Great tyranny, lay thou thy basis sure Each new morn new widows howl New orphans cry, new sorrows strike heaven On the face, that it resounds as if it felt With Us and yell'd out like syllable of dolour.
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"Dolour calling it quits." Absolutepunk.net. December 6, 2007. In November 2017, Dolour released two holiday songs.
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Waiting for a World War is the debut album released by indie rock band Dolour. The album was produced by Blake Wescott and Dolour. The artwork was done by Jesse LeDoux.
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She is a source as much of delight as of dolour.
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Dolour was a band led by Shane Tutmarc of Seattle, Washington.
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Suburbiac is the second album released by indie rock band Dolour. It was released on October 29, 2002. The album was produced by Aaron Sprinkle and Shane Tutmarc.
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New Old Friends is the third album by the indie rock band Dolour. It was produced by Shane Tutmarc. It was mixed by Jason Holstrom and Shane Tutmarc.
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Dame Ellen Dolour France (née Larkin, born 1956) is a New Zealand jurist. She is currently a Justice of the Supreme Court, and was previously the president of the Court of Appeal.
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In 2005, A Matter of Time: 2000-2005, an anthology, was released by Japanese label Quince Records. During 2004-2006 Dolour produced two separate albums, Hell or Highwater and Storm & Stress, which were combined and released on Japanese label Quince Records as The Years in the Wilderness in 2007. Tutmarc began a side project, in early 2007 called Shane Tutmarc & The Traveling Mercies. On December 6, 2007, Tutmarc announced the end of Dolour as he focused his efforts on this new project.
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Dunbar then seamlessly returns to his praise of the "obedient" James Dog and so concludes the poem. :He hes sa weill doin me obey, :In till all thing thairfoir I pray, :That nevir dolour mak him dram. :He is na dog, he is a lam.
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The Catch was a rock band from Seattle, Washington. Formed by Carly Nicklaus (U.S.E), Amy Rockwell (Dolour, U.S.E), Jenny Jimenez on bass guitar and Alissa Newton on drums The group released their first album Get Cool on Made In Mexico Records in May 2005. Jimenez and Newton later left the group, to be replaced by Shane Berry and Garrett Lunceford of The Divorce.
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Tutmarc is the great-grandson of Paul Tutmarc, who has been credited as the inventor of the electric bass. His grandfather, Bud Tutmarc, was a well-known Hawaiian steel guitar player. Tutmarc was the leader of Seattle band Dolour from 1997 to 2007. He has played in several other bands, including United State of Electronica and Shane Tutmarc & The Traveling Mercies.
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Ellen Dolour Larkin was born to parents who were both teachers. A legal career was suggested to her by her career counsellor and her response was "alright, I'll try that." She graduated LLB from the University of Auckland in 1981, and obtained her masters from Queen's University in Ontario, Canada in 1983. From 1982, she worked as a solicitor for the Auckland practice of Subritzky, Tetley Jones & Way.
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Often noted as a drummer for Pedro the Lion, and for his co-writing, production, backing vocals, and multiple instrumentation on former Velocity Girl singer Sarah Shannon's first solo record. Wescott is also noted for his beard-growing skills. Lead singer of the defunct late-1990s alternative band Bloomsday. He played guitar and sings backing vocals on records by Saltine, Damien Jurado, Aaron Sprinkle, Seldom (which he also produced), Dolour, Cush, Rocky Votolato, The Long Winters, Denison Witmer, Magneto, and others.
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" The album was produced by Shane Tutmarc of the Seattle band "Dolour." "Tomorrow's Taken," features the singles, "You Might Understand," "How Did I Get Here?," and "Here For Me And Not For You." In 2007, "Tomorrow's Re-Taken," was released featuring remixes of songs from "Tomorrow's Taken," by various artists. In 2007, Ian released "Diamonds," a 3-song EP. In 2008, the 3-song "Memorial Day Parade EP," was released as a precursor to the full-length "This is the Sound.
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Most of his surviving works are ballades, although a Credo was recently discovered, and a rondeau has been attributed to him. His ballade En attendant souffrir was written for Bernabò Visconti, confirmed by the presence of Visconti's motto in the upper voice. Two of Caserta's pieces, En remirant and De ma dolour, use fragments of text from chansons by the most famous composer of the century, Guillaume de Machaut. Caserta's own repute was significant enough for Johannes Ciconia to borrow portions of Caserta's ballades for his own virelai, Sus une fontayne.
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There was also a five-part exchange (probably preceding the Vita nuova) called the duol d'amore ("dolour of love"), in which Dante da Maiano wrote three pieces and Dante Alighieri responded to the first two.The name duol d'amore comes from F. Pelligrini and is not original. In a final two-part communication, Dante Alighieri wrote Savere e cortesia, ingegno ed arte to Dante da Maiano's Amor mi fa sì fedelmente amare. In all their correspondence, the elder Dante assumes an air of superiority towards his up-and-coming interlocutor, the future author of the Divine Comedy.
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Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes. Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar."Fleet Foxes Expand Seattle Sound", Seattle magazine The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals.
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Knell may be commemorated in Edmund Spenser's 1591 cycle of poems The Teares of the Muses,Scott McCrea, The Case for Shakespeare, Praeger, 2004, p.173 which includes the lines, Our pleasant Willy, ah is dead of late: With whom all joy and jolly merriment Is also deaded, and in dolour drent. Thomas Heywood mentions him with others in his Apology for Actors, as a modern Roscius whose fame outlived him. Though Heywood never saw him act, he says that those who saw him and the other actors he names believed their performances were so perfect ("absolute") that it would be a sin to "drown their worths in Lethe".
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Kaarin Louise Fairfax (born 30 September 1959) is an Australian actress, director and singer who played the role of 'Dolour Darcy' in two TV miniseries The Harp in the South (1986) and its sequel Poor Man's Orange (1987) based on books of the same names by Ruth Park. She has also acted in other Australian television series throughout the 1980s, 1990s and 2000s, and recorded music under the name of Mary-Jo Starr. Note: [on-line] version established at White Room Electronic Publishing Pty Ltd in 2007 and was expanded from the 2002 edition. Fairfax had the role of 'Deb Mathieson' on Australian Broadcasting Corporation TV series, Bed of Roses (2008, 2010).
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In an NPR interview Nafisi contrasts the sorrowful and seductive sides of Dolores/Lolita's character. She notes "Because her name is not Lolita, her real name is Dolores which as you know in Latin means dolour, so her real name is associated with sorrow and with anguish and with innocence, while Lolita becomes a sort of light-headed, seductive, and airy name. The Lolita of our novel is both of these at the same time and in our culture here today we only associate it with one aspect of that little girl and the crassest interpretation of her." Following Nafisi's comments, the NPR interviewer, Madeleine Brand, lists as embodiments of the latter side of Lolita, "the Long Island Lolita, Britney Spears, the Olsen twins, and Sue Lyon in Stanley Kubrick's Lolita".
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