209 Sentences With "conjunct" | Random Sentence Generator

The sun will conjunct with Mercury, helping us to speak freely.

Speaking of advantageous conjunctions, Markle's Pluto is conjunct Prince Harry's Venus.

He has Mars and Uranus conjunct in Scorpio, squaring his moon in Leo, which likely means that there's a lot of passion beneath his Saturn conjunct in Libra, which makes him appear more balanced and wholesome.

He also has his Moon conjunct Jupiter, which is why he sometimes comes across as jolly and innocuous; his Moon is in Libra conjunct Jupiter in the 3rd house, which is also very convivial and clownish.

In addition to conjunct, there are four other major aspects in astrology.

Pluto is conjunct with his sun right now, which means a major transformation.

That feeling will pass from Wednesday to Friday, when Mars will conjunct with Neptune.

For example, Mercury conjunct Venus foretells of easy communication and free expression of your emotions.

Conjunct heavenly bodies tend to mix their respective energies together to make a potent cosmic cocktail.

Saturn, your personal planet of love, will conjunct with the sun, snapping your relationship into focus.

Tripp notes that Prince Harry's sun and Markle's Venus are conjunct, or located in the same sign.

EST, a surge of emotions arises when the Moon waxes full in Pisces on conjunct imaginative Neptune.

The aspect known as "conjunct," where two planets are in the same sign, is considered soft, as well.

Venus and Pluto conjunct on Friday, assisting us with how we relate to love, beauty, beginnings, and endings.

"Fiona can definitely be strong-willed," said Gorsuch, which Gat believes is explained by Fiona's Mercury conjunct Pluto.

Saturn, the planet of rules and regulations, will conjunct with the sun, putting you in an even more responsible mood.

Meanwhile, Saturn, your personal planet of travel and education, will conjunct with the sun, your personal planet of home and family life.

The sun, your sign's ruler, will conjunct with Saturn, your planet of health and work, inspiring you to skip any wild festivities.

We've got big plans for 2020 — so put pen to paper on January 2 when thoughtful Mercury is conjunct with abundant Jupiter.

"If you have the Uranus conjunct the moon, a psychological astrologer would help you learn how to make 'change' a friend," Freed says.

From the 5th to the 7th, Mars will conjunct with Neptune, inspiring us to give our ideas a real place in the world.

I learned that my moon is "conjunct to natal Venus," which meant I should "spend time with friends" because I was "particularly magnetic" that day.

In her writing about compatibility astrology (aka synastry), astrologer Annie Heese highlighted that finding your Mars sign is conjunct your partner's sun sign as particularly exciting.

One thing is certain: Generation X weren't burning Palo Santo sticks or reading into conjunct sextile trines with the same open ubiquity as people are today.

Mercury and Mars will conjunct from June 14 to the 19th, so you urging you to speak up about what's on your mind, whatever your romantic circumstances may be.

His Sun is conjunct Uranus in his 10th house, which suggests that, in his public persona, he's lying all the time—saying one thing and then doing the opposite.

"A parent who has Venus conjunct [in the same sign as] their child's sun would bring Venus themes (love, harmony, affection, beauty) to the child's spirit and ego (sun)," she says.

On Wednesday, there is a full moon in Taurus, stirring up feelings about your reputation, but because it is conjunct rebellious planet Uranus, it's easier for you not to care about what others think of you right now.

Then, Jupiter and Pluto will conjunct on April 5, June 30, and November 12, "making for a scandalous election in which we can expect the downfall of those in power" — a good sign for the 2020 presidential candidates, perhaps.

But he has really serious mommy issues with his Saturn conjunct with Venus, which translates to issues with women in general, being completely unable to separate what he believes to be attraction and hatred, or blaming them for everything that's wrong—or if you want to get really deep, blaming them for why he doesn't love himself.

Sometimes, conjunct consonants are not clearly derived from the letters making up their components: the conjunct for śc is શ્ચ (શ્ + ચ) and for ñj it is ઞ્જ (ઞ્ + જ). Conjunct consonants are used in many other scripts as well, usually derived from the Brahmi script. In Balinese, conjunct consonants are called Haksara Wrehastra.

The other members of the conjunct ignore Repha for shaping, combining with the other members of the conjunct to form ligatures or stacked conjuncts normally. Rakar is used to indicate a consonant conjunct ending in "Ra". It is an upward-pointing wedge shape that is found either centered below the rest of the conjunct, or tilted to the right and integrated with the bottom of the stemline. Like with Repha, the rest of the conjunct ignores Rakar for shaping, except for minor alteration of the bottom of any stemline.

' (verb stem /nihl-/ 'kill someone' with subordinative inflection for third-person subject and third-person object) The Conjunct Order forms a variety of subordinate clause types. The Conjunct Indicative Mode is extremely rare, with only a few examples reported in Unami, and none in Munsee.Goddard, Ives, 1979, p. 50 The Conjunct Order Changed Conjunct Mode occurs with a restricted set of roots either as part of the verb stem or a preverb, and refers to actually occurring events.

' The Conjunct Order Subjunctive Mode forms clauses referring to hypothetical situations. The subjunctive suffix /-e/ is added after the conjunct suffix. (a) moxkánke 'if he finds it.' The Conjunct Order Participial Mode forms noun-like verbs in constructions resembling relative clauses, in which one of the arguments of the verb functions as the head of the phrase.

"Kya" (Ka+Ya) conjunct consonant in the Brahmi script, consisting in the vertical assembly of consonants "Ka" 12px and "Ya" 12px. Used in the spelling of the word "Shakyamuni" to designate the Buddha, Rummindei pillar of Ashoka (circa 250 BCE). Evolution of the conjunct consonant "Sya" (Sa+Ya) in Brahmic scripts. Some major conjunct consonants in the Brahmi script.

Bengali ব exhibits conjunct ligatures, as is common in Indic scripts, with a tendency towards stacked ligatures. When used as the head (first) consonant in a conjunct, ব is normally pronounced as /b/.

In modern Devanagari the components of a conjunct are written left to right when possible (when the first consonant has a vertical stem that can be removed at the right), whereas in Brahmi characters are joined vertically downwards. Some simple examples of conjunct consonants in Devanagari are: त + व = त्व tva, ण + ढ = ण्ढ ṇḍha, स + थ = स्थ stha, where the vertical stroke of the first letter is simply lost in the combination. Sometimes, conjunct consonants are not clearly derived from the letters making up their components: the conjunct for kṣ is क्ष (क् + ष) and for jñ it is ज्ञ (ज् + ञ). Some examples of conjunct consonants in Gujarati are: પ + ઝ = પ્ઝ pjha (where the first letter of the stroke is lost in the combination), હ + ળ = હ્ળ hḷa, જ + ભ = જ્ભ jbha.

Melody may be characterized by its degree and type of conjunct and disjunct motion. For example, Medieval plainchant melodies are generally characterized by conjunct motion with occasional thirds, fourths, and generally ascending fifths while larger intervals are quite rare though octave leaps may occur between two separate phrases.Bonds (2006), p.43. Renaissance melodies are generally characterized by conjunct motion, with only occasional leaps of more than a fifth and then rarely anything but a sixth or octave.

The consonant ligature ndrô (ন্দ্র) : ন (nô) in green, দ (dô) in blue and র (rô) in maroon. Clusters of up to four consonants can be orthographically represented as a typographic ligature called a consonant conjunct ( juktakkhôr/juktôbôrnô or more specifically ). Typically, the first consonant in the conjunct is shown above and/or to the left of the following consonants. Many consonants appear in an abbreviated or compressed form when serving as part of a conjunct.

Bengali ত exhibits conjunct ligatures, as is common in Indic scripts, with a tendency towards stacked ligatures.

Bengali য exhibits conjunct ligatures, as is common in Indic scripts, with a tendency towards stacked ligatures.

Bengali শ exhibits conjunct ligatures, as is common in Indic scripts, with a tendency towards stacked ligatures.

Bengali ক exhibits conjunct ligatures, as is common in Indic scripts, with a tendency towards stacked ligatures.

Verbs in their conjunct form are the equivalent of English dependent clause. One use of the conjunct form can be used to express purpose. For example, Kī-pēc'-ītohtēw nā kici-otāpēt (Did he come to haul {wood}?) Verbs in their conjunct form occasionally have other form of morphemes. For example, the aspect markers are as follows: /kā-/ = completed aspect/past time, /kē-/ = future time, /ē-/ = the verb in the dependent clause is going on at the same time as that in the main clause.

Devanagari consonants that are a part of conjunct clusters are written consecutively in their ‘base forms’ (unless it is the last consonant in a conjunct cluster, which is in its ‘inherent vowel form’). For example, ‘घ्य’ /ɡʱjə/ is formed by ‘घ्‍ ’, followed by ‘य्‍ ’, and followed by the ‘ा’ diacritic with a Latin script representation of ‘Gya’.

This is when the verb doesn't agree with or agrees in a special way with wh-words.The Syntax of the Conjunct and Independent Orders in Wampanoag (PDF), p. 18. In Berber, the feminine singular prefix disappears when the subject is a wh- phrase, but only for affirmative verbs.The Syntac of the Conjunct and Independent Orders in Wampanoag (PDF), p. 19.

Content questions use not "nā" but a special form of the verb. The structure of the sentence then reads: question word - predicate (in conjunct form). Because verbs in their conjunct form do not use prefixes but express the subject as part of the suffix, the form of the sentence can be described as Question word - Verb - (Object) - Subject (with VOS all one word).

Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants.

Half form of Jha. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Half form of Pha. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Half form of Nna. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Half form of Tha. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Half form of Ssa. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Half form of Cha. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Half form of Gha. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Conjunct consonants are a form of orthographic ligature characteristic of the Brahmic scripts. They are constructed of more than two consonant letters. Biconsonantal conjuncts are common, but longer conjuncts are increasingly constrained by the languages' phonologies and the actual number of conjuncts observed drops sharply. Ulrich Stiel includes a five-letter Devanagari conjunct among the top 360 most frequent conjuncts found in Classical Sanskrit; the complete list appears below.

Half form of Nya. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters.

Retrieved 23 April 2012.Curnow, Timothy Jowan (2 May 2002). "Conjunct/disjunct marking in Awa Pit". Linguistics – An Interdisciplinary Journal of the Language Sciences 40(3):611-627.

Thai (along with its sister system, Lao) lacks conjunct consonants and independent vowels, while both designs are common among Brahmic scripts (e.g., Burmese and Balinese).Unicode Consortium. "Southeast Asia".

This keyboard was popular until the release of Bijoy keyboard. There were about 182 characters and half part of conjunct characters under Normal, Shift, AltGr, and Shift AltGr layer.

Chakma Letters Chakma is of the Brahmic type: the consonant letters contain an inherent vowel. Unusually for Brahmic scripts, the inherent vowel in Chakma is a long 'ā' (aː) as opposed to short 'a' (ə) which is standard in most other languages of India such as Hindi, Marathi or Tamil. Consonant clusters are written with conjunct characters, and a visible vowel killer shows the deletion of the inherent vowel when there is no conjunct.

Linear (melodic) intervals may be described as steps or skips. A step, or conjunct motion, Bonds, Mark Evan (2006). A History of Music in Western Culture, p.123. 2nd ed. .

Relative construction is expressed by the completive aspect marker /ka-/ with the verb in the Conjunct Order. For example, atāwēw (he trades), but kā-atāwēt (the one who trades --> a trader).

The New Side was initially organized as the Conjunct Presbyteries of New Brunswick and Londonderry. In 1745, the Presbytery of New York, led by moderate revivalist Jonathan Dickinson, left the Philadelphia Synod and joined the Conjunct Presbyteries to form the New Side Synod of New York. The new Synod required subscription to the Westminster Confession in accordance with the Adopting Act, but no college degrees were required for ordination. While the controversy raged, American Presbyterians were also concerned with expanding their influence.

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, und Tod". In music, a step, or conjunct motion,Bonds, Mark Evan (2006). A History of Music in Western Culture, p.123. 2nd ed. .

Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Also unlike other Brahmi scripts, the Tamil script rarely uses typographic ligatures to represent conjunct consonants, which are far less frequent in Tamil than in other Indian languages. Where they occur, conjunct consonants are written by writing the character for the first consonant, adding the puḷḷi to suppress its inherent vowel, and then writing the character for the second consonant. There are a few exceptions, namely kṣa and śrī. ISO 15919 is an international standard for the transliteration of Tamil and other Indic scripts into Latin characters.

Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Walman (or Valman) is a Torricelli language of Papua New Guinea. Matthew S. Dryer and Lea Brown of the University at Buffalo are currently writing a grammar of Walman. They have also published a paper showing that the word for 'and' in Walman that connects two nouns (as in "John and Mary") is actually a verb, with the first conjunct as subject and the second conjunct as object.Brown, Lea, and Matthew S. Dryer (2008) The verbs for 'and' in Walman, a Torricelli language of Papua New Guinea.

Like the diatonic scale, the ancient Greek enharmonic scale also had seven notes to the octave (assuming alternating conjunct and disjunct tetrachords), not 24 as one might imagine by analogy to the modern chromatic scale . A scale generated from two disjunct enharmonic tetrachords is: thumb :D E F G – A B C D or, in music notation starting on E: 200px, with the corresponding conjunct tetrachords forming thumb :A B C D E F G or, transposed to E like the previous example: 200px.

Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape.

The four here are the most widely accepted repertoire of conjuncts. ya: X + 𑄳 VIRAMA + 𑄠 yā ra: X + + rā la: X + VIRAMA + lā wa: X + VIRAMA + wā No separate conjunct forms of subjoined full-form -yā or -rā appear to exist. The fifth of these conjuncts, the -na conjunct, is exemplary of the orthographic shift which has taken place in the Chakma language. na: X + VIRAMA + nā While some writers would indeed write (in ligating style) as 𑄇𑄇𑄳𑄚 or (in subjoining style) as 𑄇𑄇𑄳𑄚, most now would probably expect it to be written as 𑄇𑄇𑄴𑄚.

The Sinhala Suddha ka (ඛ), called mahaapraana kayanna in Unicode, is the second letter of Sinhala script, and is part of the Miśra set of Sinhala consonants. Although it is derived from the Grantha letter kha, modern Sinhala no longer distinguishes between aspirated (Miśra) and unaspirated (Śuddha) consonants, and ඛ is pronounced the same as ක, ka, but is used for loanwords and in higher register writing. ඛ does not have any unique ligatures or conjunct forms, and displays an explicit virama as the first member of a conjunct cluster.

Half form of Na. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Pa. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Ta. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

For the next several years the Conjunct Presbytery and the Synod of Philadelphia battled in print and over reuniting, with the Presbytery of New York standing in the middle. The Presbytery of New York generally favored the revival, but had doubts about some of the extreme and disorderly actions. Finally, in 1746, the Presbytery of New York left the Synod of Philadelphia and joined the New Side. The Conjunct Presbytery then became the Synod of New York while the Old Side ministers continued as the Synod of Philadelphia.

Half form of Va. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Ya. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Sa. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Śa. Half form of Ribbon Śa. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

The use of ligatures and vertical conjuncts may vary across languages using the Devanagari, with Marathi in particular preferring the use of half forms where texts in other languages would show ligatures and vertical stacks. When in conjuncts with other letters, र takes on several different forms, the most important of which are Repha and Rakar. Repha is used to indicate that a conjunct begins with "R". It is crescent shape attached atop the headline of the rest of the conjunct at the right, immediately above the vertical stem, if present.

Half form of La. Half form of Ḷa. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Ca. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Ga. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Ja. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

Half form of Ka. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. In modern Devanagari texts, most conjuncts are formed by reducing the letter shape to fit tightly to the following letter, usually by dropping a character's vertical stem, sometimes referred to as a "half form". Some conjunct clusters are always represented by a true ligature, instead of a shape that can be broken into constituent independent letters. Vertically stacked conjuncts are ubiquitous in older texts, while only a few are still used routinely in modern Devanagari texts.

The Kannada script is rich in conjunct consonant clusters, with most consonants having a standard subjoined form and few true ligature clusters. A table of consonant conjuncts follows, although the forms of individual conjuncts may differ according to font.

Because Plains Cree does not accept the phonological sequence , however, one is dropped. When the morpheme , a marker for the inclusive plural in the conjunct order, is followed by , the third person plural marker, the word is realized as .

In The Unicode Standard Version 12.0 (p. 631). In scripts with conjunct consonants, each consonant has two forms: base and conjoined. Consonant clusters are represented with the two styles of consonants. The two styles may form typographical ligatures, as in Devanagari.

A vote ensued regarding the Protest and the Protestors came out in the majority and led to the withdrawal of the New Side brethren. They created their own Presbytery, the Conjunct Presbytery, and would later form the Synod of New York.

Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants. In the acrophony of the Thai script, patak (ปฏัก) means ‘skewers’. To Patak corresponds to the Sanskrit character ‘ट’.

Stripping is often marked by also, as well, or too. Notice also the appearance of the coordinator and or or. The coordinator's appearance marks coordination. Each time, the elided material appears in the non-initial conjunct of the coordinate structure.

Of special note is the sequence concerning the letter (ra). Unlike other letters, the conjunct form is written second even if it is pronounced first in the sequence. For example, the /rnaː/ in the word Karnāṭaka (ಕರ್ನಾಟಕ) is written ರ್ನಾ rather than ರ‍್ನಾ.

An example of denying a conjunct would be: #I cannot be both at home and in the city. #I am not at home. #Therefore, I am in the city. While the conclusion may be true, it does not follow from the premise.

The latter word is also written as . The Lao-style consonant conjunct (encoded as ) looks as though it is encoded as .

' The Conjunct Order Changed Subjunctive combines the subjunctive suffix /-e/ with a changed form of a verb normally formed with the preverb /e·nta-/ 'when.' Goddard, Ives, 1979, p. 51 (a) é·nta-né·wăke 'when I saw him.' (b) náh we·má·ne 'when I left from there.

Bengali র exhibits conjunct ligatures, as is common in Indic scripts. Much like other Indic scripts, Bengali র also rarely appears in conjuncts in full form, and has special unrelated graphic forms for both initial and trailing র in conjuncts called Repha and Ra phala.

Wancho script is an alphabet created between 2001 and 2012 by middle school teacher Banwang Losu in Longding district, Arunachal Pradesh for writing the Wancho language. Letters represent consonants and vowels. Conjunct consonants are not used. Tone is indicated with diacritical marks on vowel letters.

The Tocharian script is based on Brahmi, with each consonant having an inherent vowel, which can be altered by adding a vowel mark or removed by a special nullifying mark, the virama. Like Brahmi, Tocharian uses stacking for conjunct consonants and has irregular conjunct forms of 30px, ra. Unlike other Brahmi scripts, Tocharian has a second set of characters called Fremdzeichen that double up several of the standard consonants, but with an inherent "Ä" vowel. The eleven Fremdzeichen are most often found as substitutes for the standard consonant+virama in conjuncts, but they can be found in any context other than with the explicit "Ä" vowel mark.

The third conjunct form of Ra is the so-called Eyelash Ra. It resembles a half-form in retaining the head line, with a shape below that connects to the following letter, but this remaining eyelash shape does not resemble either र or ऱ. The eyelash Ra is used in Nepali and Marathi texts instead of Repha for an initial "R" sound in a conjunct. Even though those languages both use the dotted Ra ऱ, eyelash Ra is the default form of Ra + Virama in Unicode for backwards compatibility, and the Repha form is mapped individually as a ligature with each other Devanagari consonant.

Nouns can be used in apposition with other nouns and function like adjectives (which do not exist as a separate class of words). Participles can be formed from the Changed Conjunct form of a verb and use the special plural endings -ik (animate) or -il (inanimate).

A category of aspect, used in the Independent and Conjunct Orders, has been distinguished for both Munsee and Unami.Goddard, Ives, 1979, pp. 53-54 The categories distinguished are Unspecified, Preterite, and Present. The unspecified has no morphological expression, and hence is equivalent to regularly inflected forms of the verb.

The Old Side ministers were in the majority, and the New Side ministers withdrew and formed the Conjunct Presbytery. The Old Side ministers continued as the Synod of Philadelphia. The entire Presbytery of New York was absent from the Synod of 1741 probably in hopes of avoiding taking sides.

The constituency-based a-trees appear again on the left, and the dependency-based b-trees on the right: ::Layered analysis of coordination The primary aspect of these layered analyses is that an attempt is being made to adapt the analysis of coordinate structures to the analysis of subordinate structures. The conjuncts in each case are NOT sister constituents, but rather the first conjunct is in a more prominent (higher) hierarchical position than the second conjunct. The three analyses differ with respect to the presumed head of the entire structure. The third option in terms of the X-bar schema cannot be rendered in terms of dependency because dependency allows a word to project just a single node.

Half form of Kha. Devanagari exhibits conjunct ligatures, as is common in Indic scripts. Like most Devanagari letters, in modern texts forms very few irregular ligatures, and assumes a half form to create most conjuncts, such as + = . Earlier texts show many more ligature forms, with vertically stacked conjuncts being common.

Thus the following two statements are equivalent: The latter is a simple contradiction of the form "A and not A", and hence is false. There is therefore no paradox because the claim that this two-conjunct Liar is false does not lead to a contradiction. Eugene Mills presents a similar answer.

There are multiple forms of the verbs. The Independent Order of the verb is the set of verb forms that are used in the main clause. The Conjunct Order consists of the forms used in other types of clauses. Also, Swampy Cree has suffixes for direct action as opposed to inverse.

Grammatically, Awa pit uses a characteristic conjunct/disjunct system of verb suffixes for person-marking which displays similarities with some Tibeto-Burman languages, such as the Newari language of Kathmandu.Curnow, Timothy Jowan (1997). A Grammar of Awa Pit (Cuaiquer): An indigenous language of south-western Colombia. PhD Thesis, Australian National University, Canberra.

Cho chang (ช) and so so (ซ) are the tenth and eleventh letters of the Thai script. They fall under the low class of Thai consonants. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants.

There are also twelve letters for writing independent vowels (i.e. word-initial vowels). The four vocalic liquid letters r, ru, l and lu behave in the same way as vowels, so are often included in the vowel class. Early Saurashtra texts use a number of complex conjunct forms for writing consonant clusters.

This repeats for the second A section, although instead of the minor 2-5 back into D minor, there is a major 2-5-1 into Bb Major (leading to the B section.) The B section of the piece is a standard 1-6-2-5 in Bb repeating 3 times, then leading to a Bb dominant, and a minor 2-5 back into the root minor. The A section then repeats once to lead back to the start. The melody of the A section is primarily chromatic and conjunct, except the quaver length four note arpeggios at the end of each second bar. The melody of the B section is far less chromatic but still moves in a predominantly conjunct style.

Conjunct consonants are a type of letters, used for example in Brahmi or Brahmi derived modern scripts such as Balinese, Bengali, Devanagari, Gujarati, etc to write consonant clusters such as or . Although most of the time, letters are formed by using a simple consonant with the inherent value vowel "a" (as with "k" 12px, pronounced "ka" in Brahmi), or by combining a consonant with an vowel in the form of a diacritic (as with "ki" 12px in Brahmi), the usage of conjunct consonant permits the creation of more sophisticated sounds (as with "kya" 12px, formed with the consonants k 10px and y 10px assembled vertically). Conjuncts are often used with loan words. Native words typically use the basic consonant and native speakers know to suppress the vowel.

Denying a conjunct is a fallacy when in the following form: #It is not the case that both A is true and B is true. #B is not true. #Therefore, A is true. The conclusion does not follow from the premise as it could be the case that A and B are both false.

Stress is generally predictable in Unami. The rightmost nonfinal strong vowel is stressed, or a strong vowel in final position if it is the only one in the word. Often when stress would be expected to fall on the antepenult it is shifted to the penult. This change is found in three conjunct endings: /-ak/, /-at/, and /-an/.

A few other verbal prefixes, such as naa- ('around') on the outer left edge of the verb have long vowels, CVV-. A few prefixes have more complex syllable shapes, such as hashtʼe- ('ready') (CVCCV-). Prefixes do not carry tone. Some analyses, such as that of Harry Hoijer, consider conjunct verbal prefixes to have the syllable shape CV-.

Initial change (IC) can mark tense and aspect (in particular, "present tense and ongoing aspect or present perfect tense and aspect") under affirmative and conjunct orders. Differing phonological changes occur depending on the first vowel of the stem. If the vowel is short, it is lengthened. For example, be’éé- 'to be red' becomes bee’éé’ 'it is red'.

The next three letters of the alphabet, kho khwai (ค), kho khon (ฅ), and kho ra-khang (ฆ), are also named kho, however, they all fall under the low class of Thai consonants. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants.

Structurally, the movement completes most of a da capo aria before a recitative episode interrupts the reprise of the A section. The music moves between aria and recitative twice more before a final aria section ends the movement. The cantata ends with a four-part setting of the chorale with a conjunct melody and active continuo line.

Ga (ગ) is the third consonant of the Gujarati script. It is derived from 16th century Devanagari letter ga (ग) with the top bar (shiro rekha) removed. Like most Gujarati letters, it forms conjunct clusters with a half- form, where the vertical stem on the right is dropped and the remaining letter body appended to the following letter.

Saurashtra for most of the part had been an oral language lacking any script of its own. Around the 17th – 18th century some attempted to write it in Telugu script. Around 19th century a script was invented. There were attempts to revitalize the script in the latter half of the 19th century, ignoring most of the complex conjunct characters.

Melodic fluency, the preference for conjunct (stepwise) motion, is one of the main rules of voice leading, even in free composition. It avoids successive leaps and produces "a kind of wave-like melodic line which as a whole represents an animated entity, and which, with its ascending and descending curves, appears balanced in all its individual component parts".Counterpoint, vol. I, p. 94.

Verbs may carry affixes indicating agreement (with both subject and object arguments), tense, mood, and inversion. Two different sets, or orders, of verbal affixes are used depending on the verb's syntactic context. In simple main clauses, the verb is marked using affixes of the independent order, whereas in subordinate clauses and content-word questions, affixes of the conjunct order are used.

The alto renders in a secco recitative: "'" (Yet do not imagine, o sinners). Mincham observes that "Bach is using the minimum of resource but even so, he still manages to create the maximum of effect", for example that in the last measures, in contrast to the calm beginning, "the harmony becomes more obscure, the bass less conjunct and the alto line more passionate".

Computation of dodecatemoria could have helped the ancient astronomer by, simply, giving him more symbolic data to interpret. The dodecatemoria could also crudely represent the motion of the moon across the ecliptic during the course of one month. Possibly they use a "virtual moon", imagined conjunct with the Sun (i.e., new) at the beginning of a sign, to symbolize divisions within the sign.

Tibetan Machine Uni is an open source OpenType font for the Tibetan script based on a design by Tony Duff which was updated and adapted for rendering Unicode Tibetan text by the Tibetan and Himalayan Library project at the University of Virginia and released under the GNU General Public License. The font supports a particularly extensive set of conjunct ligatures for Tibetan.

Subscript NA and SIGN AA do not similarly ligate, e.g. ((), encoded ) The geminate consonant is encoded separately because the word (, encoding ) has an appearance very different from , but one may have occasion to fold the final syllable to . Indeed, in 2019 to 2020 there was a campaign to establish the latter as its standard spelling. By contrast, the geminate consonant is encoded as the conjunct , even though some of its glyphs may resemble the hypothetical conjunct .

Later, specifically in the A major section, there are some crescendos and diminuendos marked in the piano part. The piece also has a relatively smooth texture, since the piano is playing legato arpeggios and the voice is singing a flowing, conjunct melody. This movement of Liederkreis has several applied chords, such as V/V. Almost exclusively, these applied chords do not resolve to the expected chord.

The vowel is inserted when morphemes with non-syllabic endings are followed by morpheme-initial consonants, such as when the transitive animate conjunct ending -at is followed by the third person plural marker -k. The result is not atk but rather acik. Note the palatalization of the /t-i/ sequence. This insertion does not occur before semivowels such as or in certain specific combinations.

Dha however, does not have a vertical stem to drop for making a half form, and either forms a stacked conjunct/ligature, or uses its full form with Virama. The use of ligatures and vertical conjuncts may vary across languages using the Devanagari script, with Marathi in particular preferring the use of half forms where texts in other languages would show ligatures and vertical stacks.

D however, does not have a vertical stem to drop for making a half form, and either forms a stacked conjunct/ligature, or uses its full form with Virama. The use of ligatures and vertical conjuncts may vary across languages using the Devanagari script, with Marathi in particular preferring the use of half forms where texts in other languages would show ligatures and vertical stacks.

There are three major modern alphabets in this script: Bengali, Assamese, and Tirhuta. Modern Assamese is very similar to modern Bengali. Assamese has at least one extra letter, , that Bengali does not. It also uses a separate letter for the sound 'ro' different from the letter used for that sound in Bengali and the letter is not a conjunct as in Bengali, but a letter by itself.

Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). ; concerto : Composition for solo instrument(s) and orchestra ; conjunct : An adjective applied to a melodic line that moves by step (intervals of a 2nd) rather in disjunct motion (by leap). ; contralto : Lowest female singing voice type ; contrapuntalism : See counterpoint ; coperti : (plural of coperto) covered (i.e. on a drum, muted with a cloth) ; corda : String.

Tta however, does not have a vertical stem to drop for making a half form, and either forms a stacked conjunct/ligature, or uses its full form with Virama. The use of ligatures and vertical conjuncts may vary across languages using the Devanagari script, with Marathi in particular preferring the use of half forms where texts in other languages would show ligatures and vertical stacks.

This means that the same spelling may represent either n or nŭ depending on the context. Generally, it is nŭ at the end of a word, and n elsewhere; always represents nŭ. The virama of Tigalari script behave similarly to Malayalam. Virama has three functions: to suppress the inherent vowel (as the halant of Devanagari); to form conjunct consonants; to represent the half-u.

Ha however, does not have a vertical stem to drop in making a half form, and either forms a stacked conjunct/ligature, or uses its full form with Virama. The use of ligatures and vertical conjuncts may vary across languages using the Devanagari script, with Marathi in particular preferring the use of half forms where texts in other languages would show ligatures and vertical stacks.

Gha (ઘ) is the fourth consonant of the Gujarati script. It is derived from 16th century Devanagari letter gha (घ) with the top bar (shiro rekha) removed. Like most Gujarati letters, it forms conjunct clusters with a half-form, where the vertical stem on the right is dropped and the remaining letter body appended to the following letter. ઘ (gha) is similar in appearance to ધ (dha).

However, because of the norm that noun phrases which have lost their meaning are written contiguously, the team's name has become "Mersin İdmanyurdu". Today, both depictions are common in Turkish for MİY: Some write it separately (In Turkish, abbreviations are possible, even if the words had been conjunct). Club website has shown divergent interests. Their nickname is Şeytanlar (meaning "Devils") or Kırmızı Şeytanlar ("Red Devils").

Less than from its mouth, the Attawapiskat has carved out several clusters of spectacular high limestone islands, nicknamed by canoeists the "Birthday Cakes". The formations are unique to the region, the Swampy Cree (Omushkegowuk) word for which, tawâpiskâ (as "kâh-tawâpiskâk" in its Conjunct form and as "êh-tawâpiskât" in its Participle form), gives name to the river. Also The Attawapiskat kimberlite field lies astride the river.

Nayanagari is a conjunct free writing style for the Devanagari script. The Nayanagari alphabet set consists of only 8 vowels and 37 consonants. There are only a total of 45 characters in Nayanagari, and its use in computer and other applications are very simple and effective. The Nayanagari vowels are always used in a progressive manner, while always being considered as a full independent alphabet.

Ra is a consonant of Indic abugidas. In modern Indic scripts, Ra is derived from the early "Ashoka" Brahmi letter ng after having gone through the Gupta letter 13px. Most Indic scripts have differing forms of Ra when used in combination with other consonants, including subjoined and repha forms. Some of these are encoded in computer text as separate characters, while others are generated dynamically using conjunct shaping with a virama.

Others simply take exceptional forms in conjuncts, bearing little or no resemblance to the base character. Often, consonant conjuncts are not actually pronounced as would be implied by the pronunciation of the individual components. For example, adding lô underneath shô in Bengali creates the conjunct , which is not pronounced shlô but slô in Bengali. Many conjuncts represent Sanskrit sounds that were lost centuries before modern Bengali was ever spoken as in .

Fermoselle has been named a Historic, Cultural, Artistic and Architectural Conjunct of the Patrimony of Spain, as designated by The Commission of Spaniard Patrimony of Castile and León. There are many extant examples of Roman architecture, including stellas found at the pilgrimage chapel of Santa Cruz, and working Roman water fountains. The area has many rustic stone houses, and narrow medieval streets set on stone pavers. Fermoselle has a long history of viticulture.

The Gupta alphabet is composed of 37 letters: 32 consonants with the inherent ending "a" and 5 independent vowels. In addition diacritics are attached to the consonants in order to change the sound of the final vowel (from the inherent "a" to other sounds such as i, u, e, o, au ...). Consonants can also be combined into compounds, also called conjunct consonants (for example sa+ya are combined vertically to give "sya").

In orthography, the terms for affixes may be used for the smaller elements of conjunct characters. For example, Maya glyphs are generally compounds of a main sign and smaller affixes joined at its margins. These are called prefixes, superfixes, postfixes, and subfixes according to their position to the left, on top, to the right, or at the bottom of the main glyph. A small glyph placed inside another is called an infix.

Ca (ચ) is the sixth consonant of the Gujarati script. It is derived from 16th century Devanagari letter ca (च) with the top bar (shiro rekha) removed. Like most Gujarati letters, it forms conjunct clusters with a half-form, where the vertical stem on the right is dropped and the remaining letter body appended to the following letter. The Gujarati letter ca (ચ) should not be confused with the Gujarati vowel a (અ).

The tenth and twelfth letters of the alphabet, cho chang (ช) and cho choe (ฌ), are also named cho, however, they all fall under the low class of Thai consonants. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants. In the acrophony of the Thai script, chan (จาน) means ‘plate’. Cho chan corresponds to the Sanskrit character ‘च’.

The discrete is inconstant, isolated and unpervading, mutable, supporting, mergent, conjunct and with an agent. The un-discrete is constant, field-like, pervasive, immutable, non-supporting, non-mergent, separable and independent of an agent.Samkhya karika by Iswara Krishna, Henry Colebrooke (Translator), Oxford University Press, pages 39-44 Both discrete and un- discrete, describes Karika in verse 11, are simultaneously imbued with three qualities, and these qualities (Guṇa) are objective, common, prolific, do not discriminate and are innate.

991–996 Ottawa distinguishes yes-no questions, which use a verb form in the Independent order, from content questions formed with the Ottawa equivalents of "what", "where", "when", "who" and others, which require verbs inflected in the Conjunct order.Valentine, J. Randolph, 2001, pp. 975–991 Ottawa distinguishes two types of grammatical third person in sentences, marked on both verbs and animate nouns. The proximate form indicates a more salient noun phrase, and obviative indicates a less prominent noun phrase.

The name comes from tetra (from Greek—"four of something") and chord (from Greek chordon—"string" or "note"). In ancient Greek music theory, tetrachord signified a segment of the greater and lesser perfect systems bounded by immovable notes (); the notes between these were movable (). It literally means four strings, originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes.

Odia is a syllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within. Diacritics (which can appear above, below, before, or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols are used to combine the essential parts of each consonant symbol.

The tenth and twelfth letters of the alphabet, cho chang (ช) and cho choe (ฌ), are also named cho, however, they all fall under the low class of Thai consonants. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants. In the acrophony of the Thai script, ching (ฉิ่ง) means ‘cymbals (ching)’. Cho ching corresponds to the Sanskrit character ‘छ’.

Gapping exists in many languages, but by no means in all of them, and gapping has been studied extensively and is therefore one of the more understood ellipsis mechanisms.For prominent studies of gapping, see for instance Ross (1970), Jackendoff (1971), Kuno (1976), Hankamer (1979), Hartmann (2000), Osborne (2006), Johnson (2009). Stripping is viewed as a particular manifestation of the gapping mechanism where just one remnant (instead of two or more) appears in the gapped/stripped conjunct.

Western musicians have tended to teach voice leading by focusing on connecting adjacent harmonies because that skill is foundational to meeting larger, structural objectives. Common-practice conventions dictate that melodic lines should be smooth and independent. To be smooth, they should be primarily conjunct (stepwise), avoid leaps that are difficult to sing, approach and follow leaps with movement in the opposite direction, and correctly handle tendency tones (primarily, the leading-tone, but also the , which often moves down to ).Kostka, p. 71–72.

The fourth and the fifth letters of the alphabet, kho khwai (ค), kho khon (ฅ), and kho ra-khang (ฆ), are also named kho and fall under the low class of Thai consonants. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants. In the acrophony of the Thai script, ra-khang (ระฆัง) means ‘bell’. Kho ra-khang corresponds to the Sanskrit character ‘घ’.

Separate personal pronouns exist but are used mainly for emphasis; they distinguish inclusive and exclusive first-person plurals. Verbs, the most complex word class, are inflected for one of three orders (indicative, the default; conjunct, used for participles and in subordinate clauses; and imperative, used with commands), as negative or affirmative, and for the person, number, animacy, and proximate/obviative status of both the subject and object as well as for several different modes (including the dubitative and preterit) and tenses.

However, what the ancient Greeks thought of as Mixolydian was very different from the modern interpretation of the mode. In Greek theory, the Mixolydian tonos (the term "mode" is a later Latin term) employs a scale (or "octave species") corresponding to the Greek Hypolydian mode inverted. In its diatonic genus, this is a scale descending from paramese to hypate hypaton. In the diatonic genus, a whole tone (paramese to mese) followed by two conjunct inverted Lydian tetrachords (each being two whole tones followed by a semitone descending).

Gapping (and stripping) is an ellipsis mechanism that seems to occur in coordinate structures only. It usually excludes a finite verb from the second conjunct of a coordinate structure and allows further constituents to also be elided from the conjunct.Concerning the nature of the material that gapping can elide from the non-initial conjuncts of coordinate structures, see Osborne (2019: 361-365). While gapping itself is widely acknowledged to involve ellipsis, which instances of coordination do and do not involve gapping is still a matter of debate.

Tcherepnin invented his own harmonic languages. The most famous of his synthetic scales, derived by combining minor and major hexachords, has nine notes and consists of three conjunct semitone-tone-semitone tetrachords. This came to be known as the "Tcherepnin scale" (Slonimsky 1968, 19–20), and may be classified with Messiaen's modes of limited transposition. He also worked with pentatonic scales, old Russian modal tunes, Georgian harmonies, and a nine-note "chromatic perfect" scale built upon half-step and step-and-a-half intervals.

More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval, where the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used. Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less strictly, where skips are rare, is called stepwise or conjunct melodic motion, as opposed to skipwise or disjunct melodic motions, characterized by frequent skips.

Ngo ngu (ง) is the seventh letter of the Thai script. It falls under the low class of Thai consonants. In IPA, ngo ngu is pronounced as [ŋ] at the beginning of a syllable and at the end of a syllable. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants. In the acrophony of the Thai script, ngu (งู) means ‘snake’. Ngo ngu corresponds to the Sanskrit character ‘ङ’.

He published extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin's Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence.Collinge, N.E. The Laws of Indo-European John Benjamins Publishing Co 1985 p.230 His friend Frank O'Connor wrote humorously that while he discovered the law "he never really believed in it".

Being semi-closed is the most significant feature of Moments. After registering a WeChat account, users can add other WeChat users as "friends" and "like" or "comment" on friends’ posts freely. However, different from other social-networking sites or applications, Moments follows the principle of "my friend's friend is not my friend". That is to say, a user can only see those likes and comments made by conjunct friends between the user and the author, while cannot see the expressions made by people beyond their friend lists.

The eighth letter of the alphabet, cho ching (ฉ), is also named cho and falls under the high class of Thai consonants. The tenth letter of the alphabet, cho chang (ช), is also named cho and falls under the low class of Thai consonants. Unlike many Indic scripts, Thai consonants do not form conjunct ligatures, and use the pinthu—an explicit virama with a dot shape—to indicate bare consonants. In the acrophony of the Thai script, choe (เฌอ) means ‘tree’. Cho choe corresponds to the Sanskrit character ‘झ’.

"In der Fremde" (Opus 39,1) Schumann opens this song cycle with the lied In der Fremde in F minor with arpeggiated chords in the piano. These broken chords impart a feeling of perpetual motion, reflecting the stormy scene set up by the narrator. The dynamics (mostly piano) suggest that the storm is far away, yet the sense of urgency is still present in the single line of continuous, moving 16th notes. In the conjunct vocal line we feel the loneliness the narrator feels as he remembers his parents and reflects on his struggle.

Valentine, J. Randolph, 2001, pp. 934–935 Ottawa word order displays considerably more freedom than is found in languages such as English, and word order frequently reflects discourse-based distinctions such as topic and focus.Valentine, J. Randolph, 2001, pp. 951–955 Verbs are marked for grammatical information in three distinct sets of inflectional paradigms, called Verb orders. Each order corresponds generally to one of three main sentence types: the Independent order is used in main clauses, the Conjunct order in subordinate clauses, and the Imperative order in commands.Valentine, J. Randolph, 2001, pp.

Chandas is a Unicode compatible OpenType font for the Devanagari script. The font is notable for containing a particularly extensive set of conjunct ligatures for Sanskrit and also supporting Vedic accents, which were unavailable in other Devanagari fonts when it was released. Though the font was designed primarily for writing Sanskrit, it may be used for all languages written in the Devanagari script, including Hindi, Konkani, Marathi, and Nepali. The font was developed and is maintained by Mihail Bayaryn, and is released under the GNU General Public License.

The prelude's central idea takes after its title – a girl with golden hair in a pastoral setting in Scotland. Thus, it is one of many examples of Debussy's Impressionist music, since it conjures up images of a foreign place. His utilization of pentatonic scales throughout the piece achieves this, and by blending this in with harmonizing diatonic chords and modal cadences, he creates a folk-like tune. This prelude uses more plagal leading tones than any other piece composed by Debussy, and the prelude's melody alternates between conjunct and disjunct movement throughout.

Often, an additional objective expression (i.e., an optimization equation) is given, that is to be minimized or maximized by an optimal solution. For example, :0 \leq x_1 \leq 690 - 1.5 \cdot x_2 \;\land\; 0 \leq x_2 \leq 530 - x_1 \;\land\; x_1 \leq 640 - 0.75 \cdot x_2 is a conjunction of inequations, partly written as chains (where \land can be read as "and"); the set of its solutions is shown in blue in the picture (the red, green, and orange line corresponding to the 1st, 2nd, and 3rd conjunct, respectively). For a larger example.

The letter ra is special, as it can take different visual positions as the first consonant in a conjunct cluster depending on whether it is palatalized or not. As the second consonant in a cluster, however, it functions almost identically to Devanagari. Alternative forms of the letter ra are also used to make multisyllabic clusters involving ra. This is seen in kara, tara, sara, and a few others as a subjoined ra to the bottom right of a letter, and in joining at the end of other syllables, it is seen with a curved head.

When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols are used to combine the essential parts of each consonant symbol. An important feature of the Odia language seen in the script is the retention of inherent vowel in consonants, also known as schwa, at both medial and final positions. This absence of schwa deletion which is also seen in Sanskrit, marks it from the rest of modern Indo-Aryan languages and their equivalent usage in related Brahmic scripts.

The Javanese script is an abugida writing system which consists of 20 to 33 basic letters, depending on the language being written. Like other Brahmic scripts, each letter (called an aksara) represents a syllable with the inherent vowel /a/ or /ɔ/ which can be changed with the placement of diacritics around the letter. Each letter has a conjunct form called pasangan, which nullifies the inherent vowel of the previous letter. Traditionally, the script is written without space between words (scriptio continua) but is interspersed with a group of decorative punctuation.

There are 47 letters in the Balinese script, each representing a syllable with inherent vowel /a/ or /ə/ at the end of a sentence, which changes depending on the diacritics around the letter. Pure Balinese can be written with 18 consonant letters and 9 vowel letters, while Sanskrit transliteration or loan words from Sanskrit and Old Javanese utilizes the full set. A set of modified letters are also used for writing the Sasak language. Each consonant has a conjunct form called gantungan which nullifies the inherent vowel of the previous syllable.

In noble society, widowhood created some very wealthy and powerful women. These included Catherine Campbell (d. 1578), who became the richest widow in the kingdom when her husband, the ninth earl of Crawford, died in 1558. The twice- widowed Margaret Ker, dowager Lady Yester, was described in 1635 as having "the greatest conjunct fie [fiefdom] that any lady hes in Scotland" and she proved the funds for Lady Yester's Kirk in Edinburgh.K. Brown, Noble Society in Scotland: Wealth, Family and Culture from Reformation to Revolution (Edinburgh: Edinburgh University Press, 2004), , p. 73.

In Munsee the preterite is extremely rare, and is attested primarily in earlier material, such as the following taken from Truman Michelson's field notes (the suffix /-p/ is the realization of the preterite suffix in this form):Cited in Goddard, Ives, 1979 (a) nĕmi·lá·ne·p 'I gave it to him.' The present aspect is attested primarily in forms with a counterfactual interpretation that is equivalent in meaning to the subjunctive. In this example the verb stem is /pa·-/ 'come,' with Conjunct Order third-person suffix /-t/ and Present suffix /-sa/.Goddard, Ives, 1979, p.

On 30 September, 600 troops from the regiment, led by Colonel Lowe (who was appointed second in command to Major General John Oswald, the commander of the division), captured Zakynthos from its outnumbered French garrison without fighting. Detachments participated in the capture of other islands of Kefalonia, Ithaca and Kythira. On 16 October 1813, a conjunct force consisting of , , and Captain Piearce Lowen of "His Majesty's Corsican Rangers", captured "Forts Espagnole and Castel Nuova", near Cattaro. In November 1827 a grant of £1600 was paid for ordnance stores captured there.

East Halket House Gabriel Porterfield and his wife Jean Maxwell had a conjunct liferent of 'Halketh' and its loch on a charter of Robert Montgomerie of Hessilhead, dated 24 May 1634.Paterson, Page 236 In 1648 the loch was held by John Porterfield of Hapland, as heir to his father Gabriel.Paterson, Page 237 The loch was later inherited by his brother Alexander on 5 October 1653. The lands and Loch of Halket later lay within the Barony of Robertland as recorded by a charter under the Great Seal of 8 July 1676.

But it was the Grantha script, another Southern Brahmi variation, which gave rise to the modern Malayalam script. It is syllabic in the sense that the sequence of graphic elements means that syllables have to be read as units, though in this system the elements representing individual vowels and consonants are for the most part readily identifiable. In the 1960s Malayalam dispensed with many special letters representing less frequent conjunct consonants and combinations of the vowel /u/ with different consonants. Malayalam script consists of a total of 578 characters.

MVLA archives, document W-734 The four Virginia Companies mustered at Williamsburg in August 1740, but the transport ships did not set sail for Jamaica until early October. The main British invasion force did not arrive in Jamaica until early January 1741, and the Conjunct Expedition, under the dual command of Vice Admiral Edward Vernon and Brigadier General Thomas Wentworth, got under way in late January. In early February commanders decided to assault the Spanish fortress at Cartagena (in present-day Colombia). At that time, some of the Americans were seconded to Admiral Vernon's warships to be used as Marines.

117 (translation by Ian Bent) From the very structure of triads (chords), it follows that arpeggiations remain disjunct and that any filling of their space involves conjunct motion. Schenker distinguishes two types of filling of the tonal space: 1) neighbor notes (Nebennoten), ornamenting one single note of the triad by being adjacent to it. These are sometimes referred to generically as "adjacencies"; 2) passing notes, which pass by means of stepwise motion from one note to another and fill the space in between, and are thus sometimes referred to as "connectives". Both neighbor notes and passing notes are dissonances.

The a-trees represent the analyses in a constituency-based system, and the b-trees in a dependency-based system: ::Flat analysis of coordinate structures The first two trees present the traditional exocentric analysis. The coordinate structure is deemed exocentric insofar as neither conjunct can be taken to be the sole head, but rather both conjuncts are deemed heads in a sense. The second two trees, where the coordinator is the head, are similar to the first two insofar as the conjuncts are equi-level sisters. These two flat analyses stand in contrast to the following three layered analyses.

M. Lynch, The Early Modern Town in Scotland (London: Taylor & Francis, 1987), , p. 208.Dawson, Scotland Re-Formed, p. 22. In noble society, widowhood created some very wealthy and powerful women, including Catherine Campbell, who became the richest widow in the kingdom when her husband, the ninth earl of Crawford, died in 1558 and the twice-widowed Margaret Ker, dowager lady Yester, described in 1635 as having "the greatest conjunct fie [fiefdom] that any lady hes in Scotland".K. Brown, Noble Society in Scotland: Wealth, Family and Culture from Reformation to Revolution (Edinburgh: Edinburgh University Press, 2004), , p. 73.

Sydenham's fundamental idea was to take diseases as they presented themselves in nature and to draw up a complete picture (Krankheitsbild of the Germans) of the objective characters of each. Most forms of ill-health, he insisted, had a definite type, comparable to the types of animal and vegetable species. The conformity of type in the symptoms and course of a malady was due to the uniformity of the cause. The causes that he dwelt upon were the evident and conjunct causes, or, in other words, the morbid phenomena; the remote causes he thought it vain to seek after.

The Stanford researchers tried to identify domains where expertise was highly valued and complex, such as diagnosing infectious diseases (Mycin) and identifying unknown organic molecules (Dendral). The idea that "intelligent systems derive their power from the knowledge they possess rather than from the specific formalisms and inference schemes they use"Edward Feigenbaum, 1977. Paraphrased by Hayes-Roth, et al. – as Feigenbaum said – was at the time a significant step forward, since the past research had been focused on heuristic computational methods, culminating in attempts to develop very general-purpose problem solvers (foremostly the conjunct work of Allen Newell and Herbert Simon).

Premises regarding inverted qualia or partial zombiehood can substitute premises regarding p-zombies to produce variations of the zombie argument. The metaphysical possibility of a physically indistinguishable world with either inverted qualia or partial zombiehood would imply that physical truths don't metaphysically necessitate phenomenal truths. To formulate the general form of the zombies argument, take the sentence 'P' to be true if and only if the conjunct of all microphysical truths of our world obtain, take the sentence 'Q' to be true if some phenomenal truth, that obtains in the actual world, obtains. The general argument goes as follows.

To bridge this inconsistency, the system allowed moving the Nete one step up permitting the construction of the synemmenon ('conjunct') tetrachord (see the far left of the diagram). The use of the synemmenon tetrachord effected a modulation of the system, hence the name systema metabolon, the modulating system, also the Lesser Perfect System. It was considered apart, built of three stacked tetrachords—the Hypaton, Meson and Synemmenon. The first two of these are the same as the first two tetrachords of the Greater Perfect (right side diagram), with a third tetrachord placed above the Meson (left side diagram).

In clip fonts the ‘base form’ of a character is the conjunct form such as ‘घ्‍ ’ in Devanagari and diacritics are added to indicate that the consonant is immediately followed by a vowel (including the inherent vowel). For example, a Devanagari consonant in ‘base form’ in a clip font is ‘घ्‍ ’ /ɡʱ/. If the inherent vowel ‘अ’/ə/ were to follow this Devanagari consonant, then the ‘ा’ diacritic would be attached to it resulting in ‘घ’. Vowels that are not the inherent ‘अ’ /ə/ such as ‘आ’ /aː/ that follow this Devanagari consonant, then the ‘ा’ diacritic attaches twice, resulting in ‘घा’ with a Latin script representation of ‘Gaa’.

A planetary opposition to the quincunxed planet of the Yod can be malefic, or can produce situations of dramatic reversal. The midpoint of the sextile is a very sensitive point in the chart, as transiting planets, when conjunct with this midpoint, will then be in opposition to the quincunxed planet. This situation is said to trigger major events, thus revealing the true power of the Yod. Multiple sextiles and trines involving Yod planets can be extremely beneficial and thus spread the energy of this aspect in one side of the chart or produce a focal point for intense energies on the other side of the chart.

For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used. Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less strictly, where skips are rare, is called stepwise or conjunct melodic motion, as opposed to skipwise or disjunct melodic motion, characterized by frequent skips.

The modern (18th-century) well-tempered chromatic scale has twelve pitches to the octave, and consists of semitones of various sizes; the equal temperament common today, on the other hand, also has twelve pitches to the octave, but the semitones are all of the same size. In contrast, the ancient Greek chromatic scale had seven pitches (i.e. heptatonic) to the octave (assuming alternating conjunct and disjunct tetrachords), and had incomposite minor thirds as well as semitones and whole tones. The (Dorian) scale generated from the chromatic genus is composed of two chromatic tetrachords: Chromatic genus of the Dorian octave species File:Greek Dorian mode on E, chromatic genus.

It is his Stabat Mater (1736), however, for soprano, alto, string orchestra and basso continuo, which is his best- known sacred work. It was commissioned by the Confraternita dei Cavalieri di San Luigi di Palazzo, which presented an annual Good Friday meditation in honor of the Virgin Mary. Pergolesi's work replaced one composed by Alessandro Scarlatti only nine years before, but which was already perceived as "old- fashioned," so rapidly had public tastes changed. While classical in scope, the opening section of the setting demonstrates Pergolesi's mastery of the Italian baroque durezze e ligature style, characterized by numerous suspensions over a faster, conjunct bassline.

Sharpirhynchia sharpi has a small shell, subtrigonal to transverse or laterally elongate in adults; unequally biconvex, dorsal valve more convex than ventral one, subglobose in profile. Lateral commissures oblique ventrally; anterior commissure narrowly uniplicate; linguiform extension developed variably, generally low and U-shaped. No clear sulcation on dorsal umbone. Beak relatively long, acute, and suberect, with slightly incurved tip in adult; foramen big, oval, hypothyridid, with well developed rim; deltidial plates narrow, disjunct to just conjunct; beak ridges subangular; interareas small, but well defined and slightly concave, with fine and clear transverse lines. Ventral valve moderately convex; sulcus shallow and wide, well separated from slopes and with rounded bottom, occurring at posterior 1/3 to 1/2 of valve.

The new gospel music composed by Dorsey and others proved very important among quartets, who began turning in a new direction. Groups such as the Dixie Hummingbirds, Pilgrim Travelers, Soul Stirrers, Swan Silvertones, Sensational Nightingales and Five Blind Boys of Mississippi introduced even more stylistic freedom to the close harmonies of jubilee style, adding ad libs and using repeated short phrases in the background to maintain a rhythmic base for the innovations of the lead singers. Melodically, gospel songs from this era were more diatonic and conjunct. As "the spirit leads the vocalist" the melodies would become more chromatic and disjunct, evoking pure spiritual emotion that was congruent with the accompanying body or musicians.

The Missa Hercules Dux Ferrariae is significant in that it is not only the most famous example of a soggetto cavato, but also the first. Part of the success of Josquin's Hercules Mass is due to the pitch pattern that was derived from his text. All pitches are based firmly in the C hexachord, the pitches begin and end on D the modal final, the tessitura is small and they form two units of four notes each with different linear motions. The first is a stepwise oscillation, the second is a leap followed by descending conjunct motion. As the premiere soggetto cavato, Josquin’s Hercules Mass is rigid in comparison to Josquin’s other pieces.

Jupiter is also in a mutable water sign, while the Sun is in a cardinal air sign and Mars in a fixed fire sign. Jupiter shares neither duality, element, nor mode with the two planets that aspect it in quincunx. This complete lack of commonality of Jupiter with the two sextile planets illustrates how the yod triggers an irritating situation that can be overcome only through adaptation and discovering new paths. If there is no other aspect outlet for Jupiter (as would be reflected in a trine or sextile angle to another planet), a transiting planet in opposition to Jupiter and conjunct the midpoint of the sextile planets can trigger major life events which are difficult to handle and take great creativity to overcome.

Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related chants. The scale patterns are organized against a background pattern formed of conjunct and disjunct tetrachords, producing a larger pitch system called the gamut. The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed.

Most of the plaques are divided into an upper half and lower half and contain two separate scenes, with a few exceptions. The plaques illustrate a comprehensive linear narrative of the life of Christ and the most important phases of his life, from his birth and infancy to his Resurrection. The Old Testament series of plaques contains a series of scenes beginning with Creation (pictured at top of page) and then recounting the stories of Adam and Eve, Cain and Abel, Noah, Abraham, Isaac, Jacob, and Moses, ending with Moses Receiving the Laws. Unlike other late medieval works where episodes from the Old and New Testaments were illustrated side by side, the two Testaments are separate and not conjunct in the Salerno Ivories.

I, p. 74. J. Rothgeb and J. Thym, the translators, quote Cherubini from the original French, which merely says that "conjunct motion better suits strict counterpoint than disjunct motion", but Schenker had written: der fliessende Gesang ist im strengen Stile immer besser as der sprungweise (Kontrapunkt, vol. I, p. 104) ("the fluent melody is always better in strict style than the disjunct one"). Fliessender Gesang not only appears in several 19th-century German translations of Cherubini, but is common in German counterpoint theory from the 18th century and might go back to Fux’ description of the flexibili motuum facilitate, the "flexible ease of motions" (Gradus, Liber secundus, Exercitii I, Lectio quinta) or even earlier. N. Meeùs, Schenker's Fliessender Gesang and the Concept of Melodic Fluency, Orfeu 2/1 (2017), pp. 162-63.

He possessed an insatiable thirst for medical knowledge, an uncommon share of perseverance, and a good memory. In the session of 1753–54, his father (Alexander Monro primus) found his class too large for the lecture room and had to divide the class, repeating his lecture in the evening. This he found difficult, and he experimented with his son (Alexander Monro secundus taking the evening class. The results were satisfactory and so he presented a petition to the Town Council at the close of the session asking them to appoint his son formally as his successor. This petition was granted on 10 June and Alexander Monro secondus was admitted as conjunct professor on 11 July. Monro secundus took his degree as Doctor of Medicine on 20 October 1755.

This is what was done by Charles Seeger in his explanation of dissonant counterpoint, which is a way to write atonal counterpoint . Opening of Schoenberg's Klavierstück, Op. 11, No. 1, exemplifying his four procedures as listed by Kostka and Payne Kostka and Payne list four procedures as operational in the atonal music of Schoenberg, all of which may be taken as negative rules. Avoidance of melodic or harmonic octaves, avoidance of traditional pitch collections such as major or minor triads, avoidance of more than three successive pitches from the same diatonic scale, and use of disjunct melodies (avoidance of conjunct melodies) . Further, Perle agrees with and that, "the abandonment of the concept of a root-generator of the individual chord is a radical development that renders futile any attempt at a systematic formulation of chord structure and progression in atonal music along the lines of traditional harmonic theory" .

The exact behavior of the ZWJ varies depending on whether the use of a conjunct consonant or ligature (where multiple characters are shown with a single glyph) is expected by default; for instance, it suppresses the use of conjuncts in Devanagari (whilst still allowing the use of the individual joining form of a dead consonant, as opposed to a halant form as would be required by the zero-width non-joiner), but induces the use of conjuncts in Sinhala (which does not use them by default). Similarly to Sinhala, when a ZWJ is placed between two emoji characters (or interspersed between multiple), it can result in a single glyph being shown, such as the family emoji, made up of two adult emoji and one or two child emoji. In some cases, such as the second Devanagari example below, the ZWJ can be used to display a joining form in isolation, when included after the character and combining halant code. The character's code point is .

Rhynchonelloidella alemanica has small sized shells, subtrigonal to slightly subpentagonal in outline, with wide hinge line; inequivalve, almost plano-convex; dorsal valve markedly everted anteriorly, giving shell subcynocephalous to cynocephalus profile. Lateral commissures deflected ventrally at 15 to 30 degrees; anterior commissure highly uniplicate; linguiform extension high and narrow, top truncated. Beak short, pointed, substraight to suberect; foramen large, oval in shape, hypothyridid, with well developed rim; deltidial plates wide, disjunct to just conjunct; beak ridges angular, extending laterally; interareas well defined and slightly concave with fine growth lines. Ventral valve gently convex at posterior and flattened anteriorly; sulcus well developed, deep and narrow, with flat bottom, occurring at about posterior 1/3 of valve, abruptly separated from slopes and turning over towards dorsal valve sharply at frontal margin, resulting in high linguiform extension. Dorsal valve moderately convex at umbonal region, but less tumid than in Rhynchonelloidella smithi, norelliform stage feebly recognizable, sulcation short or even absent; fold eminent, narrow and well elevated over slopes with steep flanks, occurring at about posterior 1/3 to 1/2 of valve and making valve trilobate anteriorly.