If the lyric, "loving your loved ones like it's never going to end don't let the hand deject you / except the shadow it gives," speaks to your idea of asexuality or wellbeing, this may be the singer you've been searching for.
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If what Clapper says is true that it was an innocuous investigation to find out what involvement Russia had, then why would they have bent over backwards, as Andy McCarthy says, to avoid investigating Hillary and indicting her and bend over forward to indict and implicate and deject President Trump?
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Examples are found in Ophelia's speech at the end of the nunnery scene: "Th'expectancy and rose of the fair state"Hamlet 3.1.151. and "And I, of ladies most deject and wretched".Hamlet 3.1.154. Many scholars have found it odd that Shakespeare would, seemingly arbitrarily, use this rhetorical form throughout the play.
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Especially when pretending to be mad, Hamlet uses puns to reveal his true thoughts, while at the same time hiding them. Psychologists have since associated a heavy use of puns with schizophrenia. Hendiadys is one rhetorical type found in several places in the play, as in Ophelia's speech after the nunnery scene ("Th'expectancy and rose of the fair state" and "I, of all ladies, most deject and wretched" are two examples). Many scholars have found it odd that Shakespeare would, seemingly arbitrarily, use this rhetorical form throughout the play.
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Consider also those who experience social anxiety, who experience the subjectification of being abject is a similar yet different way to those with Body Dysmorphic Disorder. Abject, here, refers to marginally objectionable material that does not quite belong in the greater society as a wholewhether this not-belonging is real or imagined is irrelevant, only that it is perceived.Schott & Sordengaard, "School bullying: New theories in context" (2014). For those with social anxiety, it is their entire social self which is perceived to be the deject, straying away from normal social rituals and capabilities.
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Genevieve is one of twelve princesses who share a passion for dancing and live in a castle with their widowed father, King Randolph. The princesses’ adventurous personalities and unique hobbies are considered improper by other members of the royal society. King Randolph summons his cousin, Duchess Rowena, to help educate the princesses in proper etiquette; the Duchess's strict rules and instruction begins to deject the princesses’ spirits. On their youngest, triplet sisters’ birthday, Genevieve and the others gift them with a copy of their late mother's favorite story: a princess discovered a magical land where she danced for three nights before it vanished.
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Organizational theory literature on abjection has attempted to illuminate various ways in which institutions come to silence, exclude or disavow feelings, practices, groups or discourses within the workplace. Studies have examined and demonstrated the manner in which people adopt roles, identities and discourses to avoid the consequences of social and organizational abjection.Kenny (2010); Bulter (2004); cited in Risque, "States of Abjection" (2013), p. 1279–80. In such studies the focus is often placed upon a group of people within an organization or institution that fall outside of the norm, thus becoming what Kristeva terms "the one by whom the abject exists," or "the deject" people.
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