136 Sentences With "empathise" | Random Sentence Generator

By offering different characters' viewpoints, stories encourage us to empathise.

All the same, readers who enjoyed more mundane backgrounds will empathise.

In the meantime, take a minute to empathise with their condition.

What's more, Carling was a brand that football fans could empathise with.

It resonates because so many people empathise with the loss of a dog.

Losing a pet is a painful thing, and many of us can empathise with that pain.

To do that he needs to make us empathise with its most colourful and jeopardised inhabitants.

And so … using our corporate, bureaucratic, linear and financial logic to understand, reward and empathise with HPEs is silly.

Instead, she allows the viewer to sense her character's feelings and empathise with the discomfort that comes from repressing them.

But fewer still will fail to empathise with her experiences of desire, idealism and disillusionment, so powerfully are they rendered.

Gradually, this privileged son who lived in an enormous mansion learned to empathise with those on the fringes of society.

"My hope is that audiences will empathise with these characters, particularly with those they don't think they should be empathising with."

I needed to be able feel those voices also harrying and encouraging me, in order to fully empathise with Senua's experiences.

A mascot is surely meant to be the relatable, recognisable face of a brand, something that kids and adults alike can empathise with.

I think the thing that having SM does is give you an ability to empathise with other people who feel isolated or different.

Perhaps one reason for the lag in understanding is that it is harder for the majority of people to empathise with transgender people.

Another childhood fear most people could empathise with — and which King ruthlessly exploits in this passage — is being trapped down in a cellar.

This makes it so much easier for people to relate to: the struggles he is talking about, the music and to really empathise with him.

Hamilton, whose interests in fashion and music have grown over the years, said he could empathise with the desire to go out at the top.

What makes it compulsive viewing is not the patterned shirts or the avocado tips, but the men's eagerness to empathise and engage with their mentees.

"I can definitely empathise with their need for having a secure, safe place and taking time for themselves and having privacy when they need it."

Though I can empathise, I can't truly understand what her pain feels like: it's simultaneously as close and as distant to me as her thoughts.

Those who had stayed at home were unable to empathise with soldiers' memories of the front line even though they could watch the footage for themselves.

Many young women can empathise with the appeal of a cad like Daniel Cleaver or a stiff drink and some mopey ballads on a lonely night.

Research has shown that placebo and nocebo effects can also be triggered by interactions with a doctor, even if your doctor tries to empathise with you.

Western readers may no longer empathise with the urgency that surrounds marriage or the idea that a relationship can be stopped in its tracks by monetary circumstance.

"A strong democracy requires access to high quality information and an ability for citizens to come together to debate, discuss, deliberate, empathise and make concessions," he said.

One of the main uses of VR that has emerged since the technology experienced a resurgence is the ability to make you empathise with what you are experiencing.

"We genuinely empathise with the attendant sufferings and wish to reassure that we are focused and committed to bring an end to this situation," said spokesman Garba Deen Muhammed.

I cooked up and ate the leftover headless sardines (stuffed with panko crumbs, shiso leaf, and kumquats before being grilled), and can now empathise with the oni's fear of these.

IN an age of partisan divides it has become popular to assert that the wounds of the world would heal if only people made the effort to empathise more with each other.

For instance, my colleague Robb Willer has found that when people empathise with individuals on the other end of the political spectrum, they can actually argue more persuasively for their own position.

But in watching how these characters' coming out affects their story lines over weeks, TV viewers have a chance to empathise, learn from, and admire people unlike — or very much like — themselves.

A diverse team will also help the company connect to, and empathise with, a broader base of customers, which competitors who have homogenous teams will be in a much worse position to do.

So by making the player experience the symptoms of psychosis that they could replicate (the hallucinations, hearing voices, etc….), they hoped that people would better empathise with those who do live with it.

And it will also empathise with the plight of Bartlebys, as they deal with the mundanity of working life and carry out their bosses' often bewildering orders, even when they would "prefer not to".

To put it baldly, I'm saying that in my closing years I would willingly accept care by a machine, provided I could relate to it, empathise with it and believe that it had my best interests at heart.

PROFESSOR JONATHAN MICHIEPresidentKellogg CollegeUniversity of Oxford Since when has it been wrong for an MP to empathise with the plight of a constituent, as Enoch Powell did in his "rivers of blood" speech ("Fifty years down-river", April 21st)?

George Handley, a professor who specialises in literature and cultural studies at Brigham Young University, believes that, paradoxically, the collective memory of struggling to survive in the 19th century made the LDS more insular and less inclined to empathise with other groups.

In October the head of the Organisation of Islamic Co-operation, Iyad bin Amin Madani, a Saudi, mocked Mr Sisi for claiming to have spent much of his life with only water in his refrigerator (an attempt to empathise with suffering Egyptians).

But since Hurricane Harvey made landfall as a category four hurricane near Rockport, Texas, on August 26th, Mr Trump has done his best to empathise with south-eastern Texans struck by unprecedented life-threatening flooding, promising two visits to the affected areas this week.

Of course, rowing with the folks at this time of year is nothing special—along with charades, it is practically an official Christmas sport—and when the film is broadcast on the BBC over the festive period many viewers will surely empathise with the chaos.

Is the job best given to religious teachers who themselves hold quite hard-line theological and political views and can therefore partly empathise with their subjects, or should it be restricted to those who espouse secular notions of liberty and equality, including, for example, gay rights?

The difficulty, insists Alyas Karmani, a British imam who has mentored jailed extremists but has now fallen out of official favour, is that restricting the pool to such impeccably liberal-minded folk disqualifies the great majority of those well-placed to communicate and empathise with their subjects.

These are the main gender differences you cite: women's on-average greater interest, compared with men, in people and lesser interest in things; their relatively greater tendency to "empathise" rather than "systematise", and to be agreeable rather than assertive; and their relatively higher anxiety and lower tolerance for stress.

One of the aims of most forms of spiritual development is to cultivate an appropriate sense of humility and self-awareness: a sense of one's own fallibility, and a sense of how one appears to others, an ability to empathise, at least momentarily, with onlookers in very different places.

"I have so many patients who are on Slimming World and when I tell them that I am too, it has helped to build rapport and they become much more comfortable discussing weight-related aspects of their care, because I can empathise and can speak from the heart," she says.

But you seem to make an effort to empathise with the people you disagree with... Ms Wynn: I try to swim against the current as much as possible when it comes to the tribalism that defines the way people do politics on social media, and I try to present myself as an individual and humanistic voice.

This habit of hers has been perfectly captured by Brian Feldman: *jk rowling wakes up* what's today's tweet *spins large bingo cage* hagrid… is… pansexual and… he later joined isis But, despite extolling the virtues of imagination ("[Imagination] is the power that enables us to empathise with humans whose experiences we have never shared") it seems that Rowling can't stomach the idea of her readers comparing one of her characters to Labour leader, Jeremy Corbyn. Corbyn.

Lifeblood are predicting the new rules will come into effect by early 2021. The spokesperson said they empathise with those who can’t give blood.

However she also develops the characters, so the reader can empathise with their attitudes and behaviour. Lover Boy, the book, was published as an e-book in November 2012.

Agnes tries to impart to her charges the ability to empathise with others. This is especially evident in her conversations with Rosalie Murray, whose careless treatment of the men who love her upsets Agnes.

The Wonderbox: Curious Histories of How to Live is a 2012 book by Roman Krznaric. It explores aspects of the human psyche, and makes the case for people to empathise more with each other. The book uses broad range of historical examples.

Times of India likened the film "to the cinema one experiences from Iran or Italy, where the narrative is subtle and realistic". The Bangalore Mirror emphasized that Jeerjimbe is a film "that children can enjoy, grownups can empathise with and a discernible mind would appreciate".

While Churchill was in some respects a radical and a reformer, it was not from any desire to challenge existing social structure, but to preserve it. He could not empathise with the poor, so instead he sympathised with them, displaying what Addison calls the attitude of a "benevolent paternalist".

However, The Guardians Michael Billington noted that due to the nature of the role, "one could say that she is not unduly stretched". In recognition of her theatre debut, Knightley was nominated for the Laurence Olivier Award for Best Actress in a Supporting Role and an Evening Standard Award. Knightley appeared in three films in 2010; she said her work during the period helped her "empathise with people or with situations that I don't necessarily find it easy to empathise with". Two of the productions, Massy Tadjedin's romantic drama Last Night and William Monahan's crime noir film London Boulevard opened to mixed response from critics and rank among the lowest-grossing films in Knightley's career.

There, Leah explains that Kat's death was not Jasmine's fault. Frost said Jasmine is quite anxious and shows "a lot of depth and darkness" in her first scenes. Frost found that she was able to empathise with her character, and used her own experiences with mental health issues to help her during filming.

I have an interest in > serial killers, child molesters, and wife beaters... Not in what they did, > but in the psychology of why. What caused them to become unhinged and > twisted? Why are they unable to empathise? It's [In Absentia] sort of a > metaphor - there's something missing, a black hole, a cancer in their soul.

He also said that he and Jayden shared some similarities, such as their lack of motivation during maths and science lessons. Oxenham added, "while he is a very confused guy and I do empathise with him, I don't want him to change, he is great to play." Jayden returned on 8 February 2018. Jayden bullies Bailey Turner (Calen Mackenzie).

In addition the actress visited the Bristol Cancer Help Centre for further research. She spoke with cancer counsellors and spiritual healers. Bouzova also wanted to empathise with Ellen and decided to read books about the condition and watch cancer related movies. The actress told Hoyle that the tears Ellen shed on-screen during the story were real.

A reporter for the Western Mail branded Anne a "pompous matriarch". Tony Stewart of the Daily Mirror called Anne a "loyal mum". Jon Wise of The People believed the show made viewers "empathise deeply" with Anne following Frank's death, while the Daily Mirror's Kevin O'Sullivan said Anne was "theatrically distraught" when she discovered her son was dead.

Serve them right! She has no pity. However, her hard and unforgiving attitude towards the Germans begins to lessen when she meets the polite and well-spoken Oskar Heine. As she begins to fall in love with him, her virulent hatred of the Germans begins to break down as she increasingly comes to empathise with their plight and understand their common humanity.

However, upon hearing he has returned, Leah rushes to see Elijah. Laga'aia said he could empathise with Leah's feeling of "sheer disbelief" when Elijah introduced her to his new family. He added that Elijah has "jumped into a situation that might be more than he can handle". So Elijah goes to tell Leah that he is still in love with her.

In May 2014 it was reported that Ramprakash was interested in replacing Graham Gooch as England's batting coach and, after speculation, his appointment was announced in November 2014. The Guardian's Mike Selvey suggested that Ramprakash's own indifferent experience at international level will be an asset in coaching England's batsmen, with Nick Knight adding that Ramprakash "can empathise" with England players.

Payne said Annalise has cleaning obsession and a "real clean freak around halls". She does this to please others because she feels insecure. While she is good at heart, Annalise is perceived by others to be a "little irritating". Payne opined that viewer could empathise with Annalise because they could have experienced a person at university who acts "grown-up".

Adam Smith was not the only classical liberal political economist concerned with class conflict. In his Considerations on Representative Government, John Stuart Mill observed the complete marginalisation of workmen's voices in Parliament, rhetorically asking whether its members ever empathise with the position of workmen, instead of siding entirely with their masters, on issues such as the right to go on strike.John Stuart Mill. Representative Government, Chapter 3.

Empathy and Prostitution is a conceptual and performative work of critical and biographical content by artist Abel Azcona. Azcona was inspired by his biological mother, a prostitute, and sought to empathise with her and with the moment of his own conception. Azcona offered himself naked to the galleries' visitors on a bed with white sheets, so that they could exchange intimacy or have sexual relations with him.

As well as being a non-commissioned officer, he is also a family man with a wife and children. He is often portrayed as being less patrician, and more pragmatic and down-to-earth than his colleagues. The producers would routinely put O'Brien under intense psychological pressure in episodes jokingly dubbed "O'Brien must suffer". O'Brien was regularly chosen for such storylines because it was felt people could empathise with him.

But she later noted that it was the point that Maddy accepts help. Parker told Claire Crick from All About Soap that Roo can empathise with Maddy and Spencer because of her own history. Roo is "immediately drawn to them" and angry that no one else views them the same way. Parker was pleased with fostering themed storylines because the show was about "giving people with nowhere to go a home".

Empowering patients with feelings of importance will bring them closer to the normality they had before the onset of their disorder. When subjected to fierce personal attacks, the psychiatric nurse retained the desire and ability to understand the patient. The ability to quickly empathise with unfortunate situations proves essential. Involvedness is also required when patients expect nursing staff to understand even when they are unable to express their needs verbally.

Coaches must empathise with their clients in order to understand their experiences and viewpoints. To achieve this, the coach must be able to understand their clients not only on an intellectual level, but also on an emotional level. Along with empathy, coaches must be able to accept their clients for who they really are since individuals need to feel valued for their "true selves" in order to self- actualise.

They also mention that, regarding the character, they "empathise more with the hopelessly materialistic Wario than goody brown-shoes Mario. Deep down, we'd all rather chase pounds over princesses." IGN editor Travis Fahs comments that while Wario is not the most likeable character, his strong confidence overshadows his flaws and makes him entertaining. The website later ranked Wario 31st in a list of the "Top 100 Videogame Villains".

Brennan worried about how Doug could be redeemed after nearly causing Charlotte's death. He told Kilkelly that he expected all of the characters to reject Doug. However, Doug makes amends by replacing items he stole from his fellow students. Brennan thought that it set Doug "off on the right foot" and he had become someone that the audience could empathise with more in comparison to his initial stint.

He feels no compassion for the two men he has executed, and seems unable to empathise with them. The fact that he orders the fish to be fried alive, and that he returns calmly to smoking his pipe after the execution, enhances the image of a cold, inhuman barbarian, the antithesis of the heroic Frenchmen who refuse to betray their fellow countrymen, and pay the ultimate price for their patriotism.

" She notes that the movie tries to deal with women's empowerment, but "the depiction is so wrong that at the end of it, you only feel sorry for the crew." She praised actress Mallika Dua and actor Aditya Seal, noting that they do a fairly good job with the material they are given. But she also noted that the film "drags after a point. You neither sympathise with the actors nor empathise with them.

If it looks like they really are in no position to return the loan, they give them another loan to get them back on their feet and ensure that with the second loan the family stays afloat. If the man of the house dies or is suddenly bedridden with sickness, they write off the loan. These women, who have seen more than enough of their share of grief, are quick to empathise and act.

A recurring theme in Sander Breure's and Witte Van Hulzen's oeuvre is the observation of human behaviour. Breure and Van Hulzen observe people's reactions in certain situations and consequently reflect those observations in their artworks. Additionally, Breure and Van Hulzen communicate with people through discussions and interviews and therefore the duo tries to empathise and imagine with fellow people's emotions and habits. This sociological approach results in empathy, to strengthen the emotional connection between individuals.

Harley praised her performance for allowing the audience to empathise with her character immediately. Harley also complimented the poignancy of Bella's final scene. Monty opined that "Peake showcases the absolute best of her abilities", playing a character who is "fittingly human and emphatic in her will to survive". Handlen praised her as "easy to root for", saying that Peake "does a good job of finding new ways to be terrified, angry, triumphant, and depressed".

Monty lauded the lack of exposition in the episode, believing it is the "strongest aspect" as the audience can make individual inferences about the backstory. However, Beggs criticised that the lack of exposition makes it difficult to empathise with Bella. The ending of "Metalhead" reveals that the warehouse box contained teddy bears. Lambie suggested this is "bleak humour" from Brooker, and another example of the show's exploration of the worst outcomes of new technology.

The term was used extensively by Claude Steiner (1997)Steiner, C. with Perry, P. (1997) Achieving Emotional Literacy. London: Bloomsbury. who says: Emotional literacy is made up of 'the ability to understand your emotions, the ability to listen to others and empathise with their emotions, and the ability to express emotions productively. To be emotionally literate is to be able to handle emotions in a way that improves your personal power and improves the quality of life around you.

This is done with a countdown in the lyrics akin to Crass's song They've got a bomb, which appears on their album The Feeding Of The 5000. Each time the chorus is repeated, one minute is removed from the countdown. The lyrics near the end of the song provocatively ask the listener what would they do if such a warning was given, provoking listeners to empathise with the characters. The Chorus is an allusion to Peter Donaldson's warning message.

Colleen Sheehan offers a partial defence for the readers and scholars who dislike Fanny. She maintains that Austen deliberately makes the character of Fanny difficult to empathise with and that one has to work at liking her. Austen refuses to give the reader simplistic stereotypes that will allow of easy moral judgement. Beneath all the liveliness and wit of the charismatic Crawfords there is an intense spiritual and moral battle being waged against Fanny and Edmund.

In 2015, she was against the appointment of a transgender person as vice-chairperson of the Uttarakhand State Women's Commission because she did not feel that a transgender woman could "understand and empathise with the problems of women." She has also recently been calling for fair education fees for schools, especially private schools which have been charging school fee hikes. She has helped organize protests and "initiated the movement" to raise awareness of the issue surround private schools in Uttarakhand.

She sees the role of a composer in society as a commentator. She says that her ability to empathise with her subjects brings great emotional depth to her work. For example, "Global Nation" celebrates a multi-cultural world set into England's "green and pleasant land"; "Ocean Witness" highlights the suffering of whales and dolphins at the hands of Man. She feels that her creativity allows her to combine her skills of orchestration with those of the MIDI studio programmer/musician.

His skill at profiling is attributed to his capacity to empathise with the criminals he pursues. Often he will make shrewd observations about a crime or person without thinking, which tends to cause embarrassment or (in some cases) outrage. His thought processes tend to dominate his life, to the point that he is blissfully ignorant of everyday details such as tucking in his shirt, turning off his car's headlights, etc. These eccentricities endear him to some (Carol Jordan in particular) while alienating him from others.

Go Yi-seok (Chun Jung-myung) is a successful psychiatrist with a best-selling book and talk show appearances under his belt. Though loving, sensitive and caring towards his family, he is also insecure, egocentric and suffers from an inferiority complex, caused by his childhood experiences. The resulting juvenile behaviour renders him incapable of forming meaningful relationships with women. To make matters worse, he's gradually developing a phobia of his patients, being unable to empathise with their whining - which drives him to drink while on duty.

Bufan's accusation that Yuhang doesn’t know how he feels is unfounded as being an aids sufferer herself, Yuhang can empathise with him. In fact, she is even more impeccant victim, having contracted it from her only boyfriend, who had been cheating on her. Embittered, she had confided him her closest friends only to be distanced by them because they are afraid of contact with her. Infuriated further, she tells her relatives and friends of her condition (plus joined organisation) in a futile attempt to challenge society.

Annai was released on 15 December 1962. The film was a commercial success and ran for 100 days. The Tamil magazine Ananda Vikatan dated 6 January 1963 appreciated the film and mentioned the film stating that one does not get the feeling of watching a film instead a real life and empathise with characters. Randor Guy of The Hindu wrote that the film was remembered for "its emotion-drenched story, brilliant performances by Bhanumathi, Sowcar Janaki and Ranga Rao, pleasing music and deft direction".

He is intelligent, although a little perplexed by what life offers him. Life soon tows Patrick into trouble with the Western Plateau Local Patrol and the subsequent processes of the law. Patrick is sentenced to do some jail time for possession of drugs, but he deals with it the only way he knows how to: as just another – albeit dark – chapter in his life. Patrick's frank and grounded take on life makes him, despite his uninformed life choices, a character who is thoroughly easy to empathise with.

Empathy and Prostitution is a conceptual and performative work of critical and biographical content. It was created and first performed in the Santa Fe Gallery, Bogotá, in February 2013. The work had a second performance at the Factoría de Arte y Desarrollo, an artistic space in Madrid, in November 2013, and there was a third performance at the Houston International Performance Biennial, in February 2014. Azcona was inspired by his biological mother, a prostitute, and sought to empathise with her and with the moment of his own conception.

This trilogy for young adults is set in Australia 1000 years into the future and concerns a war between heaven and earth. Each book includes an 'angelology'. In preparation for writing the trilogy, Harland extensively researched angels and cosmology, including both the mainstream and unorthodox sources of Christian, Islamic and Judaic lore on the subjects. He was particularly concerned to present angels as beings which departed from the comforting 'Disney' representations of some previous works, and were awe inspiring, beautiful and disturbing, while remaining characters readers could still empathise with.

Moran lives in a world where Ireland has both achieved nationhood and retreated from the world. Emigration is tolerated as a necessary evil, as it was in Ireland in the 1950s, but the economic failures that drove the mass exodus are never challenged. Moran's death is a moment of liberation for the family. As the main character, Moran, is never endearing, McGahern challenges the reader to empathise with him and to understand why the women in his life remain emotionally tied to him, even after they have successfully established independent lives away from Great Meadow.

In October 2016, the Victorian Government called on the Federal Government to remove the 12-month MSM donation ban, arguing that the ban as it stood was "based more on discriminatory issues rather than on the science." In April 2020 the Therapeutic Goods Administration revised the deferral period for MSM down to three months. The revision requires approval of the federal, state and territory governments before it can go into effect. Lifeblood are predicting the new rules will come into effect by early 2021. The spokesperson said they empathise with those who can’t give blood.

She is often described as unchaste and to have developed the adulterous affair and even lived with him for some time despite the fact that he first rapes her. In one play, Elokeshi's character is debated by village wives and prostitutes. The wives vilify Elokeshi as an unchaste woman, question her devotion for Nobin and express the belief that a woman cannot be raped without her consent. The prostitutes empathise with Elokeshi, another victim of male lust and lament her fall from grace, which for them illustrates the brittle status of a wife.

The New Indian Express said, "it misses the emotional punch, the script never really allows us to get involved or empathise with the plight of the girls. On the flip side, it is appreciable that the director has chosen a socially relevant theme, and that he has resisted slipping in sleaze, or any overt skin show". S. R. Ashok Kumar of The Hindu praised the cast and wrote, "director G. Kamaraj handles the scenes deftly and with sensitivity. However, he could have looked into the slow pace of the first half".

The Streets is a conceptual and performative work of critical and biographical content by artist Abel Azcona. At the end of 2014 and the early part of 2015, Azcona explored the processual work La Calle ("the sexual exchange") this time in the Santa Fe locality of Bogota, where he prostituted himself on the streets. In this new work, he explored a change towards the figure of his mother, taking hormones and engaging in prostitution. Azcona was inspired by his biological mother, a prostitute, and sought to empathise with her and with the moment of his own conception.

The Bureau was organized by Xue Huan and Wu Xu, Shanghai governmental officials who took pains to shield explicit imperial association with Western mercenaries and military, and primarily funded by Yang Fang, a prominent Ningbo banker and mercantilist. Ward's show of bravery and initiative on board the Confucius reflected great credit upon him, and the prominent men of Shanghai took notice. His exploits, previous military experience, ability to empathise with local populations and motivate Chinese soldiers, and his stated mercenary intentions, made him an attractive candidate to lead a force of foreign nationals in defense of Shanghai against encroaching Taiping forces.

Behindwoods rated 2.5 out of 5 stars stating "Naan Sirithal is a watchable entertainer with some good moments of laughter".IndiaGlitz rated 2.3 out of 5 stars stating "Go for this one if you are a fan of Hip Hop Aadhi and a few laughs here and there".The Times of India rated 2.5 out of 5 stars stating "Most of the comedy scenes fall flat and you don't get enough reasons to empathise with the protagonist's condition".Sify rated 3 out of 5 stars stating "Naan Sirithal might appeal to youth audiences seeking time-pass entertainment".

After the band's success with "Aruku Around" and Kikuuiki, "Identity" was the first song the band wrote specifically for a wider audience. The song's lyrics were directly inspired by "Me ga Aku Aiiro", which were written after "Me ga Aku Aiiro" had been completed. For "Me ga Aku Aiiro", Yamaguchi felt that he needed to develop a new style of lyric writing for himself, featuring abstract concepts but words that people would still empathise with. The first part of the song was inspired by an incident where Yamaguchi was watching people carry out their daily lives.

An anonymous legal columnist in the New Statesman wrote that "The bulk of this objection, it appears, arises out of a rapidly cultivated image of Sir Martin as an establishment Mr Whitewash." The columnist argued that Moore-Bick's background as a "fact finder" in commercial law made him far better suited to the role than a criminal judge, and that getting the inquiry to empathise with the survivors "can be achieved without sacking the chair and starting again." Lord Chancellor David Lidington said Moore-Bick would lead the inquiry "with impartiality and a determination to get to the truth and see justice done".

"Selfmachine" is a song about alienation; lead singer Coco Sumner told The Independent that she relates to the loneliness of the robot described in the song, saying, "This little robot can't empathise with anything but himself, so he feels really sorry for himself. Then everyone leaves him because he is selfish, but he can't help it, because he is just a robot and programmed that way." In an interview with the Evening Standard, Sumner explained that the song is not about her own feelings so much as those of the title character, WALL-E, in the 2008 Pixar movie WALL-E.

Gerhardt is best known as the author of the bestselling and critically acclaimed Why Love Matters: How Affection Shapes a Baby's Brain (2004).Why Love Matters, Routledge Mental Health The book presents evidence that babies' brains develop differently in the first few months of life depending on the amount and type of care they receive in that time. The evidence suggests that the prefrontal cortex and, within that, the orbitofrontal area are stimulated and interconnect more powerfully when a child is demonstrably loved. The advantage of positive development is increased confidence and an ability to empathise with others.

Empathy in chickens is the ability to understand and share the feelings of another chicken. The Biotechnology and Biological Sciences Research Council's (BBSRC) Animal Welfare Initiative defines and recognizes that "...hens possess a fundamental capacity to empathise..." These empathetic responses in animals are well documented and are usually discussed along with issues related to cognition. The difference between animal cognition and animal emotion is recognized by ethicists. The specific emotional attribute of empathy in chickens has not been only investigated in terms of its existence but it has applications that have resulted in the designed reduction of stress in farm- raised poultry.

Account planning brings the consumer into the process of developing advertising. Planning is a job function relating to the application of strategy and planning techniques to direct brands unique direction across communications across advertising and marketing channels. The Account Planner, or simply Planner, has a role to identify and empathise with the target market and unlock insight that creates value between the consumer, the brand and the category of Product (business) or service. The thoughts and observations are construed into a value proposition and make up a document called a Creative Brief that is used to create and inspire advertising campaigns and other marketing communications.

On 24 October 2019, the band announced the release (on the same day) of the songs "Arabesque" and "Orphans" as a dual release and as the first singles off Everyday Life. About the content of the songs, lead singer Chris Martin said in an interview with BBC Radio 1 that "some of it’s very personal, about real things in my life, and some of it’s about things that I see or we see, and some of it’s about trying to empathise about what other people are going through". On the day of the release, the band set up a timer counting down to the release of the songs.

Critics noted that Amy did not develop much throughout the 2010 series. Dan Martin of The Guardian, in a mid-series review, wrote, "I wonder whether I really know Amy Pond. Beneath the sass and the sauce and the wit and (there's no getting away from this) the skirts, I've yet to completely empathise with her, or work out what makes her tick". In a review before the finale, Martin called her "a revelation", although she sometimes "felt a little one note...But I'd put all of that down to guest writers responding to a character brief that probably said little more than 'feisty redhead'".

Blanky is an electric security blanket but is insecure without its owner, the bright Lampy is mentally dim, Kirby is supposed to hold everything inside but has a nervous breakdown, Toaster is warm and reflective so can easily empathise, and Radio is constantly switched on and entertaining. He has the philosophy that despite being inanimate, they each symbolised things we actually feel. As the foundation for writing the story, Rees reasoned that the characters would only be happy if they were being used by the Master. As a result of this, a major aspect of the film is about inanimate objects becoming alive when you are not observing them.

This creates a semi-rural, village-like atmosphere which is uncommon in the otherwise closely developed Sydney metropolitan area. The cultural landscape has heritage values in its own right, as a document demonstrating the planning and construction of the station over its entire life. The landscape also has a strong interpretative value. The isolation of the Station, the long views out to other parts of the harbour, the contrast between manicured grassy areas and surrounding bush, which was alien to most of the inmates, and the strict classification of occupation areas within the Station, combine to trigger the historical imagination and allow the visitor to empathise with those quarantined here.

The novel follows 14-year-old Avalon Maloney as she navigates the shift from her small town home of Grace Point and its small country school to an "enormous metropolitan high school".McCaffrey, 2006 An important part of reading any text is being able to relate to the characters, especially the protagonist whose journey is followed throughout the narrative. The central character is likable and her humour and wit should appeal to the students. Moreover, the fact that she is of a similar age, and has to go through something that all students have experienced, being the new kid, will allow student to empathise with Avalon.

Malini Mannath of The Indian Express wrote, "Mahanadhi is a melancholic film with scenes that linger long after the film is over." K. Vijiyin of New Straits Times wrote, "This movie is quite long [...] and I was warned the story was a bit "slow" but I did not really feel the time passing. If you like Kamal, you will like Mahanadhi, which should earn another acting award for him". The Tamil magazine Ananda Vikatan wrote that it is surprising to see such a soft, intense and different film in Tamil, and also praised Haasan's acting, stating that one will forget Haasan and see only the character Krishnaswamy and empathise with him.

Nathan Spencer, portrayed by actor Ben Price, was installed as the new corporate director of Holby city hospital NHS trust in 2005, and from the outset his unswaying mindset and failure to empathise with the human condition made him unpopular with his staff. His professional background was in banking, so his only concern was with meeting hospital targets and balancing the books. As a result, he would frequently clash with A&E; consultant Harry Harper, even threatening to remove Harry from his post because he consistently refused to make any sort of (financial) compromise with patient care. Nathan began his time at Casualty by stalking Selena Donovan.

However, he criticised the lack of emotion which had previously inhibited the show and did not yet empathise with Amy. Martin noted that the series had a high expectation (due to the quality of Moffat's previous Doctor Who episodes) which may have disappointed those who expected "dark, adult versions of Who every week" as Moffat took more of a fairy-tale approach; his dialogue was "less soapy and more spiky" than Davies'. Revisiting previous issues, he noted that there was less emotion; however, "when someone did die ... it ploughed heavy into the heart". Amy was "a revelation", although she sometimes "felt a little one-note".

Brown meets British troops during a visit to Basra, 2007 US President Barack Obama, Prince Charles, Brown, Canadian Prime Minister Stephen Harper and French President Nicolas Sarkozy arrive at the Colleville-sur-Mer cemetery to attend a ceremony marking the 65th anniversary of the D-Day landings in Normandy, 6 June 2009. Brown was committed to the Iraq War, but said in a speech in June 2007 that he would "learn the lessons" from the mistakes made in Iraq. Brown said in a letter published on 17 March 2008 that the United Kingdom would hold an inquiry into the war. Brown went to great lengths to empathise with those who lost family members in the Iraq and Afghanistan conflicts.

Barlow felt that removing the detective from the game empowers Seifert's character, allowing the player to empathise. When conducting research for Her Story, Barlow looked at the case regarding the murder of Travis Alexander, which made him consider the manner that female murder suspects are treated in interrogations, stating that they "tend to be fetishised, more readily turned into archetypes". This was further proved to Barlow when studying the interviews of Casey Anthony and Amanda Knox; he found that media commentary often ignored the evidence of the investigation, instead focusing on the expressions of the suspects during the interviews. Barlow conducted further research by studying texts about psychology, and the use of language.

The film was written by James Graham, who also scripted This House, a National Theatre play about the government of James Callaghan from 1976 to 1979. Graham chose to dramatise the formation of the government in 2010 because "The personalities, clashes, the farcical nature of some of it, the loss of dignity – it was characterful and weird. The lack of sleep, the pressure, and exhaustion make it exciting ... It's really important to me to try and humanise them". He stated that the message of the film was not to change political opinions, but to encourage empathy towards politicians because "There's this presumption that they're all corrupt and incompetent – but I'd love people to empathise with the incredible situation".

She does everything in her power to ensure that her daughter's mind is not polluted by the strange white man, including making weekly visits to the classroom. She even goes as far as stealing and hiding Watts's Great Expectations book, an action that causes immense trouble when "Redskin" soldiers enter the village and find Pip's name carved in the sand. It is Matilda who wrote his name, and it is her guilt that makes her empathise with her mother, who refuses to give up the book as evidence that Pip is not a rebel but a fictional character. Convinced that Pip must be a spy who has been hidden from them, the soldiers destroy the houses.

Without this distance, tragedy could not give rise to catharsis. However, it is equally important that the text causes the audience to identify with the characters and the events in the text, and unless this identification occurs, it does not touch us as an audience. Aristotle holds that it is through "simulated representation", mimesis, that we respond to the acting on the stage which is conveying to us what the characters feel, so that we may empathise with them in this way through the mimetic form of dramatic roleplay. It is the task of the dramatist to produce the tragic enactment to accomplish this empathy by means of what is taking place on stage.

He made the first section begin with a kayōkyoku-inspired pop melody, so that the song could be understood by casual pop music listeners. Yamaguchi felt that the song was a failure, because it did not bridge the gap between underground music listeners and listeners of popular music as he had wanted it to. Yamaguchi continued to use the lyrical techniques that he had utilised in "Me ga Aku Aiiro", which he saw as something people were more likely to empathise with. He used these on the next song that the band produced after "Me ga Aku Aiiro", "Identity" (2010), which was released as a single four months after "Me ga Aku Aiiro"'s release.

Eilish said a number of the songs also derive from her and Finneas' experiences. They try to write "really interesting and conversational" lyrics: "We try to say stuff that doesn't have to be that deep [...] but you say something way deeper in a certain way that makes sense, but you haven't really thought about." Finneas has stated when he writes songs for his sister, he aims to "write [songs] that I think she'll relate to and enjoy singing and empathise with the lyrics and make her own". When he writes with Eilish, he tries "to help her tell whatever story she's trying to tell, bounce ideas off of her, listen to her ideas", and use a language that fits her voice telling the story.

" Sweta Kaushal of Hindustan Times rated 2.5/5, saying "ADHM offers little in terms of story and fails to get the audience empathise or feel for the characters and events in the movie." Shubhra Gupta of The Indian Express rated 2/5 and said, "Johar is unable to go the extra mile, hope that Johar will come up with something newer and sharper the next time around." Mike McCahill of The Guardian rated 2/5 and said, "Despite controversy over the casting, Karan Johar's romance, has a failure of nerve about Hindu-Muslim relations." The Hindu commented, "ADHM is the latest in the brand of cinema that isn't so much as plot driven as it is focused on characters, relationships, and interactions.

Analysts of Bolaji's books (in some of the published studies referred to below) point out that he has been heavily influenced by writers such as Sidney Sheldon, Dick Francis and Agatha Christie, who highlight the unexpected in their work. For examples in Impossible Love, an intriguing gentleman suddenly finds himself inadvertently in love with his own daughter; in People of the Townships, a young man readers have come to empathise with is ultimately exposed as a cold-blooded murderer; and in Tebogo Investigates, a charming, amiable young lady turns out to be a ruthless killer. Studies already published on Omoseye Bolaji's literary work are: Omoseye Bolaji: His writings/his role as a catalyst for FS Writing. By Pule Lebuso (2001); Omoseye Bolaji: Perspectives on his literary work.

The basic idea for Saga Norén was of a woman with absolutely no social skills. So from the very first episode she is defined by her bluntness, nearly always telling the truth even if it risks hurting or offending those she interacts with. While she is often seen as insensitive or rude to the characters around her for this reason, it is shown as unintentional. She approaches everything directly and logically, and often is oblivious to the fact that her blunt demeanor sometimes offends others, while her inability to empathise with people around her makes her somewhat unsuited to questioning the recently bereaved relatives of victims, but she sometimes tries to make amends when it is explained to her and is not a malicious character.

Schopenhauer subsequently elucidated his ethical philosophy in his two prize essays: On the Freedom of the Will (1839) and On the Basis of Morality (1840). According to Schopenhauer, the will conflicts with itself through the egoism that every human and animal is endowed with. Compassion arises from a transcendence of this egoism (the penetration of the illusory perception of individuality, so that one can empathise with the suffering of another) and can serve as a clue to the possibility of going beyond desire and the will. Schopenhauer categorically denies the existence of the "freedom of the will" in the conventional sense, and only adumbrates how the will can be affirmed or negated, but is not subject to change, and serves as the root of the chain of causal determinism.

Janice Cole, writing in Point of View, describes the film's narration style as "part story, part confessional and part spokesperson". The American media theorist Laura Marks writes that Hoolboom's multi-narrator approach allows the viewer a greater opportunity to empathise with AIDS patients; she writes that it is a more appropriate approach to the issue than "the heroic narrative centering on an individual's suffering" present in other works. In another publication she notes that the film shows a paradox of "having a body that is yours but not", as exemplified by the opening scene. Roger Hallas, director of the LGBT Studies Program at Syracuse University, writes that Letters from Home is based on esthetics of "fragmentation and dispersal", emphasising the multicultural cast and camera work, which varies from "talking head" close-ups to voice overs.

"And Your Bird Can Sing" was written primarily by Lennon, with McCartney claiming to have helped on the lyric and estimating the song as "80–20" to Lennon. Harrison and McCartney played dual lead-guitar parts on the recording, including an ascending riff that Riley terms "magnetic ... everything sticks to it". Riley describes the composition as a "shaded putdown" in the style of Dylan's "Positively 4th Street", whereby Lennon sings to someone who has seen "seven wonders" yet is unable to empathise with him and his feelings of isolation. According to Gould, the song was directed at Frank Sinatra after Lennon had read a hagiographic article on the singer, in Esquire magazine, in which Sinatra was lauded as "the fully emancipated male ... the man who can have anything he wants".

The actress feels that Esther's desk-bound analyst position is "her safe little world". Head writer and executive producer Russell T Davies described Esther as "a very healing force" in helping the other more outspoken characters gel together as a team because she is "much more able to empathise with people." The character's sister, Sarah Drummond (Candace Brown), recurs throughout Miracle Day, Havins feels that her presence helps "humanise the situation" as including family members helps the audience "understand why people react a certain way." Espenson notes that the first scene between Esther and Sarah was discussed at length at the writer's room—the writers chose to make Esther's choice whether or not to refer her ill sister to social services "as difficult as possible" to heighten the pain felt by the character.

In Seth Makepeace Frank Tilsley and son go back to the 1770s to examine the birth of the factory system and its distinctively aggressive capitalist view of the world. The book focuses on an enterprising young cottage weaver, Seth, who founds the pioneering industrial mill and prospers after having stolen the secret of the revolutionary spinning mule from Samuel Crompton. Seth makes the potent argument for the beginnings of the factory system, and in the cause of his notion of progress gains further social acceptance with an advantageous marriage to the moneyed local squire’s daughter. Convincingly portrayed are Seth’s entrepreneurial frustrations, his self-justification for his behaviour towards others, his hypocrisy and contradictions of character. Tilsley’s ability to empathise with those he cannot morally agree with is apparent once more.

She developed her own theory of psychological aesthetics in collaboration with her lover, Kit Anstruther-Thomson, based on previous works by William James, Theodor Lipps, and Karl Groos. She claimed that spectators "empathise" with works of art when they call up memories and associations and cause often unconscious bodily changes in posture and breathing.Rene Wellek (1970), "Vernon Lee, Bernard Berenson, and Aesthetics," Discriminations: Further Concepts of Criticism, New Haven: Yale UP She was known for her numerous essays about travel in Italy, France, Germany, and Switzerland, which attempted to capture the psychological effects of places rather than to convey any particular piece of information. Like her friend Henry James, she wrote critically about the relationship between writers and their audience, pioneering the idea of critical assessment among all the arts as relating to an audience's personal response.

" The album was noted for its multiple occurrences of the word "fuck", which is somewhat unusual in Sparks' catalogue – the Los Angeles Times quoted Ron Mael quipping, "We held off for 23 albums".The song "The Angels" on the Sparks album Balls previously used the word "fucking". Lyrically, the songs' content is described by David Cheal in the Financial Times as "funny, clever, arch, wry, dry, witty, smart, strange, and, at times, actually rather moving". Louder Than War's Tim Cooper likened Ron Mael's writing to that of Cole Porter or Ivor Novello, "employing wit in the form of puns and metaphors, yet his subject matter and his concerns are always contemporary; never more so than on 'iPhone', a song whose chorus is something we can all empathise with: 'Put your fucking iPhone down and listen to me.

The Black Balloon was reviewed on At the Movies, with Margaret Pomeranz, giving it four out of five stars, hailing it as ‘such a strong film.’ She praised the acting of the principal cast, saying that the ‘role of Thomas is a knife-edge one, it could so easily be made unsympathetic, but Rhys Wakefield makes us empathise with Thomas’s agonies, and Luke Ford makes Charlie both loveable and exasperating, another big achievement. But towering over the film is the performance of Toni Collette, she is just so good in every role she takes on, and Erik Thomson gives solid support as Simon. Model turned actress Gemma Ward steps up to the plate. … It’s a very auspicious debut’ for director Elissa Down. Co-presenter David Stratton agreed, giving the film four-and-a-half stars, and added that ‘it's so beautifully played.

Other lyrical themes included unemployment, inner-city violence, war, and slavish followers of fashion. Controversy erupted around the band after they were featured in a 1982 BBC Arena documentary, during which Henderson alleged that the police were tougher on White skinheads than they were on Black rioters, said that "there will never be racial harmony" and blamed the Asians for the 1981 Southall riot, during which the band were attacked inside a gig venue. Deptford John briefly made some comments in agreement with Henderson over the riots but, in a later part of the documentary, he said that skinheads should be able to empathise with Blacks when they are denied jobs or entrance to venues, and should remember that, whereas skinheads can change how they look, Blacks cannot change their skin colour. Footage of crowd violence at a gig in Harlow was broadcast at the end of the documentary.

After one incident, in which a particularly troublesome female convict, Elizabeth Dudgeon, was punished for insulting a guard officer, he noted "she has long been fishing for it, which she has at last got to her heart's content". He did, however, occasionally empathise with the convicts, especially when they were mistreated. Shortly after landing on Norfolk Island, Clark and Robert Kellow came across some convicts, including some women with their children, who had been forced to sleep in the open far from the main townsite, adequate accommodation being lacking: "on the Road we met a great many of the Convicts both Men and Women Particular the women that have young children Who told me that the[y] have been obliged to Sleep in the woods all night for the[y] could not get into Town, poor Devils how they are Kick[ed] about from one place to a nother". Unusually for the time, Clark was effectively a teetotaller, preferring to drink only lemonade.

Rhys appears in all three Torchwood novels in the first wave published by BBC Books in January 2007, set between episodes of Torchwood series one. These novels expand on the difficult period in Gwen and Rhys' relationship — whilst his appearances in Another Life, and Border Princes, are relatively minor, he has a more significant role in Slow Decay, where he unwittingly brings himself into danger by taking an alien diet pill. Reviewer Patrick Holm feels that the success of these novels lies in the fact that they help readers empathise with characters such as Rhys. Rhys makes cameo appearances in Something in the Water (set between "Kiss Kiss Bang Bang" and "Meat") and Trace Memory, and has a significant role in The Twilight Streets, (released March 2008) which depicts an alternate future where Gwen and Rhys start a new Torchwood to make a safe world for their son after the Torchwood Team are destroyed fighting sentient particles known as the dark.

While it felt that these ideas combined with traditional Sonic gameplay was a good beginning, it also had to consider how to introduce newer gamers unfamiliar with the Sonic franchise to the series, and so the concept of the Werehog was born, in addition to exploring its own mythology and ideas for the story. Director Yoshihisa Hashimoto felt from the outset that there would be both praise and criticism, but hoped that long-term Sonic fans would understand and empathise with the ideas and direction the team had taken. In terms of technology, Hashimoto remarked that the visual style was born out of desire to see a global illumination solution used for the game's lighting — that is, light reflecting from one object in the scene onto others. To this extent, development on the renderer for this process began, and the final solution allowed the developers to use distributed rendering over hundreds of computers to calculate lighting for each ten- to twenty-kilometer action stage in around two or three days.

In the autumn of 235, when Cao Gun fell sick, Cao Rui sent a palace physician to treat him, ordered his palace attendants to bring him various health products, and even instructed Cao Gun's mother Lady Du and brother Cao Lin to visit him. As Cao Gun's condition worsened, he maintained the same humility he showed throughout his life by saying that he was undeserving of such generosity from the emperor. Although he knew that his funeral had to be in accordance with Confucian traditions, he requested for a simple funeral and to be buried near the tomb of Quyuan (蘧瑗), a famous official from the Wey state in the Spring and Autumn period. Before his death, he told Cao Fu (曹孚), his son and heir apparent, to conduct himself with humility and virtue, to empathise with his subordinates and the common people, to respect his grandmother Lady Du and uncle Cao Lin, and to learn how to be a loyal and faithful subject of the emperor.

He held the position until the 2005 general election when he was defeated by Sammy Wilson of the DUP. He was UUP Education Spokesman from 1986 up to and including his last few years in Parliament when he also served as Deputy Leader and Chief Whip of the Ulster Unionist Parliamentary Party. Beggs was known as one of the more hard- line members of the UUP, being vociferous in his Euroscepticism and his suspicions about the Belfast Agreement - initially involving himself in Union First (a group within the Ulster Unionist Party opposed to the Agreement), although in his final two years in Parliament he appeared publicly supportive of the Agreement and of leader David Trimble. A renowned opponent of "progressive" teaching methods and supporter of corporal punishment in schools he was closely associated with the pro-3Rs Campaign for Real Education and the Freedom Association, as well as his support for the History Curriculum Association's unsuccessful attempts to secure the inclusion of key events, personalities and developments of British History into the school history curriculum and have pupils assessed on their ability to acquire facts and knowledge rather than empathise from a range of psychological perspectives.