Key Étude" as its right-hand part is entirely on black keys, except for one note. Leichtentritt states that the melodic character resulting from the use of black keys is "based on the pentatonic scale to which the piece owes its strangely playful, attractively primitive tint." He presents a melodic reduction of the right hand part which, played in octaves by piccolo and flute, resembles a frolicsome Scottish jig. Bar 66: F () represents the only white key on the right-hand staff (in revised editions).
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Excerpt from the beginning of Étude Op. 10, No. 10 Étude Op. 10, No. 10, in A major, is a technical study composed by Frédéric Chopin. This étude places huge demands on the performer in varying a single pattern by changes of accent and touch. Chopin's primary concern in this work is for the widest possible variety of touch that can be given to a single figuration, with the continuous changes of accent highlighting not only different parts of the figuration but also emphasizing the polyphonic nature of the pattern. The opening section (bars 1–16) sets forth the three basic variations with almost a constant legato bass line; off-beat with four accents per bar in the right hand against four in the left hand (bars 1–8); then on-beat but with six accents in the right hand against four in the left (bars 9–12); and finally both hands staccato with no accents.
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Hedley (2005), p. 264; Kennedy (1980), p. 130, Chopin, Fryderyk. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time.Hedley and Brown (1980), p. 294.
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Laurent Amiotte-Suchet, Jean-Paul Willaime, GSRL, hal.archives- ouvertes.fr, La pluie de l’Esprit - Étude sociologique d’une assemblée pentecôtiste mulhousienne - Mission du Plein Évangile. La Porte ouverte chrétienne, France, 2004 In 1987, Samuel Peterschmitt succeeded his father as senior pastor of the church.
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Born in 1957, De Alba holds a degree in International Relations from the Institut d´Étude des Relations Internationales in Paris.Mr. Luis Alfonso de Alba of Mexico - Special Envoy for the 2019 Climate Summit United Nations, press release of November 9, 2018.
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P. Barguet: La stèle de la famine à Séhel. Institut français d´archaéologie orientale - Bibliothéque d´étude Paris, volume 34. Cairo 1953William W. Hallo & K. Lawson Younger: The Context of Scripture: Monumental inscriptions from the biblical world. Brill, Leiden 2002, , page 352–356.
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He had a stay in France from 1926 to 1927, and took the dr.philos. degree in 1930 with the thesis Le Bureau de police du Comité de Salut public. Étude sur la Terreur. In 1936 he issued the book Den første internasjonale.
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A comparison of the early forms of action mentioned by Gaius with those used by other primitive societies will be found in Sir Henry Maine's Early Institutions, chapter 9. For further information see M. Glasson, Étude sur Gaius et sur le jus respondendi.
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On the other hand, the editorial staff was required to reorient the central theme of traditional German Canadian affairs, to reinforce its distinguishing character as German Canadian newspaper.Marianne Franchéo. Langage et pouvoir en interaction: étude de quelques exemples. ENS Editions; 1995. . p. 165.
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These deposits lie directly upon deeply eroded and weathered bedrock.Giresse, P., Sao, O. and de Lumley, H., 2012. Étude paléoenvironnementale des sédiments quaternaires du Guelb er Richât (Adrar de Mauritanie) en regard des sites voisins ou associés du Paléolithique inférieur. Discussion et perspectives.
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The Mazda Étude is a three-door hatchback coupé version of the fifth- generation Familia that was only ever marketed by Mazda in Japan, from 1987 to 1989. The name was also later used in South Africa for the seventh generation Familia.
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Les psychoses du postpartum: étude cyto-hormonale. Semaines d'Hôpitaux de Paris 24: 2891-2901. and Kendell’s record-linkage study comparing 8 trimesters before and 8 trimesters after the birth Kendell R E, Chalmers J C, Platz C (1987) Epidemiology of puerperal psychoses.
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Homoeogryllus orientalis (Desutter-Grandcolas, 1985), the South African bell cricket, is a species in the tribe Homoeogryllini of the subfamily Cachoplistinae.DESUTTER, L. 1985. Étude préliminaire des espèces africaines du genre Homoeogryllus Guérin-Méneville (Grylloidea, Phalangopsidae). Annales de la Société Entomologique de France.
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Snowbody Loves Me is a 1964 Tom and Jerry short produced and directed by Chuck Jones (third made but fifth released). It contains music from familiar Chopin pieces; notably, the Revolutionary Étude; the Grande Valse Brillante in E-flat major; and the Fantaisie-Impromptu.
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A number of short films were produced alongside the feature, each to be set to one of Chopin's étude. A total of 25 were produced, and were made in a variety of styles and formats, using live-action, stop-motion, and animation. IFFI (2011).
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Casimir married Maria Dobroniega (c. 1012–1087), daughter of Grand Duke Vladimir I of Kiev.Robert-Henri Bautier, "Anne de Kiev, reine de France, et la politique royale au XIè siècle: Étude critique de la documentation". Revue des Ètudes Slaves 57, no. 4 (1985): 545.
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Romans-sur-Isère (; Occitan: Rumans d'Isèra;Bouvier, Jean-Claude (1976) Les parlers provençaux de la Drôme. Étude de géographie phonétique, coll. Bibliothèque française et romane A-33, Paris: Klincksieck, pp. 445-518 Old Occitan: Romans) is a commune in the Drôme department in southeastern France.
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Proceedings Royal Geographical Society 1884 and 1887 His official publication was Étude sur la Nord-Etbai entre le Nil and la Mer Rouge (Cairo, 1893). He contributed papers on antiquarian, botanical, and agricultural matters to the Journal of the Institut Egyptien for 1894–6.
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He published a translation of A Heinrich Ritter's Geschichte der Philosophie (1861); La Philosophie individualiste: étude sur Guillaume de Humboldt (1864); and an edition of the works of Madame d'Epinay (1869). In 1897 appeared Joseph Reinach's edition of the Œuvres oratoires de Challemel- Lacour.
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The piece features many key changes but finally concludes in the original key. Although it is a slow and somber piece, like many other études, it is considerably difficult to perfect. This étude lasts for about three minutes.Étude Op. 2 No. 1 at Last.
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The École Yabné is a Jewish school located in Paris. Founded in 1948—by Chief Rabbi Jacob Kaplan, with the help of Rabbi Élie Munk and Chief Rabbi Henri Schilli—it continues to this day.See Histoire de l'école juive en France.See Étude de cas.
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Chopin greatly admired this sonata. In two of his works, the Second Piano Sonata and the Revolutionary Étude, he alluded to the opening and ending of the sonata's first movement, respectivelyFor the allusion in Chopin's second piano sonata, see (compare the opening bars of the two sonatas, and bars 77–81 of Chopin's Étude with bars 150–152 in the first movement of Beethoven's sonata). Prokofiev based the structure of his Symphony No. 2 on this sonata. In 2009, the Italian composer Lorenzo Ferrero wrote a composition for piano solo entitled Op. 111 – Bagatella su Beethoven, which is a blend of themes from this sonata and Dmitri Shostakovich's musical monogram DSCH.
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Transcendental Étude No. 5. The composition of the Transcendental Études began in 1826, when 15-year-old Liszt wrote a set of youthful and far less technically demanding exercises called the Étude en douze exercices (Study in twelve exercises), S.136. Liszt then elaborated on these pieces considerably, and the far more technically difficult exercises called the Douze Grandes Études (Twelve Grand Studies), S.137 were then published in 1837. The Transcendental Études are revisions of his Douze Grandes Études. This third and final version was published in 1852 and dedicated to Carl Czerny, Liszt's piano teacher, and himself a prolific composer of études.
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Aménagement d'un port d'escale au quai A.-Lepage - Étude d'impact sur l'environnement . March 2006. Consulted 2012-01-24. After the Office of Public Hearings on the Environment (French: Bureau d'audiences publiques sur l'environnement) held consultations, work began in August 2007La firme EBC est choisie. Radio-Canada.
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Among his written works are: Culture de la vigne et vinification, and Étude des vignobles de France, pour servir à l'enseignement mutuel de la viticulture et de la vinification françaises. The latter work concerned Guyot's six-year research (1861–67) of vineyards in 71 departments throughout France.
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Wielandia is a genus of flowering plant, of the family Phyllanthaceae first described as a genus in 1858.Baillon, Henri Ernest. 1858. Étude générale du groupe des Euphorbiacées 568Tropicos, Wielandia Baill. The plants are native to Kenya, Madagascar, and to various other islands in the Indian Ocean.
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Sigmund Freud used the term "subconscious" in 1893Freud, Sigmund (1893). « Quelques considérations pour une étude comparative des paralysies organiques et hystériques ». Archives de neurologie, citation in Psychanalyse (fondamental de psychanalyse freudienne), sous les directions d'Alain de Mijolla & Sophie de Mijolla Mellor. Paris, P.U.F, 1996, p. 50.
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Carl Löschhorn Carl Albert Löschhorn (27 June 1819 in Berlin – 4 June 1905) was a German composer, pianist and piano pedagogue. He taught in Berlin. Some of his piano studies are still popular today, including Op.65/66/67 of which the Étude op. 66 no.
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Especially important is Rachmaninoff's use of unusually widely spaced chords for bell-like sounds: this occurs in many pieces, most notably in the choral symphony The Bells, the Second Piano Concerto, the E-flat major Étude-Tableaux (Op. 33, ), and the B minor Prelude (Op. 32, ).
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He even opposed the construction of barricades.E. Barbize, op. cit., p.101. "Balagny, mayor, and Brand, second deputy mayor, did everything humanly possible to prevent the spilling of blood."Albert Crémieux, La Révolution de février : Étude critique des journées du 21, 22, 23 et 24 février 1848.
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A florid, étude-like figure repeats and evolves throughout the eighth Prelude. The Prelude in A-flat major, Op. 23, No. 8, is a 1903 composition by Sergei Rachmaninoff.Norris, Geoffrey, Rachmaninoff, Schirmer Books, 1993 (pg. 170).Id. It is part of Rachmaninoff's Ten Preludes, Op. 23.
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Drawings by Deseine are at the musée du Louvre ("Étude d'un homme debout avec une draperie sur l'épaule") and the musée Condé, Chantilly ("Le Déluge", "Deux Romains saluant un empereur assis" and "Lars Porsenna"); the musée Condé also conserves two projects for the monument to the duc d'Enghien.
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Crassispira fuscescens is a species of sea snail, a marine gastropod mollusk in the family Pseudomelatomidae. This species is similar to † Drillia fuscescens (Gray, 1843) Cossmann (M.), 1913 Étude comparative de fossiles miocéniques recueillis à la Martinique et à l'Isthme de Panama. Journal de Conchyliologie, t. 61, vol.
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Philippe Malaurie was born on 7 March 1925 in Mainz, occupied by French forces. He became a Doctor of Law at the Paris Faculty of Law in 1951. His thesis was on L'order public et le contrat; étude de droit comparé. He passed his agrégation in Law in 1951.
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Gille's career as a handballer began early. Already in 1984, he was playing for HBC Loriol, followed by a sport étude. From 1996 to 2002, he played for Chambéry SH, before joining HSV Hamburg in the Bundesliga. He has been playing with his brother, Bertrand Gille, since their childhood.
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Tanaka, Yuki. Hidden horrors: Japanese War Crimes in World War II, Westview Press, 1996, p.127. Some viewed the practice of exocannibalism as an act of predationMenget, Patrik (1985): Guerre, Sociétés et Vision du Monde dans le basses Terres de L'Amerique du Sud. Jalons pour une étude comparative.
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92, n° 229, p. 343-358 In Notre Dame de Lorette. Étude critique sur l’authenticité de la Santa Casa (1906), he built his analysis on false documents, produced in the XIX century, to argue that the miraculous translation of the Santa Casa (the Holy House) was a legend.
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Understanding of the history of Rhamnous was greatly improved by the work of Jean Pouilloux,Jean Pouilloux, La Forteresse de Rhamnonte : étude de topographie et d'histoire, Bibliothèque des Écoles françaises d'Athènes et de Rome, de Boccard, Paris, 1954. who studied the fortress and the inscriptions from the site.
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P. Allain, thèse de doctorat : Étude des propriétés électro-thermo-mécaniques de nanofils en silicium pour leur intégration dans les microsystèmesK. Reck, J. Richter, O. Hansen, E.V. Thomsen “Piezoresistive effect in top-down fabricated silicon nanowires”, Proc. MEMS, p.7 17, 2008P. Yang. “Chemistry and physics of silicon nanowire”.
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Memoirs of an Egotist, chap.IXHis early death was caused by syphilis. Alfred Doneaud Du Plan, "Étude sur Luce de Lanval", in Mémoires de la Société académique des sciences, arts, belles-lettres, agriculture & industrie de Saint-Quentin, Saint-Quentin, Imprimerie Ch. Poette, série 4e, t. iii, 1880, pp. 311-43.
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P.P.: Fould-Dupont principal fournisseur d'Eiffel. L'Est Républicain, 4 May 2014.Francis Laur: Les mines et usines en 1889: étude compète sur l'exposition universelle de 1889. p. 399. On 5 March 1888, the brothers Giraud, two bankers from Oran, received an extension of this concession until 1 July 1906.
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In the current state of research, only hypothesis can be proposed to explain the Mousterian occupation of the Noisetier cave.Bernard-Guelle, S. (2002) - Le Paléolithique moyen du massif du Vercors (Préalpes du Nord) - Étude des systèmes techniques en milieu de moyenne montagne, BAR international Séries 1033, 233 p.
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In France, sport-étude (English: Sports studies) sections are specialised state institutions combining traditional school studies with high level sport education. To account for the weakness of sports education in the traditional French school curriculum, the French state put in place the specialised institutional network known as the sports-études. These institutions, which combine traditional academic studies with intensive sports training saw their beginnings in the 1960s after the disastrous results registered by France during the summer Olympics of 1960 and 1964. Both the collège cycle (junior high school) and the lycée cycles (senior high school) are concerned and the national network is completed with at least one second-level school per French départment containing a sport-étude section.
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The painting takes inspiration from the Romantic paintings of Eugène Delacroix, particularly his 1823 painting Orphan Girl at the Cemetery in which the subject's bodice also hangs off on one shoulder, and also the Realist works of Gustave Courbet. It is an example of a transition in Renoir's style from more formal studio painting to a looser Impressionist style. It was exhibited at the Salon de Paris in 1869 under the title En été, étude, with the word "étude" (French for "study") added to deflect criticism of the loose, impressionistic style of the background, which was not as highly finished as a completed salon painting (or tableau), such as his 1867 painting of Lise with a parasol.
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The harmonic scheme of the A section is relatively simple, featuring tonic (first two bars) versus dominant (third and fourth bars), but the consequent of the first period shifts to B-flat major (poco rallentando, pp), while the consequent of the second one modulates to the dominant key D-flat major. Étude Op. 10, No. 5 is known as the Black Key Étude as its right-hand part is to be played entirely on black keys. Leichtentritt states that the melodic character resulting from the use of black keys is "based on the pentatonic scale to which the piece owes its strangely playful, attractively primitive tint." After this concert, he moved to college Julián Carrillo, an initiation school musical.
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The first analysis of Kwakum was completed in 2005 by François Belliard.Belliard, François. 2005. Instruments, chants et performances musicales chez les Kwakum de l'arrondissement de Doume (est-Cameroun) : Étude ethnolinguistique de la conception musicale d'une population de langue Bantu A91. Paris: Institut National des Langues et Civilisations Orientales PhD dissertation.
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Rebiba was eventually released, Carafa was strangled on the order of Pius IV on 4 March 1561.Gaetano Moroni, Dizionario di erudizione storico-ecclesiastica Volume 56 (Venezia 1852), p.265. George Duruy, Le Cardinal Carlo Carafa (1519–1561): Étude sur le Pontificat de Paul IV (Paris 1882), pp. 304, 308–314.
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Hasselmans composed several dozen original solos for harp, of which his most famous is a concert étude entitled La Source (The Wellspring), Op. 44. He transcribed numerous works for harp originally written for other instruments by other composers, and edited important collections of studies by the earlier 19th-century harpist Nicolas-Charles Bochsa.
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The reverse of the note shows a facsimile of a fragment of Étude in f-minor, Op. 10, No. 9, against a landscape with willows, characteristic of the Central Poland region. Designed by Grzegorz Pfeifer and Katarzyna Jarnuszkiewicz, and printed by the Polish Security Printing Works, it measures 138 x 69 mm.
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Massenet: étude critique & documentaire, pp. 142–143. Bibliothèque d'art de "La Critique" Eventually, de Beauplan grew tired of Ambre's frequent absences and their difficult relationship and left Meudon to settle in Montpellier. He died there in February 1890. He was 41 years old at the time of his death and addicted to morphine.
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Steinitz, p. 323–24. The second movement, the only slow movement of the piece, begins without pause (attacca subito). It uses the lamento motif from the last movement of Ligeti's Horn Trio and his sixth piano étude, Automne à Varsovie. This motif also forms the basis of the third movement, another fast movement.
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Nordahl took the dr.philos. degree in 1969 with the thesis Les systèmes du subjonctif corrélatif: étude sur l'emploi des modes dans la subordonnée complétive en français moderne. He was a member of the Norwegian Academy for Language and Literature, and served as its praeses from 1988 to 1995. He resided at Gjettum.
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The Charentais and Vendéen are extinct breeds of horse from western France. They were bred principally in the area around Poitou-Charentes and Vendée, France. They were used as a mount for light cavalry.Jean Henri Magne, Hygiène vétérinaire appliquée : Étude de nos races d'animaux domestiques et des moyens de les améliorer, vol.
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Archives Nationales, notary Guillaume Charles BIOCHE, 1713 (étude XCVII), MC/ET/XCVII/438, fol. 61, constitution de tontine, émission 1759, 15 janvier 1761, M. Nicolas Felix Vandivout dit Vandive, ancien marchand orfèvre, Paris, domicilié paroisse Saint-Germain-L'auxerrois, as wel as MC/ET/XCVII/439, constitution de tontine, émission 1759, 3 mars 1761.
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A figurative work from this time was Étude de femme (Study of woman, 1959). In 1962, he established a relationship with the Paris gallery of Claude Bernard, which would last for the rest of his life. Around this time, on a honeymoon trip to Greece, he rediscovered artwork from the 5th century BCE.
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This may be due to Al-Shafi'i being a major proponent of the principle of Qiyas; rejected by the Zahiris. Snouck Hurgronje, C. Verspreide Geschriften. v.ii. 1923-7, p. 286–315 Étude sur la théorie du droit musulman (Paris : Marchal et Billard, 1892–1898.) Margoliouth, D.S., The Early Development of Mohammedanism, 1914, p.
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Commission permanente de l'aménagement du territoire - Auditions et étude détaillée du projet de loi n° 216, Assemblée nationale du Québec, June 4, 1997 That incident as well as allegations of authoritarian tendencies led thirteen other Vision Montreal councillors to leave the party and sit as independents with their colleagues of the opposition.
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Archives Nationales, notary Guillaume Charles BIOCHE, 1713 (étude XCVII), MC/ET/XCVII/438, fol. 61, constitution de tontine, émission 1759, 15 janvier 1761, M. Nicolas Felix Vandivout dit Vandive, ancien marchand orfèvre, Paris, domicilié paroisse Saint-Germain-L'auxerrois, as wel as MC/ET/XCVII/439, constitution de tontine, émission 1759, 3 mars 1761.
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Proof sheet of Étude Op. 10, No. 2 with fingerings in Chopin's handwriting, 1833 The technical novelty of this étude is the chromatic scale to be played by the three outer fingers of the right hand together with short semiquaver notes to be played by the first and second fingers of the same hand and the difficulty is to do this evenly in piano and legato at the required tempo of M.M. 144. Other piano composers before Chopin, such as Ignaz Moscheles (1794–1870) in his Études Op. 70,Moscheles, Ignaz. Studien für das Pianoforte zur höheren Vollendung bereits ausgebildeter Klavierspieler, bestehend aus 24 charakteristischen Tonstücken in verschiedenen Dur- und Molltonarten. Leipzig: H. A. Probst, 1827, reprint Kistner, 1860, No. 3, G major, p. 20.
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The music video for "Étude" which appears on the Elements – The Best of Mike Oldfield video shows a boy watching parts of The Killing Fields on a television from a reel-to-reel tape machine and looking through photographs. The boy also plays with a Fairlight CMI, which the soundtrack album was composed on.
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Adam of St Victor's surviving works are sequences for liturgical use, not theological treatises.These texts were gradually rediscovered in the nineteenth century.The critical edition of these texts is Jean Grosfillier, ed, Les sequences d'Adam de Saint-Victor: Étude littéraire (poétique et rhétorique). Textes et traductions, commentaires, Bibliotheca Victorina 20, (Turnhout: Brepols, 2008), pp252-481.
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B5 - (78.0x78.4 mm) - The SOHC 8-valve B5 upped the displacement to 1.5 L and was found in the 1987-1989 Mazda Familia, the 1987-1989 Ford Laser. It was also fitted to the Mazda Étude coupé and fifth-generation BF-series Familia Wagon, as it continued in production until 1994 along the new BG.
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The Barrau family is a French family from Aveyron. Its proven filiation dates back to Firmin Barrau, a public notary who made his will in 1557.Gilbert Bodinier Les gardes du corps de Louis XVI : étude institutionnelle, sociale et politique : dictionnaire biographique, Service historique de l'armée de terre, éditions Mémoire & documents, 2005, page 120.
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In 1930, Ancel obtained his doctorate with the thesis La Macédoine, étude de colonisation contemporaine ("Macedonia, a study in contemporary colonization"). He taught at the University of Paris' Institute of Higher International Studies, and was a corresponding member of the Romanian Academy and of other scientific forums. He was a knight of the Légion d'honneur.
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The song has a tango rhythm (referred to by Rodgers as a "languid tango" in his autobiography, Musical Stages). The 1953 song should not be confused with "No Other Love", a song of 1950. The melody for the 1950 song was taken from Étude in E major, Op. 10, No. 3 by Frédéric Chopin.
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This is a slow cantabile study for polyphonic and legato playing. Chopin himself believed the melody to be his most beautiful one. It became famous through numerous popular arrangements. Although this étude is sometimes identified by the names "Tristesse" (Sadness) or "Farewell (L'Adieu)", neither is a name given by Chopin, but rather his critics.
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Chopin Etudes. Warsaw: Polskie Wydawnictwo Muzyczne, 1999, p. 146. This étude's similarity to a nocturne is frequently noted. Leichtentritt calls the étude a "nocturne like piece of intimate and rich cantabile melodics [gesangreicher, inniger Melodik], relieved in its middle section by a highly effective sound-unfolding [Klangentfaltung] of a novel and peculiarly original character [Gepräge]".
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"Étude" is a single by musician Mike Oldfield, released in 1984. It is from the album The Killing Fields, the soundtrack album for the film of the same name . It was reissued in 1990, when it was used in a commercial for Nurofen. The 1990 release also featured a track called "Gakkaen" by The Ono Gagaku Kai Society.
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He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi, and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837).
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In 1906 Notovitch published a book in Russian and French, pleading for Russia's entry into the Triple Entente with France and England. It is entitled in French: La Russie et l'alliance anglaise: étude historique et politique. He also wrote biographies of Tsar Nicolas II and Alexander III.Nicolas Notovitch, L'empereur Nicolas II et la politique russe, Paris : P. Ollendorff, 1895.
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It is dedicated to Averil Kovacs and François Luguenot, respectively activists in the English and French Alkan Societies. As Hamelin writes in his preface to this étude, the idea to combine these came from the composer Alistair Hinton, the finale of whose Piano Sonata No. 5 (1994–95) includes a substantial section entitled "Alkanique".Hamelin (2005), iii.
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He wrote a work in 1687 against the apocalyptic predictions of Pierre Jurieu.Anne Sauvy, Motoko Ninomiya, Livres saisis à Paris entre 1678 et 1701: D'après une étude préliminaire de Motoko Ninomiya (1972), p. 318; Google Books.Examen des endroits de l'Accomplissement des prophéties de M. J. qui concernent la supputation des temps et de quelques autres endroits considérables; Google Books.
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Togudo-Awute, capitale de l'Ancien royaume d'Allada: étude d'une cité précoloniale d'après les sources orales, écrites et les données de l'archéologie. Diss. 1984. He was part of the Archaeological Research Team of Benin which conducted the first comprehensive survey of monuments in Benin. He has advocated for archaeological research programmes across West Africa to transcend modern national boundaries.Adandé, Alexis.
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Interview with Marc-André Hamelin; retrieved 27 March 2017. His best-known work is his 60 Études, Op. 63. Of this album, the "Bravura" étude, Op. 63 No. 24, has passages where the pianist's two hands cross over each other simultaneously every quaver, at the speed of = 100. However, not all of his works have such difficulties.
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Freyhir is the legendary name of the forest.Le Conservatoire royal de musique de Gand: Étude sur son histoire ... Charles Bergmans - 1901 Freyhir, c'est le nom légendaire de la forêt d'Andenne. C'est elle que M. Emile Mathieu, poète et musicien, a chantée, comme il avait chanté déjà le Hoyoux, poursuivant ainsi la composition d'une sorte de cycle, consacré tout ..
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The word "dhampir" is associated with Balkan folklore, as described by T. P. Vukanović. In the rest of the region, terms such as Serbian vampirović, vampijerović, vampirić (thus, Bosnian lampijerović, etc.) literally meaning "vampire's son", are used.Levkievskaja, E.E. La mythologie slave : problèmes de répartition dialectale (une étude de cas : le vampire). Cahiers slaves n°1 (septembre 1997).
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22 has = 69 referring to quarter notes instead. Austrian pianist and composer Gottfried Galston (1879–1950) suggests a tempo of = 50, as "the carrying power of the modern piano's cantabile allows for a broader layout of the cantilena." He also believes that "the tempo of this étude is subjected to the most multifarious fluctuations."Galston, Gottfried.
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The Macrostomidaevan Beneden, E. 1870. Étude zoologique et anatomique du genre Macrostomum comprenant la description de deux especes nouvelles. Bulletin de l'Académie Royale des Sciences, des Lettres et des Beaux-Arts de Belgique 30:116-133, one plate. are a family of small basal free-living flatworms (Macrostomida, Rhabditophora, Platyhelminthes), and members of the marine, brackish, freshwater meiobenthos.
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Jasset also contributed to early film theory with a journal article in which he analysed film style and the national characteristics of cinema.Victorin- Hippolyte Jasset, "Étude sur la mise en scène en cinématographie", in Ciné- Journal, nos.165-170, 21 octobre-25 novembre 1911. Reprinted in Anthologie du cinéma, (Paris: La Nouvelle Édition, 1946.) pp.83-98.
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It was originally a "seigneurie" or Lord of the Manor and in turn this lordship was originally a dependency of the barony of Beauville. It was detached in favour of the De Ver family in 1463Les droits seigneuriaux dans la sénéchaussée et comté de Lauragais (1553-1789): étude juridique et historique. Jean Ramière de Fortanier. Laffitte Reprints, 1932.
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During the period of occupation of the Duchy of Savoy by the French revolutionary troops, following the annexation of 1792, the commune belonged to the canton of Le Pont-de-Beauvoisin, in the Mont Blanc Department.Vernier, Jules-Joseph, Étude historique et géographique sur la Savoie, Le Livre d'Histoire - Res Universis (repr. 1993) (1st ed. 1896), 137 p.
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"Étude in Black" (1972) marked the first appearance of the lieutenant's basset hound, named "Dog". "Dog" came to be an occasional regular character in the films. Columbo considered names like "Fido", "Munch" and "Beethoven" but ultimately settled on "Dog". In "Sex and the Married Detective", Columbo is put on the spot when he is asked to play the tuba.
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The 'Rome' version was written towards the end of Froissart's life, at the earliest in late 1404 and probably sometime before 1415.George T. Diller, 'La dernière rédaction du premier livre des Chroniques de Froissart. Une étude du Reg. lat. 869', Le Moyen Âge, 76 (1970), 91-125; Croenen, 'La Guerre en Normandie', p. 126-128.
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Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non-troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913-2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100]".Ekier, Jan, ed.
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This keep and watchtower, built at the end of the 12th century or the beginning of the 13th centuryExhibition : Vouvant d'un millénaire à l'autre, from the research of Nicolas Prouteau (lecturer in medieval archaeology at the University of Poitiers - vice director of CESCM) and the historical watercolours of Lionel Duigou, August 2016, Patrimoines du Vouvantais association. Read online. (very often dated 1242, even if this is probably wrong because of architectural techniques and featuresMarie-Pierre Baudry-Parthenay, Nicolas Prouteau et Laurent Prysmicki (Statements : Expert- surveyor Millet), Étude préalable à la restauration de l'enceinte de Vouvant : Étude documentaire, historique et architecturale (in French). (Study report), Atemporelle, 2003), is the only vestige of the ancient castle of the Lords of Lusignan built in the present location of the "Place du Bail".
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After 1400 it became the Genevois province of Savoy (albeit not extending to the city proper, until the reformation of the seat of the Bishop of Geneva).Pour cette citation et le découpage suivant, organisation décrite par l'ouvrage Jules-Joseph Vernier, Étude historique et géographique sur la Savoie, Le Livre d'Histoire – Res Universis (réimpr. 1993) (1re éd. 1896), p. 137.
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He gave each étude a distinct title from the programmatic clues Rachmaninoff had given him: # La foire (The Fair) – (Op. 33, No. 6(7)) # La mer et les mouettes (The Sea and the Seagulls) – (Op. 39, No. 2) # La chaperon rouge et le loup (Little Red Riding Hood and the Wolf) – (Op. 39, No. 6) # Marche funèbre (Funeral March) – (Op.
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Asprem, Egil. (2014). The Problem of Disenchantment: Scientific Naturalism and Esoteric Discourse, 1900-1939. Brill Academic Publishers. pp. 352-354. Warcollier reported his experiments in numerous articles, principally within 56 articles in the Revue Métapsychique published between 1924 and 1962, including "La télépathie expérimentale" (1926) and "Étude de dessins télépathiques de M. Vigneron au cours de vingt ans d'expérimentation" (1951).
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There are numerous editions of his works, among which may be noticed: Œuvres (1772), with preface and éloge, by Joseph de La Porte; Œuvres (1828), containing D'Alembert's Éloge de Crébillon, (1775); and Théâtre complet (1885) with a notice by Auguste Vito. A complete bibliography is given by Maurice Dutrait, in his Étude sur la vie et le théâtre de Crébillon (1895).
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A gallery of the cloister was bought by Lord Stuart de Rothesay to rebuild it in Highcliffe Castle near Bournemouth, Dorset. The Nobel Prize-winning French novelist Roger Martin du Gard devoted his dissertation to an archaeological study of the ruins.Martin du Gard, Roger L'Abbaye de Jumièges (Seine-Inférieure): étude archéologique des ruines Montdidier: Impr. administrative et commerciale Grou-Randenez, 1909.
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In the early 2000s, SNC-Lavalin won the contract to repair Montreal's Jacques Cartier Bridge. In 2002–2003 the firm completed a feasibility study of the Lac Doré Vanadium Deposit, in which they established the deposit as the largest vanadium deposit in North America.Golder Associés ltée, novembre 2001. Investigation géotechnique préliminaire – Étude de faisabilité – Exploitation du dépôt de vanadium du Lac Doré.
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Wladyslew Mikhailovitch Blazewicz (3 August 1881 – 10 April 1942), commonly known as Vladislav Blazhevich was a Russian trombonist, music pedagogue, conductor, and notable composer. Blazhevich was a professor of trombone at the Moscow Conservatory and is widely known for his method books and concertos written for trombone and tuba. He published his first étude book, the "School for Trombone" in 1916.
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The French psychoanalyst Béla Grunberger and Pierre Dessuant have included a section about Hitler into their 1997 book Narcissisme, christianisme, antisémitisme. Like Fromm, Bromberg and Small, they were particularly interested in Hitler's narcissism, which they tried to trace by a detailed interpretation of Hitler's alleged sexual practices and constipation problems.Grunberger, Béla; Dessuant, Pierre. Narcissisme, christianisme, antisémitisme : étude psychanalytique, Actes Sud: Arles, 1997.
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The original manuscript of the Liber Censuum is still in existence (Vaticanus latinus 8486).Paul Fabre, Étude sur le Liber Censuum de l'Église romain (Paris: Ernest Thorin 1892). Paul Fabre, Le liber censuum de l' Église romaine Tome I (Paris: Albert Fontemoing 1905). Paul Fabre and Louis Duchesne, Le liber censuum de l'église romaine Volume 1, Part 1 (Paris: Fontemoing 1910).
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He participated in King Francis I of France's military campaigns in Champagne and Italy. He was at the Battle of Ceresole in 1544.Adrien Bonvallet, Le château des Bordes et ses seigneurs : Étude Historique, Nevers, 1869. He became bailli (governor) of Auxois in 1545, Maréchal de camp in 1552, Lieutenant general in charge of the government of Champagne and Brie (1553).
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Descola, P Étude expérimentale de la poliomyélite sur la rongeur. Thèse de Doctorat d'Etat en Médecine, Paris 1949, Peuronnet et Cie éditeurs He married her in March 1948. Four children were born from this union: Marie-Lise, Gilles, Jean-Jacques and Jean-Noël. During the winter of 1948, he and his collaborators isolated the first strains of influenza virus in France.
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2 When the Familia was redesigned in March, 1989, the Étude ended production, but sales of remaining stock continued for a while. When it finally disappeared without fanfare, just under 10,000 had been built. The car's de facto successors were the Mazda Familia Astina (323F) and Autozam AZ-3/Eunos Presso coupés (known as the Mazda MX-3 in export markets).
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He was born in Carcassonne, Aude. His surname was Fabre, the d'Églantine being added in commemoration of his receiving a silver wild rose () from Clémence Isaure from the Academy of the Jeux Floraux at Toulouse. He married Marie Strasbourg Nicole Godin on 9 November 1778. His earliest works included the poem Étude de la nature, "The Study of Nature", in 1783.
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Subsequent to the 1949 festival, participating teachers formed the Canadian Dance Teachers' Association in order to unite, communicate and monitor teaching standards. The Third Annual Festival occurred in November 1950 in Montreal with fifteen Canadian companies and 23 original Canadian ballets. Sydney Johnson and Marcel Valois wrote introductions in the 1950 program. Le Ballet Concert performed Étude and Le Rêve Fantasque.
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Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, except for his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others.
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From 1896 to 1900 he served as préparateur in Amédée Borrel's microbiology laboratory. In 1899 he obtained his medical doctorate with a thesis titled Étude expérimentale sur le tétanos (Experimental study on tetanus). From 1900 to 1909 he was laboratory chief at the Pasteur Institute. From 1898 onward, Binot took over 15,000 photographs of places he visited during his scientific journeys in Europe and Africa.
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Despentes' work is an inventory of youth marginalization; it pertains to the sexual revolution lived by Generation X and to the acclimation of pornography in public spaces through new communication techniques. With a transgressive exploration of obscenity's limits,Sh. A. Lemperlé, Comment prendre une autre forme : une étude sur la traduction anglais et la version cinématographique de "Baise-moi" de Virginie Despentes. [archive] - Mémoire de maîtrise, p.
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In: Bleker, Johanna (ed.): Der Eintritt der Frauen in die Gelehrtenrepublik. Husum, 1998, 75-93. Vogt-Mugnier and her husband's findings on myelinogenesis led to her dissertation work on the fiber systems in the cat cerebral cortex (Étude sur la myelination of hémishères cérébraux) and the beginning of their research in architectonics. In Berlin, Vogt-Mugnier was awarded her medical license on January 16, 1920.
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The plant was first described in 1862 by Henri Ernest Baillon in the journal Adansonia. The name was changed by Édouard Marie Heckel in 1870 when he described the genus, Fontainea in "Étude au point de vue Botanique et Thérapeutique sur la Fontainea pancheri (Nobis)". The specific epithet, pancheri, derives from the name "Pancher" and honours the botanist Jean Armand Isidore Pancher who worked in New Caledonia.
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Weapons have been found thereG. Renoux, F. Dabosi, J.-M. Pailler, « Les armes en fer d'Uxellodunum (Puy d'Issolud, Lot), dernière bataille de César en Gaule : « Étude paléométallurgique de pointes de flèche ettrait de catapulte » (The iron weapons of Uxellodunum (Puy d'Issolud, Lot), the Caesars' last fight in Gaul. Paleometallurgical study of the arrow heads and the arrow of catapult), ArchéoSciences, 2004, n°28, pp.
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These are used to humorous and whimsical effect, which contrasts with its more lyrical middle section. This eccentric dissonance has earned the piece its nickname: the "wrong note" étude. This kind of usage of the minor second appears in many other works of the Romantic period, such as Modest Mussorgsky's Ballet of the Unhatched Chicks. More recently, the music to the movie Jaws exemplifies the minor second.
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Pastoureau, M., L'Ours. Histoire d'un roi déchu, Éditions du Seuil, – . This interpretation, however, was seriously debated given that repeated occupation of the cave by bears followed natural taphonomic phenomena, that reasonably explain the large number of bones.Cavanhié, N. (2007) - Étude archéozoologique et taphonomique des grands carnivores du site paléolithique moyen de Régourdou (Montignac, Dordogne), Université de Toulouse II le Mirail, Mémoire de Master 2.
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As Stravinsky was finishing Les Noces, he traveled to Madrid and became inspired by Spanish music for future compositions. This étude was commissioned by Aeolian Company, as a demonstration piece for their new sensible-to-dynamic-shadings player piano. Stravinsky finished it in 1917. However, it became much more popular later in 1928, when he orchestrated this piece together with the Three Pieces for String Quartet.
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Indeed, the last work of his life, published posthumously, was a comprehensive memorandum on the Martian polarimetry. In 1961, he was awarded a PhD from the University of Paris for a thesis entitled "Étude photométrique et polarimétrique des phénomènes saisonniers de la planete Mars". (No advisor is mentioned in his thesis. However the committee consisted of: Andre Luis Danjon, Président - Maurice Françon and Évry Schatzman, Examinateurs).
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Coat of arms of the principality of Achaea. William of Villehardouin (Guillaume de Villehardouin; died 1 May 1278) was the last Villehardouin prince of Achaea (as William II) and ruled the principality at the height of its power and influenceL'Achaïe féodale: étude sur le moyen âge en Grèce (1205-1456). Diane de Guldencrone, Diane Gabrielle Victoire Marie Clémence Gobineau Guldencrone. Published in 1886 by E. Leroux.
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His other works include the Esprit de Rivarol (1808) in conjunction with FJM Fayolle. The works of Chênedollé were edited in 1864 by Sainte-Beuve, who drew portraits of him in his Chateaubriand et son groupe and in an article contributed to the Revue des deux mondes (June 1849). See also E Helland, Étude biographique et littéraire sur Chênedollé (1857); and Cazin, Notice sur Chênedollé (1869).
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A cello étude (or study) is a piece of music written for the solo cello that zeroes in on specific techniques. Cello études are most often written by cellists to help other cellists improve their playing ability. Music that is written for performance generally does not focus on instrumental technique. Performance music is written to convey a certain sound, mood, set of emotions or ideas.
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Girardin's other works included Essais de littérature (2 vols., 1844), made up chiefly of contributions to the Débats, his Notices sur l'Allemagne (1834), and many volumes of collected Souvenirs, Réflexions, etc., on foreign countries and passing events (including his notes on the period of Russian administration in the Danubian Principalities). His last major works were La Fontaine et les Fabulistes (1867) and an Étude sur J.-J.
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Bouchiat was a student at the École normale supérieure de jeunes filles from 1953 to 1957, and a visiting researcher at Princeton University from 1957 to 1959. She completed a doctorate in 1964; her dissertation was Étude par pompage optique de la relaxation d'atomes de rubidium. She worked as a researcher for CNRS from 1972, associated with the Kastler–Brossel Laboratory, until her retirement in 2005.
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There were also other military orders, such as the Knights Templar, that offered protection to pilgrims. Artist's rendering of Krak des Chevaliers as seen from the northeast. From Guillaume Rey, Étude sur les monuments de l'architecture militaire des croisés en Syrie et dans l'île de Chypre (1871). Between 1142 and 1144 Raymond II, Count of Tripoli, granted property in the county to the order.
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Her M.A. thesis: Danielle Pereillo-Bleitrach, Étude iconographique du prieuré de Saint-Paul-de-Mausole et de l'abbaye de Montmajour. Essai d'analyse des mentalités religieuses à travers la sculpture médiévale, under the supervision of M. Duby, 1966. See Noël Coulet and Louis Stouff, Chronique : L'histoire de la Provence médiévale à l'université de Provence, in Provence historique, 1974, pp. 491-500, in particular p. 495.
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The pattern was first described in 1950 in British Somaliland by W.A. MacfadyenMacfadyen W.A. 1950. Vegetation patterns in the semi desert plains of the British Somaliland. Geographic Journal 116: 199-210.. The term tiger bush was first coined by Albert Clos-Arceduc in 1956Albert Clos-Arceduc, « Étude sur photographies aériennes d'une formation végétale sahélienne : la brousse tigrée », Bulletin de l'IFAN, n°spécial, Dakar, 1956, pages 677-684..
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The modern account is J. Rocacher, Rocamadour et son pèlerinage: étude historique et archéologique, 2 vols. (Toulouse) 1979. The town below the complex of monastic buildings and pilgrimage churches, traditionally dependent on the pilgrimage site and now on the tourist trade, lies near the river on the lowest slopes; it gives its name to Rocamadour, a small goat's-milk cheese that was awarded AOC status in 1996.
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Bertoin received in 1987 his doctorate from University of Paris VI under Marc Yor with Étude des processus de Dirichlet. Bertoin taught and did research there and is now a professor at the University of Zurich. In 1996 he received the Rollo Davidson Prize. In 2002 he was an Invited Speaker with talk Some aspects of additive coalescents at the International Congress of Mathematicians in Beijing.
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Allegro :::5. Preludio: Andante tranquillo :::6. Nach Mozart: Adagio :::7. With the use of the third pedal (Steinway & Sons Sustaining- Pedal): Andantino tranquillo :^ Perpetuum mobile, 'nach des Concertino II. Satz Op. 54' (Perpetuum mobile, after the second movement of the Concertino Op. 54) (1922) BV 293 :^ Prélude et Étude en Arpèges (Prelude and Etude in Arpeggios) (1923) BV 297 ::Marc- André Hamelin, piano Bach-Busoni.
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Opening of Czerny's Étude Op. 365 No. 19, first published in 1836 Three years after the publication of Chopin's Études Op. 10 Carl Czerny who had frequently entertained Chopin at his Viennese home, 1829, included a study in his Schule des Virtuosen,Czerny, Carl. Schule des Virtuosen ["School of Virtuosity"]. Vienna: Haslinger, 1836, No. 19. 1836, that begins like a parody of Chopin's Op. 10 No. 2\.
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A version matching contemporaneous descriptions was suggested by Kanitz, who associated the name with the Bulgarian dobrice ("rocky and unproductive terrain").G. Dănescu, Dobrogea (La Dobroudja). Étude de Géographie physique et ethnographique, pp. 35–36 According to Gheorghe I. Brătianu, the name is a Slavic derivation from the Turkic word Bordjan or Brudjars, which referred to the Turkic Proto- Bulgarians; this term was also used by Arabic writers.
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Measured by the number of first- run performances, the number of spectators, and the box office receipts, it was one of the ten most successful new plays of the eighteenth century in France.Claude Alasseur, La Comédie Française au 18e siècle, étude économique, Paris, La Haye: Mouton, 1967. John Lough, Paris Theatre Audiences, London: Oxford University Press, 1957. A. Joannidès, La Comédie Française de 1680 à 1900, Paris: Plon-Nourrit, 1901.
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Following without a pause from the previous number, Variation 15, marked forte, is a bravura variation building relentlessly toward an exciting climax. It consists of a one-bar pattern, varied only slightly, of two declamatory chords in eighth notes in the higher registers, followed by lower sixteenth notes that echo Handel's original turns. A prominent upbeat creates syncopated energy. It has been called an étude for Brahms's Piano Concerto No. 2.
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But the real contribution of Barbereau is his theoretical work, among them his Traité d'harmonie théoretique et pratique (1843–45), considered the most important scientific work published hitherto on this subject. After this work he published a curious Étude sur l'origine du système musical (Paris, 1852), which gave rise to great controversy. Auguste Barbereau died suddenly in an omnibus in Paris, after he had been teaching at the Conservatory.
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Sergei Rachmaninoff in 1901 Six moments musicaux (French for "Six Musical Moments"; ), Op. 16, is a set of solo piano pieces composed by the Russian composer Sergei Rachmaninoff between October and December 1896. Text at Google Books. Each Moment musical reproduces a musical form characteristic of a previous musical era. The forms that appear in Rachmaninoff's incarnation are the nocturne, song without words, barcarolle, virtuoso étude, and theme and variations.
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This piece represents a typical nineteenth-century étude, similar in style to Frédéric Chopin's Études (Opp. 10, 25), with a melody interspersed between rapid sextuplet figures. It is in strict ternary form with a coda: identical beginning and ending sections beginning on measures 1 and 85, and a contrasting middle section starting on measure 45. The second section radically changes dynamics, constantly changing from piano to fortissimo and even sforzando.
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Conforming with most of the others, Étude Op. 10, No. 7 consists of three sections. The first theme in C major is followed by a short second theme in D major, which returns to the first theme. It is an exercise in intervals, with the right hand constantly changing from minor thirds to augmented sixths, in quick sixteenth note rhythm, while the left hand plays a simple bass harmonious accompaniment.
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The common cultivars at the time were the Calville blanc, Calville rouge, Famous, Reinette, Bourassa, Pomme blanche, Pomme grise of MontrealMartin, p. 59. and Sauvageon.Suzel Brunel (dir.) Étude de caractérisation de l'arrondissement historique et naturel du Mont-Royal , p. 44. These cultivars have been supplanted by others since. The British Conquest of 1760, confirmed by the cession of 1763, brought along all kinds of changes in the habits of French Canadians.
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Matilda of Frisia (died in 1044) was the first queen of Henry I, King of the Franks.Rodulfi Glabri, Historiarum, "Mathildem… de regno eius ex Germanie nobilioribus" Her date of birth is unknown. She was the daughter of Liudolf, Margrave of Frisia,Robert-Henri Bautier, Anne de Kiev, Reine de France, et la Politique Royale au XI E SIÈCLE: Étude Critique De La Documentation. Revue Des études Slaves 57, no.
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In 1945 Prigogine (see also Prigogine (1947)Prigogine, I. (1947). Étude thermodynamique des Phenomènes Irreversibles, Desoer, Liege.) proposed a “Theorem of Minimum Entropy Production” which applies only to the purely diffusive linear regime, with negligible inertial terms, near a stationary thermodynamically non-equilibrium state. Prigogine's proposal is that the rate of entropy production is locally minimum at every point. The proof offered by Prigogine is open to serious criticism.
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During the first World War, it was published irregularly, and after the war, it lost prestige and contributors, including Escoffier, Gilbert, and Prosper Montagné, to La Revue culinaire. Its last issue was in 1953.Bibliothèque Nationale de France, catalog record, Starting in 1894, Escoffier contributed recipes and model menus to each issue: "L'école des menus: étude et composition de menus modernes à la maison, à l'hôtel, et au restaurant".
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Dmitry Feofanov, Dover Publications, "Rare Masterpieces of Russian Piano Music", Introduction, p. ix The de Schlözer Étude No. 2 is longer, more elaborate, and more technically demanding than the 11th of Moszkowski's 15 Études de Virtuosité, Op. 72, but both are in A-flat and in a similar bravura style. However, it may be that these similarities gave rise to the legend that de Schlözer pieces were written by Moszkowski.
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Tan Cerca...Tan Lejos (So close ... so far) is the title of the studio album released by Mexican singer José José in 1975. The main hits of the album were: Candilejas (Charles Chaplin's Terry's Theme), Sentimientos (Morris Albert's Feelings), Nuestros Recuerdos (The Way We Were), Paloma 'Cada Mañana Que Te Vas' (theme of the soap opera 'Paloma') and Divina ilusión (an adaptation of Étude Op. 10, No. 3 of Chopin).
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Bédien Morange (born in Paris and died in 1703 in Lyon), was a French theologian. Bédien Morange was canon and cantor of the right He was a doctor of Sorbonne. In 1660, he became canon and cantor of the Église Saint-Nizier (Lyon), then general vicar of the diocese.« Étude sur les historiens du lyonnais », Revue du Lyonnais, esquisses physiques, morales et historiques, Lyon, L. Boitel, 1837, t.
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The compositions were Beethoven's Appassionata and Chopin's Funeral March Sonata. He may have based his interpretation of the Chopin sonata on that of Rubinstein. Rachmaninoff biographer Barrie Martyn points out similarities between written accounts of Rubinstein's interpretation and Rachmaninoff's audio recording of the work. As part of his daily warm-up exercises, Rachmaninoff would play the technically difficult Étude in A-flat, Op. 1, , attributed to Paul de Schlözer.
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His mentor was the professor Charles Zorgbibe. He defended his doctoral dissertation in December 2010 on the topic: Légitimité et légitimation du recours à la force dans l’après-guerre froide. Étude de cas: l’intervention militaire de l’OTAN contre la République fédérale de Yougoslavie (1999), ("Justification and justification of the use of force in the post-Cold War period. Case study: NATO military intervention against the Federal Republic of Yugoslavia in 1999").
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The meteorological measurements began in 1877 in Saint-Gilles. Catherine Corbin et Franck Baraer (Météo-France), « Étude des conditions climatiques de la Baie de Bourgneuf » (PDF) sur le site officiel de l'association pour le développement du bassin versant de la Baie de Bourgneuf, mars 2003, p.4 et 30 The climate of the Vendée department is oceanic. The coast experiences significant rainfall in winter and a few storms.
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Collège Erasme, Louvain-la-neuve, 1997, p.311. French: 'À l'origine de cette étude on trouve une hypothèse : le mouvement wallon naissant, tout imprégné qu'il soit des luttes antiflamingantes du temps, ne coïncide pas entièrement avec les réactions wallonnes aux premiers succès du mouvement flamand. Bien plus riche, il ne peut être réduit à ces seuls aspects polémiques.' The first members of the Walloon Movement promoted neither federalism nor separatism.
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Unless otherwise mentioned, all the below cited works were published or reedited by Éditions de la Licorne Ailée. The first date gives the first edition and the next date gives the second edition. La Chute de l’aigle allemand (The Fall of the German Eagle) (Imp. Sinthe et Co., Perpignan, 1944) L’Avenir des peuples – Étude sur les destinées du monde (The Future of Humanity – Study on the World's Destiny) (Imp.
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He had his first showing in 1789 at the Salon of Geneva, where he presented an Étude d'après nature (Study from Nature). At the next Salon, he won the Grand Prize. In 1794, he was invited to Lausanne to work for Madame de Staël. In 1799, he was named Director of the "Écoles de dessin de la ville de Genève" and, the following year, became a member of the art society.
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He published the book Étude sur l'escrime de combat à la baïonnette (A study on bayonet fighting) in 1913 and gave his rank as commandant. By 1 June 1914 Debax was with the 40th Infantry Regiment. Upon the outbreak of the First World War he was chef de bataillon of the 240th Infantry Regiment. He was killed in action against German forces at Saint-Maurice-sous-les-Côtes, Meuse on 25 August 1914.
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Gauffre F-X. 1993. Biochronostratigraphy of the Lower Elliot Formation (southern Africa) and preliminary results on the Maphutseng dinosaur (Saurischia: Prosauropoda) from the same Formation of Lesotho. New Mexico Museum of Natural History and Science Bulletin 3:147-149.Gauffre, F.-X. 1996. "Phylogénie des dinosaures prosauropodes et étude d’un nouveau prosauropode du Trias supérieur d’Afrique australe". Ph.D. dissertation, Muséum National d’Histoire Naturelle, Paris, France, 156 pp This name too, was invalid.
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336 (citing Förstemann). For speculation on an alternative (Celtic or Germanic) derivation, see Gilbert Künzi, Charles Kraege, 'Montagnes romandes: à l'assaut de leur nom : étude étymologique des noms de montagnes de Suisse romande, Archives vivantes romandes, Editions Cabedita, 2001, p. 34 Le Mormont is about halfway between lakes Neuchatel and Geneva, forming a watershed between the Rhine and the Rhone basins, separating the Venoge and the Orbe valleys to the south and north, respectively.
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They also commented on the attending celebrities including Liszt, Chopin, Sand and Dumas. In the same year he published his piano étude Le chemin de fer, which critics, following Ronald Smith, believe to be the first representation in music of a steam engine.Smith (2000) II, 157. Between 1844 and 1848 Alkan produced a series of virtuoso pieces, the 25 Préludes Op. 31 for piano or organ, and the sonata Op. 33 Les quatre âges.
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It is one of the most difficult Transcendental Études, being ranked 9 out of 9 by publisher G. Henle Verlag—one of the six in the series to receive the highest possible difficulty ranking.Liszt: Transcendental Studies, Urtext Edition Ferruccio Busoni stated the étude was the "noblest example, perhaps, amongst all music of a poetising nature." He described the work as "a sublime and steady fall of snow which gradually buries landscape and people".
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In 1858 he completed the symphonic poem Richard III, his first major orchestral composition since the Triumphal Symphony. He followed this with Wallenstein's Camp, inspired by Friedrich Schiller's Wallenstein drama trilogy,Newmarch, p. 60 and began a third symphonic poem Hakon Jarl, based on the tragic drama by Danish poet Adam Oehlenschläger. Smetana also wrote two large-scale piano works: Macbeth and the Witches, and an Étude in C in the style of Liszt.
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This point is confirmed by Gantez 1643 (Lettre XXII). Two notarial acts concerning him are known at Saint-Quentin: on 19 July 1637 he was witness to the marriage contract of Milan de Chauvenet with Catherine Le Sergent; he was also witness to the marriage of Georges de Chauvenet with Marie Le Sergent on 8 September 1641.AD Aisne, étude Loiseaux and Pecqueux, according to Gomart 1851 (pp. 256–257), precised with Geneanet.
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He is especially known through his controversies with eminent Assyriologists concerning the non-Semitic Sumerian idiom found in the Assyro- Babylonian inscriptions. Contrary to the generally admitted opinion, Halévy put forward the theory that Sumerian is not a language, but merely an ideographic method of writing invented by the Semitic Babylonians themselves.Halévy, Joseph. Étude sur les documents philologiques assyriens [a lecture read in 1878]. In: idem, Mélanges de critique et d’histoire relatifs aux peuples sémitiques.
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It is, throughout, a relentless torrent of descending half steps and a cascading left hand figure reminiscent of Chopin's Revolutionary Étude (Op. 10, No. 12, 1831). Ending the piece is a slow coda in Adagio (at ease) which closes with a plagal cadence in E minor. Rachmaninoff revised this piece in March 1940, changing the melody but leaving the constant sextuplets, proving that the rushing figures are not simple bravura or flair.
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J.S. Bach's Prelude in C major from the WTC book 1, mm. 7–9. The minor second may be viewed as a suspension of the B resolving into the following A minor seventh chord. In unusual situations, the minor second can add a great deal of character to the music. For instance, Frédéric Chopin's Étude Op. 25, No. 5 opens with a melody accompanied by a line that plays fleeting minor seconds.
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Revolutionary Étude in octaves, at every concert. Alexander Dreyschock (15 October 1818 – 1 April 1869) was a Czech pianist and composer. Born in Žáky in Bohemia, his musical talents were first noticed at age of eight, and at age fifteen he travelled to Prague to study piano and composition with Václav Tomášek. By the age of twenty, Dreyschock undertook his first professional tour in December 1838, performing in various northern and central towns in Germany.
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The old abbey farm (now containing both permanent and temporary exhibitions of the Domaine de Découverte) was the heart of the abbey's past economy. The farm consisted of a barn/cowshed joined to the gateway building and a farmhouse, containing vaulted rooms. It dates from the end of the 17th century and was certainly used in the manufacturing of cheese.Baud, A., and Allimant, A., 1998: Étude archéologique de la ferme de l'abbaye d'Aulps.
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The post seems to have been conceived partly as a reward for senators who had chosen to make a career solely on the Emperor's behalf. Therefore, in reality the post was conceived as a means for "taming" both Greek notables and Roman senators.E. Guerber, "Les correctores dans la partie hellénophone de l'empire Romain du règne de Trajan à l'avènement de Dioclétien : étude prosopographique" Anatolia Antiqua, V.5, no. 5, 1997; available at .
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Six of the characters have background music leitmotifs—the five heroines, and Yukine Miyazawa. Nagisa's theme is the self-titled ; Kyou's theme is ; Kotomi's theme is "Étude Pour les Petites Supercordes"; Tomoyo's theme is ; Fuko's theme is ; lastly, Yukine's theme is . An image song album titled Sorarado was released in December 2003 featuring songs sung by Riya. A remix album, Mabinogi, came bundled with the original release of Clannad in April 2004.
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René Schwaeblé (11th arrondissement of Paris, 13 March 1873 – 1938) was a French writer who authored several popular novels, notably in the crime fiction and romance novel genres. In addition to popular scientific and esoteric books, at the turn of the century he began writing fiction. After the publication of social novels, including Les Détraqués de Paris : étude des mœurs contemporaines (1904), he limited himself essentially to crime fiction and sentimental novels.
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Hōsei has a keen interest in various aspects of music and plays the piano as a hobby. In 1996, he obliged a viewer who wrote into the Downtown Kazaana show requesting him to perform a piano piece. Later, in 1999, Downtown would challenge him to perform a piano concert late at night while being terrorized by jump scares. In 2011 Hōsei successfully completed a challenge to perform Étude Op. 10, No. 3 by Chopin on a miniature toy piano.
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Jacques Neveu received in 1955 from the Sorbonne his doctorate in mathematics under Robert Fortet with dissertation Étude des semi-groupes de Markov. In 1960, Jacques Neveu was, with Robert Fortet, one of the first two members of the Laboratoire de Probabilités et Modèles Aléatoires (LPMA). He was the LPMA's director from 1980 until 1989 when Jean Jacod became the director. In 1962, Neveu was a chargé de cours (university lecturer) at the Collège de France.
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Le chemin de fer is characterized by rapidly repeating bass notes, difficult to play and exacerbated by the extreme tempo. Le chemin de fer (French for "the railway" or "the railroad"), Op. 27, is a programmatic étude for piano composed by Charles-Valentin Alkan in 1844, frequently cited as the first musical representation of a railway. It is a perpetuum mobile composition at an extremely fast tempo, in D minor, and performance at tempo lasts approximately five minutes.
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The young growth in spring, even on mature plants, though, is frost-tender; bud-burst is later than most other fruit trees, so late frosts can be damaging to young buds. Trees can be found at altitudes between 200 and 1000 m above sea level; some mention between 300 and 750 m altitude,Étude d'un produit régional : La crème de marrons. By Sabrina Derouet, Flavie Dhellemmes, Lamia Hakam, Claire Lhaoucine and Maxime Vanhoutte. EPU Lille-USTL. 2003.
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After the dissolution of the RIN in 1968, he became a member of the Parti Québécois. From 1969, he was teaching political sciences at Collège de Maisonneuve and retired from active politics. In 1971, the political science faculty of Université de Montréal granted him a master's degree for his thesis Le Rassemblement pour l'indépendance nationale de 1960–1963, étude d'un groupe de pression au Québec. His thesis was published in 1974 with a preface by sociologist Marcel Rioux.
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Despite the hasty circumstances, the work evidences his early virtuosity, and sets an example for the quality of his future works. Six moments musicaux is a sophisticated work that is of longer duration, thicker textures, and greater virtuosic demands on the performer than any of Rachmaninoff's previous solo piano works. It is similar to Alexander Scriabin's momentous Étude in D minor (Op. 8, No. 12)--in both compositions, detail is more functional than ornamentative in their musical argument.
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At in length, counting both of its northern branches, it is the longest line of the Métro. In 2004, it carried over 114 million riders, about 540,000 per weekday. Étude de la désaturation de la ligne 13 STIF Retrieved 22 January 2011 Annual traffic grew by about ten million passengers after the opening of two new stations on the Asnières branch on 14 June 2008. According to data from December 2009, there are 610,050 riders per day.
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Alimen studied at Ecole Normale Supérieure, earning a degree in Natural Sciences, and earned her doctorate in 1936 (one of the first women to submit a submit a thesis for a PhD in the field of prehistory), her thesis was titled Étude sur le Stampien du Bassin de Paris (A Study of Stampien from the Paris Basin). Her thesis wone the 1940 Prix Visquenel (Visquenel Prize) from the Société géologique de France (Geological Society of France).
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In 1912 he went to the Stadttheater Magdeburg, where he became municipal Kapellmeister in 1924. He worked as an opera conductor and also conducted folk concerts, so in the circus, in the and also in the . In addition, he also appeared as a pianist. As a composer he created two ballet pantomimes, two Christmas fairy tales, a suite for orchestra, several étude, songs, orchestral pieces, a concert piece for cello, incidental music for drama and cheerful pieces.
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Bouchard is remembered for his work with infectious and nutritional diseases. He was a student of Jean Charcot at the Pitié- Salpêtrière Hospital, and with Charcot described a disorder that would later be known as a "Charcot-Bouchard aneurysm". It is described as a small aneurysm on cerebral perforated vessels that could be the cause of intracranial hemorrhages. Bouchard wrote about the aneurysm in his doctorate thesis Étude sur quelques points de la pathogénie des hémorrhagies cérébrales.
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3D reconstruction of the church The cloister was located, according to monastic tradition, south of the church. It was partly destroyed at the beginning of the 19th century, but archaeological excavations have revealed details of its layout. As elsewhere, this building consisted of a square courtyard surrounded by four covered galleries, off which opened the various usual rooms: chapter house, refectory, lavatorium and so on.Baud, A., and Parron, I., 1997: Étude archéologique du cloître de l'abbaye d'Aulps.
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The Mbum or Kebi-Benue languages (also known as Lakka in narrower scopeBoyd, Raymond. 1974. Étude Comparative dans le groupe Adamawa. (Société d'études linguistiques et anthropologiques de France, 46.) Paris: Centre National de la Récherche Sciéntifique) are a group of the Mbum–Day branch of the Adamawa languages, spoken in southern Chad, northwestern Central African Republic, northern Cameroon and eastern Nigeria. Their best-known member is Mbum; other languages in the group include Tupuri and Kare.
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Shailor, Barbara A.,The Medieval Book, University of Toronto Press, 1991, , Google booksBerger, Samuel. La Bible française au Moyen Âge : étude sur les plus anciennes versions de la Bible écrites en prose de langue d'oil, Genève, Slatkine Reprints (Fac Similé de l'édition originale Paris, 1884), 1967.Sneddon, Clive R. A Critical Edition of the Four Gospels in the Thirteenth-Century Old French Translation of the Bible, Thesis presented for the degree of D. Phil., Oxford University, 1978.
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16 Expropriations began in 1889. Except two large buildings on the Rhône and another one on the Place de la Republic, the current quarter was almost complete in 1894, then fully completed in 1908. In 1909, the tram took the central axis of the quarter, the current rue Carnot,Félix Rivet, Une réalisation d'urbanisme à Lyon, le quartier Grolée, étude d'histoire et de géographie urbaine, p. 72 which marked the tangible success of the quarter re-development.
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The title is a play on words in French in the chorus between "Un zeste de citron" ("A lemon zest") and "Inceste de citron" ("lemon incest"). The music is based on Étude Op. 10, No. 3 in E major by Frédéric Chopin. The verses sung by Charlotte "are quickly short of breath and lack to give a relief to the singing which is beautiful nevertheless". Gainsbourg sings with "a repetitive phrasing which takes some liberties with the melody".
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Schbath was born on 19 December 1969 in Nantes. She earned a master's degree in stochastic modeling and statistics in 1992 from Paris-Sud University, and completed a Ph.D. in 1995 at Paris Descartes University. Her dissertation was Étude asymptotique du nombre d'occurrences d'un mot dans une chaîne de Markov et application à la recherche de mots de fréquence exceptionnelle dans les séquences d'ADN. She earned a habilitation in 2003 at the University of Évry Val d'Essonne.
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According to Jean Pierre Rosenczveig, a children's judge in Bobigny, near Paris, the juvenile criminal law in France has six key requirements:Rosenczveig, Jean Pierre; Droit pénal des mineurs, étude de # The specialization of the magistrate. Indeed, the juvenile criminal system has its own intervener: the children's judge, the court of assizes of minors, the court of appeal chamber of minors etc. # Criminal relative responsibility begins at the age of 13. # The priority is to educate, rather than punish.
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Vialatoux taught philosophy in various private secondary schools in Lyon between 1914 and 1945. He was influenced by Blondel, but after World War I (1914–18) he considered himself a Thomist. He wrote a study of the Action Française leader Charles Maurras that appeared in the Chronique sociale de France 35 (December 1926), and was then published as a monograph La Doctrine catholique et l'école de Maurras: Étude critique in 1927. He found that the positivism of Maurras was completely incompatible with Christianity.
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Tony threatens the owner, and Don refuses to play since they refuse to serve him in the room with his audience. Tony and Don have dinner at a predominantly black blues club where Don joins the band on the piano, after playing Chopin's Étude in A minor. Tony and Don head back north to try to make it home by Christmas Eve. Tony invites Don to have dinner with his family, but he declines and returns to his own home.
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He also referred the thighbone to a new genus and species Thotobolosaurus. This remained a non-valid nomen ex dissertatione, as the name would never be published; furthermore the type material of this species does not coincide with that of M. thabanensis.Gauffre F-X., 1996, Phylogénie des dinosaures prosauropodes et étude d’un prosauropode du Trias supérieur d’Afrique australe Dissertation, Muséum National d’Histoire Naturelle In 2016, M. thabanensis was appointed to the separate genus Meroktenos by Claire Peyre de Fabrègues and Ronan Allain.
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There is no biography in English. Two important early studies are: François Vermale, Le père de Casimir Perier (Grenoble, 1935) and Eugène Choulet, La famille Casimir-Perier: Étude généalogique, biographique et historique, d'après des documents des archives de Grenoble, de Vizille et de l'Isère (Grenoble, 1894). More recent accounts are: Robert Chagny, Une dynastie bourgeoise dans la Révolution: Les Perier (Grenoble, Conseil Général de L'Isère, 1984) and Madeleine Bourset Casimir Perier: un prince financier au temps du romantisme (Paris, 1994).
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Kerviler, René, François de La Mothe Le Vayer, précepteur du duc d'Anjou et de Louis XIV, étude sur sa vie et sur ses écrits, Paris, Rouveyre,1879, p.23; Pintard, René, Le libertinage érudit dans la première moitié du XVIIe siècle, Genève, Slatkine, 2000 [1943], p.135 His collected works in Latin and French appeared at Paris in 1644, with a life and eulogistic notice by Gabriel Naudé. The volume contains an engraved portrait of the author by Picart, in his official robes.
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Subsequent tours saw him visiting Russia (1840–42), Paris (spring 1843), London, the Netherlands, Austria and Hungary (1846), as well as Denmark and Sweden in 1849. Elsewhere he caused a sensation with prodigious execution of thirds, sixths, and octaves, plus other tricks. When he made his Paris debut in 1843 he included a piece for the left hand alone. Dreyschock's left hand was renowned, and his most famous technical stunt was to play the left- hand arpeggios of Chopin's Revolutionary Étude in octaves.
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436 The newspaper celebrated the Queen-Consort, Elisabeth (Carmen Sylva), as "a Poet, a Mother and a Queen", "the [world's] most beautiful light". Félix Salles, "Étude biographique", in Carmen Sylva, Nouvelles, Hachette, Paris, 1886, p.1, 55 (digitized by the Bibliothèque nationale de France Gallica digital library) One major obstacle that I. Brătianu still faced was precisely the anarchist and socialist circle supported by Românul. Russia had conditioned the kingdom's recognition in exchange for a rapid repression of the "nihilists"; Brătianu reluctantly obeyed.
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The variation is written in C minor, in time, in the form of an étude. It keeps to the original theme, "in a flowing style of chord passages in an abundance of notes but without any lofty sentiment" in the words of Liszt's biographer Lina Ramann. Liszt was one of the few of the 50 composers who varied either the time signature or the key signature from Diabelli's original. He changed Diabelli's C major to C minor, and changed time to .
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His annual Revue des progrès de géologie, undertaken with the assistance (1860–1865) of Auguste Laugel and afterwards (1865–1878) of Albert de Lapparent, was carried on from 1860 to 1880. His observations on the lithology of the deposits accumulated beneath the sea were of special interest and importance. His separate publications were: Recherches sur l'origine des roches (Paris, 1865); Étude sur le métamorphisme des roches (1869), Lithologie des mers de France et des mers principales du globe (2 vols.
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234 where he became Chair of geography in 1899. Under his direction, the geography department of this university became important. His career received the encouragement and support of Georges Perrot, director of l'École normale supérieure; Théophile Homolle, Director of the École française d'Athènes, and Charles Bayet, rector of Lille university. In 1905 he became rector of the University of Besançon.Catherine Valenti, « Les membres de l'École française d'Athènes : étude d'une élite universitaire (1846-1992) », Bulletin de Correspondance Hellénique, 120-1, 1996, p.
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Daurel e Betó (); Daurèl e Beton in modern Occitan, Daurel et BetonAlternative French names are Le roman de Betonnet and Betonnet, as in Léon Gautier, Les épopées françaises: étude sur les origines et l'histoire de la littérature nationale, 1878-1892, Vol. I, p. 133: Le Roman de Betonnet est exactement dans le cas du Fierabras provençal. in French, "Daurel and Beton"), is an anonymous chanson de geste in Old Occitan which full title reads Lo romans de Daurel e de Betó.
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Kyrgyz Horse in 1894, illustration from Les races chevalines - avec une étude spéciale sur les chevaux russes Kok-boru in Kyrgyzstan, circa 1872 The Kyrgyz Horse or Kirgiz Horse is a traditional breed of small horse from the Kyrgyz Republic (Kyrgyzstan). Kyrgyz people associate it with their nomadic past. During the Soviet era of Kyrgyz history, the Kyrgyz Horse was cross-bred with imported foreign breeds, including Don and Thoroughbred strains, to create a new and larger breed, the Novokirgiz or New Kirgiz.
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After suffering a small breakdown in front of her students (and then be forced to hear a neighbor play Chopin’s Étude in A Minor, “Winter Wind”, incessantly), Sybil Dorsett is given a neurological examination by Dr. Cornelia Wilbur, a psychiatrist. She admits to having blackouts and fears they are getting worse. Dr. Wilbur theorizes that the incidents are a kind of hysteria, all related to a deeper problem. She asks Sybil to return at a later date for more counseling.
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The Russian composer and violinist Joseph Achron wrote in 1941 his final work Concerto for solo piano, op. 74. Kaikhosru Shapurji Sorabji's Concerto da suonare da me solo e senza orchestra, per divertirmi (1946) is clearly inspired by Alkan; for instance, the third movement of the work is titled Scherzo diabolico—a reference to Alkan's Étude Op. 39 No. 3. In addition to that, the first movement of the work contains various programmatic indications. These, however, are controversial, since they effectively refer to an imaginary orchestra.
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The 26th Cannes Film Festival was held from 10 to 25 May 1973. The Grand Prix du Festival International du Film went to Scarecrow by Jerry Schatzberg and The Hireling by Alan Bridges. At this festival two new non-competitive sections were added: 'Étude et documents' and 'Perspectives du Cinéma Français' (which is started by the French Film Directors' Society and runs until 1991). The festival opened with Godspell, directed by David Greene and closed with Lady Sings the Blues, directed by Sidney J. Furie.
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The musical climax, extremely intense and involved, is still played at the same astronomical speed. The most recurrent criticism of the étude disparages its banal programmatic nature, and it has been rated very poorly compared with Alkan's other compositions. One writer dismisses it as "amusing", without technical innovations. Although Alkan demanded strict adherence to the metronome, one analysis of the extreme tempo showed that it is nearly impossible to play at the correct speed, and that at that speed the notes become impossible to distinguish.
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The third Madrigal is a setting of the English alphabet. Ligeti's last works were the Hamburg Concerto for solo horn, four natural horns and chamber orchestra (1998–99, revised 2003, dedicated to Marie Luise Neunecker), the song cycle Síppal, dobbal, nádihegedüvel ("With Pipes, Drums, Fiddles", 2000), and the eighteenth piano étude "Canon" (2001). Additionally, after Le Grand Macabre, Ligeti planned to write a second opera, first to be based on Shakespeare's The Tempest and later on Carroll's Alice's Adventures in Wonderland, but neither came to fruition.
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"Étude socio- psycho-biologique" (Mauss 1936: 386); "phénomènes biologico-sociologiques" (Mauss 1936: 385). Such "socio-psycho-biological study" has uncovered a "sharing of physiology between people involved in a meaningful interaction" (Adler 2002: 884), as well as "mutually responsive physiologic engagement having normative function in maintaining social cohesion and well-being in higher social animals" (Adler 2002: 885). This "mutually responsive physiologic engagement" brings into play the "close links uniting social phenomena to the biological phenomena from which they immediately derive" (Solvay 1906: 26).
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"Hugues (2010) "les erreurs et les anachronismes sont si nombreux et si grossiers qu'ils peuvent être relevés par tout historien. ... Les nombreuses invraisemblances présentes dans le scénario montrent que la rédaction de ce dernier n'a pas été précédée par une étude historique sérieuse." The center of the controversy was the depiction of the 1945 Sétif massacre early in the film. The report elaborated, "The director wants to suggest that on May 8, 1945, Muslims in Sétif were blindly massacred by Europeans, whereas it's the contrary that transpired[.
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Love on the Beat is a 1984 studio album by French singer and songwriter Serge Gainsbourg. On this album, Gainsbourg used American musicians to achieve a funk-heavy rock sound. The album was controversial due to its very sexual lyrical content, with homosexuality and prostitution as the subject matters on many of the tracks. Perhaps the most controversial was "Lemon Incest", which was set to Frédéric Chopin's Étude No. 3 and sung as a duet with his then-13-year-old daughter Charlotte Gainsbourg.
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Liner notes. Like the second and fourth pieces, number six is written in the form of an étude, with a repetitive but technically challenging chordal melody that is doubled in both hands. In all, the work has three distinct elements played simultaneously: the main melody, the continuous thirty-second note broken chord figures, and a descending eighth note motif. Dynamics play a large part in this piece: the fortissimo marked at the beginning is maintained all throughout the first section, with only brief respites to mezzo forte.
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As with the other works in the Études but one, Feux follets went through three versions, the first being Étude en douze exercices from 1826, the second being Douze études d'execution transcendante from 1837, and third, an 1851 revision of the 1837 set. It is this last version, from 1851, that is most often performed. Its rapid double-note passages in the right hand accompanied by wide broken intervals in the left are notoriously difficult to play. In addition, the passages are often asymmetrical and unpredictable.
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His compositional output was relatively small, consisting of an Allegro militaire for band, a Sérénade for violin and piano, an Étude de concert d'après Rode, and a Fantaisie on the tune "Un Canadien errant". He performed the latter work at the Monument national on 13 April 1926. Chamberland taught music throughout his career, privately and on the music faculties of the Conservatoire de musique du Québec à Montréal, the Conservatoire national de musique, and the Villa Maria School. He was also active as music competition judge.
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The most important discoveries from Arslan Tash were, however, the ivory objects of high artistic quality which today are kept at the Archaeological Museum in Aleppo and in the Louvre.Fontan, Elisabeth, et Ina Reiche, Les ivoires d'Arslan Tash (Syrie) d'après une étude de la collection du Musée du Louvre : mise en œuvre du matériau, traces de polychromie et de dorure, état de conservation, ArchéoSciences, vol. 35, no. 1, pp. 283-295, 2011 The Arslan Tash amulets are smaller pieces whose authenticity is still in debate.
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In 1937 and 1938, the group appeared in two short films made by British Pathé: The Coconut GroveCabaret Time After Midnight (soundtrack lost) (The Coconut Grove was a London nightclub), and Viennese Singing Sisters. British Pathé have uploaded the song "Memories of Chopin" from Viennese Singing Sisters to their YouTube channel; the group then contained only six members. "Memories of Chopin" is a vocal arrangement, in German, of Chopin's Étude Op. 10, No. 3 in E flat for solo piano. In 1938, the group toured Argentina.
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Ernest Havet Eugène Auguste Ernest Havet (April 11, 1813December 21, 1889), French scholar, was born in Paris. He was the father of Pierre Antoine Louis Havet and Julien Havet. Educated at the Lycée Saint-Louis and the Ecole Normale, he was for many years before his death professor of Latin eloquence at the Collège de France. His two capital works were a commentary on the works of Pascal, Pensées de Pascal, publiées dans le texte authentique, avec un commentaire suivi et une étude littéraire (1852; 2nd ed.
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In 1648 he was among the first artists to be invited to become a member of France's Académie royale de peinture et de sculpture after it was founded under the patronage of Cardinal Mazarin. This later became the Académie des beaux-arts.Ludovic Vitet, L'Académie royale de peinture et de sculpture : étude historique, Paris, Michel Levy Frères, 1861, p. 74 In Paris Pieter van Mol first lived in the rue Saint Jacques and later in the rue Taranne where he died on 8 April 1650.
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In 1233, a papal bull by Gregory IX established a new branch of the inquisition in Toulouse, France, to be led by the Dominicans. It was intended to prosecute Christian groups considered heretical, such as the Cathars and the Waldensians. Charles Molinier, L'Inquisition dans le Midi de la France au XIIIe et au XIVe siècle, étude sur les sources de son Histoire (1880) p. ii. The Dominicans eventually evolved into the most zealous prosecutors of persons accused of witchcraft in the years leading up to the Reformation.
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The cyclical place of the goddess Candelifera, "She who bears the candle",Tertullian, Ad nationes 2.11: is uncertain. It is sometimes thought that she provides an artificial light for labor that occurs at night. A long labor was considered likely for first-time mothers, so at least a part of the birthing process would occur at night.The passage in Tertullian has a problematic point that may specify first births; Gaston Boissier, Étude sur la vie et les ouvrages de M.T. Varron (Hachette, 1861), pp. 234–235.
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The local press intimated that the work was distracting the "pretty penitent girls" who should have been listening to the sermons.Edmond Marchal, "Étude sur la vie et les œuvres de Joseph-Charles Geefs," Annuaire de l'Académie Royale des sciences, des lettres et des beaux-arts de Belgique (Brussels, 1888), p. 316. Bishop van Bommel soon ordered the removal of L'ange du mal, and the building committee passed the commission for the pulpit sculpture to Guillaume Geefs, whose version was installed at the cathedral permanently in 1848.
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Making a parallel between the mutilation of one man and of human experience, Hugo touches on a recurrent theme in his work "la misère", and criticizes both the nobility which in boredom resorts to violence and oppression and the passivity of the people, who submit to it and prefer laughter to struggle.Pascal Melka. Victor Hugo : un combat pour les opprimés : étude de son évolution politique. La Compagnie littéraire, Paris, 2008. A few of Hugo's drawings can be linked with L’Homme qui rit and its themes.
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" It was not only the first Cubist portrait, according to Apollinaire, but it was also the first great portrait of the poet exhibited in public, prior to others by Louis Marcoussis, Amedeo Modigliani, Pablo Picasso and Mikhail Larionov.Jean Metzinger, 1910, Portrait de Guillaume Apollinaire, Christie's Paris, 23 May 2007 Apollinaire became the subject of at least one other work by Metzinger; Étude pour le portrait d'Apollinaire, 1911 (Musée National d'Art Moderne, Paris).Étude pour le portrait d'Apollinaire, 1911, Musée National d'Art Moderne, Paris The model is seen smoking a pipe, as did Apollinaire, but Cubist portraits did not always accurately represent characteristics of the sitter. The pipe was a common theme in the poems of Stéphane Mallarmé and was used as a sexual device by several Cubists because of its phallic symbolism. "The question of identity in Metzinger’s portraits is further obscured by their titles" writes Joann Moser, for example, "the study for the Portrait of Apollinaire would seem to be a study for the Portrait of an American Smoker… Although Apollinaire did smoke a pipe, the man portrayed in the drawing does not have the round cheeks and double chin characteristic of Apollinaire.
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All three of these paintings are catalogued in the "watercolour, miniature or print" category. In France, Viénot's paintings were regularly selected by the jury of the Paris Salon between 1831 and 1870, and included Portrait du lieutenant-colonele baron S... and Portrait de Mademoiselle Delille, artiste de l'Opéra Comique, dans le 2me acte des Diamants de la Couronne (both at the Paris Salon 1846); Étude de Femme; Portrait de Monsieur S... and Portrait de Madame S... (all at the Paris Salon 1857); Miss [sic] P. N. J...; étude (Paris Salon 1859); Portrait de Mademoiselle Jeanne Tordeus, du théâtre impérial de l'Odéon (Paris Salon 1861); Portrait de Madame A. Musard (Paris Salon 1863); Portrait de Madame ... (Paris Salon 1864); Portrait de Mademoiselle Guerra du Théâtre-Italien and Portrait de Monsieur Saint-Germain du théâtre du Vaudeville (both at the Paris Salon 1865); Portrait de Mademoiselle B. de C... (Paris Salon 1866); Portrait de Madame L. D. R... and Portrait de Monsieur A. L... (both at the Paris Salon 1870). Viénot also painted Marie Duplessis (reproduced in the Royal Opera's programme for Verdi's 1853 opera La Traviata at the Royal Albert Hall in May 1998).
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"Albert Gleizes, Painting and Representational Perspective, Lecture dated Paris, 22 March 1927, given in the Carnegie Foundation for the French Intellectual Union and published by Éditions Moly Sabata 1927. Republished in Puissances du Cubisme, Eds Présence, Chambery, 1969. Translation Peter Brooke Cubism, with its new geometry, its dynamism and multiple view-point perspective, not only represented a departure from Euclid's model, but it achieved, according to Gleizes and Metzinger, a better representation of the real world: one that was mobile and changing in time. For Gleizes, Cubism represented a "normal evolution of an art that was mobile like life itself". Albert Gleizes, 1915, Study No. 5 for Portrait of an Army Doctor (Étude 5 pour Portrait d'un médecin militaire), graphite on paper, 24.4 x 18.6 cm, Solomon R. Guggenheim Museum, New YorkAlbert Gleizes, 1915, Study No. 5 for Portrait of an Army Doctor (Étude 5 pour "Portrait d'un médecin militaire), graphite on paper, 24.4 x 18.6 cm, Solomon R. Guggenheim Museum, New York > Multiple perspective was in itself a protest against painting defined as an > art based on space, that is to say, static.
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To commemorate Falk's death, the complete series was released on Blu-ray in Japan in 2011 as a ten-season set, taken from new HD masters and original 1.33:1 (4:3) aspect ratio (1989–2003 episodes are presented in 1.78:1 (16:9)). The set contains 35 discs and is presented in a faux-wooden cigar box. It features a brochure with episode details, and a script for the Japanese version of Prescription: Murder. Special features include the original 96-minute version of Étude In Black and the original NBC Mystery Movie title sequence.
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Following his elder brother Auguste, Émile Molinier studied at the École Nationale des Chartes. He wrote a thesis on medieval history entitled Étude sur la vie d'Ernoul, sire d'Audrehem, maréchal de France which earned him the archivist paleographer degree in 1879.École des Chartes, promotion 1879 He first worked at the before joining the Louvre, where he served as curator of the newly created art objects department. He published books on stained glass, ceramics, enamels and furniture and organized major exhibitions, including the Exposition Rétrospective held at the Petit Palais in 1900.
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For Raymond Fusilier, the Belgian monarchy had to be placed—at least in the beginning—between the regimes where the king rules and those in which the king does not rule but only reigns. The Belgian monarchy is closer to the principle "the King does not rule",Raymond Fusilier, Les monarchies parlementaires - étude sur les systèmes de gouvernement en Suède, Norvège, Luxembourg, Belgique, Pays-bas, Danemark, Editions ouvrières, Paris, 1960, pp. 419-420. but the Belgian kings were not only "at the head of the dignified part of the Constitution".
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There are two trains that service the valley: the Ocean and the Montreal – Gaspé train, both of which are owned by Via Rail and are combined from Matapédia onwards.Utilisation optimale des modes de transport ou l'intermodalité – Étude réalisée dans le cadre de l'élaboration du plan de transport du Bas-Saint-Laurent, Service des inventaires et du Plan et Service des liaisons avec les partenaires et les usagers, Direction du Bas-Saint- Laurent-Gaspésie-Îles-de-la-Madeleine, Ministère des transports du Québec, October 2001, consulté en ligne 9 August 2009.
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256x256px In May (or April) 1590 the completed work was issued in one volume, in a folio edition, containing three distinct parts, with the page numbering continuous throughout the entire volume. The Sixtine Vulgate was mostly free of typographical errors. Regardless, even after the printed edition was issued, Sixtus continued to tinker with the text, revising it either by hand or by pasting strips of paper on the text.Le Bachalet, Xavier-Marie, Bellarmin et la Bible Sixto-Clémentine : Étude et documents inédits, Paris: Gabriel Beauchesne & Cie, 1911 (in French).
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Mathieu Auguste Geffroy (21 April 1820 – 16 August 1895) was a French historian born in Paris. After studying at the École Normale Supérieure, he held history professorships at various lycées. His French thesis for the doctorate of letters, Étude sur les pamphlets politiques et religieux de Milton (1848), showed that he was attracted towards foreign history, a study for which he soon qualified himself by mastering the Germanic and Scandinavian languages. In 1851, he published a Histoire des états scandinaves, which is especially valuable for clear arrangement and for the trustworthiness of its facts.
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He excelled in his own works and in those of Carl Maria von Weber and Frédéric Chopin. His Piano Concerto in F minor, Op. 16Referred to as "Henselt's F-minor exercise in narcissism" by Glenn Gould in: Tim Page (ed.), The Glenn Gould Reader (Knopf, New York 1984), 74. was once frequently played in Europe, and of his many valuable studies, the Étude in F-sharp major Si oiseau j'étais, was very popular. At one time Henselt was second to Anton Rubinstein in the direction of the Saint Petersburg Conservatory.
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Rachmaninoff biographer Max Harrison calls the Études-Tableaux "studies in [musical] composition"; while they explore a variety of themes, they "investigate the transformation of rather specific climates of feeling via piano textures and sonorities. They are thus less predictable than the preludes and compositionally mark an advance" in technique. Rachmaninoff initially wrote nine pieces for Op. 33 but published only six in 1914. One étude, in A minor, was subsequently revised and used in the Op. 39 set; the other two appeared posthumously and are now usually played with the other six.
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Born on 5 July 1905 in Port-au- Prince, she was the daughter of the poet and diplomat Georges Sylvain and his wife Eugénie Mallebranche. A brilliant student, she was educated in Haiti, Puerto Rico and the United States, graduating in law at the University of Haiti in 1933, studying education and sociology at the University of Puerto- Rico (1936–38) and at Bryn Mawr College, Pennsylvania, where she earned a doctorate in sociology in 1941. Her thesis Haïti et ses femmes. Une étude d’évolution culturelle (Haiti and its Women.
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Statements saying that Niçard is a Ligurian or Italian dialect are not supported by these experts (see especially Dalbera 1984).DALBERA Jean- Philippe (1984) Les parlers des Alpes Maritimes: étude comparative, essai de reconstruction [PhD thesis], Toulouse: Université de Toulouse 2 [ed. 1994, London: Association Internationale d’Études Occitanes] Indeed, French scholar Bernard Cerquiglini wrote in his book on the languages of France about the actual existence of a Ligurian minority in Tende, Roquebrune and Menton, a remnant of a bigger medieval "Ligurian" area that included Nice and most of the coastal County of Nice.
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From 1904 to 1908, he was published in the Sammelbände der Internationale Musikgesellschaft,Sammelbände der Internationale Musikgesellschaft and the Zeitschrift der Internationales Musikgesellschaft,Archives Zeitschrift der Internationales Musikgesellschaft the two German magazines of the International Musicological Society. Published from November 1901 until the end of 1905 as a serial in the Revue musicale, his monograph devoted to Henry Du Mont was published in 1906 by the Mercure de France (Henri Quittard. Un musicien en France au XVIIe Henry Du Mont 1610–1684, étude historique et critique. Avec une préface de Jules Combarieu).
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Bertrand Gille Bertrand Fabien Gille (born 24 March 1978 in Valence, Drôme) is a handball player from France. Very strong physically (1.87m, 98 kg), and was honored with the title of World Player of the Year in 2002. His career as a handball player started very early: in 1984, he played for HBC Loriol and followed sport étude as a scholastic path. From 1996 to 2002, he played for Chambéry SH (under the guidance of Philippe Gardent, another famous French handball player) before joining the German club HSV Hamburg.
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For example, guild skills shared by the party, skills similar to Final Fantasy XI's combos, and manga-like illustrations. The basic setting's world, named Erindyll continent, is an orthodox fantasy world. In 2008, the new series Arianrhod SagaSpecial site of Arianrhod Saga in Fujimi Shobo began and the new setting of another continent named Aldion is provided for a campaign setting suitable for war chronicle stories. Arianrhod Saga contains several series of side stories named Across, Break, Concerto (manga), Death march, Étude, Fanbook (replay with drama CD) and several novels.
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Tidiane N'Diaye (born 20 August 1950) is a Franco-Senegalese anthropologist, economist, and writer. He is the author of a number of publications on the history of Black Africa and the African diaspora, as well as numerous economic studies of the Institut national de la statistique et des études économiques on the French overseas departments (Guadeloupe, French Guiana, Martinique). N'Diaye's essays on the Arab slave trade (Le génocide voilé "the veiled genocide", Étude de la traite négrière arabo-musulmane "study of the Arab- Muslim negro slave trade") were nominated for the Prix Renaudot in 2008.
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Thirty of the 34 études included are fugues, and every étude is preceded by a prelude based on a particular technical or compositional problem. Again an exceptionally large number of forms and textures is used, including, for example, the variation form with extensive use of invertible counterpoint (no. 3), or an Andante in C minor based on the famous Folia harmonic progression. Reicha's massive cycle of variations, L'art de varier, uses the same pedagogical principle and includes variations in the form of four-voice fugues, program music variations, toccata-like hand-crossing variations, etc.
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In order to be melodically pleasing, Étude Op. 10, No. 7 demands a special technique, as the interpretation of its melodic line is not as easy as the more popular études by Chopin; consequently, it is not a standard in concert repertoire. However, technicians, in particular Abby Whiteside, favored this piece for its note structure and challenging execution. She states that it is impossible to play this without following her pedagogy, demanding that each note be played by action of the upper arms. It is, however, possible to master it without following her methodology.
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The set included simplifications, for the most part: in addition to many other reductions, Liszt removed all stretches of greater than a tenth, making the pieces more suitable for pianists with smaller hands. However, some actually regard the fourth étude of the final set, Mazeppa, more demanding than its 1837 version, since it very frequently alters and crosses the hand to create a "galloping" effect. When revising the 1837 set of études, Liszt added programmatic titles in French and German to all but the Études Nos. 2 and 10.
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In the first étude, both altos and basses sing only one part each, while sopranos and tenors have solo parts. It features one of Ligeti's main compositional styles, the meccanico, also used in his String Quartet No. 2 and in Ramifications. In the second movement, all of the singers have solo parts. The third movement, however, is scored in a slightly different manner: sopranos, altos, tenors and basses from group I are all split and, together with group II as a whole, they all sing five different songs.
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He used the stamp ♣JOSEPH♣, the name by which he was commonly known to his contemporaries, between fleurs-de-lis emblematic of his royal appointment. Such stamps, like the long-mysterious B.V.R.B., served to mask the identity of cabinetmakers to the clientele of marchands-merciers, such as Lazare Duvaux, who owed the "ébéniste Joseph" 1726 livres at the time of his death.Geoffrey de Bellaigue, The James A. de Rothschild Collection at Waddesdon Manor: Furniture Clocks and Gilt Bronzes II, 1974:863, citing Duvaux's inventory at Minutier Centrale, Étude xciv, liasse 290.
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Henri Lecoq (18 April 1802 – 4 August 1871) was a French botanist. Charles Darwin mentioned this name in 1859 in the preface of his famous book On The Origin of Species as a believer in the modification of species. Darwin wrote:On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life by Charles Darwin; Preface to the first edition by the writer himself; taken from literature.org. The work referenced by Darwin is Lecoq's "Étude de la Géographie Botanique de l’Europe", published in 1854.
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The five movements of the final version are: At the time of its composition, Ligeti was working on his first book of piano études, and the superimposed African rhythms, shifting accents, and changing tempos so characteristic of those pieces can be heard in the concerto as well. The first movement is similar to the polymetric concept used in Ligeti's first étude, Désordre. Rhythmically complex throughout, it uses two time signatures, and , simultaneously as well as complicated aksak rhythms. In addition, the left and right hands play two complementary six-note scales.
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Each of the first three sections is presented in different modes and focuses on a different technique of ornamentation when transcribing vocal works for instruments. The book gives detailed information on the importance of a proper transcription and is meant to be played similar to an étude. The book purports to be playable on any treble instrument, but is most likely intended for the cornett as Bassano himself was a cornettist.Blanche Gangwere, Music History during the Renaissance Period, 1520–1550: A Documented Chronology (Westport, CT: Praeger, 2004): . Print.
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Later, in 1948, Pierre Schaeffer used the techniques of sound collage to create the first piece of musique concrète, "Étude aux chemins de fer", which was assembled from recordings of trains. Schaeffer created this piece by recording sounds of trains onto several vinyl records, some of which had lock grooves allowing them to play in a continuous loop. He then set up multiple turntables in his studio, allowing him to trigger and mix together the various train sounds as needed.Horace Kemwer, "Case Study: Pierre Schaeffer", Against the Modern World.
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From 1904 he also made appearances as a conductor, mounting the podium by invitation in Berlin and Leipzig in 1907.New Grove, 11:386 He is largely remembered for his Douze études d'exécution transcendente. This set completed the cycle of the 24 major and minor keys that Franz Liszt had started with his own Transcendental Études but had left unfinished.Hyperion Records, Leslie Howard Not only was Lyapunov's set of études as a whole dedicated to the memory of Franz Liszt, but the final étude was specifically titled Élégie en memoire de Franz Liszt.
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Prime numbers have influenced many artists and writers. The French composer Olivier Messiaen used prime numbers to create ametrical music through "natural phenomena". In works such as La Nativité du Seigneur (1935) and Quatre études de rythme (1949–50), he simultaneously employs motifs with lengths given by different prime numbers to create unpredictable rhythms: the primes 41, 43, 47 and 53 appear in the third étude, "Neumes rythmiques". According to Messiaen this way of composing was "inspired by the movements of nature, movements of free and unequal durations".
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When Judith married Richard II of Normany, she received a dowry of her father's lands in Cotentin, Cinglais and Lieuvin. Bernay or 'Bernayum'" Bernay (Eure): Notre- Dame", in Joseph Decaëns, Le paysage monumental de la France autour de l’an mil, Paris, Picard, 1987, 560-562 p. () was the centre of these lands, comprising 13 'charruées' (around 800 acres) of land, 18 mills and 21 churches. Chanoine Porée, Congrès archéologique de France, session LXXVe, tenue à Caen en 1908, tome: 2, Paris, A. Picard, 1909, « L'église abbatiale de Bernay - Étude archéologique », p. 589-614.
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This étude features distinct sections, separated by progressions in double octaves. After a short ad libitum cadenza, the main theme is presented in octaves accompanied by thirds in the center of the keyboard, giving the impression of a horse galloping in a cloud of dust. The theme returns immediately this time with a thinner texture. After a chromatic scale in alternating octaves arrives, the quieter "Lo stesso tempo" occurs in which the left hand plays a modified version of the theme while the right hand plays arpeggios in intervals up and down the keyboard.
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The final three, part of a series called compiled by Ignaz Moscheles and François-Joseph Fétis, were composed in 1839, without an assigned opus number. They appeared in Germany and France in November 1840, and England in January 1841. Accompanying copies of these important early editions, there are usually several manuscripts of a single étude in Chopin's own hand, and additional copies made by his close friend, Jules Fontana, along with editions of Karol Mikuli, Chopin's student. The first études of the Opus 10 set were written when Chopin was still in his teens.
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By 1871, Marie's compositions began to be published. With the death of her husband in 1881, Marie had the opportunity to study with Liszt in Weimar, and with Camille Saint-Saëns and César Franck in Paris. She also had composition lessons with César Franck and Camille Saint-Saëns, who dedicated his Piano Concerto No. 1 and the "Étude en forme de valse" to her.Marie Trautmann Jaëll Saint-Saëns thought highly enough of Marie to introduce her to the Society of Music Composers—a great honor for women in those days.
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All of Chopin's works involve the piano and are technically demanding, emphasising nuance and expressive depth. As a great composer, Chopin invented the musical form known as the instrumental ballade and made major innovations to the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude, he was also the composer of a number of polonaises which borrowed heavily from traditional Polish folk music. It is largely thanks to him that such pieces gained great popularity throughout Europe during the 19th century. Several Polish composers such as Szymanowski drew inspiration from Chopin's folk-influenced style.
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A generation after Hugo published his poem, it became the literary inspiration for a symphonic poem (1851) and a Transcendental Étude (1852) by Franz Liszt. Another French Romantic painter, Théodore Chassériau, re- interpreted Byron's poem, with Cossack girl at Mazeppa 's body (1851, Musée des Beaux-Arts de Strasbourg). The Irishman Michael William Balfe composed a cantata known as The Page or Mazeppa in 1861. The subject reached the very popular medium of Staffordshire figures, where the fancy of the painters sometimes showed him tied to a zebra.
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Jean-Joseph-Pierre Pascalis (1732-1790), a supporter of the monarchy, was hiding in this chateau when he was arrested in and killed during the French Revolution.Charles de Ribbe, Pascalis : Étude sur la fin de la Constitution provençale, 1787-1790,Dentu, 1854, p. 256 A few decades later, in 1807, Pauline Bonaparte (1780–1825), sister of Napoleon (1761-1821), had an affair with Louis Nicolas Philippe Auguste de Forbin (1779-1841) in this chateau. During her stay, she asked her staff to silence the frogs and cicadas with long poles.
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André Chantemesse (23 October 1851 – 25 February 1919) was a French bacteriologist born in Le Puy-en-Velay, Haute-Loire. From 1880 to 1885 he served as interne des hôpitaux in Paris, earning his doctorate in 1884 with a dissertation on adult tuberculous meningitis titled Étude sur la méningite tuberculeuse de l'adulte : les formes anormales en particulier. In 1885 he traveled to Berlin to study bacteriology at the laboratory of Robert Koch (1843–1910). After his return to Paris, he became associated with the work of Louis Pasteur.
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At the CNRS, she began research into beta decay using a Wilson chamber, and published a 1954 article warning of the dangers of hydrogen-bomb testing at Bikini Atoll. She was promoted to maître de recherche (chief researcher) at CNRS in 1957. Her research shifted into nuclear reactions using synchrocyclotrons around 1960, and in 1962 she received a doctorate in science from Kyoto University for her thesis, "Étude du type d’invariant de l’interaction Gamow-Teller en désintégration β− de 6He" (Form of Gamow-Teller invariant interaction on beta decay of 6He).
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In the rational atmosphere of the Enlightenment, Mme du Deffand observed "il n'y a que le premier pas qui coûte", "it's only the first step that matters"; her mot was repeated in Baron Grimm's Correspondance littéraire, 15 May 1764. Although St Denis is the best known of the saintly head-carriers, there were many others; the folklorist Émile Nourry counted no less than 134 examples of cephalophory in French hagiographic literature alone.Les saints céphalophores. Étude de folklore hagiographique, Revue de l’Histoire des Religions (Paris), 99 (1929), p. 158-231.
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Many stalls savetier crowded round the foothills of the Church. The streets at the rear of the building didn't exceed 2m wide and formed an unhealthy maze. Mayor Antoine Gailleton said : "(The quarter) has not yet had its part of transformations which, for a period of thirty years, have so powerfully contributed to give to our city an aspect of great city that suits it and which it must hold the first rank after the capital."Félix Rivet, Une réalisation d'urbanisme à Lyon, le quartier Grolée, étude d'histoire et de géographie urbaine, p.
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Czerny composed a very large number of pieces (more than a thousand pieces and up to Op. 861). Czerny's works include not only piano music (études, nocturnes, sonatas, opera theme arrangements and variations) but also masses and choral music, symphonies, concertos, songs, string quartets and other chamber music. The better known part of Czerny's repertoire is the large number of didactic piano pieces he wrote, such as The School of Velocity and The Art of Finger Dexterity. He was one of the first composers to use étude ("study") for a title.
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1906, Musée d'Orsay Une clairière en Provence (Étude), c.1906 In 1905 Galerie Druet in Paris mounted Cross's first solo exhibition, which featured thirty paintings and thirty watercolors. The show was very successful, receiving critical acclaim, and most of the works were sold. Belgian Symbolist poet Emile Verhaeren, an avid supporter of Neo-Impressionism in his country, provided the preface for the exhibition catalog, writing: Cypresses at Cagnes, 1908, Musée d'Orsay In the early 1880s Cross began to experience trouble with his eyes, which grew more severe in the 1900s.
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Reacting to the Genevan revolution of 1841, he turned to conservative views. Elected to the 1842 Constituent Assembly, he was hostile to democratic reform, his views being expressed in the book De la démocratie en Suisse. In 1848 he left politics and travelled to Paris, reacting with shock to the violent events there. Five years later he came back to Switzerland, and wrote a series of works with economic and social themes, among them Étude sur les causes de la misère, tant morale que physique et sur les moyens d'y porter remède (1853).
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It first has a theme in F-sharp minor consisting of grace notes followed by eights. Then it goes to a fast, playful theme in A major. It repeats themes, and also has a theme with repeating bass notes, such as the sixty consecutive low Ds. Finally, the A major theme is repeated for a climactic part of the étude, this time in F-sharp major. The piece was heard in an orchestral arrangement as part of the Little Mermaid Ballet in the 1952 Danny Kaye film, Hans Christian Andersen.
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This étude is an exercise in developing the independence of the weaker fingers of the right hand by playing rapid chromatic scale figures with the third, fourth, and fifth fingers of the right hand. Meanwhile, the first two fingers of the right and the left hand play an accompaniment of short intervals and single notes. Chopin indicated the fingering himself note by note for almost 800 notes.Below that of Chopin, an alternative fingering by Paderewski is given in the edition published in Cracow by the Instytut Fryderyka Chopina Polskie Wydawnictwo Muzyczne.
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A novelty are the distinct crescendo and diminuendo signs allocated "polyphonically" and sometimes even differing in the two voices played by the right hand. excerpt from the middle section of this étude (bars 40 – 42) In the middle section (poco più animato), characterized by rhythmic shifts and sudden harmonic turns, theme and accompaniment are fused into oscillating double notes. There are five eight-bar phrases. Leichtentritt observes that each eight-bar phrase is "ruled by a new motif" and that "each of these segments surpasses the preceding one in sonority and brilliancy".
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La leggierezza (meaning "lightness") is the second étude. It is a monothematic piece in F minor with a very simple melodic line for each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something slightly more frenetic. It starts with a fast but delicate sixteen chromatic-note arpeggio divided in thirds and sixths under an irregular rhythmic subdivision and cadenza so as to underline the atmosphere implied in its title. The technical difficulties involved in playing the piece include rapid leggiero chromatic runs, often with irregular rhythmic groupings, and passages in sixths and thirds.
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The third of the Three Concert Études is in D-flat major, and is usually known as Un sospiro (Italian for "A sigh"). However, it is likely that the title did not originate with Liszt. Although there is no evidence that he actively attempted to remove the subtitle, none of the editions or subsequent printings of the Three Concert Études published by Kistner during Liszt's lifetime used them; he simply ignored such subtitles in later years, always referring to the piece by key. The étude is a study in crossing hands, playing a simple melody with alternating hands, and arpeggios.
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Falk himself directed the last episode of the first season, "Blueprint for Murder," and wrote the episode entitled "It's All in the Game" in season 10. Actor Nicholas Colasanto, best known for playing Coach on Cheers, directed two episodes, "Swan Song" with Johnny Cash, and "Étude in Black". Patrick McGoohan directed five episodes (including three of the four in which he played the murderer) and wrote and produced two. Vincent McEveety was a frequent director, and homage was paid to him by a humorous mention of a character with his surname in the episode "Undercover" (which he directed).
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Born in New York City as Samuel Menashe Weisberg, the son of Russian-Jewish immigrant parents, Menashe grew up in Elmhurst, Queens, and graduated from Townsend Harris High School and Queens College where he majored in biochemistry. During World War II he served in the US Army infantry, and in 1944 fought in the Battle of the Bulge. After the war, he used his GI Bill money to study at the Sorbonne where he received a Ph.D. for the thesis Un essai sur l'expérience poétique (étude introspective) in 1950.Menashe, Samuel (2000), "Giving the Day Its Due" Metre, 7-8: 142.
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According to music critic Harold C. Schonberg, Barere produced a colourful piano tone and could also be highly musical.Harold C. Schonberg, The Great Pianists from Mozart to the Present, Second Edition, Simon & Schuster, 1987 Barere gave annual recitals at Carnegie Hall which were often recorded by his son, Boris. Among the performances recorded live in 1947 at Carnegie Hall was Liszt's Sonata in B minor, which was released on Remington Records in the 1950s. Other Barere performances include Liszt's Spanish Rhapsody, Reminiscences de Don Juan and Hungarian Rhapsody No. 12, Blumenfeld's Étude for the Left Hand Alone, and Rachmaninoff's Piano Concerto No. 2.
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René Lenormand (1846–1932), was a French composer, father of playwright Henri- René Lenormand (1882–1951). He was author of Étude sur l'harmonie moderne and well known as a composer of mélodies and music teacher.Actes du Colloque Autour de la mélodie française Page 43 Michelle Biget, Joseph Marc Bailbé - 1987 "Le cas de René Lenormand (1846-1932), auteur de belles mélodies telles Les Fleurs du mal est exemplaire de ce point de vue : ces oeuvres ne parvenaient à lui rapporter que quelques centaines de francs par an et il vivait mal de leçons ..." His students included Marcel Labey.
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With the collaboration of Alfred von Arneth, director of the imperial archives at Vienna, he edited the ' (3 vols., 1874), the first account based on trustworthy documents of Marie Antoinette's character, private conduct and policy. The Franco-Prussian War drew Geffroy's attention to the origins of Germany, and his Rome et les Barbares: Étude sur la Germanie de Tacite (1874) set forth some of the results of German scholarship. He was then appointed to superintend the opening of the French school of archaeology at Rome, and drew up two useful reports (1877 and 1884) on its origin and early work.
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It is reasonable, as Cappelletti points out, that Saonensem is not Savona on the mainland, but a diocese on Corsica. Gregory remarks that the diocese had been without a bishop for many years: ... Ecclesiam Saonensem ante annos plurimos, obejunte eius pontifice, omnino destitutam agnovimus. It is around this time that the oldest foundations of the church on whose ruins the cathedral which came to be dedicated to St. Appianu was begun in the twelfth century.Daniel Istria, "Étude architecturale de la cathedrale médiévale Sant'Appianu de Sagone (Vico, Corse-du-Sud)," There are no textual references to a cathedral until the 12th century.
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Louise de La Vallière, illustration from Louise de La Vallière et la jeunesse de Louis XIV d'après des documents inédits (1907 edition) Throughout his business career, Lair always set aside time for historical work. He was particularly interested in the history of his native Normandy. In 1860 he published a History of the Parliament of Normandy from its translation to Caen in June 1589 until its return to Rouen in April 1594. The first volume of his Étude sur les origines de l'évêché de Bayeux (1862) prompted a lengthy rebuttal by the Abbé L. Tapin, also published in 1862.
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Although this analysis may be sound, the performance of this without the aforementioned implications detracts nothing from the rhythmic undulations of the chromatic scales. Abby Whiteside agreed with this subdivision, calling them "tonal patterns which have to be solved before this Etude is playable." Citing her usual procedures of promoting arm strength, she emphasized two key points exemplified by this étude: "notewise procedure does not further bravura playing" and "finger technique is simply not adequate for brilliance and speed." Her dissertation states that this work is impossible without the aforementioned subdivision, and simultaneously advocates her arm technique.
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After dabbling in his interest into local flora (Étude sur la Flore nivernaise, published 1930), he dedicated himself to transcribing and index-carding collected folktales in the manuscripts left by Achille Millien, the Nivernais folklorist. Between 1933 and 1936 he launched his own field study with the inhabitants of Nièvre, while teaching at Saint- Léger-des-Vignes, then Montsauche and Vauzelles, then moving to the Paris area. He was director of the school in Ivry-sur-Seine, 1939–1946. His articles showed interest in the origins of the mother goose tales of Charles Perrault, and the relationship between oral and written literature.
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French archaeologist Jean-Louis Brunaux has written extensively on human sacrifice and the sanctuaries of Belgic Gaul. See "Gallic Blood Rites," Archaeology 54 (March/April 2001), 54–57; Les sanctuaires celtiques et leurs rapports avec le monde mediterranéean, Actes de colloque de St-Riquier (8 au 11 novembre 1990) organisés par la Direction des Antiquités de Picardie et l'UMR 126 du CNRS (Paris: Éditions Errance, 1991); "La mort du guerrier celte. Essai d'histoire des mentalités," in Rites et espaces en pays celte et méditerranéen. Étude comparée à partir du sanctuaire d'Acy-Romance (Ardennes, France) (École française de Rome, 2000).
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Portrait miniature de l'acteur François Elleviou, 1813 by Charles Berny Claude Charles Antoine Berny d'Ouvillé or Charles Berny born in 1775 in Clermont and death in 1842. French miniaturist, he made exhibitions of his paintings in the Salon de Paris from 1802 to 1833, one of this portraits the one of the famous actress Émilie Leverd. His Étude de jeune fille dans un drapé classique is in the Wallace Collection. He married Eulalie Joséphine Biju-Duval d'Algreis in 1811, and they had a child, who was portrayed by Eugène Delacroix in 1828 (the portrait is in McIlhenney Collection in Philadelphia, U.S.).
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Un musicien en France au XVIIe Henry Du Mont 1610–1684, étude historique et critique In 1907, Quittard joined the Matin which he left in 1909 for Le Figaro, where he remained until his death. He not only provided the musical chronicle but sometimes the judicial chronicle, the editorial secretariat or the military news during the war. He also witnessed the assassination of the newspaper's editor, Gaston Calmette, by Henriette Caillaux. At the same time, following the death of Charles Malherbe, he became an archivist of the Bibliothèque-Musée de l'Opéra National de Paris in January 1912.
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He stayed in Paris in 192324 and 192730, and there he met such luminaries as Edgard Varèse, Pablo Picasso, Leopold Stokowski and Aaron Copland. Parisian concerts of his music made a strong impression.See, for example, the influence of the brilliance of his orchestral palette on the young Olivier Messiaen, discussed in . In the 1920s, Villa-Lobos also met the Spanish guitarist Andrés Segovia, who commissioned a guitar study: the composer responded by writing a set of twelve such pieces, each based on a tiny detail or figure played by Brazilian itinerant street musicians (chorões), transformed into a étude that is not merely didactic.
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Le chemin de fer likely was the first musical representation of train departure and arrival. In 1844, French classical pianist Charles-Valentin Alkan composed Le chemin de fer ("The Railroad"), a programmatic étude for piano designed to depict the happy journey of train passengers from departing a train station to portraying the train pulling into a second station. It is frequently cited as the first musical representation of railway travel. The joyful melody of Le chemin de fer subsequently has been celebrated as a forerunner to Arthur Honegger's famous orchestral work Pacific 231, which also represents a locomotive.
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The book was published in that year by Émile Bouillon in Paris. This short work is notable as the first full demonstration of the deliberate alterations of words that help to form the vocabulary of French slang or argot, and particularly of the special slang typical of the 19th century butchery trade, called Loucherbem. This name is a deliberate rearrangement of boucher ("butcher") and is itself an example of the processes discussed in the book. Étude sur l'argot français was the first of several contributions by Schwob to the study of the vocabulary of the 15th-century poet François Villon.
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It has been said that Chopin may have even borrowed the title "étude" from Kessler, and copied from Kessler the idea of using metronome marks in his scores. Kessler dedicated to Chopin a set of 24 Preludes, Op. 31, one in each of the major and minor keys.Presto Classical A decade later, Chopin repaid the dedication in his own 24 Preludes, Op. 28, and he also employed the circle of fifths that Kessler used in his 24 Études; however, he may have been earlier influenced by Hummel's Preludes, Op. 67 (1815), which also use this schema.
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He was the son of Edme Jeaurat, engraver to the King, and studied art with his uncle, the painter Étienne Jeaurat. he established his reputation creating still-lifes, inspired by the work of Jean-Baptiste-Siméon Chardin, although some critics felt that his work was rather dry and crude by comparison.Théodore Lejeune, Guide théorique et pratique de l’amateur de tableaux, étude sur les imitateurs et les copistes, Vve J. Renouard, 1863-1865. Nevertheless he was chosen, by voice vote, to be named an Academician and a Professor at the Académie royale de peinture et de sculpture on the same day in 1756.
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In 1055 the monks Joakim and Daniamos founded a monastery on the south side of Mount Olympus, located above the river Ziliana. The French archaeologist Heuzey dated the founding of the monastery to the year 955.Léon Heuzey: Le mont Olympe et l'Acarnanie: exploration de ces deux régions, avec l étude de leurs antiquités, de leurs populations anciennes et modernes, de leur géographie et de leur histoire. Ministère de l'Instruction publique au ministère de d'État, Paris 1860 Online After the monks abandoned the monastery at the beginning of the 20th century, it is now inhabited by nuns.
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After two and a half years of talks with the North Vietnamese government, France eventually agreed to send back Chân Dăng to northern Vietnam. Over 4,000 laborers returned during the mid-1960s, while about 2,000 Vietnamese remained in New Caledonia.J-M Kohler, Étude ORSTOM, 1978 As of 2014, the Vietnamese population in New Caledonia was 2,506, with members being heavily involved in commerce and the service industry. In French Guiana, a small Vietnamese community originating from the refugee waves of the Vietnam War is found alongside a much larger Hmong population, of which some members originate from Vietnam.
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Ryujun Tajima divides the tantras into those which were "a development of Mahāyānist thought" and those "formed in a rather popular mould toward the end of the eighth century and declining into the esoterism of the left",Tajima, R. Étude sur le Mahàvairocana-Sùtra this "left esoterism" mainly refers to the Yogini tantras and later works associated with wandering antinomian yogis. This practice survives in Tibetan Buddhism, but it is rare for this to be done with an actual person. It is more common for a yogi to use an imagined consort (a buddhist tantric deity, i.e. a yidam).
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The French Jewish scholar Sylvain Lévi visited Nepal in 1898 and published a three-volume historical study (Le Népal: Étude historique d’un royaume hindou, 1905–1908), considered the authoritative Western account of the country for most of the 20th century. Lévi later wrote a comparative study of the Jewish and Hindu religions, based on his Nepalese researches The Hong Kong-based Jewish Kadoorie family has been involved with philanthropy in Nepal (as elsewhere in Asia), particularly serving Gurkha communities, and Horace Kadoorie was awarded the Order of Gorkha Dakshina Bahu (First Class) by the Nepalese government.
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Hungarian composer György Ligeti wrote a piano étude called Galamb Borong influenced by gamelan. Avant-garde composer Harry Partch, one of America's most idiosyncratic composers, was also influenced by Gamelan, both in his microtonal compositions and the instruments he built for their performance"Western Artists and Gamelan ", CoastOnline.org. In jazz, the music of Don Cherry, especially his 1968 record Eternal Rhythm, shows influences of gamelan music. American folk guitarist John Fahey included elements of gamelan in many of his late-1960s sound collages, and again in his 1997 collaboration with Cul de Sac, The Epiphany of Glenn Jones.
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Marcel Mihalovici (Bucharest, 22 October 1898 – Paris, 12 August 1985) was a French composer born in Romania. He was discovered by George Enescu in Bucharest. He moved to Paris in 1919 (at age 21) to study under Vincent d'Indy. His works include his Sonata number 1 for violin and piano (1920), Mélusine opera (1920, libretto by Yvan Goll), his 1st string quartet (1923), 2nd string quartet (1931), Sonata number 2 for violin and piano (1941), Sonata for violin and cello (1944), Phèdre Opera (1949), Étude in two parts for piano and instrumental ensemble (1951) and Esercizio per archi (1960).
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This was partly due to the métayer's relative state of destitution and with the fixed duration of his tenure - without which the metayage could not prosper. French metayers, in Arthur Young's time, were "removable at pleasure, and obliged to conform in all things to the will of their landlords," and so in general they so remained.Cruveilhier, J. (1894) Étude sur le métayage Paris. In 1600, the landlord Olivier de Serres wrote 'Le théâtre de l'agriculture' which recommends Métayage as cash tenants took all the risks so would demand lower rent while hired labour was expensive to manage.
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In 1833, however, two untrained Europeans, the Crawcour "brothers" (Edward Crawcour and his nephew Moses), brought Taveau's amalgam to the United States under the name "Royal Mineral Succedaneum".Quicksilver quacks - 17 November 2001 - New Scientist The Parisian police knew that Taveau was a "pédérast" and that he had contracted syphilis. He was arrested after a denunciation to the police by a man called Émile Lagunière, who had previously been taken for an adopted child of Taveau. The forensic surgeon Ambroise Tardieu probably reported Lagunière case in his Étude medico-légale sur les attentats aux mœurs (obs. XXII).
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George C. Krick (1871–1962), a well- known guitarist, mandolinist, and contemporary of Pettine, wrote, "The man who undoubtedly has contributed more than anyone else to the American literature of the mandolin is Giuseppe Pettine." And "His concert repertoire includes many of the great violin concertos and original compositions and his concert tours have taken him from Maine to California. Amongst his numerous compositions the Concerto Patetico, for mandolin and piano, is his greatest contribution to mandolin literature."George C Krick, "The Mandolin", Étude, February 1938, Volume LVI, Number 2, page 127-128 Pettine died in 1966.
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1400 French royal notary flourish A French civil-law notary, or notaire, is a highly specialized lawyer in private practice appointed as a public officer by the justice minister. The profession began admitting women in 1948, and by the start of 2008 women numbered 2,104 and accounted for 24.2% of all notaries."Notaire", Juriforum, from Le droit et ses métiers 2009, [html], retrieved 25 August 2009: available at A notarial office (étude) usually includes ancillary staff like notaries' clerks (clerc de notaire) of different kinds, e.g., junior (clerc employé), specialist (clerc technicien), and supervisory clerks (clerc cadre).
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Gérard de Dainville (Girardus de Dainvilla; died 18 June 1378) was a prelate of the Holy Roman Empire from an illustrious family of Artois. He was made bishop of Arras in 1361, although he did not take up his see until 1362, was transferred to the diocese of Thérouanne in 1369 and finally transferred to Cambrai in 1371, solemnly entering the city on 8 May 1372.Robert Gane, Le chapitre de Notre-Dame de Paris au XIVe siècle: Étude sociale d'un groupe canonial, Doctoral dissertation (18 March 1985), ed. Claudine Billot (Université de Saint-Étienne, 1999), 309.
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Villages not once part of the Tardenois became regarded as within it and some that had belonged to it did no longer. The term came to refer to an imprecise geographical zone. It was still regarded as a county in the late eleventh century, when it was part of the domains of Ralph IV (1038–74) and his son Simon (1074–77), counts of Valois. Pierre Feuchère, "Une tentative manquée de concentration territoriale entre Somme et Seine: La principauté d'Amiens-Valois au Xle siècle: Étude de géographie historique", Le Moyen Âge, 4e série, 9 (1956), pp.
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In 1965 Philippe Taquet discovered the remains of an ornithopod in rock layers of the Elrhaz Formation, in the Tenere desert of Niger, it consists of a partial skeleton with a fragmentary skull belonging to single individual which was given the catalogue number GDF 1700, the remains sat undescribed until 1988 when paleontologist Souad Chabli coined the name "Gravisaurus tenerensis" in her unpublished dissertation on the animal,Chabli, S., 1988, Étude anatomique et systématique de Gravisaurus tenerensis n. g., n. sp. (Dinosaurien, Ornithischien) du gisement de Gadoufauoua (Aptien du Niger). Ph.D. dissertation, Université de Paris VII.
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Subscription required. Accessed 30 July 2014. :^ Bach: Chaconne from Partita No. 2 in D minor for violin, BWV 1004, transcribed for piano by Busoni (1893) BV B 24 :^ Étude en forme de variations Op. 17 (1883) BV 206 :^ Anhang zu Siegfried Ochs "Kommt a Vogerl g'flogen" (five variations) (1886?) BV 222 :^ Tema con Variazioni (in C major) Op. 6 (1873) BV 6 :^ Inno-Variato (Hymn with variations) Op. 12 (1875) BV 16 :^ Variationen und Fuge in freier Form über Fr. Chopin's C-moll Präludium (Op. 28 No. 20) Op. 22 (1884) BV 213 ::Wolf Harden, piano Busoni: Piano Music, Vol. 3.
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Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale sequence) to create a prelude in each major and minor tonality.Rosen (1995), p. 83. The preludes were perhaps not intended to be played as a group, and may even have been used by him and later pianists as generic preludes to others of his pieces, or even to music by other composers. This is suggested by Kenneth Hamilton, who has noted a 1922 recording by Ferruccio Busoni in which the Prelude Op. 28 No. 7 is followed by the Étude Op. 10 No. 5.
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Léopold Leau (1868-1943) was a French mathematician,. primarily known for his ties to international auxiliary languages. The Delegation for the Adoption of an International Auxiliary Language was founded on 7 January 1901 on Leau's initiative.. He co-wrote with Prof. Louis Couturat the monumental Histoire de la Langue Universelle (1903) and its supplement Les Nouvelles Langues Internationales (1907).. Leau studied at the École normal supérieure in Paris and received his doctorate there in April 1897Die Dissertation Étude sur les équations fonctionnelles à une ou à plusieurs variables erschien in: Annales de la Faculté des sciences de Toulouse: Mathématiques, Série 1, Band 11 (1897), Heft 2, Seiten E.1-E.110.
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Rose Laub Coser studied philosophy at the École Libre des Hautes Étude, which is a Parisian institution that relocated to the New School for Social Research in New York City during the Nazi years. She began to work in the field of psychology by assisting researches of psychoanalyst and experimental child psychologist René Spitz and working for David Riesman on his study of political apathy, called The Lonely Crowd (1950) and Faces in The Crowd (1952). She then attended Columbia University with Robert S. Lynd, a later professor at Columbia University, and Robert K. Merton, a later professor at Harvard University. She studied sociology with her husband, Lewis A. Coser.
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After his mission in the Ile de Sein, he remained in Douarnenez from 1617 to 1639. There he perfected the use of the allegorical taolennoù paintings, and he wrote a number of Breton songs that complemented his teaching. According to Theodore Hersart de La Villemarqué, "In the islands, as most people were busy fishing, the holy bard followed them to where he found them gathered in large numbers, and mounting the highest point of their boats, he charmed their work by his songs".Th. Hersart de La Villemarqué, Essai sur l'histoire de la langue bretonne précédé d'une étude comparée des idiomes bretons et gaëls.
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Nanny was part of la Société de concerts des Instruments anciens. He gained some international exposure as a composer during his lifetime, although he never enjoyed the respect he received in France worldwide. Among his most famous works are his Concerto in E minor and his Enseignement Complet (a collection of pedagogical works including the 2-part Méthode complète pour la contrebasse à quatre et cinq cordes, the Vingt études de virtuosité, and his Dix étude-caprices). Although his two concertos (his own and the musical hoax under Dragonetti's name) are important repertory items, Nanny's most lasting contribution was in the field of pedagogy (instructional method).
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Assumptions were exposed to clarify and complete the origin of the family, but proved unfounded or not usable. Thus: The Manasses name, carried by a son and grandson of Hilduin and Hersende returns home from Rethel, but the relationship between the two families is not known more precisely. There is also the tenth century Manasses, father of Gilbert, count of Chalon. Count Luçay in his book Le comté de Clermont en Beauvaisis, étude pour servir à son histoire (1878),La fondation du prieuré de Saint-Leu d’Esserent [archive] stated that the second Manasses was probably a bastard son of a William Count of Ponthieu, but whose existence is not certain.
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Some genres of modern music include atonal music, which rejects the tonal system of nearly all other musical styles, as well as aleatoric, which rejects the absolutism of the composer and allows the player to take an active role in how the piece is played. For example, in Leo Brouwer's Étude No. 20, he supplies a series of melodies that increase in length, and he invites the player to play each section of the melody as many times as he or she chooses. Regional styles are also prevalent in modern guitar music, such as the music of Latin America, where unique harmonies and fresh material can be found.
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2.5 (Sapienza Università di Roma, 2012).Lina Malbos, "Étude sur la famille féodale d'Anduze et Sauve du milieu du XIe siècle au milieu du XIIIe siècle", Mémoires de l'Académie de Nîmes 40 (1977–79), pp. 202–29. In 1266, according to the rubric, the troubadour Guiraut Riquier dedicated his canso "Anc non aigui nul temps de far chanso" to Guillem. Guillem himself composed at least one canso, "Sens ditz que·m lais de chantar e d'amor", and possibly a descort, "Per solatz e per deport", which is assigned to either Guiraut de Salignac or Guilhem de Salignac in certain manuscripts.Saverio Guida, Trovatori minori (Mucchi, 2002), pp. 283ff.
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Melharmonic compositions employ a diverse forms, some of which are original. They also employ musical forms of Western classical such as daprice,Capriccio (music) étude and concerto for various instruments and also forms like geetam and krti (also spelt as kriti), which are used in Indian Carnatic music. They often showcase ragas novel to Western audiences and often feature inventive rhythmic cadences,cadence (music) mathematical codas and embedded sequences suggestive of melodic improvisation. Melharmonic arrangements of traditional Indian composers including Tyagaraja, Oottukkadu Venkata Kavi and Muthuswami Dikshitar have been performed by various professional symphonies & chamber orchestras, string orchestras, quartets and quintets ensembles as well as Jazz, Rock & world music groups.
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Nichols comments that, although as a famous pianist Saint- Saëns wrote for the piano throughout his life, "this part of his oeuvre has made curiously little mark". Nichols excepts the Étude en forme de valse (1912), which he observes still attracts pianists eager to display their left- hand technique.Nichols, Roger. "Saint-Saëns, (Charles) Camille", The Oxford Companion to Music, Oxford Music Online, Oxford University Press. Retrieved 21 February 2015 Although Saint-Saëns was dubbed "the French Beethoven", and his Variations on a Theme of Beethoven in E (1874) is his most extended work for unaccompanied piano, he did not emulate his predecessor in composing piano sonatas.
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1820 – Le Bal de Sceaux (1829) – Rastignac does not appear personally, but is suggested as a possible husband. In rejecting him, Emilie says meaningfully "Madame de Nucingen has made a banker of him". 1821-1822 – Les Illusions Perdues (1836-1843) – Rastignac appears as one of the dandies that Lucien aspires to emulate. As a clever and skillful social climber, Rastignac knows both how to use people and how to eliminate his competition. 1822-1824 – Le Cabinet des Antiques (1837) – Rastignac appears as one of the dandies that Victurnien d'Esgrignon falls in with during his sojourn in Paris. 1823 – Étude de femme (1835) – A short anecdote narrated by Bianchon.
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Micheline Kahn was a pupil of Alphonse Hasselmans at the Conservatoire de Paris, where she obtained a prize for harp in 1904, at the age of 14.Mlle Micheline Kahn / 1er prix de Harpe-Erard She worked with André Caplet to revise the score of Légende, Étude symphonique pour harpe chromatique et corde, after The Masque of the Red Death by Poe (1908) to make a version for diatonic harp. It was completed in 1923 as the '. She was a professor at the École normale de musique de Paris and is (from her relationship with pianist Alfred Cortot) the mother of composer Jean-Michel Damase.
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In the days of her greatest fame, the critical climate was still stuffy, and her mass appeal and her succession of different-coloured glamorous gowns (some designed by Norman Hartnell) provoked snobbish reaction and led to her being musically under- rated. Her surviving recordings show that such patronising judgments were very misplaced: she was a fine musician and technically very proficient. For example, her 1941 recording of the Étude in A-flat, Op. 1, No. 2 by Paul de Schlözer is considered unsurpassed. This brief three-minute work is so demanding that few pianists even attempt it; Sergei Rachmaninoff was said to play it every morning as a warm-up exercise.
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Water in Time and Space is half a self-cover album: With the band being put on hold, P-Model's Monster album was not recorded. However, Hirasawa could not afford to discard three of its songs and salvaged them for the album instead. Two songs from lo-fi cassette only releases (Scuba and Charity Original Tape) were also rearranged for the album, with Hirasawa wanting a better form for the former and the latter being a guideline for the style of Water in Time and Space. To prepare for the songwriting of new material, Hirasawa re-recorded "Happening by the Windowsill" by his former progressive rock band Mandrake as an étude.
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Michel Gaudin (born 2 December 1931) is a French physicist, known for the Gaudin model, in which a central spin is coupled to many surrounding spins. After graduating with the degree of ingénieur des ponts et chaussées (civil engineer), Gaudin joined in 1956 the CEA in Saclay to work on neutron experiments. Two years later, he joined Claude Bloch's theorists' working group, to which he belonged for the rest of his career. In 1967 he received from the University of Paris-Sud in Orsay his doctoral degree in physics with thesis Étude d'un modèle à une dimension pour un système de fermions en interaction.
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The dance was adopted by all classes of society and had its moment in English and French salons. It was so well established as a Spanish dance that Jules Massenet included one in the ballet music to his opera Le Cid (1885). Maurice Ravel wrote a Vocalise-Étude en forme de Habanera, and a habanera for Rapsodie espagnole (movement III, originally a piano piece written in 1895), Camille Saint-Saëns' Havanaise for violin and orchestra is still played and recorded today, as is Emmanuel Chabrier's Habanera for orchestra (originally for piano). Bernard Herrmann's score for Vertigo (1958) makes prominent use of the rhythm as a clue to the film's mystery.
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Plan of Krak des Chevaliers from Guillaume Rey Étude sur les monuments de l'architecture militaire des croisés en Syrie et dans l'île de Chypre (1871). North is on the right. Writing in the early 20th century, T. E. Lawrence, popularly known as Lawrence of Arabia, remarked that Krak des Chevaliers was "perhaps the best preserved and most wholly admirable castle in the world, [a castle which] forms a fitting commentary on any account of the Crusading buildings of Syria". Castles in Europe provided lordly accommodation for their owners and were centers of administration; in the Levant the need for defence was paramount and was reflected in castle design.
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You can judge the importance > of this asiatic representation [...] we will own one of the most important > prehistoric monuments, if not more. It is, in definitive, in tangible and > summary form, the first chapter of the history of Egypt (emphasis in the > original).Letter of G. Benedite to C. Boreux, Département des Antiquités > Egyptiennes, Louvre At the time of purchase, its blade and handle were separated, as the seller did not realise that they fitted together.G. Bénédite: Le couteau de Gebel el-'Arak, Étude sur un nouvelle objet préhistorique acquis par le musée du Louvre, Fondation Eugène Piot, Monuments et mémoires, XXII, 1916 p.
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He graduated from the University of Brussels on 16 July 1886 with a doctorate in political science. After a few terms at Bonn University studying Germanic philology (including Gothic, Old English and Middle Dutch), he matriculated at the University of Ghent, where he took Henri Pirenne's courses on historical criticism and Paul Fredericq's on Dutch literature while studying for a law degree. His study of Ysengrimus, Étude sur l'Ysengrinus, was published in 1895. In 1896 he taught a university extension course on the philosophy of history, and became a member of the committee for the "Flandrisation" of the university (with the first courses in Dutch taught in 1906).
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In 1840, he published Étude à deux crayons. In Landor's Cottage, Edgar Allan Poe describes Julien's work, "One of these drawings was a scene of Oriental luxury, or rather voluptuousness; another was a carnival piece, spirited beyond compare; the third was a Greek female head—a face so divinely beautiful, and yet of an expression so provokingly indeterminate, never before arrested my attention." In 1854, he made a full-bust portrait of George Washington, after Gilbert Stuart, and the lithograph is in the art collection of Mount Vernon. He returned to his hometown in 1866 and taught drawing there until his death on 3 December 1871.
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The film focuses on the Las Hurdes region of Spain, the mountainous area around the town of La Alberca, and the intense poverty of its occupants, who were so backwards and isolated that bread was unknown. A main source of income for them was taking in orphan children, for whom they received a government subsidy. Buñuel, who made the film after reading the ethnographic study Las Jurdes: étude de géographie humaine (1927) by , took a Surrealist approach to the notion of the anthropological expedition. The result was a travelogue in which the narrator’s extreme (indeed, exaggerated) descriptions of human misery of Las Hurdes contrasts with his flat and uninterested manner.
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Towards the end, after the main climax of the piece, both hands are needed to cross in an even more complex pattern. Since there are so many notes to be played rapidly and they are too far away from other clusters of notes that must be played as well, the hands are required to cross multiple times to reach dramatic notes near the end of the piece on the last page. This étude, along with the other Three concert études, was written in dedication to Liszt's uncle, Eduard Liszt (1817–1879), the youngest son of Liszt's grandfather and the stepbrother of his own father. Eduard handled Liszt's business affairs for more than thirty years until his death in 1879.
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He starred alongside Joanne Woodward in the Academy Award-nominated best picture Rachel, Rachel in 1968. He made numerous stage, feature film and TV appearances from the mid-1950s until the early 1990s. On television, Olson portrayed Mickey Mantle in The Life of Mickey Mantle. His other TV appearances included guest roles on scores of shows, including episodes of Kraft Television Theatre; Ironside; Murder, She Wrote; Little House on the Prairie; Hawaii Five-O; Battlestar Galactica; Lou Grant; The Bionic Woman; Wonder Woman; Mannix; Bonanza; Have Gun-Will Travel; Marcus Welby, M.D.; Police Woman; Barnaby Jones; The New Land; Columbo ("Étude in Black"); Maude; The Virginian; and The Streets of San Francisco ("The First Day of Forever").
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Clarisse Bader (28 December 1840 in Strasbourg – 5 February 1902 in Paris)Bader, Clarisse. "The French Woman in Modern times" (french) Gutenberg Etext was a French writer. She was the author of Femme Grecque: Étude de la vie antique ( "Greek Woman: Study of Ancient Life") (1872),Amazon book listing La femme française dans les temps modernes ( "The French woman in modern times") (1883), for which she was celebrated by the Académie française, Le comte de Chambrun, ses Etudes politiques et litteraires ( "The Count of Chambrun, his political and literary studies") (1889) and Women in ancient India: Moral and Literary Studies.Google Books She is a Gutenberg author and many of her works are still in print.
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Yersin was born in 1863, to French parents, in Aubonne, Canton of Vaud, Switzerland. From 1883 to 1884, Yersin studied medicine at Lausanne, Switzerland; and then at Marburg, Germany and Paris (1884–1886). In 1886, he entered Louis Pasteur's research laboratory at the École Normale Supérieure, by invitation of Emile Roux, and participated in the development of the anti- rabies serum. In 1888 he received his doctorate with a dissertation titled Étude sur le Développement du Tubercule Expérimental and spent two months with Robert Koch in Germany. He joined the recently created Pasteur Institute in 1889 as Roux's collaborator and discovered with him the diphtheric toxin (produced by the Corynebacterium diphtheriae bacillus).
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The single from the album, "Étude", is taken from the Francisco Tarrega piece "Recuerdos de la Alhambra". Oldfield's work on the score was partially instigated by Virgin boss Richard Branson when he took Oldfield to see David Puttnam, a producer on the film, which then secured him the role. Oldfield spent six months working on the score for The Killing Fields before going on tour, but when Oldfield returned, the producers of the film asked for more music to be written, prompting Oldfield to ask for the use of an orchestra and a choir; three months later the score was finished. It was released just a few months after Oldfield's previous album, Discovery.
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"Ce n'est pas un portrait de Stavisky, mais celui du personnage qu'il prétendait jouer. Ce n'est pas une étude de caractère, mais celle d'une mise en scène. Ce n'est pas une image réaliste, mais l'analyse d'une illusion. En partant justement de ces faux-semblants que Resnais peut assimiler à ceux du pouvoir politique d'avant guerre, ce dont il nous parle ici, c'est tout simplement de la mort d'une époque dont les fastes mensongers vont, tel un rideau de scène, se lever sur le déferlement du fascisme en Europe et la Seconde Guerre mondiale." Stavisky made Monte Hellman’s top-10 list in the 2012 Sight & Sound polls of the greatest films ever made.
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The soil is considered as different from bedrock. The latter becomes soil under the influence of a series of soil-forming factors—climate, vegetation, country, relief and age. According to him, soil should be called the "daily" or outward horizons of rocks regardless of the type; they are changed naturally by the common effect of water, air and various kinds of living and dead organisms.Krasil'nikov, N.A. (1958) Soil Microorganisms and Higher Plants. Beginning in 1870, the Russian school of soil science under the leadership of V. V. Dokuchaev (1846–1903) and N. M. Sibirtsev (1860–1900)Sibirtzev N. M. Étude des sols de la Russie // Compte rendu: Congrès géologique international, 7-me session, Russie, 1897.
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On 3 October 1835, Schumann met Felix Mendelssohn at Wieck's house in Leipzig, and his enthusiastic appreciation of that artist was shown with the same generous freedom that distinguished his acknowledgement of the greatness of Chopin and other colleagues, and later prompted him to publicly pronounce the then- unknown Johannes Brahms a genius. Clara Wieck in an idealized lithograph by Andreas Staub, c. 1839 Friedrich Wieck in a sketch by Pauline Viardot-Garcia, around 1838 In 1837 Schumann published his Symphonic Studies, a complex set of étude-like variations written in 1834–1835, which demanded a finished piano technique. These variations were based on a theme by the adoptive father of Ernestine von Fricken.
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Eugène de Pousargues (21 October 1859 – 24 January 1901) was a French zoologist born in Saint-Omer (Pas-de-Calais). From 1885 he was an assistant to Alphonse Milne-Edwards (1835–1900), and served as préparateur at the Laboratoire de Mammalogie of the Muséum national d'histoire naturelle in Paris. He died of septicaemia contracted when performing a dissection. He was the author of a treatise on mammals from the French Congo titled "Étude sur les mammifères du Congo français" (1897), and with Milne-Edwards, he was co- author of "Le rhinopithèque de la vallée du Haut Mékong (rhinopithecus bieti, A. M.-E.)", (The snub-nosed monkey from the valley of the Upper Mekong River; 1898).
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Gillet also composed a set of études titled Études pour L'enseignement Supérieur du Hautbois, or Studies for the Advanced Teaching of the Oboe, which have become a standard part of oboe repertoire. In the introduction to the études, Gillet stated that he wrote the studies for his students in order to be able to play the increasingly difficult solo and orchestral repertoire for the oboe, and that composers should use the études as a rough guide to the technical possibilities of the oboe. The études are in common use today. Oboist John de Lancie used the étude book as the fourth and final book in his pedagogical progression for his students at the Curtis Institute of Music.
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One theory attributes Ursu's violent death to him having refused to incriminate his writer friends during interrogations—among those whose activities may have interested the investigators were Bogza, Nina Cassian, and Iordan Chimet. Gabriela Blebea Nicolae, "Les défis de l'identité: Étude sur la problématique de l'identité dans la période post-communiste en Roumanie", in Ethnologies, Vol. 25, Nr. 1/2003 (hosted by Érudit.org); retrieved November 20, 2007 In late March 1989, ten months before the Romanian Revolution overthrew communism, Bogza, together with Paleologu, Doinaș, Hăulică, Octavian Paler, Mihail Șora, and Andrei Pleșu, signed the Letter of the Seven, addressed to Dumitru Radu Popescu (head of the Writers' Union) in protest over poet Mircea Dinescu's house arrest by the Securitate.
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Bachelard was a postal clerk in Bar-sur-Aube, and then studied physics and chemistry before finally becoming interested in philosophy. To obtain his doctorate (doctorat ès lettres) in 1927, he wrote two theses: the main one, Essai sur la connaissance approchée, under the direction of Abel Rey, and the complementary one, Étude sur l'évolution d'un problème de physique : la propagation thermique dans les solides, supervised by Léon Brunschvicg. He was a professor at the University of Dijon from 1930 to 1940 and then was appointed chair in the history and philosophy of science at the University of Paris. In 1958 he became a member of the Royal Academy of Science, Letters and Fine Arts of Belgium.
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The rack area for holding the music is either pre-set at a slight incline away from the performer (as compared with being straight up), so that a song book or étude book will lie open naturally, or the degree of incline can be adjusted by the performer (on more expensive stands). The portability of lightweight music stands can lead to some problems. Heavy fake books or full scores may overload the stand, leading to it falling over when a performer turns a page. As well, when a lightweight stand is used with its column fully extended, as by a standing orchestral timpanist or double bass player, a heavy part may be "tippy" on the over- extended column.
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Besides the sermons which he delivered in Paris and other cities, Bishop Bougaud wrote numerous works. While chaplain of the Visitation Convent, he wrote Étude sur la mission, les actes et le culte de saint Bénigne and Histoire de sainte Chantal. While Vicar-General of Orléans, he wrote Histoire de sainte Monique, Histoire de la bienheureuse Marguerite Marie,Published in English as "The Life of St. Margaret Mary Alacoque 1647-1690" , extensive quote online at Le Christianisme et les temps présents (his great apologetical work, in 5 vols.), Le grand péril de l'Église de France au XIXe siècle, and Histoire de saint Vincent de Paul (2 vols.). A volume of his discourses was published by his brother.
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Ursu was a person noted for his left-wing convictions. Gabriela Blebea Nicolae, "Les défis de l'identité: Étude sur la problématique de l'identité dans la période post-communiste en Roumanie", in Ethnologies, Vol. 25, Nr. 1/2003 (hosted by Érudit.org); retrieved November 19, 2007 Cristian Teodorescu, "A doua asasinare a lui Babu Ursu", in Cotidianul, July 12, 2007 Andrei Ursu, "Despărţire de Iordan Chimet" , in Revista 22, Nr. 849, June 2006 During World War II, while Romania was allied to the Axis Powers (see Romania during World War II), he was involved in antifascist activism, as one in a group which also comprised future essayist Iordan Chimet and future science fiction writer Camil Baciu.
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La Prima recensione araba e la Versione etiopica. Edizione critica e traduzione … Presentazione di Paolo Marrassini = Quaderni di Semitistica 27, Firenze: Dipartimento di Linguistica, Università degli Studi and the Greek version in 2007.Marina Detoraki and J.Beaucamp, 2007, Le martyre de saint Aréthas et de ses compagnons (BHG 166), édition critique, étude et annotation Marina Detoraki, traduction par Joëlle Beaucamp, appendice sur les versions orientales par André Binggeli = Collège de France – CNRS, Centre de recherche, d’histoire et de civilisation de Byzance, Travaux et Mémoires – Monographies 27, Le massacre de Najrân. Religion et politique en Arabie du Sud au VIe siècle I, Paris: Association des amis du Centre d’histoire et de civilisation de Byzance.
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Frescoes in the chapel from 1638 According to tradition, the monastery was founded in 1055 by the monks Damian and Joachim, who dedicated it to the birth of the Holy Mother of God (Theotokos). The 19th-century French traveller Léon Heuzey, on the other hand, dated the foundation of the monastery to the ninth century.Léon Heuzey: Le mont Olympe et l'Acarnanie: exploration de ces deux régions, avec l étude de leurs antiquités, de leurs populations anciennes et modernes, de leur géographie et de leur histoire. Ministère de l'Instruction publique au ministère de d'État, Paris 1860 Online The first written record, however, is a 1638 inscription on the painting of frescoes for the chapel dedicated to All Saints.
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After this, Lemoine published another series of papers, including a series on what he called transformation continue (continuous transformation), which related mathematical equations to geometrical objects. This meaning stood separately from the modern definition of transformation. His papers on this subject included, Sur les transformations systématiques des formules relatives au triangle (1891), Étude sur une nouvelle transformation continue (1891), Une règle d'analogies dans le triangle et la spécification de certaines analogies à une transformation dite transformation continue (1893), and Applications au tétraèdre de la transformation continue (1894). In 1894, Lemoine co-founded another mathematical journal entitled, L'intermédiaire des mathématiciens along with Charles Laisant, a friend whom he met at the École Polytechnique.
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Clusius writes: Primum autem locum merito sibi vindicabit elegant et rarissimus ille, quem, ex Peruano orbe delatum, in suo horto alebat Everardus Munichoven et florentem suis coloribus exprimi curabat. A French translation of it is to be found here: Cette [Hyacinthus] élégante et très rare, rapportée de la région du Pérou, que cultivait dans son jardin Everard de Munich[oven] (à qui cette étude tient à coeur) et qu'il soignait en fleurs pour ses couleurs parmi les plus belles. The error was already mentioned in 1804 in Curtis's Botanical Magazine. There is no reliable source for the story about a ship named 'Peru', shipping plants from Spain to Northern Europe, misleading Clusius or Linnaeus into giving the erroneous name.
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Gallois made major contributions to the Annales de géographie, a geographical journal that he co-founded with his mentor, Paul Vidal de la Blache. Following the death of Vidal de la Blache in 1918, he assumed directorship of Géographie universelle, a major project involving regional geography of the entire world. Gallois had a keen interest in the fields of cartography and history of geography, as made evident by an influential 1890 study on German geographers of the Renaissance titled Les géographes allemands de la Renaissance. Another noted publication of his was Régions naturelles et noms de pays: Étude sur la région Parisienne (Natural regions and country names: A study of the Paris region).
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Annales d'Hygiène Publique et de Médecine Légale 29: 185-203. In 1860, a key paper gathered together a series of 32 such cases, of which 18 were fatal, the children dying from starvation and/or recurrent physical abuse; it included the case of Adeline Defert, who was returned by her grandparents at the age of 8, and for 9 years tortured by her parents – whipped every day, hung up by her thumbs and beaten with a nailed plank, burnt with hot coals and her wounds bathed in nitric acid, and deflorated with a baton.Tardieu A (1860) Étude médico-légale sur les sévices et mauvais traitements exercés sur des enfants. Annales d’Hygiène 15: 361-398.
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These include depictions of Ulrike Meinhof, a leader of the Red Army Faction, the writer and dramatist Antonin Artaud, and a number of self-portraits. At the same time, he painted the cycles L’Ennemi Intérieur (The Enemy Inside), In Memoriam Ulrike Meinhof and Étude pour Artaud (Study for Artaud), which depict the subjects of these paintings being violently attacked. Throughout the years following, increasingly recurring symbols such as the cross and the swastika were combined in geometric compositions. An example is the series of etchings entitled Exil De Peintre (The Painter’s Exile), which he published as a book and presented in an exhibition of the same name at the Caermersklooster in Ghent in 2003.
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Louis-Félix Henneguy (18 March 1850 – 16 January 1928) was a French zoologist and embryologist born in Paris. In 1875, he received his medical doctorate from the University of Montpellier with a dissertation on the physiological action of poisons, Étude physiologique sur l'action des poisons. In 1883 he obtained his agrégation with Les lichens utiles, a thesis on useful lichens. During his career he was a professor of comparative embryology at the Collège de France (1900–28), and a member of the Académie de Médecine, the Académie d'Agriculture and the Académie des sciences (1908–28).HENNEGUY Louis-Félix at Sociétés savantes de France From 1894 he was director of the journal, Archives d'anatomie microscopique.
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In 2004, he published a two-volume linguistic study, The Bantu Languages of Congo-Brazzaville: Typological Study of the Languages of Group C20 (Mbosi or Mbochi) (Les langues bantoues du Congo- Brazzaville – Étude typologique des langues du groupe C20 (mbosi ou mbochi))."L’ambassadeur Antoine Ndinga Oba publie un ouvrage sur le patrimoine linguistique congolais", Les Dépêches de Brazzaville, 13 April 2004 . Other linguistic books written by Ndinga Oba included Lingala and Mounoukoutouba: two variants of Kibangou (Le lingala et le Mounoukoutouba - deux variantes de Kibangou) and Lexical Structures of Lingala (Structures lexicologiques du lingala). He also wrote on the subject of education; in 1989, he published Education in Africa: the Case of Congo (L'Education en Afrique, le cas du Congo).
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Another example of resilience cited by Kogan is that of Frédéric Chopin, who lived out the entire, brief second half of his life in France, in self-imposed exile from his beloved, dismembered Poland. The Russian Empire's suppression of Poland's November 1830 Uprising had thrown him into such despair that, in a notebook, he wondered how God, if He existed and was not Himself a Russian, could permit such a calamity. Chopin also poured his distress into compositions such as the Revolutionary Étude, which combines a sense of palpable loss with a sense of unvanquishable resistance. In that composition, 20-year-old Chopin showed his resilience by converting his anguish into inner healing through the truest expression of his feelings.
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Hermann was born in Budapest, Hungary, on 27 March 1902 and came from a Jewish family. About his early childhood not much more than an anecdote remains: he was only prepared to study for his piano lessons if for every étude he prepared, he would receive one cent. He studied at the Franz Liszt Academy of Music from 1915–1919 and developed close relationships, both musical and personal, with his teachers of composition Béla Bartók and Zoltán Kodály, violinist Zoltán Székely,"Duo for Violin and Cello" and pianists Géza Frid and Lili Kraus. At the Franz Liszt Academy of Music he studied cello under Adolf Schiffer and composition, first under Leo Weiner, who was also his teacher of chamber music.
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A rare, extended use of the Lydian mode in the Classical repertoire is Simon Sechter's 1822 Messe in der lydischen Tonart (Mass in the Lydian Mode) . A more famous example from around the same time is the third movement of Ludwig van Beethoven's String Quartet No. 15 in A minor, Op. 132 (1825), titled by the composer "Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart" ("Holy Song of Thanksgiving by a Convalescent to the Divinity, in the Lydian Mode"). The alternating passages in F use the Lydian scale with sharp fourth scale degree exclusively. Charles-Valentin Alkan's Allegro barbaro (Étude Op. 35, No. 5, published in 1848) is written strictly in F Lydian, with no B's present at all (,).
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Marie-Thérèse Joniaux (née Maria Teresa Joséphe Ablaÿ; October 15, 1844 - 1923) was a Belgian poisoner who made headlines in 1894-1895 as part of the Joniaux Affair after the triple poisoning perpetrated against her sister, Léonie Ablaÿ, her uncle-by-marriage, Jacques Van de Kerkhove and her brother, Alfred Ablaÿ. She was sentenced to death on February 3, 1895.Raymond de Ryckère, L'affaire Joniaux, triple empoisonnement - acte d'accusation, rapport des médecins-experts et chimistes : MM. de Visscher, de Baisieux, Van Vyve, G. Bruylants et Herman Druyts, voix d'outre-tombe (mémoire de Joniaux), étude du procès, par M. Raymond de Ryckère, A. Storck, Lyon, 1895, consultable en ligne sur la BNF. Her death sentence was commuted to life imprisonment, and she died in Antwerp in 1923.
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Henri Skoda (born 1945) is a French mathematician, specializing in the analysis of several complex variables.Skoda's homepage Skoda studied from 1964 at l'École normale supérieure and received there in 1967 his agrégation in mathematics. He received in 1972 his Ph.D. from the University of Nice Sophia Antipolis under André Martineau (primary advisor) and Pierre Lelong (secondary advisor) with thesis Étude quantitative des sous-ensembles analytiques de Cn et des idéaux de functions holomorphes.Étude quantitative des sous-ensembles analytiques de Cn et des idéaux de functions holomorphes; Skoda, Henri - Notice documentaire IdRef Skoda became a professor in Toulon and since 1976 has been a professor at the University of Paris VI. For many years he ran an analysis seminar with Pierre Lelong and Pierre Dolbeault.
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Tempos in the third movement are different for each group. The étude starts with the basses from group I, which are marked Tempo giusto (♩ = 90); then, the two altos from group I join in with different parts, marked Allegro vivace (♩ = 160); both sopranos, which also play different parts, are the next ones to join, marked Allegro con anima (♩ = 140); both tenors from group I join in some time later, playing both the same part at Allegro moderato (♩ = 110). Finally, group II as a whole joins the rest of the musicians. They are split into two parts, sopranos and altos from group II playing one part and tenors and basses from group II playing the other one.
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Recuerdos de la Alhambra has been used as title or incidental music several times, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret. Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode "Luxury Lounge." Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half- way point of his evening weekday show.Gideon Coe, BBC Radio 6Music A sung version appears in the Studio Ghibli film When Marnie Was There.
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Langage, langues et mémoire, étude de la prise de note en interprétation consécutive, with a preface by Jean Monnet, was based on her PhD thesis, defended in 1973, and was published in 1975. Together with Marianne Lederer, she went on to develop the theory of sense, which subsequently became known as the Interpretive Theory of Translation. In a departure from the linguistic approach, which had previously characterized translation studies, Danica Seleskovitch postulated that successful written and oral translation (interpreting) is based on an understanding of the message in the source language and the restatement of that message in the target language, focusing on the sense and not simply on the words of the original, while nevertheless taking account of their register and style.
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There exist two diplomas dated to the reign of Alfonso III of Asturias and referring to him as emperor, but both are early twelfth-century fabrications emanating from the scriptorium of the Diocese of Mondoñedo and Bishop Gonzalo, designed to bolster that church's claims in a dispute of 1102.García Gallo 1945, 203, credits Lucien Barrau-Dihigo, "Étude sur les actes des rois asturiens (718–910)", Révue Hispanique, 46 (1919): 91–96, 133–34, and 137–38, with demonstrating the forgery. The first document, dated to 866 or 867, confirmed by Alfonso, who signs as "I, Alfonso, of all Spain emperor, who is unworthily permitted to be called the Catholic".García Gallo 1945, 203: Ego Adefonsus totius Hispaniae imperator, qui licet indigne vocitor Catholicus.
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As early as 1317, however, Paris book shops began adding books from other translations—mainly the one known as the Thirteenth-Century Bible or the University of Paris Bible—to expand the French Bible over several stages to conform to the canonical Vulgate.Berger, Samuel. La Bible française au Moyen Âge : étude sur les plus anciennes versions de la Bible écrites en prose de langue d'oil, Genève, Slatkine Reprints (Fac Similé de l'édition originale Paris, 1884), 1967. Samuel Berger categorized the manuscripts into four main families according to their contents, although many fifteenth-century copies resist categorization for their inclusion of new glosses, prologues and other additions from a variety of sources; these have been further categorized and described by Clive Sneddon.
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The fortress has deteriorated considerably as a result of erosion. Excavations were carried out at al-Rahba, including the presumed site of Rahbat Malik ibn Tawk along the Euphrates bank, between 1976 and 1981 under the auspices of Syria's General Directorate of Antiquities and Museums, the Institut Français d'Etudes Arabes de Damas and the University of Lyon II. In later years, surveys of the site and the surrounding desert and Euphrates and Khabur valleys were carried out by multi-disciplinary teams of Syrian, American and European archaeologists.Bianquis 1995, pp. 395–396. One of the French surveyors, J. L. Paillet, sketched the plans and elevations of the fortress, which are detailed in his 1983 dissertation, Le château de Rahba, étude d'architecture militaire islamique médiévale.
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The eldest of five children, Chandon was born to Marie Duhan and merchant François Chandon on 21 November 1885 in the 11th arrondissement of Paris. In July 1906, she completed her degree in Mathematical Sciences at the . She began working at the Paris Observatory in November 1908 as a trainee, where she met Jacques Jean Trousset after he joined her team in January 1909. They married on 6 April 1910 in Saint-Cloud but the marriage was short-lived; the pair divorced on 26 April 1911.Étude généalogique J. d'Enfert On 28 February 1912, Chandon was appointed aide astronome et attachée at the Paris Observatory, effective from 1 March, and the appointment made her the first professional female astronomer in France.
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A student of the École nationale des chartes, Jean Babelon wrote a thesis entitled La moralité de Bien Advisé et Mal Advisé, précédée d'une étude sur les moralités en général which earned him the degree of archivist paleographer in 1910. He then joined the Cabinet des médailles of the Bibliothèque nationale de France, then headed by his father. He made his whole career in this institution and led the department between 1937 and 1961. He was the author of a significant scientific work, primarily in the fields of numismatics (Catalogue de monnaies grecques de la collection de Luynes (4 volumes, 1924-1936), catalogue de la Collection de monnaies et médailles de M. Carlos de Beistegui (1934)) as well as in Spanish art and literature.
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Tidal currents are in phase with the tide, hence are quasiperiodic; they may form various knots in certain places, most notably around headlands. Non-periodic currents have for origin the waves, wind and different densities. The wind and waves create surface currents (designated as “drift currents”). These currents can decompose in one quasi-permanent current (which varies within the hourly scale) and one movement of Stokes drift under the effect of rapid waves movement (at the echelon of a couple of seconds).).Étude de la dérive à la surface sous l’effet du vent, Observation and estimation of Lagrangian, Stokes and Eulerian currents induced by wind and waves at the sea surface, F. Ardhuin, L. Marié, N. Rascle, P. Forget, and A. Roland, 2009: J. Phys. Oceanogr.
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Adam Frans van der Meulen, Dole prise dans la premiere conqueste que le Roi a fait de la France Comté, at Donald A. Heald He was also known for depicting courtly retinues mounted on their horses. His reputation for this type of scene as well as his skill in the painting of horses reached France.Isabelle Richefort, Cheval noir galopant d' Adam- François Van der Meulen Une étude retrouvée de l'ancien fonds des Gobelins This led to the artist being called to Paris where he entered into the service of Louis XIV on 1 April 1664. Jean-Baptiste Colbert, the powerful surintendant des Bâtiments, Arts et Manufactures (Superintendent of Buildings, Arts and Manufactures) and later minister of finance, is believed to have been behind the royal appointment of van der Meulen.
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The recordings were then issued as "Sidney Bechet's One Man Band" In 1948 experiments mixing sound effects and musical instruments made by Pierre Schaeffer at the Radio Télédiffusion Française experimental studio in Paris led to Étude aux Tourniquets, the first avant garde composition using recording as a composition technique, recorded and mixed directly on acetate records as tape recorders were not yet available. Similar sound collage experiments had been made by Edgard Varèse in the 1920s but Varèse, also a French composer, wrote scores later played live by musicians. As from 1949, Schaeffer composed and recorded on acetates with Pierre Henry (Symphonie pour un homme seul, 1950), who also recorded with Varèse in 1954. Together they used some of the earliest tape recorders available in the early 1950s.
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While several of the Olympic art medallists have achieved at least national fame, few of them can be considered well-known artists globally. In fact, the 1924 Games featured better known jury members than artists, with artists like Selma Lagerlöf and Igor Stravinsky judging the entered works. Judging by the medals won, Luxembourg painter Jean Jacoby is the most successful Olympic artist, winning the gold medal for his 1924 painting Étude de Sport, and for his drawing Rugby in 1928. Swiss artist Alex Diggelmann won three medals, a gold one in 1936 (for his poster Arosa I Placard), and a silver and a bronze in the 1948 applied arts & crafts class, both with commercial posters. Danish writer Josef Petersen won a silver medal on three occasions: in 1924, 1932, and 1948.
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His compositions include Rêverie mélancolique and Sérénade humoristique for orchestra, a concertino for three pianos (which has been recently performed in the USA),Silvermine School of Music The Fantasmagories Suite, Suite for Two Pianos, 6 Concert Studies after Chopin's Études, Concert Étude after Chopin's Minute Waltz, 2 Valse-Caprices on Themes of Schubert, 4 Valse-Caprices on themes of Strauss, and arrangements and transcriptions such as the Scherzo from Felix Mendelssohn's A Midsummer Night's Dream for two pianos, and a large number of works by Bach transcribed for one or two pianos.Bach cantatas His composition Feux-Follets (from "Pastels For Piano", no. 3) was recordedDuo-Art reproducing piano roll 6849-4, 1925 by his pupil Guiomar Novaes, a Brazilian pianist. He wrote a considerable number of transcriptions for the left hand.
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Main entrance, inner court, ENAC Toulouse Research is a growing business at ENAC. Industry oriented university, it appears in 1984, following the law on higher education which provides that « la formation des ingénieurs...comporte une activité de recherche, fondamentale ou appliquée » (engineer training...contains a research activity, pure or applied).Book 50 and d'Enac page 125 It was originally organized around four areas: electronics, automation, computer and air transport economy. Mid-2009, the research teams were in the following laboratories: automatique – recherche opérationnelle (LARA) (automation – operational research),Laboratoire de recherche opérationnelle et automatique économie – d'économétrie de l'aérien (LÉÉA) (economy – air econometrics),Laboratoire d'économie et d'économétrie de l'aérien étude – d'optimisation des architectures des réseaux de télécommunications (LÉOPART) (study – optimization of telecommunications networks architectures)Présentation (succincte) du LEOPART,Développement d'algorithmes de planification tactique de trajectoires avion.
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Emmanuel Trélat was admitted at École normale supérieure de Cachan (mathematics) in 1995 and obtained the agrégation in 1998. In 2000, he obtained a doctorate under the direction of Bernard Bonnard at the University of Burgundy at Dijon with thesis titled Étude asymptotique et transcendance de la fonction valeur en contrôle optimal; catégorie log-exp en géométrie sous- Riemannienne dans le cas Martinet (Asymptotic study and transcendence of the value function in optimal control; category log-exp in sub-Riemannian geometry in the Martinet case). In 2001 he was appointed an assistant professor at the University of Paris-Sud, where he obtained in 2005 his habilitation Contrôle en dimension finie et infinie (Control in finite and infinite dimension). In 2006 he was appointed a professor at the University of Orleans.
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Albright won the 2007-2008 Harvard Bach Society Orchestra Competition as a freshman and performed the Tchaikovsky Piano Concerto, No. 1 with the group in February 2008. During the summer, he competed in the 2008 Sydney International Piano Competition in Sydney, Australia, where he finished as a semi-finalist and won the category for playing a Franz Liszt study piece (étude), and was given a prize for the "Best Performance of a 21st Century Work in Stage 1." Yo-Yo Ma with Albright in December 2008 On December 1, the pianist performed for the first time with cellist Yo-Yo Ma at the Harvard ceremony presenting the late Senator Ted Kennedy with an Honorary Doctorate degree. At the ceremony, guests included Supreme Court Justice Stephen Breyer, Senator John Kerry, and then Vice- President-Elect Joe Biden.
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The first women religious in what would become the United States, were fourteen French Ursuline nuns who arrived in New Orleans in July 1727,Blondeau, Caherine. Étude normande: La vie littéraire à Rouen au 18ème siècle: "Le Mississipy est en cet endroit plus large que n'est la rivière de Seine à Roüen", à propos de la Relation du voyage des dames religieuses Ursulines de Roüen à la Nouvelle Orléans, p. 50. and opened Ursuline Academy, which continues in operation and is the oldest continuously operating school for girls in the United States. The Sisters of Saint Anne are a Roman Catholic religious institute, founded in 1850 in Vaudreuil, Quebec, Canada, by the Blessed Marie Anne Blondin, S.S.A. The Sisters arrived in the United States in September 1867 at the request of the Bishop of Buffalo, opening a school in Oswego, New York.
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Boursault replied to Boileau in his Satire des satires (1669), but was afterwards reconciled to him, when Boileau on his side erased his name from his satires. Boursault obtained a considerable pension as editor of a rhyming gazette, which was, however, suppressed for ridiculing a Capuchin friar, and the editor was only saved from the Bastille by the interposition of Condé. In 1671 he produced a work of edification in Ad usum Delphini: la veritable étude des souverains, which so pleased the court that its author was about to be made assistant tutor to Louis, Grand Dauphin when it was found that he was ignorant of Greek and Latin. The post then went to Pierre Huet, but perhaps in compensation, Boursault was made collector of taxes at Montluçon about 1672, an appointment that he retained until 1688.
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Falk won four Emmys for his role as Columbo. Columbo was so popular, co- creator William Link wrote a series of short stories published as The Columbo Collection (Crippen & Landru, 2010) which includes a drawing by Falk of himself as Columbo, and the cover features a caricature of Falk/Columbo by Al Hirschfeld. As Lt. Columbo with Martin Landau in episode "Double Shock" where Landau played a dual role as twin brothers, 1973. Lieutenant Columbo owns a basset hound named Dog. Originally, it was not going to appear in the show because Peter Falk believed that it ‘already had enough gimmicks’ but once the two met, Falk stated that Dog ‘was exactly the type of dog that Columbo would own,’ so he was added to the show and made his first appearance in 1972's "Étude In Black".
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In the autumn of 1885, the twelve-year-old Rachmaninoff entered the home of Nikolai Zverev to receive private piano instruction and at the end of May 1886, Zverev took his students to Crimea, where Rachmaninoff continued his studies, hoping to gain entrance to Anton Arensky's harmony class at the Moscow Conservatory. It was during this time that Rachmaninoff created his first composition, a two-page Étude in F-sharp major (the manuscript is now lost). After admission to the class, he produced more exercises, the earliest of which is a Lento in D minor; it is the only surviving piece of ten he is said to have composed. Now beginning to compose independently, Rachmaninoff's next project was a group he titled Three Nocturnes, and is regarded as his first serious attempt at writing for the piano.
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40 He also provided the designs for the illustrations of a book by Jean Chifflet which contains the manuscript of Jean L'Heureux under the title Ioannis Macarii canonici ariensis Abraxas seu Apistopistus; quae est antiquaria de gemmis basilidianis disquistio accedit Abraxas proteus seu multiformis gemmae basilidianae portentosa varietas (Anwerp, Ex officina Plantiniana Balthasaris Moreti, 1657).Emmanouēl Rhoïdēs, La papesse Jeanne, roman historique, précédé d'une étude historique, traduit, E. Capiomont et V. Renault, 1878, p. 54Ioannis Macarii canonici ariensis Abraxas seu Apistopistus; quae est antiquaria de gemmis basilidianis disquistio accedit Abraxas proteus seu multiformis gemmae basilidianae portentosa varietas, Antwerp, Ex officina Plantiniana Balthasaris Moreti, 1657 In particular, he drew the cameos that form the illustrations this book which is an archeological treatise on antique gems. The Plantin Moretus Museum holds a total of 127 of these drawings.
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Later French infantry tactics moved away from the costly la percée towards a more practical grignotage ('nibbling', taking in small bits) doctrine, which employed a series of smaller and more methodical operations with limited objectives; each of these were still planned at headquarters, rather than from immediate local initiative. Note 5779 also describes an early form of rolling barrage in its artillery annex; this was employed with success and continued to be developed by the French as well as by most other nations throughout the war.Kraus Podcast . Kraus, Early trench tactics in the French Army, pp. 23–32. In August 1915, a young French infantry officer, Captain , put forward additional ideas in a pamphlet titled Étude sur l’attaque dans la période actuelle de la guerre ('Study of the Attack in the Current Period of the War').
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La France dans la Deuxième Guerre mondiale. Synthèse zone occupée - décembre 1940 (DSA). Étude sur les rapports des préfets pour le mois de é 1940, hosted by Institut d'Histoire du Temps Présent National-Collectivist paramilitaries continued to be active in Paris. RNP and PFNC squads were patrolling the streets in August 1941, shortly after the French Resistance had tried but failed to assassinate Déat."L'attentat vu par un témoin", in Paris-Midi, August 28, 1941, p. 1 Clémenti was still present in the occupied zone and, in March 1942, was briefly detained in Fresnes Prison. This was a literal enforcement of his 1939 fine, unusual since, at the time, Daladier had been captured by Vichy and was facing charges for treason in the "Riom Trial". From August or September, Clémenti was entirely absent from France, fighting alongside the LVF on the Eastern Front.
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The first of the four to be composed, this étude alternates two separate sets of refrains with longer strophes given over to the rhythmic neumes of the title. The first set of refrains is marked "rythme en ligne triple: 1 à 5, 6 à 10, 11 à 15", which means there are three durations, short, medium, and long, which are progressively expanded, upon each repetition, by the addition of a semiquaver unit. The second set of refrains is marked "Nombre premier en rythme non rétrogradable" (A prime number in non-retrogradable rhythm) and, like the first set of refrains with which they alternate, are expanded upon repetition—in this case by a series of progressively larger prime numbers: 41, 43, 47, and 53 semiquavers. The strophes which occur between the refrains are marked "neumes rythmiques, avec résonances et intensités fixes" (rhythmic neumes, with fixed resonances and intensities).
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Jean Metzinger, 1911, Étude pour le portrait de Guillaume Apollinaire, graphite on paper, 48 × 31.2 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris Apollinaire wrote the preface for the first Cubist exposition outside of Paris; VIII Salon des Indépendants, Brussels, 1911.Préface, in Catalogue du 8e Salon annuel du Cercle d'art Les Indépendants, Musée moderne de Bruxelles, 10 June – 3 July 1911. In an open-handed preface to the catalogue of the Brussels Indépendants show, Apollinaire stated that these 'new painters' accepted the name of Cubists which has been given to them. He described Cubism as a new manifestation and high art [manifestation nouvelle et très élevée de l'art], not a system that constrains talent [non-point un système contraignant les talents], and the differences which characterize not only the talents but even the styles of these artists are an obvious proof of this.
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Some of her most known works were choreographies for Orfeus (1926) based upon Gluck's Orfeo ed Euridice, Stormen (The Tempest, 1929) by Sibelius, The Dybbuk by S. Ansky (1934), and the Topelius and Melartin version of Sleeping Beauty (1937). After 1932, Gripenberg focused exclusively on teaching and choreographic works, leaving performance to other artists. Her choreography, influenced by Duncan, took improvisation and developed it into modern dance, changing lyrical visualization into stylized geometric, strong movements. Musical rhythm, with smooth steps in which the toes were place on the floor and flexed before the heel touched the ground and controlled arms, which added to the overall design of the dance were hallmarks of her style. She won first prize for her choreography on small-group composition at the 1939 Brussels Concours International de Danse, with a 5-women ensemble performing Gossip, Percussion Instrument Étude and Slavery.
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Great Blue Heron in the wetlands surrounding lac Boivin. Inventories of birds living in Quebec are conducted by ÉPOQ (Étude des populations d'oiseaux du Québec (translates to: study of bird populations of Quebec)); the North Yamaska river being very important for birds because of the vast swamps surrounding Boivin lake and the Yamaska National Park, an interest is given to it and allows for a good source of data based on the observations of the COOHY (Club d'Observateurs d'Oiseaux de la Haute-Yamaska (English: Haute-Yamaska birdwatching club)). A myriad of species reside there year-round, though a large part migrates southwards in the autumn, only to return in the spring. The presence of the watercourse means that many aquatic species thrive there; among these, some of the most impressive and common are the great blue heron, the double-crested cormorant, and the Canada goose.
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Croatian painter Mirko Rački, also adopted the mythos and painted numerous paintings within Kosovo cycle, including The Mother of the Jugović, Nine Jugović brothers, Kosovo Maiden and Miloš Obilić. French translation of Serbian epic songs of the Kosovo cycle Chants de guerre de la Serbie, étude, traductions, commentaires (1916) by was awarded an Prix Langlois by the Académie Française. Shortly after the withdrawal of the Serbian Army through Kosovo and Albania during World War I, the poets began writing on Kosovo topics again. In 1917, Milutin Bojić published the Poems of pain and pride, a lyrical depiction of the torture of people during the war, and deeply affected by the events he wrote: “We bravely sow our new graves... O, Lord, haven’t we had enough punishment... It is time to lift the gravestones”. The same year, poet Milosav Jelić wrote the Serbian sequence and Rastko Petrović published the “Kosovo Sonnet”.
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Although a work > of great intricacy and virtuosity that doesn't ignore Salonen's Modernist > training, "LA Variations" builds on rhythmic innovations closer to Adams. > The piece proved an immediate hit, so much so that Salonen was stunned by > the reaction and then by the score's continuing success – it has been taken > up by several other conductors and had more than 80 performances worldwide. In order to devote more time to composition, Salonen took a year's sabbatical from conducting in 2000, during which time he wrote a work for solo horn (Concert Étude, the competition piece for Lieksa Brass Week), Dichotomie for pianist Gloria Cheng, Mania for the cellist Anssi Karttunen and sinfonietta, and Gambit, an orchestral piece that was a birthday present for fellow composer and friend Magnus Lindberg. In 2001, Salonen composed Foreign Bodies, his largest work in terms of orchestration, which incorporated music from the opening movement of Dichotomie.
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A lawyer at the time of the French Revolution, he became president of the district court of Chartres. He was elected to the Convention by the departement of Eure-et-Loir on 5 September 1792, the fifth of nine deputies returned, and joined the Girondin faction. On 27 September 1792, he was named a member of the Commission of Six, charged with reporting on the state of the city of Paris and of bringing forward means of maintaining a watch on secret agitators and punishing incitement to murder. On 13 October he was appointed to the Committee of Division, which was working on the drafting of new administrative boundaries in France,Serge Aberdam, Démographes et démocrates: l’œuvre du Comité de division de la Convention nationale : étude d'histoire révolutionnaire, Société des études robespierristes, 2004 p.86 and on 10 January 1793 he became secretary of the Convention.
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These courses gave academy members a chance to identify and nurture six of the most gifted young students in any given year and offer them a place on a scheme known as the École royale des élèves protégés, a scheme which offered free tuition with a small stipend, for three years, preparing students for Prix de Rome competitions.Louis Courajod, Histoire de l'enseignement des arts du dessin au XVIIIe siècle. L'École royale des élèves protégés, précédée d'une étude sur le caractère de l'enseignement de l'art français aux différentes époques de son histoire, et suivie de documents sur l'École royale gratuite de dessin fondée par Bachelier, Paris, J.-B. Dumoulin, 1874, cité par Annie Verger, « Entrer à l'Académie de France à Rome -- La faveur, le droit, le choix », dans Gérard Mauger, Droits d'entrée: Modalités et conditions d'accès aux univers artistiques, Paris, Ed. MSH, 2006 (lire en ligne [archive]), p. 13-46.
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He was a regular contributor to The Étude, Le Ménéstral, The Musician, and Le Courrier Musical magazines, and published several short books on technique, including "Some Thoughts on Piano Playing."Durand et fils (1928) He is probably best known for his publication of "The Complete School of Piano Technique", published by Theodore Presser. He also edited music by Albéniz, Alkan, Bizet, Chabrier, Chaminade, Couperin, Debussy, Delibes, Dvořák, Fauré, Franck, Godard, Gouvy, d'Indy, Kabalevsky, Khachaturian, Lully, Massenet, Mozart, Pierné, Prokofiev, Pugno, Rachmaninoff, Rameau, Ravel, Saint-Saëns, Scarlatti, Schumann, Widor, and others.Joyner Library CatalogueLeisure and Cultural Services Departmentalibris Most of these edited works, especially the piano concertos, remain the standard interpretations today and have not been improved upon or updated. Philipp recorded several works by his teacher Saint-Saëns: these include chamber music and the Scherzo for two pianos, with his assistant Marcelle Herrenschmidt (1895–1974).
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Initially the conflict was waged through educational and religious propaganda, with a fierce rivalry developing between supporters of the Ecumenical Patriarchate of Constantinople, who identified as Greek, and supporters of the Bulgarian Exarchate, which had been established by the Ottomans in 1870. Under these conditions, in the early 20th century a vicious guerrilla war broke between Bulgarian and Greek bands within the area. In the book "Ethnography of the vilayets of Adrianople, Monastir and Salonika ", published in Constantinople in 1878, that reflected the statistics of the male population of 1873, Moschohori (Vembel) is listed as a village with 150 households with 420 inhabitants Bulgarians. According to Al. Synvet ("Les Grecs de l'Empire Ottoman. Étude Statistique et Ethnographique") in 1878 in Moschohori (Vambeli) lived 600 Greeks. In 1889 Stefan Verkovich (Топографическо-этнографическій очеркъ Македоніи“) wrote that the village had 135 Bulgarian families with 656 inhabitants.
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Paul Gauguin, Tahitian: Fatata te miti (By the Sea) 1892, oil on canvas, 67.9 x 91.5 cm, The National Gallery of Art The first Salon d'Autumne exhibition opened 31 October 1903 at the Palais des Beaux-Arts de la Ville de Paris (Petit Palais des Champs-Élysées) in Paris.Le Premier Salon d'Automne, Le Bulletin de la vie artistique, No. 21, Bernheim-Jeune (Paris), 1 November 1921, pp. 550-553 Included in the show were the works of Pierre Bonnard, Coup de vent, Le magasin de nouveautés, Étude de jeune femme (no. 62, 63 and 64); Albert Gleizes, A l'ombre (l'Ile fleurie), Le soir aux environs de Paris (no. 252, 253); Henri Matisse, Dévideuse picarde (intérieur), Tulipes (386, 387), along with paintings by Francis Picabia, Jacques Villon, Édouard Vuillard, Félix Vallotton, Maxime Maufra, Henri Manguin, Armand Guillaumin, Henri Lebasque, Gustave Loiseau, Albert Marquet, with an homage to Paul Gauguin who died May 8, 1903.
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Breton, with the support of Charles Benoist, accused the French government of sponsoring the excesses of the Cubists by virtue of providing an exhibition space at the Grand Palais. Against the attacks of his colleagues, Marcel Sembat, the French socialist politician, defended the principles of freedom of expression, while refusing the idea of a state-sponsored art. Sembat, closely linked to the arts, with friends including Marquet, Signac, Redon and Matisse (about whom he would write a bookMarcel Sembat, Matisse et son œuvre, Paris, NRF, 1920: See too Henri Matisse, trente reproductions de peintures et dessins, précédées d'une étude critique par Marcel Sembat, de notices biographiques et documentaires, Paris, Éditions de la Nouvelle revue française, 1920). His wife, Georgette Agutte, an artist associated with the Fauves, had exhibited from 1904 at the Salon des Indépendants and participated in the founding of the Salon d'Automne (her art collection included works by Derain, Matisse, Marquet, Rouault, Vlaminck, Van Dongen, and Signac).
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In these years, Menn also experimented together with Jules Darier, another of Corot's friends in Geneva, in producing daguerreotypes, though none of them are known to have been preserved. He also travelled again extensively, this time along the Rhone Valley and to the South of France. It was in these years that he turned completely to the paysage intime (intimate landscape) and achieved similar results to those of Corot, without attaining the latter's impressive level of creativity. In 1850, Menn was appointed director of the Geneva art school and from then on taught figure drawing, rather than landscapes, for 42 years. In this position, he trained two generations of Swiss painters, among them Eugène Burnand, , Edouard Vallet and Ferdinand Hodler, who reputedly said: ‘It is to him [Menn] that I owe everything’.‘C’est à lui que je vaut tous’, quoted in Jura Brüschweiler, Barthélemy Menn 1815–1893: Étude critique et biographique, Zurich: Swiss Institute for Art Research, 1960, p. 57.
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The Wild Hunt is the subject of Transcendental Étude No. 8 in C minor, "Wilde Jagd" (Wild Hunt) by Franz Liszt, and appears in Karl Maria von Weber's 1821 opera Der Freischütz and in Arnold Schönberg's oratorio Gurre-Lieder of 1911. César Franck's orchestral tone poem Le Chasseur maudit (The Accursed Huntsman) is based on Gottfried August Bürger's ballad Der wilde Jäger. The Wild Hunt also appears in Marvel Comics, primarily the Thor series, and is led by Malekith the Accursed, the Dark Elf King of Svartalfheim and one of Thor's archenemies. The subject of Stan Jones' American country song "Ghost Riders in the Sky" of 1948, which tells of cowboys chasing the Devil's cattle through the night sky, resembles the European myth. Swedish folk musician The Tallest Man on Earth released an album in 2010 entitled The Wild Hunt, and in 2013 the black metal band Watain, also Swedish, released an album with the same title.
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Montauk Variations received positive reviews across the UK press and was generally praised for its sense of serenity and stillness compared to Bourne's earlier work in "improvisational jazz [and] proto metal outfits". On the Metacritic website, which aggregates reviews from critics and assigns a normalised rating out of 100, Montauk Variations received a score of 74, based on 1 mixed and 5 positive reviews. All About Jazz wrote, "Montauk Variations is about economy and lyricism. Bourne's use of sharper edges only serves to highlight the sheer beauty of their surrounding soft surfaces, making Montauk Variations an absolutely beautiful album of respite, restoration and renewal". The Skinny praised the album, saying, "Whether mellow and romantic (Juliet) or tumultuously erratic (Étude Psychotique), Bourne’s work is ceaselessly inventive and always absorbing". Drowned In Sound wrote that "whilst the album may be far from simple, it’s certainly the feeling of simplicity that makes this endearing, if not inspiring".
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During prehistoric times Negrine was within the Capsian cultural area, which lasted from ca. 8500 BC to 5400 BC.G. Camps, « Escargotières », dans Encyclopédie berbère, Aix-en-Provence, Edisud, 1997 (lire en ligne), pp. 2683–2691. Snail shells and piles of ash which include mixed tools and kitchen refuse are some of the defining cultural elements of the Capsian culture, as well as engraved ostrich eggs.Simone Mulazzani (dir.), « Le Capsien de Hergla (Tunisie). Culture, Environment et économie ». Reports in African Archaeology 4. Frankfurt M., 2013, Africa Magna Verlag.J. de Morgan, Dr Capitan et P. Baudry, « Étude sur les stations préhistoriques du Sud Tunisien », Revue mensuelle de l'École d'anthropologie de Paris, vol. 10, 1910, pp. 105–136 p105.E. Gobert, « Recherches sur le Capsien (lre série) », Bulletin de la Société préhistorique de France, vol. 7, no 11, 1910, pp. 595–604. Negrine was known as Casae Nigrae during the time of the Roman, Byzantine and Vandal empires (30 BC – AD 640).
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Carlo Carafa as cardinal Carlo Carafa (29 March 1517The date was unknown to Carafa's biographer Georges Duruy. \- 6 March 1561) of a distinguished family of Naples, vicious and talented"de grands vices unis à de grands talents" according to his biographer Georges Duruy, Le Cardinal Carlo Carafa (1519— 1561): étude sur le pontificat de Paul IV Paris, 1882:viii. was successively condottiero in the service of France and of Spain, vying for their protectorates in Italy until 1555, when he was made a cardinal,Salvador Miranda, "Cardinals of the Holy Roman Church: Carlo Carafa": accessed 25 August 2010] to 1559 the all-powerful favourite and Cardinal Nephew of Pope Paul IV Carafa, whose policies he directed and whom he served as papal legate in Paris, Venice and Brussels. According to the Jesuit, later Cardinal, Francesco Sforza Pallavicino, writing the history of the Council of Trent, his subtlety of spirit and grace of address, physical courage and instinct for glory were overridden by his insatiable thirst for power.
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Secondary sources on General Thomas-Alexandre Dumas, dating back to 1822, almost always describe his mother as a black African ("femme africaine,"Antoine-Vincent Arnault, Antoine Jay, Etienne de Jouy, and Jacques Marquet de Norvins, "Dumas (Alexandre Davy-de-la- Pailleterie)," in Biographie nouvelle des contemporains, v. 6 (Paris, 1822), 160; Marie Nicolas Bouillet, Dictionnaire universel d'histoire et de géographie, 9th ed., pt. 1 (Paris: Librairie de L. Hachette, 1852), 525. "négresse,"Alphonse Rabbe, Claude-Augustin-Charles Vieilh de Boisjoslin, and Francois-Georges Binet de Boisgiroult, baron de Sainte-Preuve, "Dumas (Alexandre-Davy)," in Biographie universelle et portative des contemporains, v. 2. (Paris, 1834), 1469; Eugène de Mirecourt, Les contemporains: Alexandre Dumas (Paris: Gustave Havard, 1856), 10; Edmond Chevrier, Le général Joubert d'après sa correspondance: Étude historique (Paris: Fischbacher, 1884), 98; André Maurel, Les Trois Dumas (Paris: Librairie illustrée, 1896), 3. "négresse africaine,"Philippe Le Bas, "Dumas (Alexandre Davy de la Pailleterie)," in Dictionnaire encyclopédique de la France, v. 6 (Paris, 1842), 773; Charles Mullié, Biographie des célébrités militaires des armées de terre et de mer de 1789 à 1850, v.
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When she was 15, she make her début as Sophie in Vilhelm Christian Holm's Livjægerne paa Amager (The Lifeguards on Amager). A year later, she gained wide acclaim, dancing Margot Lander's difficult part in Étude. In 1951 Lander rewrote the part for her. Ten years later, under the name Études, it became her most notable part for the rest of her career. In 1950, she became a solo dancer. On 15 April of that year, she married Harald Lander (1905–1971) but her relationship with him was to bring her major problems. In 1951, he was dismissed from the Royal Danish Ballet for misusing his position. She followed him to Paris where he became artistic director of the Paris Opera Ballet but in order to avoid accusations of favoratism, she continued to train in Russian ballet under Ljubov Egorova, and Olga Preobrajenska. For a few months, she danced with the Ballets Russes but moved to London in 1954 where she appeared as a replacement at the London Festival Ballet, taking on the role of Odette in Swan Lake at short notice.
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The saisie- contrefaçon is very efficient and often decisive in the success or failure of the infringement action;See for example, prior to the reform of 2007, P. Véron, “La saisie-contrefaçon – L'efficacité des mesures de lutte contre la contrefaçon : Étude comparée”, S.L.C / I.D.E.F., Maison du Barreau, Paris, 9 December 2005 P. Véron, “The French ‘saisie-contrefaçon’ in European litigation issues” Cross-border Litigation, Forum Institut für Management, Arabella Sheraton Grand Hotel, Frankfurt, 8 February 2002 it is therefore the most widely used means of proof in infringement cases. The remarkable effectiveness of this procedure mainly resides in that it is ex parte and restrictive. The authorisation to perform a saisie-contrefaçon is requested of the President of the tribunal de grande instance with jurisdiction over the territory in question, in ex parte proceedings. Yet Article R. 211-7 of the French Judicial Organisation CodeFrench Judicial Organisation Code, Legifrance provides for the exclusive jurisdiction of the President of the Tribunal de grande instance de Paris for actions in the fields of Community designs and trademarks.
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569 All evangelical movements consider that the Holy Spirit is present and working in the personal stories of each believer, as well as in the future of the universal Church. As a stakeholder in the conversion of the individual, it is also considered to be the origin of various gifts, which vary a great deal from the New Testament writings, but it is common in the Charismatic movement emphasize on one gifts delivered by the Spirit.Peter Hocken, "Le réveil de l'Esprit: les Églises pentecôtistes et charismatiques", France, Editions Fides, 1994, p. 19-20 The gifts of the Holy Spirit are 9; creative gifts (writing and the arts), pastoral gifts (community guidance and guidance), apostolic gifts (preaching, teaching), prophetic gifts (prophecy in its various forms), prodigious gifts (wonders and miracles).Gabriel Tchonang, L’esprit saint dans l’orthodoxie et le pentecôtisme : étude comparative, Revue des sciences religieuses, France, 2008, paragraph 32 Evangelical Christianity, particularly in the Pentecostalism, Evangelical charismatic movement, Neo-charismatic movement, places an emphasis on the Spirit and its action in human lives and in the church.
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As an offspring from the American journey made by Alexander von Humboldt and Aimé Bonpland, twelve new Acalypha species, from Mexico and Colombia, are described by Sigmund Kunth in Nova Genera et Species Plantarum (1817, 1825). In 1826, Kurt Sprengel compiles fifty eighth Acalypha species in his Systema Vegetabilium, seven of them brand new. He puts them together under a key with characters similar to those used by Willdenow, finally, the herbaceous species are separated from the woody species. During the first half of the 19th century, many new species are published all around the world, with emphasis on the works by Eduard Poeppig (1841) and George Bentham (1839, 1844) about American species. In the French botanist Henri Baillon publication Étude générale du groupe des Euphorbiacées (1858), a large morphological description of genus is made, and a peculiar classification is presented: two sections are considered –“Sect. A” and “Sect. B”– depending on whether the inflorescence axis is simple or branched out, and the female flowers calyx consists of three or five sepals. Baillon continued to publish a series of works under the title Euphorbiacées américaines, to be issued in the first volumes of Adansonia journal, between 1860 and 1864.
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Janjatović, 2006, p.226 classical music-inspired "Etida" ("Étude") and "Žena je luka a čovek brod" ("Woman is a Harbor and Man is a Ship").Janjatović, 2006, p.115 With the performance of "Jedna žena" at the 1970 Zagreb music festival Korni Grupa won both the audience and jury award for best song.Janjatović, 2006, p.115 The band continued recording commercial material with the recording of the song "Bube" ("Beetles"), the theme song for the Miša Radivojević movie Bube u glavi (Beetles in the Head),Žikić, 1999, p.130 released on single with "Neko spava pored mene" ("Somebody is Sleeping Beside Me") as the B-side, as well as the highly successful "Trla baba lan" ("Granny Scutched the Flax"), "Slika" ("Image"), co-written with the at the time anonymous author Ljuba Ninković, continuing their double musical career.Janjatović, 2006, p.115 In 1971, Korni Grupa recorded the musical poem "1941." on the lyrics of Branko Ćopić with Josipa Lisac as a guest vocalist.Janjatović, 2006, p.115 The material was recorded as a soundtrack for the 1941. television show, for which Momo Kapor did the mise-en-scène, directed by Jovan Ristić.Žikić, 1999, p.
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Jean Espariat was born on September 17, 1747 in Aix-en-Provence. His father, Charles Espariat, was a silversmith and later a lawyer in the Parliament of Aix-en-Provence. After the Ancien Régime came to an end and the Parliament of Aix-en-Provence was dismantled by the French Revolution, Espariat was elected as first Mayor of Aix-en-Provence on February 10, 1790.Charles de Ribbe, Pascalis : étude sur la fin de la Constitution provençale, 1787-1790, Aix-en-Provence, 1854, p. 310 However, the early days were still chaotic.Paul Masson (ed.), Raoul Busquet (ed.), Joseph Fournier (ed.), 'La vie politique et administrative', in Les Bouches-du-Rhône : encyclopédie départementale, volume 5, 1929, p. 6 He was a moderate.Histoire d'une ville: Aix-en-Provence, Scéren, CRDP de l'académie d'Aix-Marseille, Marseille, 2008, p. 99 Indeed, on the Cours Saint-Louis in Aix, he stopped the Vexin regiment, a pro-revolutionary regiment, and the Royal Marine regiment, a pro-aristocratic regiment, from killing each other.Étienne Antoine Benoit Rouard, Notice sur la bibliothèque d'Aix, dite de Méjanes, Paris, Aix-en- Provence, 1831, p. 259J.-F. Porte, Aix ancien et moderne, Aix-en-Provence, 1833, p. 79. He stepped down on November 11, 1790 and let the Vice Mayor, Toussaint-Bernard Émeric-David, serve as Mayor.
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