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"epigone" Definitions
  1. FOLLOWER, DISCIPLE

17 Sentences With "epigone"

How to use epigone in a sentence? Find typical usage patterns (collocations)/phrases/context for "epigone" and check conjugation/comparative form for "epigone". Mastering all the usages of "epigone" from sentence examples published by news publications.

Ms. Yamaguchi is an heir of Tamara de Lempicka, epigone of Art Deco figuration.
What De Niro's comment challenged me to do —  to turn inwards — is something that every artist needs to do, unless you are content with being an epigone: a lesser follower of a recognized artist.
Călinescu, pp. 776–777; Teodoreanu & Ruja, p. 13 Hrimiuc suggests that Caragiale has become an "obligatory" benchmark for Teodoreanu's prose, with enough differences to prevent Păstorel from seeming an "epigone".
Ptolemy I Epigone is also identified as Ptolemy of Telmessos and Ptolemy son of Lysimachus Ptolemy II was a Greek Prince from Asia Minor who served as a Ptolemaic Client King under the Ptolemaic dynasty of Ancient Egypt.
He died in prison. Like most of his contemporaries, he was scientifically an epigone of the great philosophers and exegetes. He also wrote Elef ha-Magen (a commentary on the aggadah in the treatise Megillah), some piyyuṭim, and poems.
There may be some connection between the two items of "Successor Propaganda" (18–19, favoring Lysimachus and Ptolemy) and the rule of Ptolemy I Epigone as dynast in Telmessos. Ptolemy as the son of Lysimachus inherited his father's claims, but eventually made peace with Ptolemy III Euergetes and the Ptolemaic dynasty.
François Connan (1508 - 1551, Paris) was a French jurist who took part in the humanist development of an historical jurisprudence. He was a student of Andrea Alciato at the University of Bourges and became one of the latter's most distinguished epigone. His most celebrated work is the Commentaria iuris civilis (Paris, 1538).
Yury Kharchenko’s works can make one forget that such a thing as pop art and post modernism ever existed. His pictures are completely free of cynicism, and there is nothing second-hand about them. His painting is not that of an epigone. They focus on the formal and emotional possibilities of painting.
It has been suggested that Brahms was piqued that Herzogenberg had married Elisabet, of whom he was himself extremely fond. Toward the end of his life, Brahms grudgingly relented somewhat, writing “Herzogenberg is able to do more than any of the others.” While Herzogenberg has been characterized as a mere epigone of Brahms, many of his compositions show little or no overt Brahmsian influence. For example his two string trios Op.27 Nos.
"Wiszniewski, Michał," Encyklopedia Powszechna PWN (PWN Universal Encyclopedia), vol. 4, p. 660. Wiszniewski was an epigone of the Polish Enlightenment, and at the same time a precursor of Positivism."Wiszniewski, Michał," Encyklopedia Powszechna PWN (PWN Universal Encyclopedia), vol. 4, p. 660. He authored a pioneering book on Characters of Human Minds, which is regarded as the first Polish work in the field of psychology.Information from the Polish Wikipedia article on "Michał Wiszniewski", 17 April 2009, 13:51, edition.
In the next few years he became a successful writer of poetry (especially verse for children't Hoen is seen by literary critics as an epigone of Hieronymus van Alphen, and not a very good one;Cf. Ros, pp. 1-3) and plays. As he received a sinecure in the form of the stewardship of the Collegium Willebrordi, a boarding school associated with the Hiëronymusschool, in March 1777, he had more time to dedicate himself to his literary work.
Emil Epple was anything but an uncritical epigone of the famous sculptors of his age, such as Auguste Rodin and Adolf von Hildebrand or, later, the French sculptor Aristide Maillol, who would greatly influence German sculpture in the first half of the 20th century. He soon managed to come out of their shadows and find his own way. He developed a highly personal style that many art critics and art lovers would quickly recognize and appreciate.
Music of the Spheres () is a composition by Rued Langgaard, written in 1916–18 and scored for orchestra, choir, organ, a "distant" orchestra, and a soprano soloist. The work incorporates radical innovations, considered ahead of their time, including some of the earliest examples of string piano (playing directly on the strings of the piano), and Langgaard's extensive use of slow moving string clusters prompted the composer György Ligeti to proclaim himself a "Langgaard-epigone" when presented with the score in the late 1960s.
Bagnall, The Hellenistic Period: historical sources in translation, p.p.259-260Cohen, The Hellenistic settlements in Europe, the Island, and Asia Minor, p.p.330-331 and Ptolemy son of Lysimachus.Bagnall, The Hellenistic Period: historical sources in translation, p.p.259-260Cohen, The Hellenistic settlements in Europe, the Island, and Asia Minor, p.p.330-331Bagnall, The administration of the Ptolemaic possessions outside Egypt, p.107Ptolemy II is not to be confused with his paternal grandfather Ptolemy I Epigone, who is also his namesake.
Timarchus or Timarch () was a tyrant of the ancient Greek city of Miletus in the 3rd century BC. He was put in power after the Ptolemaic conquest of Miletus in 279 BC. He with Ptolemy I Epigone led a revolt against Ptolemy II Philadelphus of Egypt in 259 BC. He was slain the next year by the Seleucid king Antiochus II during the course of the second Syrian war between the Seleucid kingdom and Egypt. The grateful citizens of Miletus awarded the surname of "Theos" (God) to the king who freed their city.
After a few years back in Denmark, he travelled again, seeking inspiration from prominent philosophers such as Herder, Schiller, Kant, and Schelling. He was thus well prepared for his literary breakthrough but Adam Oehlenschläger, who was ten years younger and had an intuitive talent for literature, published a Romanticist collection before Staffeldt was able to do it. When his collection came out a year later, he was deemed an epigone. Furthermore, Staffeldt was critical of Norse mythology which he thought of as a puppet play, a stance which did not help ensure a favourable reception either.
However, setting the novel in the near future has been done before by earlier writers; such as Francis Cheynell, Aulicus His Dream (1644); Jacques Guttin, Epigone. Histoire du siècle futur (1659); Samuel Madden, The Memoirs of the Twentieth Century (1733); or the anonymous The Reign of George VI, 1900-1925 (1763). Mercier work has also been noted as having been inspired by the Enlightenment philosophy of Jean-Jacques Rousseau and older utopian fiction, such as Francis Bacon's New Atlantis (1626). Regardless of its originality, the novel has inspired many later authors, with some of the earliest works described as visibly influenced by it being Betje Wolff Holland in het jaar 2440 (1777), Vladimir Odoevsky's The Year 4338: Petersburg Letters (1835) or Mary Griffith's Three Hundred Years Hence (1836).

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