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44 Sentences With "cheek by jowl with"

How to use cheek by jowl with in a sentence? Find typical usage patterns (collocations)/phrases/context for "cheek by jowl with" and check conjugation/comparative form for "cheek by jowl with". Mastering all the usages of "cheek by jowl with" from sentence examples published by news publications.

Forget about socialites eating cheek by jowl with secretaries, bank heads alongside barbers.
In both it's fighting cheek by jowl with the likes of Amazon, Google and many more.
You are expected to stand, cheek by jowl with your fellow circusgoers, for the show's duration.
Bears and humans typically live cheek by jowl with few problems but tragedy has struck before.
Old lighting rigs sit cheek by jowl with model spacecraft, dinosaur skulls next to lunar atlases.
One that speaks to the loneliness you can feel living cheek by jowl with other people.
Gossip lives in the shadows, sitting cheek by jowl, with every lewd, harassing, inappropriate behavior out there.
The very poorest Californians, by comparison, are in the agricultural areas, not cheek by jowl with the opulent.
Images of ugliness cheek by jowl with images of honor, photos of fury side by side with pictures of love.
THE cliché of luxury penthouses and Gucci stores cheek-by-jowl with filth and poverty is usually reserved for poor-world entrepôts.
They would have been far safer from coronavirus at home than in a large open ward, cheek by jowl with the infected.
A few lesser-known names, including the intriguing Israeli painter Yigal Ozeri, hang cheek-by-jowl with marmoreal interiors and ghastly cityscapes.
For the past half century, he has painted in the rustic space, cheek by jowl with the picturesque antique elevator wheel and cables.
It is unusual for an arts ensemble to sit cheek-by-jowl with such organisations, but the proximity serves Mr McGregor's restless curiosity.
Like you, I need my personal space, and when I'm crammed cheek-by-jowl with commuters on a train, I find it suffocating.
Forced to make life anew, they live cheek by jowl with Palestinian families who have eked out a living there since the camp's creation in 1949.
Those opening sounds so filled the house that you felt as though you had been transported into an orchestra pit, cheek by jowl with the players.
Building and maintaining products in the cloud for multinational firms (and for the American government) might similarly require tech firms to operate cheek-by-jowl with business partners.
He's particularly drawn to the architecture of former Soviet states like Georgia, Kazakhstan, and Ukraine, where monolithic, communist-era apartment towers stand cheek by jowl with postmodern skyscrapers.
The typically immersive feel sees sculpture by Dorothea Tanning sit cheek-by-jowl with Anni Albers tapestries and jewelry, West African textiles and photography by Malick Sidibé and Irving Penn.
Many listeners were cheek-by-jowl with the young singers, as close to opera-in-the-making as could be, and it was a captivating experience: immersive (the company's word), almost voyeuristic.
Ambient works by the contemporary Icelandic composer-producer Valgeir Sigurdsson sit cheek by jowl with five-part Renaissance counterpoint in which, through the magic of multitracking, Mr. Byrne plays every single line.
But its high rents mean that about half the city's 22 million inhabitants live in slums, their shacks and open drains sitting cheek by jowl with gleaming high-rise apartments and luxury cars.
For instance, Coke Zero and other no-calorie drinks from Coca-Cola are now standing cheek by jowl with traditional Coca-Cola, Powerade and other beverages on eye-level shelves at the Ideal Food Basket in Bed-Stuy.
The Mattachine party, named for the gay rights organization that held an early protest at Julius', was about to begin, and a younger, arty crowd was beginning to arrive, cramming themselves cheek by jowl with the older happy-hour crowd.
Anyone who regularly suffers the ignominy of economy-class flying knows that there is no finer feeling than discovering that a flight is half empty and that there is no need to sit cheek-by-jowl with fellow members of the hoi polloi.
CHEEK-BY-JOWL WITH BOKO HARAM Now, most day-to-day security in Maiduguri and the refugee camps that surround it falls to black-clad CJTF members patrolling entrances to markets or sitting behind sandbag barricades with machetes, muskets and bows and arrows.
Contact with foreigners and people from all parts of China made them cosmopolitan, and living cheek by jowl with neighbors made them into subtle long-term planners, capable of sidestepping day-to-day disputes while quietly plotting to further their own interests.
If eBay is a metastasizing megamall, it's one where slick, name-brand storefronts sit cheek-by-jowl with halfhearted garage sales, "junk drawer lots" of worthless oddments, and the sort of Weird Stuff, Really Weird Stuff, and Totally Bizarre Stuff (actual eBay categories) that wouldn't be out of place in a wunderkammer curated by John Waters.
Thomas Ostermeier's reworking of "Richard III," from Berlin's Schaubühne Theater; "Measure for Measure" presented by the international touring company Cheek by Jowl with the Pushkin Theater of Moscow; and "Shake," a 1970s-set reimagining of "Twelfth Night" that is the brainchild of Dan Jemmett and his France-based company Eat a Crocodile, will be staged this summer.
The cold comfort of Dada Africa is that it straightforwardly presents Dada paintings, sculptures, collages, photo-collages, letters, sound pieces, and photographs cheek by jowl with non-Western cultural objects, like the stunning "Masculine Figure" (late-19th century) from the Baoulé tribe of the artistically rich Ivory Coast once in the collection of Parisian art dealer Paul Guillaume.
The basic plot was "the Tundishes, down-at-heel country aristocrats, are compelled to live cheek-by-jowl with the vulgar Belchers from Salford"Debbie Horsfield article in The Independent so simultaneously drawing on the English north-south divide and class divide.
New York: New Directions, 1996. 26. He drew or painted nearly every day of his life, and his notebooks contain drawings and pasted-in illustrations and photos cheek by jowl with his own observations and other writings and quotations from others. From college forward, Davenport supplied cover art and decorations to literary periodicals. He also supplied illustrations for others' books, notably two by Hugh Kenner: The Stoic Comedians (1962) and The Counterfeiters (1968).
Nicholas Ronald Ormerod OBE (born 9 December 1951) is a British theatre designer and co-founder of the international theatre company Cheek by Jowl. In 1981 he founded Cheek by Jowl with Declan Donnellan, and they are the company’s co-artistic directors. In addition to his Cheek by Jowl productions, Ormerod has made theatre, opera and ballet with companies across the world. He studied law at Trinity College, Cambridge before studying for BA in theatre design at the Wimbledon School of Art.
The Bromleys were a landed gentry family in a county without a resident aristocracy and dominated throughout the century by the gentry.Coulton, p.40 However, their estates were not large: their wealth came from their use of their education and contacts to tap into the opportunities for enrichment offered by the State, both national and local. George Bromley was the heir to the family estates, the most substantial at Hawkstone, near Hodnet, where they lived cheek by jowl with the Hills, their closest allies.
About 6.67% of the adults held one or more university degrees. Most residents were homeowners. In 1996 the Dallas Observer described the district, which had "urban demographics" and a location "a few minutes from downtown Dallas," as having an "incongruous rural feel" with "pig farms sit cheek by jowl with burglar-barred houses in sprawling subdivisions built 25 or 30 years ago" within the Dallas portion of Wilmer-Hutchins ISD. Korosec stated that the residents blamed the poor performance of WHISD for the fact that nobody established new businesses and houses within the district boundaries.
Here dwelt the Ashley's, Walt Liebscher, and Jack Weidenbeck, and later noted science fiction author E. Everett Evans. They all moved en masse on September 7, 1945, to another site on Bixel Street, Los Angeles, cheek by jowl with the LASFS (Los Angeles Science Fantasy Society) clubroom. (It was the ground floor of a duplex next door. Its upper floor, “Slan Shack Annex”, was rented occasionally to struggling fen and pros.) The place didn't break up till the building was torn down in March 1948 to make room for an office building.
A private equity group purchased the company in 1985, and began relocating operations elsewhere. In 1987, the Gilbert & Bennett site was included as part of the Georgetown Historic District listing on the National Register of Historic Places. In a 1987 nomination document for the National Register of HIstoric Places, proponents cited Gilbert & Bennett as an "anachronism" in the history of U.S. industry and labor. "Peaceful, tree-lined residential streets converge on a functioning industrial complex; well- preserved historic houses stand cheek-by-jowl with modern factories; the deteriorated slum neighborhoods associated with modern industry do not exist," the nomination states.
Alongside the parks and the many old trees, the large front gardens provided for in Robert Schmidt's plans for the houses help make the Moltkeviertel into a garden city, especially when seen from above. But in contrast to a garden city in the original form, in the Moltkeviertel there is no spatial separation of working and living areas. Rather the workplaces – primarily educational, medical, administrative, engineering consulting and legal practices – are cheek by jowl with residential buildings. In a publication of the Bund Deutscher Architekten (German Architects' Federation) and the city of Essen dated 2004 (see below) it is stated that the Moltkeviertel was originally planned for approximately 4,000 residents and approximately 3,000 workplaces.
US Army newsreel of atrocities On 11 April, advance parties of the US 3rd Armored Division entered Nordhausen with little opposition. They found hundreds of dying prisoners lying amongst more than a thousand corpses, including many children and babies. Some had been dead before the air raid; others were burned to death or died after the air raid from neglect. The American soldiers were outraged; one wrote, "No written word can properly convey the atmosphere of such a charnel house, the unbearable stench of decomposing bodies, the sight of live human beings... lying cheek by jowl with the ten-day dead..." A 15 April report describes the camp as "the most horrifying example of Nazi terrorism imaginable".
Belhomme entreated the 12 police chiefs in charge of Paris to send him rich prisoners who would pay high fees to live in his asylum as comfortably as possible. From then on marquises, bankers, journalists, famous actors, old nobles and army officers, along with other disgraced persons who bribed the doctors and police chiefs to be transferred on the pretext of illness, lived cheek by jowl with the mad. Belhomme rented the neighbouring building, the hôtel de Chabanais, to which he linked his own building by a charming garden after the young marquis de Chabanais, a descendant of Colbert, had emigrated with his mother and had his possessions confiscated by the state. Belhomme ended up buying the house to invest the money he had made. It was in this setting that there occurred the romance between Jacques-Marie Rouzet, a deputy to the National Convention, and Louise Marie Adélaïde de Bourbon, widow of the Duc d’Orléans and mother of the future King Louis-Philippe.
Ormerod was born and grew up in London, England. He studied law at Trinity College, Cambridge before studying for a BA in theatre design at the Wimbledon School of Art. In 1981 Ormerod founded Cheek by Jowl with Declan Donnellan. The company has performed across the world, working in over 400 cities in 40 countries spanning six continents. Since 2006 Cheek by Jowl have been part of the Barbican’s International Theatre Program (BITE) resulting in co-productions of The Changeling (2006), Cymbeline (2007) and Troilus and Cressida (2008). In addition to his work with Cheek by Jowl, Ormerod designed the Royal Shakespeare Company’s productions of School for Scandal (1998) and King Lear (2002 Academy Production). In 2005, he co-wrote an adaptation of Charles Dickens’s Great Expectations (2005) for the Royal Shakespeare Company with Declan Donnellan. He designed Shakespeare's Troilus and Cressida for the Burgtheater, Vienna in 2000, and Falstaff for the Salzburg Festival in 2001.
The American Architect and Building News described how the addition was "grafted" onto the original building: "Of course no attention was paid to the design of the existing building and within and without a rank Romanesque runs cheek by jowl with the old Italian, one bald, the other florid; cream-colored brick and buff sandstone come in juxtaposition to white marble." According to one biography of Eidlitz, he could not understand the reason behind the controversy surrounding his design: > Standing in the rotunda of the courthouse one day, when his own vari-colored > brick arches and columns had been inserted between the cast-iron panels of > the older work, he said, "Is it possible for anybody to fail to see that > this," pointing to the new work, "performs a function and that that," > pointing to the old, "does not?" The Tweed Courthouse was officially finished in 1881, more than 20 years after work began. Much of the construction was financed through the sale of public stocks issued on several occasions throughout the construction process.
This building stood cheek by jowl with the passenger station building on the Kurrajong railway station platform. The 1929 timetable shows a goods train ran separate to the passenger service each weekday, in addition to one mixed goods - passenger train, but these services operated for the entire 26 years of the line from 1926 to July 1952. Arthur Poole remembers the goods truck on the combined train was drawn from Kurrajong to Richmond by the steam engine "Pansy" where it was added to the goods train departing Richmond for Sydney, until after the second World War when road transportation became preferred.Pansy: The Richmond to Kurrajong Railway, tourist Railway Association, Kurrajong, 2000, photo J. L. Buckland p. 18, photo R. Boyd 21, photo H. J. Wright p. 24, pp. 4, 16, 20, 23. In 1882 after almost twenty years of operation of the Blacktown-Richmond line, the residents of Kurrajong were agitating for the railway to be extended from Richmond to Kurrajong, thus, when the present North Richmond bridge was built in 1904 provision was made on it for a line to be added on the downstream side.

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