Between the clamminess and the added weight of water-logged shoes, there's no worse feeling — and if it's cold outside, you can forget about your feet drying.
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Thinking about the hair and the clamminess, I found it difficult to imagine anyone spending time looking at a man's foot the way wikiFeet members spend countless hours pursuing women's.
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Growing up in the unfashionable Sunset District of San Francisco — described in great detail by Kushner: the fog, the clamminess, the beach bonfires, the sticky-floored Irish bars — she becomes an almost feral street kid, drinking, shoplifting, doing drugs and thinking about selling them, all before she's barely pubescent.
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Nalbuphine, sold under the brand names Nubain among others, is an opioid analgesic which is used in the treatment of pain. It is given by injection into a vein, muscle, or fat. Side effects of nalbuphine include sedation, sweatiness, clamminess, nausea, vomiting, dizziness, vertigo, dry mouth, and headache. Unlike other opioids, it has little to no capacity for euphoria or respiratory depression.
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After weeks to months without treatment with consistent oral carbohydrates, infants will progress to show clear symptoms of hypoglycemia and lactic acidosis. Infants may present with paleness, clamminess, irritability, respiratory distress, and an inability to sleep through the night even in the second year of life. Developmental delay is not an intrinsic effect of GSD I, but is common if the diagnosis is not made in early infancy.
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The most commonly reported adverse effects for IV formulations of acetylcysteine are rash, urticaria, and itchiness. Up to 18% of patients have been reported to experience anaphylaxis reaction, which are defined as rash, hypotension, wheezing, and/or shortness of breath. Lower rates of anaphylactoid reactions have been reported with slower rates of infusion. Adverse effects for inhalational formulations of acetylcysteine include nausea, vomiting, stomatitis, fever, rhinorrhea, drowsiness, clamminess, chest tightness, and bronchoconstriction.
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Upon contact with skin the nettle causes a painful itch, hives, fever and chills, skin depressions and clamminess which can recur over 10 days to six months. About 1820, Jean Baptiste Louis Claude Theodore Leschenault de la Tour, the French botanist, described the pain caused by the nettle to be like "rubbing my fingers with hot iron". Jean Baptiste also suffered jaw muscle contractions so severe that he feared he had tetanus. It's not sure what toxin in the plant causes such severe reactions but formic acid, serotonin, histamine, oxalic acid and tartaric acid are some of the suspects.
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Motion sickness is measured based on the cumulative ratings of all these symptoms without distinguishing different levels for each effect. A Motion Sickness Assessment Questionnaire has been developed to test the multiple dimensions of motion sickness more thoroughly; this survey defines motion sickness as gastrointestinal (involving nausea), peripheral (referring to thermoregulatory effects such as clamminess and sweating), central (involving symptoms such as dizziness and lightheadedness), and sopite-related. This questionnaire may more accurately determine how subjects experience sopite symptoms relative to other motion sickness effects. Another questionnaire designed to measure sleepiness is the Epworth Sleepiness Scale.
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At the time of its initial release, Don't Look Now was generally well received by critics, although some criticised it for being "arty and mechanical". Jay Cocks for Time, wrote that "Don't Look Now is such a rich, complex and subtle experience that it demands more than one viewing", while Variety commented that the film's visual flourishes made it "much more than merely a well-made psycho- horror thriller". Pauline Kael writing for The New Yorker was more reserved in her praise, considering the film to be "the fanciest, most carefully assembled enigma yet put on the screen" but that there was a "distasteful clamminess about the picture", while Gordon Gow of Films and Filming felt that it fell short of the aspirations of Nicolas Roeg's previous two films, Performance and Walkabout, but it was nevertheless a thriller of some depth. Vincent Canby, reviewer for The New York Times, on the other hand, criticised the film for a lack of suspense which he put down to a twist that comes halfway through rather than at the end, and at which point it "stops being suspenseful and becomes an elegant travelogue that treats us to second-sightseeing in Venice".
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