"Confectionary, confectionary," he cried, bursting into a louder tone of voice, which rang forth clear and deep-toned, as a bell.
|
|
Ng'ok has developed a confidently ebullient Expressionism of layered drawing—faces and figures teeming laterally and in depth—and of flowing brushwork, in deep-toned, plangent colors.
|
|
" He slipped into a deep-toned, plummy Thorpe voice: "I could feel my jaw getting longer, heavy lips, heavy tongue; a lot of tongue work when he is lying or aroused.
|
|
When they take the stage, Kelling grabs a microphone or two and growls pure catharsis into them as the rest of the band soundtracks his exorcisms with a thick blanket of deep-toned guitars.
|
|
" Enraptured by the young orator in 1841, a white New England newspaper editor wrote: "As this Douglass stood there in manly attitude, with erect form, and glistening eye and deep-toned voice, telling us that he had been secretly devising means to effect his release, we could not help thinking of Spartacus, the Gladiator.
|
|
Krazy's musical style and similar deep toned enunciation have made his music comparable to that of hip-hop icon Tupac Shakur, as a result bootleggers in the past have released copies of his songs and claimed that they were unreleased 2Pac songs/material.
|
|
The antsa, a traditional polyharmonic singing style performed by women, is popular among the Antambahoaka. At major festivals, music is played on a conch shell (antsiva) that has been drilled with finger holes. Music is typically accompanied by the hazolahy, a large, deep-toned drum.
|
|
The Allmusic review by Scott Yanow states "Adams performs four of his obscure originals (most memorable is the melodic title cut), Thad Jones' "Quiet Lady," "Jitterbug Waltz" and a romping version of Bud Powell's classic "Bouncing With Bud." A fine example of the deep-toned baritonist at his best. ".
|
|
Miller has been known for his deep-toned, aggressive enunciation and his story-telling rhymes focusing on poverty, social injustice, drugs and drug dealing, police brutality, and hope. Miller is also known for his catchy melodic hooks. Miller is known for carrying a theme for each of his albums and his unique musical ability to connect with his audience.
|
|
The song was written by Nassun, member BM and GR8MOON, and produced by Nassun and DALGUI and TAEMIN. Billboard described the song as an EDM track that features whistling synths and deep- toned strings, noting that the group continued their upbeat, tropically tinged dance music. It was also highlighted that member J.seph sings for the first time and member Jiwoo was given a prominent rap part.
|
|
Plain, square shaped, red bricked two storied buildings housed a number of soldiers. The out-buildings were more conspicuous than the house and could be seen from the railway line from the south at Stanmore. Under the eaves of one of these out buildings was a deep toned bell, which used to toll at 6 am and other hours of the day, up until the 1870s.
|
|
In spite of the few meagre shreds of authentic information extant concerning this somewhat elusive instrument, it is possible nevertheless to identify the barbiton as it was known among the Greeks and Romans. From the Greek writers we know that it was a deep toned instrument, with pitch range of at least two octaves, that had enough features in common with the lyra and kithara, to warrant their classification as a family of related instruments.
|
|
Big Al was an English vocal developed and distributed by PowerFX Systems AB. Big Al had a deep toned, masculine voice, and was the complementary vocal to Sweet Ann. He was announced on January 21, 2007, and was released on December 22, 2009. He was released with a voice provided by ex-employee Frank Sanderson after the intended provider, Elvis Presley impersonator Michael King, was unable to return for further recordings after his initial samples were considered not at a high enough quality to be released.
|
|
1130-31 on stephenplaice.co.uk The production was previewed in The Guardian and covered by television channels from three countries as well as by local press and media. It was directed by Susannah Waters with a cast of professional singers including members of the Finnish National Opera and locally recruited amateur choruses. The highlight of the premiere was what Mark Pappenheim's review in Opera called the "hair-raisingly deep-toned rendition" of Oolannin sota by the Finnish singers, whose style Waters had described in rehearsal as "simple, open-throated singing free of operatic airs".
|
|
After returning to Philadelphia, Jones led a fusion group called Le Grand Prix, toured with Bill Evans in 1976 and 1978, recorded for Galaxy in 1977–79, and worked with Red Garland. From 1981 he helped to found the group Dameronia, dedicated to the music of the composer Tadd Dameron, and led it until his death. Jones died in 1985 of a heart attack at home in Philadelphia, Pennsylvania, at the age of 62. Jones' "combination of deep-toned tom-tom and bass drums with subtle swirls of cross-rhythm on cymbals was widely imitated".
|
|
The role of Inspector Gadget went through two different voice actors for the pilot episode before Don Adams was cast. In the first version of the pilot episode, the voice of Inspector Gadget was provided by Jesse White. A second version of the pilot was made with the only difference being Gary Owens re-recording all of White's dialogue with a deep-toned mid-Atlantic accent. Eventually, producers decided to cast actor Don Adams in the role, re-recording all of Inspector Gadget's dialogue in the pilot to make it more reminiscent of Maxwell Smart.
|
|
The Bardwell–Ferrant House is a house in the Phillips West neighborhood of Minneapolis, Minnesota, United States. It was built in 1883 at 1800 Park Avenue for its first owner, Charles Bardwell, and its original plan was in the Queen Anne style. In 1890 its second owner, Emil Ferrant, had the house remodeled in the Moorish Revival style that was popular at the time. Norwegian-born architect Carl F. Struck added two onion domed towers, a wraparound porch with spindlework columns, ogee arches, and deep-toned stained glass windows.
|
|
"Juke" is played as a swinging shuffle featuring a boogie- woogie guitar pattern, and is originally in the key of E; Walter played it in "second position" (cross harp) on a harmonica tuned to the key of A. "Juke" is a standard twelve-bar blues, set for the most part in the time signature of 4/4, but its time changes once to 3/4 and once to 2/4. "Juke" contains eight choruses. The harmonica playing in "Juke" is deep-toned and features long saxophone-like phrases. "Juke" is a dynamic song, building and releasing in intensity several times.
|
|
The track includes contributions from British musicians such as Henry Spinetti, Herbie Flowers and Ray Cooper, along with a deep-toned vocal part from American gospel singer Willie Greene. Indicating Harrison's enduring admiration for the song, it was one of the B-sides of the 12-inch single "When We Was Fab" in 1988, and he subsequently included it on his compilation album Best of Dark Horse 1976–1989. Among retrospective appraisals of Harrison's musical career, several commentators have identified "That's the Way It Goes" as a highlight of Gone Troppo. In November 2002, a year after Harrison's death, Joe Brown performed the song at the Concert for George in London.
|
|
Max Bell of NME qualified the record as "extraordinary," writing that "without trying to baffle or overreach itself, this outfit step into a labyrinth that is rarely explored with any smidgeon of real conviction." He compared it favourably to the work of Strange Days-era Doors and "German experimentalists" such as Can and Neu!. In Rolling Stone, music journalist Mikal Gilmore described the album as having "a doleful, deep-toned sound that often suggested an elaborate version of the Velvet Underground or an orderly Public Image Ltd." By August of that year the album's stature as a favourite of critics for the year was established.
|
|
Later that year, the couple were in Charlotte Amalie, U.S. Virgin Islands, where Richard had been commissioned by the government to paint and Mohr was sent to make studies of typical island scenes by the WPA. Three of Mohr's entries at the Getz-Brown Gallery's 1938 exhibition, "Evening", "Memories of the Past", and "Self Portrait" were highlighted for their deep- toned and thought-provoking spirit. Her landscape painting "Memories of the Past" was singled out for an award and was praised as one which created almost a daily stir at the gallery. In 1939, one of Mohr's paintings was selected to appear that the New York World's Fair and in 1942 she installed a commissioned piece for the WPA in the post office in Stilwell, Oklahoma.
|
|
The Park Theatre (Brooklyn) was opened in 1863, and burned down in 1908 The Brooklyn Daily Eagle noted that she was received politely and appeared to be a rather traditional actress, if not old-fashioned, although she performed "intelligently and well." On the other hand, she had "a tall commanding figure and, in this role, a fine manly bearing, and she took the part of a youthful prince to perfection ... She (had) a rich deep toned voice, and her elocution (was) admirable." In May 1869 Alice Marriott became "seriously ill in New York, and (was) prevented from acting," then Robert Edgar "broke a blood vessel, and (was) also laid up for some time."Reynolds's Newspaper, Sunday 23 May 1869 p4 col6: Theatrical chit chat Following this, in June, various London newspapers received erroneous news from America that Robert Edgar had died.
|
|
Lasus did not like the sigma, and excluded it from one of his poems, entitled Ode to the Centaurs, of which nothing remains; as well as a Hymn to Demeter, of which the first verse remains: : Δάματρα μέλπω Κόραν τε Κλυμένοι᾽ ἄλοχον : μελιβόαν ὕμνον ἀναγνέων : Αἰολίδ᾽ ἂμ βαρύβρομον ἁρμονίαν : Dámatra mélpô Kóran te Klyménoi᾽ álochon : melibóan hýmnon anagnéôn : Aiolíd᾽ ám barýbromon armonían This translates to: :I chant of Demeter and Kore, Wife of the famed [Pluto] :Lifting forth a gentle-voiced hymn :In the deep-toned Aeolian mode.Athen., 14.624e–f, and see 10.455c–d The late antiquity Greek poets Nestor of Laranda and Tryphiodorus wrote lipogrammatic adaptations of the Homeric poems: Nestor composed an Iliad, which was followed by Tryphiodorus' Odyssey. Both Nestor's Iliad and Tryphiodorus' Odyssey were composed of 24 books (like the original Iliad and Odyssey) each book omitting a subsequent letter of the Greek alphabet. Therefore, the first book omitted alpha, the second beta, and so forth.
|
|