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23 Sentences With "close of day"

How to use close of day in a sentence? Find typical usage patterns (collocations)/phrases/context for "close of day" and check conjugation/comparative form for "close of day". Mastering all the usages of "close of day" from sentence examples published by news publications.

Old age should burn and rave at close of day. Rage.
Plus today marks the close of day number four of the Manafort trial.
If you believe in musicals, then your mind will turn helplessly to another bench, and another couple, at the close of day: Fred Astaire and Cyd Charisse, in Central Park, in "The Band Wagon" (1953).
The dueling speeches from opposite sides of Pennsylvania Avenue unfolded at the close of Day 18 of a government shutdown over Mr. Trump's demand for $5.7 billion for a border wall that Democrats have steadfastly opposed.
I can still recite some of the more famous parts by heart: Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.
Investors appear increasingly reluctant to risk their money on China's fickle markets, which have slumped about 17 percent so far this year, and morning gains have often turned to losses by close of day as traders quickly take profits.
In particular, the CFTC said that over 118 days, DRW placed bids during a 15-minute settlement window used by the NASDAQ OMX Futures Exchange to determine the contract's close-of-day value, resulting in the setting of artificial prices.
Evening Hymn, "'" ("Thee, Lord, before the close of day"), is an anthem composed by Henry Balfour Gardiner, a setting of the Latin compline hymn "" for four voices and organ, in both English and Latin. It was published in 1908. It is regarded as Gardiner's best-known work and a classic of the English choral tradition.
Retreat : A relaxed, melodic tune in 3/4 or 9/8 time, played by highland pipers at the close of day in military barracks. It has no connection to military manoeuvering. Roll : An embellishment used in uilleann piping, consisting of two gracenotes on the melody note. The name derives from an analogous fiddle decoration.
The hymn Te lucis as written out in a Spanish manuscript (c. 1625). The wording pro tua clementia (instead of solita clementia) reflects the classicizing revisions of Pope Urban VIII. The original Latin version has been restored in the post-Vatican II texts. Te lucis ante terminum (English: To Thee before the close of day) is an old Latin hymn in long metre.
This version of the lyrics date back to the early 19th century. > "O bury me not on the lone prairie." > These words came low and mournfully > From the pallid lips of the youth who lay > On his dying bed at the close of day. > > He had wasted and pined 'til o'er his brow > Death's shades were slowly gathering now > He thought of home and loved ones nigh, > As the cowboys gathered to see him die.
Nocturnes: Five Stories of Music and Nightfall is a 2009 collection of short fiction by Kazuo Ishiguro. After six novels, it is Ishiguro's first collection of short stories, though described by the publisher as a "story cycle". As the subtitle suggests, each of the five stories focuses on music and musicians, and the close of day. The hardback was published by Faber and Faber in the United Kingdom on 7 May 2009 and in the United States by Knopf in September 2009.
On September 4th, 2020, Keith and Kristyn Getty released the album "Evensong (Hymns and Lullabies at the Close of Day)", which features lullabies written by the Gettys throughout their parenthood, as well as various other hymns. This album served as a milestone and dedication to the past decade of their life, particularly through parenthood, and also as a celebration of Kristyn's fortieth birthday. This album is a product of collaboration between the Gettys and various other artists such as Vince Gill, Heather Headley, Ellie Holcomb, and Skye Peterson, daughter of musician and author Andrew Peterson.
From the 1890s until his death, Minor exhibited frequently with the Tonalists in New York. In 1897, he was elected a member of the National Academy of Design, New York. In 1900, Minor achieved the height of his success at the historic William T. Evans sale in 1900, where his painting The Close of Day (private collection) fetched $3,050, the highest price for a landscape by a living American painter at that auction. Over the course of his lifetime, Minor was a member of the Society of American Artists and the Salmagundi Club.
Late in September, Charles Emmanuel advanced his army from Saluzzo towards Cuneo while at the same time Conti moved his army towards the Piedmontese. By the close of day on September 29, Conti occupied a position between Caraglio and Madonna dell'Olmo, whilst on the morning of 30 September Charles Emmanuel moved his army into position opposite Conti's. The engagement began around noon when the Croats (on loan from Austria) in the Sardinian army charged towards Madonna dell'Olmo. The Croat attack, however, was repulsed by the Spanish and even Charles Emmanuel's grenadiers could make no headway.
Isabella Fenwick (1783 – 1856) was a 19th-century British amanuensis, and a confidante, advisor, and friend of William Wordsworth and his family in his later years. She is the scribe behind the Fenwick Notes, an autobiographical and poetic commentary Wordsworth dictated to her over a six-month period between January and June 1843. Her friendship inspired Wordsworth to write "On a Portrait of I.F., painted by Margaret Gillies" and "To I.F."—a sonnet in which he calls her "The star which comes at close of day to shine," a reference to their bond formed late in life.
At the close of day two, Alastair Cook had made 136 not out; when combined with his score of 235 not out in the second innings of the first Test, Cook broke the England record for runs scored and minutes at the crease without being dismissed. This consisted of 371 runs in 1,022 minutes of play. Early on the third morning, Kevin Pietersen reached his first century since March 2009 before Cook was out for 148. Supported first by Paul Collingwood (42) and then Ian Bell (68 not out), Pietersen reached the second double-century of his career.
Leading by 158 on first innings, England got a dream start by dismissing Lisa Keightley for a duck, and wickets just kept falling. Gunn and Brunt took two wickets each as the Australians faltered to 18 for 4, before the twin sisters Kate and Alex Blackwell fought back. However, Isa Guha removed Alex, another two wickets fell, and by tea Australia were 67 for 7. An attritional partnership for the seventh wicket between Kate Blackwell and Shelley Nitschke, which yielded 112 runs in four hours, carried Australia past 100, but still they were only 21 ahead with three wickets in hand at the close of day three.
Duxton Road Duxton Road was also popularly known by the Cantonese as Jinrickshaw Place (and sometimes Kampong Ah Lai) because of the many rickshaw pullers who parked their vehicles there at the close of day due to the road's proximity to the Jinricksha Station. Opium and gambling dens, as well as cheap brothels, used to flourish on Duxton Road, and one writer describes it as a slum area and a notoriously vice-ridden environment. These places were patronised by the rickshaw coolies who lived in Duxton Road and Duxton Hill. Many of the rickshaw pullers came from Hui Ann county, in China, and they bore surnames such as Teo, Ho and Chng.
Some Reformed churches—notably the Presbyterian Church (USA) and the United Church of Christ—have published daily office books adapted from the ancient structure of morning and evening prayer in the Western church, usually revised for the purpose of inclusive language. The New Century Psalter, published in 1999 by The Pilgrim Press, includes an inclusive-language revision of the psalms adapted from the New Revised Standard Version of the Bible with refrains and complete orders for Morning and Evening Prayer. Simple family prayers for morning, evening and the close of day are also provided. Book of Common Worship Daily Prayer, published in 1994 by Westminster John Knox Press, includes the daily offices from The Book of Common Worship of 1993, the liturgy of the Presbyterian Church USA.
He recorded with all three of these groups, as well as Trapper Schoepp & The Shades, on their respective Daytrotter sessions. His production and accompaniment work with Wisconsin folk-pop duo Daniel and the Lion helped the brothers attract the attention of Counting Crows frontman Adam Duritz, who invited the full band to play his Outlaw Roadshow showcase in New York City (as part of the 2013 CMJ Music Marathon festival) and called them, "The best pop band we've ever had at the Roadshow." At the close of day 1 of the Roadshow showcase, Daniel performed onstage with Counting Crows. In addition to his primary performer role as guitarist and backing vocalist of Miles Nielsen and The Rusted Hearts, he records and plays with Bun E. Carlos (of Cheap Trick) in The Monday Night Band, which performs exclusively on Monday nights.
Somerset (16pts) beat Essex (5pts) by five wickets Somerset exploited Essex' declarations to take a five-wicket win despite rain dominating at Colchester, Somerset's fourth win of the season. After the first day was over, Somerset's overseas player Charl Langeveldt dug out Grant Flower on the second morning, but good contributions from the rest of the batting line-up - William Jefferson top-scoring with 93 - gave Essex a relatively comfortable 220 for 5 by stumps on day two. They powered on to 400 before declaring, losing only one wicket while James Foster made 107 not out. When Somerset were asked to bat, André Nel whipped out two Somerset wickets with the first three balls of the game, but no Essex bowler could get any more wickets as James Hildreth made 76 not out before the close of day three to set Somerset to 112 for 2.
Somerset (16pts) beat Essex (5pts) by five wickets Somerset exploited Essex' declarations to take their fourth win of the Championship season despite rain curtailing play by nearly 33% at Colchester. After the first day was over with only three overs bowled and Alastair Cook dismissed for a duck, Somerset's overseas player Charl Langeveldt dug out Grant Flower on the second morning, but double-digit contributions from the rest of the batting line-up – William Jefferson top-scoring with 93 – gave Essex a relatively comfortable 220 for 5 by stumps on day two. They made their way to 400 and the five batting points before declaring, losing only one wicket while James Foster added 87 to his overnight score to end with 107 not out. When Somerset were asked to bat, André Nel whipped out two Somerset wickets with the first three balls of the game, but no Essex bowler could get any more wickets as James Hildreth scored twelve boundaries for an unbeaten 76 at the close of day three to see Somerset to 112 for 2.

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