"I share your poverty," declaims this wealthy son of aristocracy.
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"She will be proud, and she will be strong," he declaims.
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"I am closer to God than I am to you!" he declaims.
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There's something in the way he declaims: it connotes certainty, sympathy and resignation.
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Rather than inhabit the process by which it is made, Boccato's work declaims it.
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I work," she declaims in "Work It," from her new album "Working Class Woman.
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"Here are the reasons why you should marry me," Marshall declaims, with no further introduction.
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"We struck out as lovers, we struck out as friends," Clark declaims, dry as a desert.
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There, he declaims poems and speeches (Shelley's "Ozymandias" is a highlight) to a paying but slowly dwindling audience.
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Trapped in a huge transparent cage with little else onstage, the sizable cast declaims reams of text, their voices highly amplified.
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She declaims the highly poetic, startlingly sexual words as if singing a national anthem, and yet the song remains sly and infectious.
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And when discussing a group of possible Trump voters, he declaims, "you cannot be friends with these people," the theater bursts into applause.
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Whatever the role, he stretches out a word of one syllable into two, or even three, and declaims each syllable at a different pitch.
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One soprano declaims these words while another sings settings of poems by Rebecca Elson, who tells of a similar struggle, in more oblique terms.
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She has to observe and absorb while Driver simmers, Laura Dern declaims, Ray Liotta leaks unction and Julie Hagerty pilfers everything she gets her hands on.
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" GIOVANNI RUSSONELLO As Moor Mother angrily declaims poetry about African-American historical trauma and the economic impact of slave labor — "The myth hold weight like/All the money from cotton, right?
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He has written more than 200 poems about Pasolini and his life in Monteverde, and has memorized around 40 poems by his idol, which he declaims at the drop of a hat.
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He is at once a baron of bluster and a princeling of tiny grievances, the sort who declaims too quickly, laughs too nervously and argues too gustily with the news on the radio.
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In Arceneaux's hour-long film, an actor who resembles King declaims from a lectern made of rubble, while a humanoid in shaggy coat and leggings scrabbles across the nave of a derelict church in Detroit.
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LAGOS (Reuters) - Dressed in a bright red and blue robe and backed by a local band with an eclectic range of instruments, Helen Epega beats a steel drum as she declaims dramatically to an unseen audience.
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"Creature Comfort" unfolds, layer by layer, like a stately New Order song, looking at characters who feel like failures and turn to pills, cutting and thoughts of immolation: "She dreams about dying all the time," Mr. Butler declaims.
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We see him, before his departure for a three-week shift, hanging out with his wife (Kate Hudson) and their daughter, Sydney (Stella Allen), who helpfully declaims a school essay on what her father does for a living.
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When, in "My Fair Lady," Freddy walks down the street where Eliza Doolittle lives and suddenly declaims his state of mind in a song, we're in the song with him, knowing that only a melody could contain the excitement of being near her.
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Its high point, two-thirds of the way through, is a town-hall-style debate in which she declaims, in perfectly formed phrases, the kinds of things many of us have been rehearsing for months in front of our televisions and on Twitter feeds.
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" In her song "Sacco, Vanzetti," a commemoration of the unjust 212 execution of immigrant anarchists, Crawford unleashes a barrage of dissonance in the piano part, against which the vocal line declaims, in a propagandist snarl, lines like "Still you paid with your life for your class!
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As Ture declaims (and Hawkins gets the pulse of his speech to perfection), his disciples chant in response, and the screen fills with their faces, blooming in and out of the darkness; the result may bear an unfortunate resemblance to the original video for "Bohemian Rhapsody," but the effect is rousing nonetheless.
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The music is mostly realized by other people, though according to Ashley's instructions: delicate synth chords and sprays of piano arranged by "Blue" Gene Tyranny and tablas by the mononymous Kris hover and flutter as a quiet speaking voice pointedly declaims a rambling, poetic libretto that turns tight corners between philosophical abstraction, dirty jokes, and some kind of implied but partially obscured narrative.
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"In order to be a $200bn company we've got to learn how to sell clothes and food," Jeff Bezos said as long ago as a decade — displaying the long term thinking that has enabled the ecommerce giant to slow-grow its business over more than 20 years from an upstart online bookseller into today's sprawling digital marketplace whose upwardly thrusting arrow declaims its mission to deliver everything.
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Isolating the electric-guitar riff that anchors Ono's feminist anthem "Woman Power," from Feeling the Space, Bartlett pushes her voice forward in the mix; here, she declaims as much as she sings, like an older woman, mother, and observer of human foibles who has witnessed a lifetime of power plays by macho men and beer-soaked bromancers: Every woman has a song to sing.
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Which is the other bizarre thing about Spadaro and Figueroa's broad brush: As the American Catholic writer Patrick Smith points out, by warning against a Catholicism that takes political sides or indulges in moralistic rhetoric or otherwise declaims on "who is right and who is wrong" in contemporary debates, the pope's men are effectively condemning not only American conservative Catholics but also the pope's own writings on poverty and environmentalism, his support for grass-roots "popular movements" in the developing world and his stress on the organic link between family, society, religion and the state.
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I find myself middle-aged divorced lost In the forest dark of my failures mortgage & slack breasts It's hard to admit nobody wants to do me anymore Not even Virgil will lead me down to his basement rental Take a look at my firstborn son Who put me on three months' bedrest For whom I bled on the emergency room floor Who declaims his device sucks Stabs holes in his bedroom wall Complains his ATV's too slow Who plots to run away to join terrorists He'd rather die than do math And the little one ripped From my womb in the surgery room I pierced my nipples to unblock her milk Who pours lemonade on the floor for skating Howls in rage cause her cake isn't pretty Carved No Mom on her door with scissors Who says, No fence but you're kinda fat She'd rather die than wear underpants Virgil, hey!
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All other tracks are penned by the musicians themselves or even improvised like "It's Just a Thing" accompanying a story Elling declaims.
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The latter is the single, Sexiest Man in Jamaica, a zippy bit of fun in which Prince Buster rustily declaims his sexiness over an orchestral victory march.
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The style of poetry Bunthorne declaims strongly contrasts with Grosvenor's. The former's, emphatic and obscure, bears a marked resemblance to Swinburne's poetry in its structure, style and heavy use of alliteration.Jones, p. 46; Williams, p.
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Lewis, Telling Narratives, pp. 34–35, 65–66. As Antoine harshly declaims at the beginning of the story, a slave's virtues as a man can never come to fruition: the institution corrupts virtue until it becomes monstrous, grotesque or destructive. Georges' heroic impulses are overwritten by gothic horror.
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In Equinox Flower (彼岸花, Higanbana), a 1958 color Japanese film directed by Yasujirō Ozu, one of the characters declaims a poet "based on a death poem of patriot Kusunoki Masatsura". Whether it has to do with the above poem is unknown. An approximate translation is : :My father's precepts are engraved in my heart. :I will faithfully follow the emperor's edict.
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Víðarr stands and pours a drink for Loki. Prior to drinking, Loki declaims a toast to the gods, with a specific exception for Bragi. Bragi responds that he will give a horse, sword, and ring from his possessions so that he does not repay the gods "with hatred". Loki responds that Bragi will always be short of all of these things, accusing him of being "wary of war" and "shy of shooting".
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He later recalled that he was extremely unhappy that day and wrote the song in one sitting. "Liar" is a diss song directed at past member Chris Poland, who Mustaine claimed was stealing guitars and selling them for heroin money. "Hook in Mouth" declaims censorship and the Parents Music Resource Center (PMRC). Mustaine elaborated that the lyrics were aimed at those who were "fucking around with our constitutional rights and trying to take away our freedom of speech".
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The content and format of The Art of War are strangely at odds. In the opening pages, after Cosimo has described his grandfather's inspiration for gardens in which the conversations are set, Fabrizio declaims that we should imitate ancient warfare rather than ancient art forms. However, the Art of War is a dialogue in the humanist tradition of imitating classical forms. Machiavelli himself appears to have fallen into the trap for which Fabrizio criticizes Bernardo Rucellai.
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Dressed in fur-like characters from The Wizard of Oz they use electric tricycles no faster than golf carts, which nonetheless are equipped with sirens "to warn the bad guys they are coming". They have shock-sticks and guns which fire "choke-gas pellets". Chib's exhibition dissolves into violence as his friend Omar Runic declaims an improvised poem in tribute to Chib's latest work. This is also common, particularly as the "fido" reporters are always keen to stir up trouble, and the artists hate the critics.
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The Narrator greets the audience, explaining the nature of the drama they are about to see, and setting the scene: Thebes is suffering from a plague, and the men of the city lament it loudly. Oedipus, king of Thebes and conqueror of the Sphinx, promises to save the city. Creon, brother-in-law to Oedipus, returns from the oracle at Delphi and declaims the words of the gods: Thebes is harboring the murderer of Laius, the previous king. It is the murderer who has brought the plague upon the city.
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Hitmen Jules Winnfield and Vincent Vega arrive at an apartment to retrieve a briefcase for their boss, gangster Marsellus Wallace, from a business partner, Brett. After Vincent checks the contents of the briefcase, Jules shoots one of Brett's associates, then declaims a passage from the Bible before he and Vincent kill Brett for trying to double-cross Marsellus. They take the briefcase to Marsellus, but have to wait while he bribes champion boxer Butch Coolidge to take a dive in his upcoming match. The next day, Vincent purchases heroin from his drug dealer, Lance.
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Fagotto of course is not the real maestro but Bacòlo in disguise; Bertolucci overwhelmed by his artistry and his admiration knows no bounds. When Caramelo declaims an ode, this is met with scorn by Fagotto, who lauds the music of young Fabricio, whose talent – as revealed by the great Fagotto – is now praised in turn by Bertolucci. Having previously treated him with contempt, with Fagotto’s imprimatur Bertolucci would now consent to him marrying his daughter. Caramello is furious and attacks Fagotto, and in the confusion Bacòlo loses his wig and the scheme is revealed.
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Alvaro tells her of what has happened, and she rushes to embrace her dying brother, as she bends over him, he stabs her in the heart. The Father Superior, who has come in answer to Leonora's alarm bell, orders Alvaro to stop cursing fate and to humble himself before God. The dying Leonora joins him in this plea, and Alvaro declaims that he is now redeemed. :[Original version: Overcome by the guilt at having killed or caused the death of all the Calatravas, Alvaro jumps to his death into the nearby ravine, cursing humankind, over the protests of Father Guardiano].
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Edmond Malone found parallel descriptions of the stars as candles in Romeo and Juliet and Macbeth. While Alexander Schmidt glosses line 13 as "fall in love with what others have praised," Edward Dowden has it "those who like to be buzzed about by talk." As William James Rolfe notes, the line, and indeed the final couplet, refer definitely to the type of exaggerated praise that Shakespeare declaims in the sonnet. George Wyndham notes a parallel to the final line in Samuel Daniel's "Delia 53"; in that poem, the speaker condemns the "mercenary lines" of other poets.
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Praying, he reminds God he is fighting his cause and wonders if God is dead, but concludes God cannot die but only hide. In the Diet of Worms, Inquisitor Johann Eck confronts Luther, interrupting his "Here I Stand" speech to warn greedy commoners would be incited to revolt if Luther does not recant. Luther refuses, and the knight exults that Luther could have led a successful revolt but disgustedly recounts Luther advocated the rebels' extermination in his Against the Murderous, Thieving Hordes of Peasants. As Luther declaims this, the emperor and princes leave to repress the revolt.
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In 1971 he starred in a major role alongside Claude Jade and Jean-Pierre Cassel in Gérard Brach's bittersweet The Boat on the Grass about a girl between two friends. In this film are references to his stage roles when he declaims Hamlet or when he sings in duet with Claude Jade God Save the Queen. He later played Russian politician Alexander Kerensky in Nicholas and Alexandra (1971). His other film credits include The Duellists, Black Beauty, The Land That Time Forgot (1975) and The Krays (1990, as gangster Eddie Pellam), When Saturday Comes, as well as Mel Gibson’s Hamlet.
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An excerpt from the Slavo- Aryan Vedas declaims: ::It is not appropriate for Slavs and Aryan to venerate alien idols, to pour water into an alien watermill, to give one's psychic energy to an alien egregor! There is no point for Russians to destroy their own Slavic and Aryan culture with their own hands by adopting an alien pseudo- culture! Our ancestors warn us from the distant past: "... we ourselves are the grandchildren of Dazhdbog and have not aspired to sneak in the footsteps of foreigners". Ynglist doctrines emphasise a "healthy way of life", which includes eating natural and pure food, being responsible and sober, but also ideas based on theories of human biology and genetics which are "far from academic perceptions".
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Attitudes range from those who hold very firm views on the etiquette of how, where, and with what, to wear the kilt, to those with more relaxed views, such as is represented by the following quotation from Matthew Newsome's Patented Advice for the First-Time Kilt Wearer: This article will attempt to detail some of the more common kilt accessories as seen in actual wearing practice. In this sense, it is like a dictionary which catalogues usage, not an etiquette book which declaims on proper style. However as in all cases of dress for men do not expect to turn up at a formal event such as a Royal Garden Party wearing something silly without being the object of ridicule. The same as not wearing correct evening dress at a white tie affair.
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In the seven-and-a-half-minute pre-credits sequence, a monk-like hooded figure, whose face is never shown, holding a six- foot cruciform staff, walks through a forest, stopping on a hill overlooking a lakeside baptismal ceremony conducted by a Christ-like figure who starts making a speech/plea to God, expressing gratitude for being shown the light and receiving "a chance to be saved". He then thanks God for giving him the power and for making him "Your son". He tells God that all those present "were just a bunch of sinners", but "I saved them", because "I made them see that using dope was the way to turn on to you". Continuing, "oh, we got trouble, Lord — the heat won't leave us alone — they want to bust us for bein' hooked on you", he then declaims that "they don't dig our kind of faith — they put us down cause we ain't one of them uptight establishment churches with one of them phony moneymakin' ministers, lyin' and stealin'…" He tells God and the assembled teenage followers that one among them was sent to "spy on us and try to bust us".
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