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"enthral" Definitions
  1. if something enthrals you, it is so interesting, beautiful, etc. that you give it all your attention

21 Sentences With "enthral"

How to use enthral in a sentence? Find typical usage patterns (collocations)/phrases/context for "enthral" and check conjugation/comparative form for "enthral". Mastering all the usages of "enthral" from sentence examples published by news publications.

Sophie Cruz is 6 years old, but, boy, she knows how to enthral a crowd.
Green light the laying of a cornerstone, and he would enthral supporters yet risk unrest.
They enthral in part because their meaning is so difficult to pin down, provoking new questions with every viewing.
It is said that his "irresistible left hook" earned him his fighting name, 'the Eastern Southpaw', and Lee would enthral the wide-eyed young twins with tales of fighting bareknuckle in Victoria Park.
Retrieved 26 October 2019. and they separated in 1992."KARACHI: Jon knew how to enthral audience", Dawn News. Retrieved 26 October 2019.
Full of fascinating and unusual characters and facts which greatly enhance our view of the Middle Ages, The Medieval Underworld will enthral anyone interested in medieval social history or the history of crime and punishment. Book jacket.
"KARACHI: Jon knew how to enthral audience", Dawn News. Retrieved 26 October 2019. During his youth, Pakistan became an independent Muslim state. Being a communist, Elia was averse to the idea, but finally accepted it as a compromise.
Anderson, Zoe. "Saved by the execution", The Independent, 1 June 2004 Three years later the critic in The Sunday Times found that the work's "acutely expressive choreography ... never fails to enthral... Cranko's handling of the Pushkin story as dance is masterly."Dougill, David.
The Celts believe that eloquence is the ultimate power because it can enthral men and control them more so than strength can. Ogmios is also sometimes compared to Hermes, a Greek deity. To the Greeks Hermes was also a symbol of eloquence as well as a psychopomp.
"I feel more than ever that the theatre event should be other-worldly; it should enthral, being both realistic and highly theatricalised. Theatre is the best metaphor for the world that exists on the cusp between reality and dream.," writes Reza. Realistically speaking, her new explorations will require a new audience willing to follow, de Wet said, and audiences have such precise expectations.
So many Bauls assemble for the mela that it is also referred to as "Baul Fair". In the village of Shantiniketan during Poush Mela, numerous Bauls also come together to enthral people with their music. For the last five years, a unique show has been organised in Kolkata, called "Baul Fakir Utsav". Bauls from several districts of Bengal as well as Bangladesh come to perform.
He has performed at major music festivals all over India and has also performed abroad in USA,Canada,UK,New Zealand,UAE and Oman. He has given playback for the television serial The Discovery of India produced by Shyam Benegal. He was featured in Surabhi in the year 1998Episode 313 surabhi and the Umang television series in 2011.Daneshwar, Amarendra "Youth enthral with lilting music".
Although Ntisikana died before Soga's birth, Soga was clearly influenced by his predecessor's poetry and example. Soga's tribute to Ntsikana includes the lines: > What "thing" Ntsikana, was't that prompted thee To preach to thy dark > countrymen beneath yon tree'? What sacred vision did the mind enthral, > Whil'st thou lay dormant in thy cattle kraal? Soga's "Bell Hymn", used to call worshippers together, is also based on a Ntisikana poem.
An estimated 250,000 people took part in science festivals, demonstrations, seminars and tours across the country during the 19th annual national Science Week, which took place from 9-16 November 2014. The theme was ‘Power of Science’. Over 800 events took place across Ireland, including science festivals in Sligo, Galway, Mayo, Dublin, Cork, Waterford and the Midlands, aiming to "entertain, educate and enthral young and old alike with the power of science". Jamie Heaslip acted as a Science Week ambassador.
Jay Carr of The Boston Globe highlighted Root's performance, calling it "a heart-stoppingly reticent yet glorious debut". In a contribution for The Washington Post, Desson Howe said "there's a wonderful, unhurried delicacy about Persuasion...as if everyone concerned with the production knows that, if given time and patience, Austen's genius will emerge. Thanks to assured performances, exacting direction and, of course, inspired writing, it does, in subtle, glorious ways". Writing for Entertainment Weekly, critic Ken Tucker graded the film with an "A–", saying it "should enthral even those who haven't read" the novel.
The Telegraph reviewer Gavin Fuller called it "a very traditional-style Doctor Who story". He noted that Matt Smith gave a more restrained performance that suited the feel of the episode, and also praised the advantage taken with the location filming for the monastery. Radio Times critic Patrick Mulkern considered the episode to be an improvement from Graham's only other Doctor Who episode, "Fear Her", though it had "failed to enthral" him. In contrast to Martin, Mulkern said that Graham's characters were not "showing many life signs yet" with the exception of Jennifer, who was "marginally sympathetic".
He described it as "a hugely enjoyable episode that revels in its modern London setting", praising the way its ideas were realised visually on-screen. MSN's Hilary Wardle gave "The Bells of Saint John" episode four out of five stars, noting that it moved at a fast pace and the plot was similar to "The Idiot's Lantern" (2006) but was "very well done". She especially praised the chemistry between Smith and Coleman. Ben Lawrence, writing in The Daily Telegraph, gave the episode four out of five stars, saying that it had much to "enthral" a present-day viewer and showed how Doctor Who was constantly reinventing itself.
Valerie Webster writing in The Scotsman found that "His books can absorb and enthral landlubbers like myself who do not even know the difference between a jib-boom and a taffrail." Library Journal reviewed this novel as part of an abridged audio edition, finding "superb depictions of life" and highly recommended it, mentioning "O'Brian's exquisitely accurate historical detail". Mark Pumphrery, writing for Library Journal, remarks the friendship of the Aubrey and Maturin, which "plays out against an expanse of ocean, from India to the Atlantic, with a full complement of battles and adventures at sea for devotees of naval fiction." Publishers Weekly liked the plot but, unlike the other reviewers, found the nautical detail sometimes overwhelming.
Financial Times writer Nigel Andrews granted the film 3 stars out of 5, saying McCabe's multiple portraiture "enthral". L. Kent Wolgamott of Lincoln Journal Star said the film tells the war-torn story of the DRC through "the testimony of four people, vintage news clips and raw, riveting footage from the battlefields and displaced person camps". In The London Economic, journalist Wyndham Hacket Pain opined that although the documentary "may tell a story that is familiar from new reports and articles, it has rarely been told in such a meditative and poetic manner." David D'Arcy of Screen Daily commended McCabe for presenting the DRC story with a "grim element of surprise", but ended up saying the documentary's multiple perspectives "can feel lopsided".
Stian Aarstad is a Norwegian pianist and keyboard player best known for his four-year (1993–1997) stint with the black metal band Dimmu Borgir during which he played keyboards and synthesizers while engendering criticism and controversy for appearing onstage and performing in a top-hat-and-cape outfit reminiscent of Jack the Ripper,Metal Storm while wearing minimal corpse makeup and not moving or showing any emotion. Upon joining Dimmu Borgir, he didn't listen to metal music, preferring only to listen to classical. In 1998 to 1999, he produced a demo for the unblack metal band Vaakevandring, which was later re-released as a self-titled EP in 2004. In the 2000s, Aarstad had been the pianist for the band Enthral, but left his regular position during the recording of the band's third album.
Priestley is today seen as having a prejudice against the Irish, as is shown in his work, English Journey: "A great many speeches have been made and books written on the subject of what England has done to Ireland... I should be interested to hear a speech and read a book or two on the subject of what Ireland has done to England... if we do have an Irish Republic as our neighbour, and it is found possible to return her exiled citizens, what a grand clearance there will be in all the western ports, from the Clyde to Cardiff, what a fine exit of ignorance and dirt and drunkenness and disease." J. B. Priestley, English Journey (London: William Heinemann, 1934), pp. 248-9 He moved into a new genre and became equally well known as a dramatist. Dangerous Corner (1932) was the first of many plays that would enthral West End theatre audiences.

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