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20 Sentences With "conscious thing"

How to use conscious thing in a sentence? Find typical usage patterns (collocations)/phrases/context for "conscious thing" and check conjugation/comparative form for "conscious thing". Mastering all the usages of "conscious thing" from sentence examples published by news publications.

However, his body awareness is also a very conscious thing.
Sebastian: I don't know if it's a conscious thing, but we definitely do.
That was a conscious thing, and you're the first person to catch it.
It wasn't a conscious thing—she just seemed to feel uncomfortable when her eyes weren't fastened to a page.
"That's not a conscious thing but it's magical and represents this idea of the agelessness of music," Hunt said of the harmonizing.
It's a conscious thing: It's a common sense thing … I just don't ever want to end up in a relationship that isn't fair ever again.
Rahill: I get those questions, but also, let me live, because it's never a conscious thing, or it's not something I'm trying to do purposely.
If Trump distracts from those things by tweeting or ridiculously delaying saying that he was committed to NATO's mutual defense pact, it may not be a conscious thing.
It's not been a conscious thing so much, but I don't think we like staying still on just one instrument, we like switching around as it progresses the band.
Race wasn't a conscious thing for me in starting or continuing gymnastics – I loved it, period – but I did get accustomed to seeing primarily white women representing the United States.
A little bit, but it's not a super conscious thing where you're always thinking of the storyline as you write the music, because a lot of that stuff sort of evolves in real time.
In retrospect, however, feeding an app I didn't really thoroughly research precise information on where I live, the means to enter my home, and information on when I wasn't there probably wasn't the most security-conscious thing I've done in my life.
But the stuff in this record that stood out and affected me was like this dichotomy of Sara's voice still being aggressive, but the music itself there's these spots of "almost-beauty" and melody that accentuates everythingRyan: That was a real, conscious thing.
Faulkner described the songwriting process as "free and really relaxed", and that the writing and recording ideas from Redeemer of Souls remained the same, but was slightly different in terms of his guitar performance. He also says that it wasn't a conscious thing on his part to revisit the band's classic albums for inspiration. Faulkner explains that some of the melodies and the ideas for Firepower were already written a long time ago. He cites the songs "Rising From Ruins", "Evil Never Dies" and "Sea of Red" as his favourites.
This value is added because of the labor that is necessary to transform the raw material into a commodity. According to Marx, value only exists in use-values, so how does the worker transfer value to a good? It is because "[m]an himself, viewed merely as the physical existence of labor power, is a natural object, a thing, although a living, conscious thing, and labor is the physical manifestation of that power". In order for commodities to be produced with surplus value, two things must be true.
"Pusher" was written by Vince Gilligan and directed by Rob Bowman. Gilligan wanted the episode to be a "tense cat and mouse game between Mulder and Modell", and he later explained, "the only conscious thing I wanted to do from the start was get them together as much as I could". When Gilligan turned in his script, he told series creator Chris Carter that the episode was "the best work I'm ever gonna do for you." Carter retorted that the show's writers should try to out-do their last effort.
Described by Timothy Monger of AllMusic as a "charismatic amalgam", the Proclaimers' style of music incorporates elements of country, folk, new wave, pop, punk rock, rock, rockabilly and soul. Stylistically, the Proclaimers have been typified as alternative folk, alternative rock, celtic pop, country folk, folk rock, post- punk, rhythm and blues, and roots rock. The vocals in the Proclaimers' music are characterized by thick Scottish accents. Describing this to The Courier in 2018, Craig Reid commented "it was a conscious thing, because we were singing about where we live, our experiences and it just felt stupid to sing in an English or American accent".
The proposition is sometimes given as . This fuller form was penned by the eloquent French literary critic, Antoine Léonard Thomas, in an award-winning 1765 essay in praise of Descartes, where it appeared as "" ('Since I doubt, I think; since I think, I exist'). With rearrangement and compaction, the passage translates to "I doubt, therefore I think, therefore I am," or in Latin, "dubito, ergo cogito, ergo sum." A further expansion, ("…—a thinking thing") extends the cogito with Descartes's statement in the subsequent Meditation, ("I am a thinking [conscious] thing, that is, a being who doubts, affirms, denies, knows a few objects, and is ignorant of many…").
Thomas Nagel argues that while a human might be able to imagine what it is like to be a bat by taking "the bat's point of view", it would still be impossible "to know what it is like for a bat to be a bat." (Townsend's big- eared bat pictured). "What Is It Like to Be a Bat?" is a paper by American philosopher Thomas Nagel, first published in The Philosophical Review in October 1974, and later in Nagel's Mortal Questions (1979). The paper presents several difficulties posed by consciousness, including the possible insolubility of the mind-body problem owing to "facts beyond the reach of human concepts", the limits of objectivity and reductionism, the "phenomenological features" of subjective experience, the limits of human imagination, and what it means to be a particular, conscious thing.
Havok stated that though it was not a purposeful move, the experience with Blaqk Audio did contribute to there being few electronic elements on Crash Love: > Crash Love is a more guitar-focused, guitar-based record than > Decemberunderground was. I think what that is a result of is Jade and I > having toured for two months and recorded the CexCells record [with Blaqk > Audio]. So when we sat down and began writing Crash Love it was refreshing > to be playing rock and I think that having done Blaqk Audio, it rejuvenated > our interest in rock. Blaqk Audio was already entirely purely electronic but > coming from that sitting down and writing rock we just didn't have as much > inspiration to insert those electronic [sounds] into the rock music that we > were playing. But it wasn’t a conscious thing.

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