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"comestible" Definitions
  1. that can be eaten

25 Sentences With "comestible"

How to use comestible in a sentence? Find typical usage patterns (collocations)/phrases/context for "comestible" and check conjugation/comparative form for "comestible". Mastering all the usages of "comestible" from sentence examples published by news publications.

Think comestible and compostable, as Antonia Pitica does, when you trim your tree and adorn your table.
Last September, the Internet embraced a video clip of a rat dragging the city's finest populist comestible down a subway staircase.
In fact, if you're willing to turn your body into a billboard, I bet you could get almost any brand to provide comestible compensation.
Hurgaban en la basura y revisaban los residuos que arrastraba el viento al lado de las carreteras, con la esperanza de encontrar un bocado de algo comestible.
El equipo también diseñó tapas para frascos y platos que por lo regular son de plástico transparente para que se sepa lo que hay dentro: una hoja de plátano prensada para las ensaladas y guarniciones, un barquillo comestible para el postre.
READ MORE: The WFP Wants to End Global Hunger in 15 Years But something about the digestible nature of Windhorse's drone did not sit right with Save the Children's chief executive Kevin Watkins, who had just returned from Somalia and had nothing good to say about the comestible flyer.
Todd Webb was maybe not the most original of the city's photographers, since in many ways his work looks like a continuation of Berenice Abbott's "Changing New York" project of the 1930s, but even more than hers, his pictures present a vividly comestible pedestrian-eye view, one that invites you to walk into that pawnshop, take a seat on that streetcar.
And the comestible fruit bearing trees and plants like jack-fruit, guava, elumbi, mango etc. can also be seen here.
Comestible: Seven-Day Meal Plan. Balance-Unbalance: A Sense of Place. iDat, Plymouth University, UK., August 20, 2017. Retrieved January 28, 2019.
Accessed January 28, 2019. Badani further explored food and sustainability in another project, Comestible: Seven Day Meal Plan (2016-present).Pannucci, Cynthia. Food: Art Inspires Science.
18th International Art-Sci Exhibition, New York Hall of Science, September 17, 2016. Retrieved January 28, 2019.Center for Contemporary Canadian Art Database Project. COMESTIBLE: Seven- Day Meal Plan, 2017.
In the microbiological laboratory of Professor Léon Massol in Geneva, he discovered that a certain strain of bacillus is the true cause for the existence of natural yogurt.Grigoroff, Stamen, 1905. Étude sur une lait fermentée comestible. Le “Kissélo mléko” de Bulgarie.
Besides several typical small-scale enterprises, Böckten is the site of a factory of the Swiss comestible goods chain Le Patron. , Böckten had an unemployment rate of 2.17%. , there were 17 people employed in the primary economic sector and about 7 businesses involved in this sector. 334 people were employed in the secondary sector and there were 13 businesses in this sector.
The earliest literary evidence portrays Zanni as a servant of Pantalone. Of all of the commedia archetypes, Zanni's survival instinct is the strongest. Zanni is also always hungry, which leads to a vision of Utopia where "everything is comestible, reminiscent of the followers of gluttony in carnival processions".A famous example is the Truffaldino in A Servant of Two Masters by Goldoni.
Talisia esculenta is a medium-sized tree native to the Amazon Basin, and is found in Brazil, Colombia, Peru, Paraguay and Bolivia. The tree and fruit are called pitomba in English, Spanish and Portuguese, cotopalo in Spanish, pitoulier comestible in French and olho de boi, pitomba-rana and pitomba de macaco in Portuguese and karajá bola in Guarani. Pitomba is also used as the name for Eugenia luschnathiana.
Suillus spraguei is an edible mushroom. Its taste is not distinctive, and the odor has been described as "slightly fruity". It turns a blackish color when cooked, and some consider it choice, and "among the better edibles in the genus Suillus". In contrast, another source on mushrooms of Québec described the mushroom as a poor edible ("comestible médiocre"), and warned of a slightly acidic taste and disagreeable flavor.
Jay Batlle is an artist born in 1976, who received his Bachelor of Arts from UCLA in 1998. He went to the Ateliers in Amsterdam from 1998 to 2000. Batlle's "epicurean" paintings, drawings, and sculptures take the habits of the gourmet as a source of inspiration and social commentary. His oeuvre offers both a critique of comestible-related decadence and a celebration of the preparation and consumption of food across various cultures.
The Black Book claims to originate when the Lord descended Black Mountain. It is not divided into chapters and is longer than the Book of Revelation. The first half of it contains a creation myth, beginning with the creation of a white pearl and Melek Taus, the Peacock Angel. There follows an account of the Fall (in which the forbidden comestible is wheat), and the creation of Eve after Adam has been driven from Paradise.
Eat (1963) is a 45-minute underground film created by Andy Warhol and featuring painter Robert Indiana, filmed on Sunday, February 2, 1964 in Indiana's studio. The film was first shown by Jonas Mekas on July 16, 1964 at the Washington Square Gallery at 530 West Broadway.WarholStars entry Eat is filmed in black-and-white film, has no soundtrack, and depicts fellow pop artist Indiana engaged in the process of eating for the entire length of the film. The comestible being consumed is apparently a mushroom.
Beginning as early as the 14th century, a grocer (or "purveyor") was a dealer in comestible dry goods such as spices, peppers, sugar, and (later) cocoa, tea, and coffee. Because these items were often bought in bulk, they were named after the French word for wholesaler, or "grossier". This, in turn, is derived from the Medieval Latin term "grossarius", from which the term "gross" (meaning a quantity of 12 dozen, or 144) is also derived. As increasing numbers of staple food-stuffs became available in cans and other less-perishable packaging, the trade expanded its province.
They were often mounted on silver socles and presented as trophies that were only be shown for important ceremonies. Ambroise Paré explains that alicorns were used in the court of the King of France to detect the presence of poison in food and drink: if the comestible became hot and started to smoke, then the dish was poisoned. Pope Clement VII offered a unicorn horn two cubits long to King Francis I of France at the wedding of his niece Catherine de' Medici in Marseille in October 1533, and the king did not ever move without a bag filled with unicorn powder. Also, the Grand Inquisitor Torquemada always carried unicorn horn to protect himself from poison and murderers.
Surrealist views on architecture were presented in articles by Tristan Tzara, D'un certain automatisme du goût, Salvador Dalí, De la beauté terrifiante et comestible, de l'architecture Modern' style, and Roberto Matta, Mathématiques sensibles - Architecture du Temps. Other poets and writers included Georges Bataille, Jacques Brunius, René Crevel, Léon Paul Fargue, Georges Hugnet, Edward James, Marcel Jean, Henri Michaux, Jacques Prévert, Herbert Read, and Pierre Reverdy. Several important artist of the twentieth century received some of their earliest, or first recognition in Minotaure like Hans Bellmer and his doll, Victor Brauner, Paul Delvaux, Alberto Giacometti, Roberto Matta, Kurt Seligmann, and Frida Kahlo. The Balthus painting The Street (1933, Museum of Modern Art, New York) was reproduced for the first time in Minotaure.
With a long and illustrious history,Samuel Fritz, "Misión de los Omaguas, Yurimaguas, Aizuares, Ibanomas y otras naciones desde Napo al rio Negro" in Pablo Maroni's 1738 Noticias auténticas del famoso río Marañón or Journal of the Travels and Labours of Father Samuel Fritz in the River of the Amazons 1686-2008, reprinted in 1922) Yurimaguas is a tourist destination, especially during the August 15 annual Catholic festival of the Assumption. Long dominated by the presence of the Church, the town is home to the Apostolic Vicariate of Yurimaguas, Loreto Region. Visited in 1855 by the famed botanist Richard Spruce, Yurimaguas remains an important commercial center for subsistence and market oriented farmers or ribereños (who cultivate sugar cane, bananas, cotton, tobacco, manioc and other comestible produce) and fishermen. Rhoades, Robert and Pierre Bidegaray Los Agricultores de Yurimaguas.
Salvador Dali and Man Ray photographed in Paris in June of in 1934, a few months after the publication of Minotaure No. 3/4 (Dec. 1933) which included Dali's article on Art Nouveau architecture, De la beauté terrifiante et comestible, de l'architecture Modern' style, illustrated with photographs by Man Ray and Brassai, and two Man Ray articles The Age of Light and Portraits of Women.Cover by André Derain: Man Ray, L;Age de la Lumiére [The Age of Light]; Man Ray, Portraits de femmes [Portraits of Women]; Nadar, Portraits de femmes [Portraits of Women]; Brassai, Du mur des cavenrnes au mur d'usine [From the Cave Wall to the Factory Wall]; André Derain, Critérium des As [Criterium of Aces]; E. Tériade, Émancipation de la Peinture, La hasard la spontanéité et l'absence de modéle dans la peinture moderne. Quatre planches en couleurs.
Sue Spaid (born 1961) is an American curator and philosopher, currently based in Belgium. Spaid’s thematic exhibitions feature all types of art, though she is most known for experiential exhibitions, such as “Action Station: Exploring Open Systems” (1995) at the Santa Monica Museum of Art; “Comestible Compost” (1998) at the Pavilions Marketplace in West Hollywood; “Cremolata Flotage” (1999) on the Andrew J. Barberi Staten Island Ferry; “An Active Life” (2000) at the Contemporary Arts Center, Cincinnati;"CAC's season invites exhibition interaction" Cincinnati Enquirer, 11 May 2000 “Hovering Above” (2008) and “Endurance: Visualizing Time” (2009)"Endurance at Abington" at The Art Blog of Roberta Fallon and Libby Rosof for the Abington Art Center Sculpture Park in Jenkintown, Pennsylvania; and “Microfibers” (2009) at Locks Gallery, Philadelphia. She has organized career surveys for Jim Isermann (1993, Sue Spaid Fine Art), Robert Overby (1994, Sue Spaid Fine Art), Lynne Berman/ Kathy Chenoweth (1997, Special K), Eileen Cowin (2000, Armory Center for the Arts) and Jim Shaw (2000, The Contemporary Arts Center, Cincinnati).

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