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"chaperon" Definitions
  1. (esp formerly) an older or married woman who accompanies or supervises a young unmarried woman on social occasions
  2. someone who accompanies and supervises a group, esp of young people, usually when in public places
  3. to act as a chaperon to

215 Sentences With "chaperon"

How to use chaperon in a sentence? Find typical usage patterns (collocations)/phrases/context for "chaperon" and check conjugation/comparative form for "chaperon". Mastering all the usages of "chaperon" from sentence examples published by news publications.

It's kind of like The Magic School Bus, but without a chaperon.
Jerome was Dom's shadow for the week, his Earth Chaperon, assigned to him by the church.
They didn't allow her to go out of the house without one of them as a chaperon.
He invited Trump to visit, in order to see for himself, and even offered to chaperon the president.
In New York, Barnum engaged Levi Lyman, who later posed as Dr. Griffin, to serve as Heth's director-cum-chaperon.
This was in particular due to one of my open-space colleagues, a charismatic designer (François Chaperon, not to name names).
"Love and I" is a book about the frayed beginnings and endings of a person's life, when consciousness provides no chaperon.
As Dom's chaperon, Jerome had a responsibility to put him up for the night, but Dom still had a few dollars left.
On March 2, 2017, a talk given by Murray at Middlebury College, Vermont, was disrupted for 20 minutes by protesters, and Murray's academic chaperon was assaulted by a protestor.
His mother, Mary Helen, obtained formal certification as a chaperon so that he could see his daughter in her presence, spending Saturday mornings by the duck pond or having brunch at Fuddruckers.
A safety driver will be in the vehicles at first, but that person will soon move to a chaperon role, and Tandon said the goal is to pull that operator out of the vehicle altogether before the end of the year.
The siblings' younger sister — who is 9 years old — wanted to go on the trip with her older brother, but all children under the age of 10 needed to be accompanied by a chaperon, and the children's father, Michael Warren, couldn't attend.
From 1908 through 1914, Hamilton appeared in such plays as The Great Question,The Great Question IBDb.com Israel, When Claudia Smiles,When Claudia Smiles IBDb.com The Chaperon,The Chaperon IBDb.com and Overnight.
See Chaperon for a similar development in the medieval hood-turned-hat.
Chaperon also designed a trompe-l'œil curtain for the Éden-Théâtre which opened in 1883. In addition to his theatre work with Rubé, Chaperon produced decorative paintings and interior designs for churches, public buildings, and private mansions such as the Hôtel Goüin. In 1895, Rubé left the atelier to form a new partnership with his grandson Marcel Moisson who had worked at Rubé et Chaperon. Chaperon carried on the atelier, joined by his son Émile, and together they produced designs for many opera and theatre productions in Paris that included La favorite, Les Huguenots, Frédégonde, Hamlet and Messidor.
Robert "Bob" Chaperon (born 18 May 1958) is a Canadian retired professional snooker and billiards player.
Edison improved on the Lalande–Chaperon cell by replacing powdered copper oxide with copper oxide briquettes.
In French chaperon was also the term in falconry for the hood placed over a hawk's head when held on the hand to stop it wanting to fly away. It is either this or the headgear meaning that later extended figuratively to become chaperon (in UK English, almost always chaperone) meaning a protective escort, especially for a woman.
Dr Regis Chaperon State Secondary School (commonly known as Dr Regis Chaperon SSS and DRC) is an all-boys' state owned school in Quatre Bornes, Belle Rose, Mauritius. It serves nearly 1000 students annually. The school was built with the main purpose of free education and was the first high school to provide free schooling as from its inauguration in 1978.
The mise-en-scène was by Alexandre Lapissida, the costumes were designed by , and the choreography was by Joseph Hansen. The set designers for Act 1 were Philippe Chaperon and his son, Émile Chaperon; Act 2, Eugène Carpezat; Act 3, and Alexandre Bailly; and Acts 4 and 5, Amable.Frédégonde piano-vocal score, 1895.Stéphane Wolff (1962; reprint 1983). L'Opéra au Palais Garnier (1875–1962).
In 1880, the manufacturer De Branville and Company of 25 rue de la Montagne Sainte-Geneviève, Paris exploited the patent of Lalande and Chaperon to build copper oxide batteries. In 1887, the French submarine Gymnote (Q1) was built. The boat was originally fitted with 540 Lalande–Chaperon alkaline cells which used zinc and copper oxide electrodes with potassium hydroxide electrolyte, manufactured by Coumelin, Desmazures and Baillache.
By about 1480 the chaperon was ceasing to be fashionable, but continued to be worn. The size of the bourrelet was reduced, and the patte undecorated. St Joseph could, by this stage, often be seen with the evolved form. By 1500 the evolved chaperon was definitely outmoded in Northern Europe, but the original hood form still remained a useful headgear for shepherds and peasants.
Probable self-portrait by Jan van Eyck, 1433. The chaperon is worn in style A with just a patch of the bourrelet showing (right of centre) through the cornette wound round it (practical for painting in). Chaperon ( or ; Middle French: chaperon) was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head.
According to the Oxford English Dictionary the noun (in its figurative sense of escort of females) is attested from 1721, and the verb 'to chaperon' from 1811.
A relatively simple wool chaperon, with bourrelet, and cornette hanging forward. The chaperon began before 1200 as a hood with a short cape, put on by pulling over the head, or fastening at the front. The hood could be pulled off the head to hang behind, leaving the short cape round the neck and shoulders. The edge of the cape was often trimmed, cut or scalloped for decorative effect.
Earls, Irene. Renaissance Art: A Topical Dictionary. Greenwood Press: 1987. p. 189. Chaperon was sometimes used in English, and also German, for both the hood and hat forms (OED).
They also produced exhibits for the Exposition Universelle in 1900, and interior decor for numerous provincial theatres as well as the in Biarritz which opened in 1901. Chaperon retired to Lagny-sur-Marne in the suburbs of Paris 1905. He died there in 1906 at the age of 83. After his death, the painter and politician commissioned a bust of Chaperon by Charles-Henri Pourquet which was placed in the Palais Garnier.
So little is known of Chaperon that this episode stands out. Most of his paintings have been optimistically attributed to Poussin, and disguised under that sellable name have entered collections in the US; thus, when the Musée du Louvre purchased its first painting by Chaperon in 2005, it was at a New York auction. Jacques Thuillier’s publication of Chaperon's signed and dated Compiègne altarpiece, a Presentation of the Virgin, began the reassessment of this Poussiniste.
A chaperone (also spelled chaperon) in its original social usage was a person who for propriety's sake accompanied an unmarried girl in public: usually she was an older married woman, and most commonly the girl's own mother. In modern social usage, a chaperon (frequent in British spelling) or chaperone (usual in American spelling) is a responsible adult who accompanies and supervises young people. By extension, the word chaperone is used in clinical contexts.
Act 3, tableau 6: The ballet at Le Cid's camp. Set by Rubé, Chaperon and Jambon. Rodrigue's camp. At evening the officers and soldiers from Navarre and Castille drink and sing.
Nash (2008), 153 The man is not, as it is commonly thought, wearing a turban, but a chaperon with the ends that normally hang down tied up over the top, which would be a sensible precaution if it was worn whilst painting. A similar chaperon is worn by a figure in the background of van Eyck's Rolin Madonna, and it has been suggested that this is also a self- portrait. Depicting the lines and folds of a chaperon would allow an artist to overtly display his skill. More so, the positioning of its long cornette may directly refer to his occupation as a painter—it is rolled up, perhaps to keep it out of way as he freely applies paint.
The original form of chaperon, worn with the hood pulled back off the head. Many were shorter than this example. Morgan Bible, mid 13th century. Léal Souvenir by Jan van Eyck, 1432.
Fred Davis, aged 71 and eight-time champion between 1948 and 1956, defeated Robert Chaperon 10–9 in the fourth round of qualifying but lost 6–10 to Rex Williams in the fifth.
The Wily Chaperon is a 1915 American silent short comedy-drama film directed by Thomas Ricketts. The film stars Perry Banks, Charlotte Burton, William Tedmarsh, Louise Lester, Vivian Rich, and Harry Van Meter.
Cymbalophora pudica, the discrete chaperon, is a moth of the family Erebidae. The species was first described by Eugenius Johann Christoph Esper in 1784."Cymbalophora pudica (Esper, 1784)". BioLib.cz. Retrieved August 23, 2019.
In 1887, this dome painting was completely repainted by Rubé himself and his new associate Philippe-Marie Chaperon (Paris, 1826–1907), because it was mostly tainted by the emissions from the chandelier. This dome painting stayed untouched until 1985, when it was taken down during extensive rebuilding activities and replaced by a bad copy, painted by the Belgian painter Xavier Crolls. From 1988 until 1998, the dome painting of Rubé and Chaperon was in restoration, until its final reinstatement in 1999.
From about 1360, this style of gugel was also worn outside Germany, being called a chaperon in France and a cappucio in Italy. By about 1400 the trailing point was sometimes of ridiculous proportions.
Portrait of a Young Man is a painting attributed to the Italian Renaissance painter Masaccio, although this attribution is disputed. The identity of the subject of this painting is unknown and he wears a chaperon.
The tops of their sleeves rise unnaturally over their shoulders, most likely due to the support of small cushions (mahewters) place inside the garments. Philip the Good in black, with Charles de Charolais, the future Charles the Bold The men's head-dress is intended to denote their social position, with the highest ranked wearing variants of the chaperon, a garment then at the peak of its popularity. Philip the Good wears a black looped chaperon, Rolin a less exuberant version; only he has sufficient status to wear his chaperon indoors in the Duke's presence. Apart from the Bishop of Tournai, standing next to Rolin, all the other men are bare-headed, even Philip's young heir, despite the fact that several of them are high-ranking intimates who, like the Duke, wear the collar of the Order of the Golden Fleece.
Jones (2011), p. 48 Both figures wear extravagant and large headdress; his is a chaperon made from red fabric,"A Woman". National Gallery, London. Retrieved 15 March 2019 hers consists of two to three wrapped linen veils.
The 2018 residency in France allowed extensive touring in France, along with shows in London, Rotterdam, Cologne and Lausanne. For these shows, The Apartments consisted of Peter Milton Walsh with long term French collaborators Natasha Penot and Antoine Chaperon.
The Union of Venus and Bacchus, 1639, Dallas Museum of Art Nicolas Chaperon (Châteaudun, bapt. 19 October 1612 — Lyon 1656) was a French painter, draughtsman and engraver, a student in Paris of Simon Vouet whose style he adopted before he was further matured by his stay in Rome (1642–51) in the studio of Nicolas Poussin. In 1653-55 the consuls de Lyon called him to decorate the hôtel de ville but Chaperon dying almost as soon as he arrived, the commission passed to Thomas Blanchet. Chaperon made a name for himself with his suite of engravings after the Raphael Loggie of the Vatican, Rome, 1649, but art historians remember him for the stream of fulminating invective with which Poussin in his correspondence with Paul Fréart de Chantelou described this unruly and vindictive practician who refused to carry through his copy of a Transfiguration.
Man wearing a chaperon, Italy, late 14th century During this century, the chaperon made a transformation from being a utilitarian hood with a small cape to becoming a complicated and fashionable hat worn by the wealthy in town settings. This came when they began to be worn with the opening for the face placed instead on the top of the head. Belts were worn below waist at all times, and very low on the hips with the tightly fitted fashions of the latter half of the century. Belt pouches or purses were used, and long daggers, usually hanging diagonally to the front.
In this interpretation, the standing pair would be King Edward (in a black chaperon), standing at the right and balanced on the left by his wife, Queen Eleanor of Aragon. Below them would be their son, King Afonso V of Portugal, kneeling on the right and facing his consort, Queen Isabella of Coimbra, who is kneeling on the left. The boy in the panel would then be Edward's heir, the future King John II of Portugal. This alternative hypothesis seems more logical than the original hypothesis that insists on identifying the man-in-the-chaperon as Prince Henry.
Some authorities only use the term chaperon for this type, calling the earlier forms hoods – which was certainly their usual name in English. This is a categorisation for modern discussions only; there is no dispute over whether chaperon was the contemporary term. See the wearing Colley-Weston-ward of the mandilion for an analogous development in a type of coat. A padded circular bourrelet (or rondel) evolved, which sat around the head, whilst the cornette became much longer, and gradually more scarf-like in shape, until by the 1430s it was usually straight at the sides and square-ended.
Magee acted as chaperone for the female Australian athletes who travelled to London for the 1948 Summer Olympics.(9 June 1948) Women athletes farewelled, The Sun. Retrieved 4 November 2018.(8 March 1948) Olympic Games Team Chaperon 'Camera-Shy', The Daily Telegraph.
L. Macy (Accessed February 12, 2009), (subscription access) in costumes designed by Charles Bianchini and sets by Jean-Baptiste Lavastre and Eugène Carpezat (acts I; II, scene 2; and III), Auguste Alfred Rubé and Philippe Chaperon and Marcel Jambon (act II, scene 1).
The chaperon consists of a padded bourrelet, a tightly wrapped Liripipe (a cornette in French), and a shoulder-cape (patte). There is a significant age difference between the two. The man has brown eyes and sagging eyelids, while her eyes are bright and blue.
The 1985 Canadian Professional Championship was a professional non-ranking snooker tournament, which took place in August 1985 in Toronto, Canada. Cliff Thorburn won the title for the second year in a row, and third overall, by beating Bob Chaperon 6–4 in the final.
Spanish subjects were coming into vogue in opera and his paintings would later serve as inspirations for Chaperon's stage sets. In 1851 he joined Cicéri's old atelier which at that point was being run by Cicéri's son-in-law Auguste Alfred Rubé. Rubé and Chaperon formed their own atelier, "Rubé et Chaperon", in 1864 and over the next 30 years produced numerous set designs as well as interior decor for theatres throughout France and in Belgium. In 1875 they created the trompe-l'œil curtain for the newly built Palais Garnier as well as the painting on the dome over the main auditorium of La Monnaie.
Rosaleen awakes with a scream as one leaps in through the window and sends her toys crashing to the floor, symbolizing the end of her childhood innocence. Perrault's Le Petit Chaperon Rouge is then heard being read, with the moral warning girls to beware of charming strangers.
The only other 15th-century image of the man-in-the-chaperon is found in the frontispiece of a copy (currently held by the Bibliothèque nationale de France) of Gomes Eanes de Zurara's Crónicas dos Feitos de Guiné, written in 1453. Zurara's book is an account of the early Portuguese discoveries in Africa along with a hagiography of Prince Henry, to whom the author assigned singular credit for the discoveries. As a result, it has been assumed that the frontispiece depicts Henry, especially since the motto underneath it seems to have been Henry's own. One alternative hypothesis postulates that the man-in-the-chaperon in Zurara's book might actually be King Edward of Portugal (r.
A newspaper account published on September 29, 1937, reported the Mud Hens had offered to give Hatter "the best of medical attention during the coming winter to bring him back to tip- top physical condition", and that the Mud Hens had assigned a "chaperon" to Hatter, but the chaperon had not kept him in shape to pitch. The account further opined that Hatter had blown two shots at the majors due to his behavior and was "of little use to the Mudhens during the past campaign because of his wayward acts." Less than three weeks later, on October 17, 1937, Hatter died near Yosemite, Kentucky, at age 29. Accounts as to the cause of Hatter's death are in conflict.
Mrs. Chambers (chaperone), Bonnie Mealing, Clare Dennis, Frances Bult, Eileen Wearne, Thelma Kench (N.Z. sprinter) at the 1932 Summer Olympics in Los Angeles, California, USA The word derives figuratively from the French word chaperon (originally from the Late Latin cappa, meaning "cape") which referred to a hood that was worn by individuals generally. A chaperone was part of the costume of the Knights of the Garter when they were in full dress and, probably, since the Knights were court attendants, the word chaperon changed to mean escort. An alternative explanation comes from the sport of falconry, where the word meant the hood placed over the head of a bird of prey to stop its desire to fly.
Urban, 2005 p. 164. Typical of the men that Khedive Isma'il Pasha hired was Valentine Baker, a British Army officer dishonorably discharged after being convicted of raping a young woman he been asked to chaperon. After Baker's release from prison, Isma'il hired him to work in the Sudan.Perry, 2005 p. 178.
The varnishes have degraded and lost their original colours. The panel has undergone a number of detrimental retouchings. In some instances, these have altered the sitter's appearance, most especially the removal of strands of fair hair below the chaperon. It has sustained structural damage, especially to the marble on the reverse.
Chaperon gives de Pizan all the credit for its contents, and according to Cynthia J. Brown, the publication of this edition meant that "Christine de Pizan's authorship and literary reputation had become firmly established by the mid-sixteenth century and that French publishers were directing her work to a male and female audience".
It was only later that the current work was associated with Arnolfini and the double marriage painting. It is today in the Gemäldegalerie, Berlin. Arnolfini wears a dark green gown, with dark brown fur lining. He wears a red chaperon with cornette tied on top of the head, with the patte hanging behind.
Sander inherited 17 hectares of farming land in Ohlungen.Isabelle Chaperon, Jean-Marie Sander, le nouveau président du Crédit Agricole, Le Figaro, May 18, 2010 He turned it into 100 hectares. He later became the Mayor of Ohlungen. Sander has served as the Chairman of Crédit Agricole, a French bank, since May 2010.
Miniature by Rogier van der Weyden (1447–8). Philip the Good of Burgundy and courtiers (styles B and F; see text) The only surviving manuscript miniature by Rogier van der Weyden shows Philip the Good wearing a chaperon in style B. Next to him stands Chancellor Nicolas Rolin, using a less exuberant version of style B; only he has sufficient status to wear his chaperon indoors in the Duke's presence. Apart from the Bishop of Tournai, next to Rolin, all the other men are bare-headed, even Philip's young heir, despite the fact that several of them are high-ranking intimates who, like the Duke, wear the collar of the Order of the Golden Fleece. But as far as can be seen, all have hats.
Although the supervision of vulnerable women in public spaces may be common in many cultures, the specific word chaperon began to be used in the eighteenth century to denote a particular social institution, namely, a woman who would accompany a young unmarried woman in public, and especially where she might be expected to meet a man. In circumstances where, for whatever reason, the mother was unavailable to perform this function, another woman, usually well known to the family, was chosen. A chaperon was usually expected to be a married woman, although a respected, older unmarried or widowed woman (typically someone beyond child-bearing age) was often acceptable. Chaperones were usually not required in situations where an unmarried woman's father was able to accompany his daughter(s).
During these trips Agnes Richmond acted as chaperon and guardian. In 1917 after graduating from high school Schmidt took regular afternoon classes at the League. By chance she joined the class of Kenneth Hayes Miller, the artist who would most influence her mature style. Schmidt found Miller's teaching style to be emotionally and intellectually demanding.
Chaperon came from a modest background. He was born in Paris where his father was an employee at the Caisse d'Épargne. He attended the Lycée impérial Bonaparte and then the École des Beaux-Arts where he studied painting and architecture. He won a Prix de Rome scholarship and spent three years at the Villa Medici.
Petit Chaperon Rouge visite le Grand Louvre. 72x180. 2008. Nicolas Poussin. Rape of the Sabine Women In the search for new means of expression, a new visual language, Solomoukha became more and more attracted to photography. In 1990, he was acquainted with Robert Doisneau and in 1995, he began working with Henri Cartier-Bresson.
Anarchists are being deported. Hundreds are arrested and Cornelia works on their behalf. Vanzetti is working on propaganda, believes anarchist mail bombs are the work of provocateurs, and describes how torture makes anarchists swear to false confessions. Betty has lost her chaperon, so Cornelia will join her for a vacation on the Italian lakes.
All such activities were required to have a teacher chaperon. Women had a very strict dress code that they had to follow. Still, most black newspapers supported him because he spent several years raising a million dollar endowment fund for the University. He solicited funds from northern foundations, like the Rosenwald Fund and Rockefeller Foundation.
It was a capital crime for a man to abduct a free-born boy for sexual purposes, or to bribe the boy's chaperon (comes) for the opportunity.Paulus, Digest 47.11.1.2 Negligent chaperones could be prosecuted under various laws, placing the blame on those who failed in their responsibilities as guardians rather than on the victim.Richlin (1993), p. 563.
Late Chaperon Louis Régis was born on the 20 July 1912. He attended the Royal College Curepipe and won the English scholarship in 1930. He went to the UK to study medicine at University College Hospital, qualified in 1937, and came back in 1939. He was nominated Minister of Education and Cultural Affairs in February 1974.
She accepts, and they fly to South Carolina to see a justice of the peace. Kendal eventually confesses to Stephen what she did to make Phyllis reject him, angering her husband. However, they have to live under the same roof to avoid suspicion that their marriage is a sham. Van Horn becomes a reluctant chaperon, rooming with Stephen.
After scoring a job at Moco with Flick's older sister Steph (Carla Bonner), Matt continues the Elvis gigs. Steph eventually fires Matt after he proves unreliable. Matt helps Evan and Susan Kennedy (Jackie Woodburne) chaperon the Year 12 camping trip. Tad Reeves (Jonathon Dutton) smuggles in a bottle of whiskey and shares it with the other teens.
Among the other noteworthy vaudevilles, librettos, and dramas of this versatile writer are the following: Les noces de diable (1862), Rocambole (1864), La jolie parfumeuse (1874), Espion du roi (1876), Le petit chaperon rouge (1885), Les femmes nerveuses (1888), La rieuse (1894), Le carillon (1897), Un soir d'hiver (1903) and Le jeu de l'amour et de la roulette (1905).
She edited in 1831 Recollections of a Chaperon, and in 1838, Tales of the Peerage and Peasantry, both written by her only daughter Arabella Sullivan (the author of Ellen Wareham). Arabella died in the year 1849, leaving by the Rev. Frederick Sullivan, Vicar of Kimpton, Hertfordshire, five children. Her final years were by the loss of her hearing.
The third panel - Panel of the Prince One of the more controversial issues concerning the panels is the depiction of Prince Henry the Navigator. At first glance, the appearance of the man in black in the third panel is quite compatible with traditional conceptions of Prince Henry's likeness: a man with a light moustache and distinctive black round chaperon such as can be found in numerous representations today. However, there are strong reasons to doubt that this is him.António Salvador Marques, 1998, Painéis de S. Vicente de Fora (accessed 15-8-2010) Frontispiece in Zurara's Crónicas dos Feitos de Guiné (Paris codex) The most basic problem in identifying the man-in-the-chaperon in the Saint Vincent Panels derives from the lack of confirmed portraits of Prince Henry that date from his lifetime.
Early in the 15th century, the hood remained a common component of dress for all classes, although it was frequently worn around the neck as a cowl or twisted into the fantastical shapes of the chaperon. Hats of various styles--tall-crowned with small brims or no brims at all, hats with brims turned up on one side for variations of the coif, or low-crowned with wider brims pulled to a point in front--began to compete with the draped chaperon, especially in Italy. A brimless scarlet cap became nearly universal for young Florentines in particular, and was widely worn by older men and those in other cities. In mid-15th century, a bowl haircut with the hair shaved at the back of the neck was stylish.
He gave each étude a distinct title from the programmatic clues Rachmaninoff had given him: # La foire (The Fair) – (Op. 33, No. 6(7)) # La mer et les mouettes (The Sea and the Seagulls) – (Op. 39, No. 2) # La chaperon rouge et le loup (Little Red Riding Hood and the Wolf) – (Op. 39, No. 6) # Marche funèbre (Funeral March) – (Op.
He pioneered portraiture during the 1430s and was admired as far away as Italy for the naturalness of his depictions.Bauman (1986), 4 Today, nine three-quarters view portraits are attributed to him. His style was widely adopted, most notably by van der Weyden, Petrus Christus and Hans Memling. The small Portrait of a Man with a Blue Chaperon of c.
Nonetheless, Eakins found a subject that referenced his native city and an earlier Philadelphia artist, and allowed for an assay on the female nude seen from behind.Goodrich, Vol. I, p. 147. When he returned to the subject many years later, the narrative became more personal: In William Rush and His Model (1908), gone are the chaperon and detailed interior of the earlier work.
She was both owner and manager, and, at the time, the only woman in the United States running her own theater. Her first production was The Chaperon. She experimented with acting in silent films in 1913. In that year, she was in Slim Driscoll, Samaritan, When the West Was Young and A Doll for the Baby, but she soon returned to Britain.
Oxford: OUP, 2004. (and fourth son of Sir Richard Sullivan, 1st Baronet) and was the mother of Barbarina Grey, Lady Grey and Sir Francis Sullivan, 6th Baronet. She wrote Recollections of a Chaperon (1831) and Tales of the Peerage and Peasantry (1835), both collections of stories credited to her mother, but were written by her and only edited by her mother.
Typically for vanEyck, the head is large in relation to the torso. He is dressed in typically Burgundian fashion, with a red robe and a green wool chaperon with a bourrelet and cornette hanging forward. The headdress is trimmed with fur, fastened with two buttons, and extends to the parapet. His right hand might be holding the end of the cornette.
But the word never appears in the Paston Letters, where there are many references to hats, hoods and bonnets for men. As with all aspects of medieval costume, there are many contemporary images of clothing, and many mentions of names for clothing in contemporary documents, but definitively matching the names to the styles in the images is rarely possible. In Italian the word was cappuccio [kap'put:ʃo], or its diminutive cappuccino, from which come the Capuchin friars, whose distinctive white hood and brown robe led to the monkey and the type of coffee being named after them (it also means the cap of a pen in Italian). Little Red Riding Hood is Le Petit Chaperon rouge in the earliest published version, by Charles Perrault, and French depictions of the story naturally favour the chaperon over the long riding-hood of ones in English.
Men of the upper classes often went hatless. The chaperon in the form of hood and attached shoulder-length cape was worn during this period, especially by the rural lower classes, and the fitted linen coif tied under the chin appeared very late in the century. Small round or slightly conical caps with rolled brims were worn, and straw hats were worn for outdoor work in summer.
Some of the monastic buildings survive, to the south of the abbey church. The chapter house was an extension of the south transept, and was built in the 13th century. In the 15th century by the abbot Jean Chaperon, including a flamboyant Gothic doorway which connected with the church. Three Gothic gateways were built in front of the Romanesque church facade in the 13th century.
When they arrive at the castle to expose the Sheriff's plot, she and Robin share a kiss. In the second series, Marian and her father are under house arrest in Nottingham Castle. Marian cannot travel out of the castle without an armed guard, although she has manages to on several occasions. Often avoiding an armed chaperon, Marian manages to successfully deliver information to Robin.
She was born in Saint-Basile and received a bachelor's degree in visual arts from the Université de Moncton. She attended animation workshops with the National Film Board of Canada and directed her first animated film Les joies de Noël in 1985. In 1995, she published her first children's book Le Petit Chaperon Mauve. That was followed by Rose Neige et les six nains in 2000.
Pazyryk horseman wearing cape 300 BCE Capes were common in medieval Europe, especially when combined with a hood in the chaperon. They have had periodic returns to fashion - for example, in nineteenth-century Europe. Roman Catholic clergy wear a type of cape known as a ferraiolo, which is worn for formal events outside a ritualistic context. The cope is a liturgical vestment in the form of a cape.
A New Zealand rowing eight (including the future All Black Hubert McLean) was selected but was unable to travel to the games because of lack of funds. Harry Amos was appointed Chef de Mission; at the time he was referred to as chairman. His wife acted as chaperon and travelled to the Olympics at their own expense. A masseur from Wellington, C. Dickinson, accompanied the team in an honorary capacity.
The plot of land on which the school was built was donated by Dr. Regis Chaperon. When it opened in 1978 the school catered for pupils up to form II only. The school had many scholarships winners during its existence before 2002 when it became a school with only school certificate students. In 2005 when the new government took over, it again became a Higher School Certificate School.
Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's Don Carlos and Aida, Massenet's Le Cid, Saint-Saëns's Henri VIII, part two of Berlioz's Les Troyens and the first performances in France of Verdi's Otello and Rigoletto and Wagner's Tannhäuser.
Gray was then booked into the world famous "Cocoanut Grove" - the Ambassador Hotel as multi language "Chanteuse", backed by the renowned "Miguelito Valdes Orchestra." While there, Gray was approached by the symphonic violinist brother of the V.P. of Mexico., suggesting that the hotels and clubs in Mexico City would appreciate her talent, that bookings could be contracted. In 1951, with her mother as chaperon, the tour was arranged.
She tried to convince Belldandy to return to Heaven to resolve the bug problem and at the same time with the ulterior motive of alleviating her loneliness. After realizing that Belldandy's relationship with Keiichi was not going to end any time soon, Skuld decides to stay on Earth and act as Belldandy's unofficial chaperon. In the second season she begins to develop her goddess powers. Her angel's name is .
It is of course always winter, when the chaperon was most likely to be worn. Saint Joseph is especially useful, as it is never part of his depiction to be fashionably dressed, and it is part of his character in the period that he is often shown quite dishevelled (see examples below). The shepherds are the lower-class figures most often shown in a large scale in paintings of the period.
Another interpretation of the figures includes Henry in the panel, but proposes Edward as the kneeling king and Afonso V as the boy. Regardless, all traditional means of explaining Henry's presence in the panel strike one as forced, formulated simply to accommodate a preconceived notion that Henry must be the man-in-the-chaperon. Since Edward was the brother of Henry, it is perfectly possible that he bore a close enough resemblance to Henry that the traditional identification in the Zurara book is perfectly correct, and that Edward's appearance in the panel is only coincidentally similar to what is depicted for Henry in the Zurara book. The alternative hypothesis with King Edward as the man-in-the-chaperon is more logical; pairs of kings and queens are all that are featured in the panel, with no intrusion from other family members, except for the minor son of one of the royal pairs.
Raymond Shonholtz graduated from Los Angeles High School, University of California, Los Angeles, and UC Berkeley School of Law. During the Summer of 1964, following his sophomore year at UCLA, Shonholtz took part in the Mississippi Freedom Summer as an American Field Services bus chaperon. While there he smuggled Aaron Henry of the Mississippi Freedom Democratic Party out of Clarksdale, Mississippi, so that Dr. Henry might attend the 1964 Democratic National Convention.
Contes de fées, contenant le Chaperon rouge, les Fées, la Barbe bleue, la Belle au bois dorm[ant], le Chat botté, Cendrillon, Riquet à la houpe, le Petit Poucet, l'Adroite princesse, Grisélidis, Peau d'âne, les Souhaits ridicules. Three Volumes. Paris: Lamy (online version of a 1812 edition). The year 1695 saw the manuscript edition of the Contes de ma mère l'Oye (Stories of Mother Goose), containing five of the later to be published prose tales.
Faust is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part One. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon.
In molecular biology, immunophilins are endogenous cytosolic peptidyl-prolyl isomerases (PPI) that catalyze the interconversion between the cis and trans isomers of peptide bonds containing the amino acid proline (Pro). They are chaperon molecules that generally assist in the proper folding of diverse "client" proteins. Immunophilins are traditionally classified into two families that differ in sequence and biochemical characteristics. These two families are: "cyclosporin-binding cyclophilins (CyPs)" and "FK506-binding proteins (FKBPs)".
In 1862, Sara departed France for Mexico by sea, about which she wrote: There were only forty passengers on board, and, comparatively speaking, little of the animation that usually precedes the outgoing of an ocean steamer. I found without difficulty the French banker and his Mexican wife who had kindly consented to chaperon me during my lonely journey; and I soon discovered that she and I were the only women passengers on board.
This was apparently a hat rather than a hood, as she was stated to have taken it off in front of the Dauphin – this was cited as further damning evidence of her assuming male behaviours."Elle s'arrête en face de Charles VII, ote son chaperon, met un genou en terre et incline la tète. Dieu vous donne bonne vie, gentil dauphin!" La mission et le martyre de Jeanne d'Arc, 1913, p. 23.
P fimbriae (also known as pyelonephritis-associated pili) or P pili or Pap are chaperon-usher type fimbrial appendages found on the surface of many Escherichia coli bacteria. The P fimbriae is considered to be one of the most important virulence factor in uropathogenic E. coli and plays an important role in upper urinary tract infections. P fimbriae mediate adherence to host cells, a key event in the pathogenesis of urinary tract infections.
In 1858 the ceiling was repainted by Joseph Nolau and Auguste Rubé based on the designs of Félix-Joseph Barrias. From 1860 to 1864, carried out extensive modifications of the interior and exterior, as well as the expansion of the building toward today's Place Colette. The ceiling was repainted in 1864 by Philippe Chaperon with the assistance of Joseph Nolau and Auguste Rubé. It was repainted in 1879 by Alexis-Joseph Mazerolle, and in 1885, by Guillaume Debuffe.
Very fashionable women shaved their foreheads and eyebrows. Any of these styles could be topped by a padded roll, sometimes arranged in a heart-shape, or a veil, or both. Veils were supported by wire frames that exaggerated the shape and were variously draped from the back of the headdress or covered the forehead. Women also wore the chaperon, a draped hat based on the hood and liripipe, and a variety of related draped and wrapped turbans.
A very petulant Dejiko stands her ground, and the tutor finally relents and lets Dejiko and Puchiko go outside the castle grounds, on the condition that they take Gema with them as a chaperon. In the following episode the trio arrive at the popular Rinna's Cake Shop. The shop is closed, and people are in line in front of the shop, waiting patiently for it to open. Dejiko, Puchiko, and Gema forcibly enter the shop and find that the owner, Rinna, is asleep.
The costumes directly mock the nobility, the clergy and the educated; celebrants wear miter hats, mortarboards and capuchons, which were initially designed to mock the tall pointy hats worn by noble women. These hats are still worn, primarily by men. The name "capuchon" comes from the same root word, "cappa" in Latin, meaning a cape or hood, that gives us "cap", "cape", "cope", "chapeau" in French, Capuchin monkeys, Capuchin friars, cappuccinos and baseball caps. Chaperon (headgear) describes the development of the word.
While vacationing on the Greek Isle of Love, a repressed 30-year-old Stefania reluctantly plays chaperon to her precocious and sometimes annoying 14-year-old niece, Meggy, who plans to lose her virginity before the summer is over. Unbeknownst to Stefania, Meggy's chosen man is in fact Stefania's ex- boyfriend. Amidst a mélange of sun rash, broken diets, nervous girls, sleeping bags, orgasms, '80s music, and a little ginger and cinnamon, the two women discover themselves and their sexuality.
Rogier van der Weyden miniature 1447-8. Philip dresses his best, in an extravagant chaperon, to be presented with a History of Hainault by the author, Jean Wauquelin, flanked by his son Charles and his chancellor Nicolas Rolin. Philip's court can only be described as extravagant. Despite the flourishing bourgeois culture of Burgundy, with which the court kept in close touch, he and the aristocrats who formed most of his inner circle retained a world-view dominated by knightly chivalry.
It is likely that Encarnación, despite sinking, was not damaged to the same extent as ships like Nuestra Señora de la Soledad given her present-day state of preservation. As the fleet continued through the Chagres River area, most of the fleet reached Porto Bello by 3 December. On 3 December, another ship, became stranded on another reef in the area. Chaperon, also a Nao carrack, sank soon thereafter though most of its crew were saved and 11 were lost.
In the 18th and 19th centuries, a bear-leader was a colloquialism for a man who escorted young men of rank or wealth on their travels, such as young gentlemen on the Grand Tour. The role of bear-leader blended elements of tutor, guardian, chaperon and companion. A late example in literature can be seen in the ambitious Oxford tutor hired to keep an increasingly alcoholic young man out of harm's way – and out of the way – in Brideshead Revisited.
Muriithi and his now late brother, Stephen Njagi Kironji, started acting in their village church at a very young age. Muriithi later joined Kangaru School, Embu, Kenya, graduating in 1986. He then joined a private school in Thika, Kenya while living with his father, who worked as at Joytown Special School for disabled children as a caretaker. Muriithi became the YMCA Drama Club Chaperon in 1988 and later that year he was elected to head the Youth Department at the Thika YMCA branch.
Detyrosination is a form of posttranslational modification that occurs on alpha-tubulin. It consists of the removal of the C-terminal tyrosine to expose a glutamate at the newly formed C-terminus. Tubulin polymers, called microtubules, that contain detyrosinated alpha-tubulin are usually referred to as Glu-microtubules while unmodified polymers are called Tyr-microtubules. The tubulin carboxypeptidases that cleave the terminal tyrosine are two proteases called vashohibins (VASH1/VASH2), in complex with a small protein SVBP that acts as stabilising chaperon.
Coming from an impoverished background, Hesnard educated himself through the French navy; and it was a naval doctor that he co-authored the first book on Freud in French in 1914.T. Zeldin, A History of French Taste (1993) p. 869 Despite never being analysed, Hesnard was a founding member of the Paris Psychoanalytic Society, the first French psychoanalytics institution.Sylvie Chaperon "Kinsey en France : les sexualités féminine et masculine en débat, Le Mouvement Social" 1/2002 (No. 198), p. 91-110.
The women of the women's liberation movement profoundly transformed society and values during the second half of the twentieth century. They encouraged a considerable change in the conception of women's rights, in particular the reforms on the birth control, professional and parental equality, and the law on parityLe siècle des féminismes, Eliane Gubin (dir.), préface de Michelle Perrot,éditions de l'Atelier, 2004, 464 pages.Sylvie Chaperon, « La radicalisation des mouvements féminins Français de 1960 à 1970 », Vingtième Siècle : Revue d'histoiree, Persée, vol. 48, no 1, 1995, p.
Studies suggest that formation of SDHA-SDHB dimer is impaired in absence of SDHAF4 so the chaperon-like assembly factor might facilitate interaction of the subunits. Moreover, SDHAF4 seems to prevent ROS generation via accepting electrons from succinate which can be still oxidized by unbound monomeric SDHA subunit. Fe-S prosthetic groups of the subunit SDHB are being preformed in the mitochondrial matrix by protein complex ISU. The complex is also thought to be capable of inserting the iron- sulphur clusters in SDHB during its maturation.
Davis played professionally well into old age, making his last appearance in the World Snooker Championship at the Crucible Theatre in 1984 aged 70, where he lost to Bill Werbeniuk 10–4. The following year he trailed Canadian Bob Chaperon 7–2 in the fourth qualifying round, but remarkably came back to win the match 10–9.Everton, Clive (Ed.) Snooker Scene, May 1985, p. 13. (He would go on to lose 10–6 to Rex Williams in the final qualifying round, having led 6–5.
Philip the Good, Duke of Burgundy after Rogier van der Weyden, c. 1450, has an unusually large bourrelet, surely hollow, worn in style D. About 1300 the chaperon began to be worn by putting the hole intended for the face over the top of the head instead; perhaps in hot weather. This left the cornette tail and the cape or patte, hanging loose from the top of the head. This became fashionable, and chaperons began to be made to be worn in this style.
By this time the evolved chaperon had become fixed in some forms of civilian uniforms for lawyers, academics and the members of some knightly orders, such as the Order of the Garter. In these uses it gradually shrank in size and often became permanently attached to the clothing underneath, effectively just as an ornament, in its present form, as a part of academic dress, called an epitoge. In Italy it remained more current, more as a dignified form of headgear for older men, until about the 1520s.
The man in grey seems to be carrying a different typle of hat made of black fur, but all the other ones visible are also chaperons, mostly with the cornettes to the front. Philip stands in front of his throne positioned under a golden or salmon coloured canopy or baldachin, lined with what appears to be green satin. He is, as usually in depictions of him, dressed almost entirely in black. He wears a black burlet (rolled) chaperon with the cornette wrapped around this neck.
Over the shirt was worn a doublet. From around the mid-15th century very tight-fitting doublets, belted or tailored to be tight at the waist, giving in effect a short skirt below, were fashionable, at least for the young. Sleeves were generally full, even puffy, and when worn with a large chaperon, the look was extremely stylish, but very top-heavy. Very tight hose, and long pointed shoes or thigh-boots gave a long attenuated appearance below the waist, and a chunky, solid one above.
Red Riding Hood (officially: Cannon Movie Tales: Red Riding Hood, alternatively: Caperucita roja in Venezuela, Cappuccetto Rosso in Italy, Le petit chaperon rouge in France, Pieni Punahilkka in Finland and Rotkäppchen in West Germany) is a 1989 American/Israeli fantasy film by Golan-Globus based on the fairy tale of the same name and part of the film series Cannon Movie Tales. The taglines were: "CANNON MOVIE TALES: Lavish, feature-length new versions of the world's best-loved storybook classics!" and "Rediscover the magic".
Her high school days were focused on developing her skills in oration, declamation, acting, singing and song composition. She was awarded a Department Medal upon graduation. As a freshman in college taking up Mass Communications, she was voted to direct the freshman's entry to the school's Drama Festival with Wilfrido Ma. Guerrero’s Wanted: Chaperon. They won five out of six awards including best director and best production - a first in the school's history that the freshman year would win over higher years and winning most of the awards at the same time.
C1 protein is also known as the viral replication protein, which makes it essential for virus replication. C2, C3, and C4 proteins have been associated to function as a post-transcriptional gene silencing suppressor, a virus accumulation enhancer, and a symptom induction determinant, respectively. In the insect vector, a study found that TYLCV had a high binding affinity to a GroEL homolog, a molecular chaperon essential for protein folding. Therefore, after feeding B. tabaci with a diet containing antiserum against GroEL, they found TYLCV transmission to be reduced.
ClpP protease is a major contributor for mitochondrial protein quality control system and removing damaged or misfolded proteins in mitochondrial matrix. Defects in mitochondrial Clp proteases have been associated with the progression of neurodegenerative diseases while upregulation of ClpP proteases has been implicated in preventing premature aging. Recessive CLPP mutations were recently observed in the human Perrault variant associating with ovarian failure and sensorineural hearing loss, in parallel with growth retardation. The clinical phenotype was accompanied by the accumulation of ClpP associating partner chaperon ClpX, mtRNA, and inflammatory factors.
She observed that they were mostly "dressed down," and that all were escorted by men and appeared uninterestedly watching a bloodless spectacle. She proceeded to describe the entire medium of motion pictures as "awful." Streible reproduces a drawing that accompanied Rix's article depicting two women in attendance of the film. One appears to be younger and leaning forward, watching the film with interest, while the other, apparently an older woman acting as chaperon, is turned away from the screen and uninterested in the film, even dismayed at the younger woman's interest.
As described in a film magazine, Edward Andrews (Washburn) worships the romance-loving Frances Raymond (Hawley), the daughter of wealthy parents, but she always turns down his proposals. Finally, she hints that she may be won over using caveman tactics. Edward hires a reporter, Michael Rudder (Ferguson), to kidnap Frances and take her to his country home, where he has installed his grandmother (Chapman) to act as a chaperon. Frances is won over by the ardent lovemaking of the reporter and when she suggests that they get married at once, the poor reporter runs away.
The nineteenth-century critic Edmund Gosse read this play as indicating that Shirley's Catholic confessor was a Benedictine -- a speculation at best. A monk named Valentio arrives to arrange their admission -- but Valentio instantly greets Dulcino as "dear Leonora." Valentio reveals that Leonora had fled the Milanese court when her father died, for she feared being forced to marry her uncle. She disguised herself as a page and came to Savoy, with Valentio as her companion and chaperon, to see if the Duke would honor their previous commitment.
A further ship, a small tartana, also sank in the course of efforts to lend assistance to the crew of Chaperon. After a period of a few months to give time for repairs and refitting, the Flota de Tierra Firme left Porto Bello for Cartagena de Indias on 27 March 1682. On 7 May 1682, the fleet sailed for Havana in preparation for the trans- Atlantic journey to Cadiz. Whilst en route to Havana, another Nao carrack, , under Don Manuel de Galarza, sank and some of the fleet returned to Cartagena de Indias for repairs.
Vineyards of Château L'Évangile L’Évangile appeared in the 1741 land registry under the name of Fazilleau, founded by the Libourne family Léglise. At the turn of the 19th century the property was sold to a lawyer named Isambert who gave the estate its present name, following the example set by Arnaud at neighbouring Pétrus. In 1862, L’Évangile was purchased by Paul Chaperon, whose descendants, the Ducasse family remained the estate’s owners until 1990, when L’Évangile was acquired by Domaines Barons de Rothschild, the owners of Château Lafite Rothschild.
Ebo Bartels (Chairman), Ernestina Akuetteh (Chaperon) and Patience Opokua (Training Partner for Patricia Offei) in Seoul, South Korea at the 24th Olympic Games. After the World Table Tennis Championships, Stephen Adjei and Patricia Offei failed to return to Ghana. That sparked off public outcry and brought about a decline of the Ministry's interest in table tennis until 1992 when Helena Amankwah and Patience Opokua featured at the 25th Olympic Games in Barcelona, Spain. Coach S.K. Allotey (deceased) and the leader of the team, Kwabena Yeboah of GTV fame, were in attendance.
In October 2013 Walsh began recording a new Apartments album in Sydney, Australia, at Alberts Studio with Wayne Connolly as producer. This album, No Song, No Spell, No Madrigal, was released by French label Microcultures in April 2015. The album was recorded with Apartments players Eliot Fish, Amanda Brown, Gene Maynard, Wayne Connolly, and various guests. Nick Allum recorded additional percussion and drums at Press Play Studios in London while French collaborators Natasha Penot and Antoine Chaperon from Grisbi recorded vocals and other instruments in their home studio in France.
The Apartments toured France in 2015 with a full band including French (Penot, Chaperon, Tessier, Riteau), English (Allum) and Australian players (Fish and Walsh) to promote the release of No Song, No Spell, No Madrigal'. On New Year's Day 2016 the Apartments played a headline show as part of the Andy Warhol/Weiwei exhibition at the National Gallery of Victoria."Friday Nights at NGV: The Apartments", National Gallery of Victoria, 2015. Retrieved 17 December 2018 The Apartments then played a sold out show in the Speigeltent at the Sydney Festival in January 2016.
Louis Mérante as Djémil in La Source, Paris, 1866 The choreography was by Arthur Saint-Léon, who collaborated with Charles Nuitter in the libretto. The original designs were by Édouard Desplechin, Jean-Baptiste Lavastre, Auguste Rubé, Chaperon (sets) and Paul Lormier (costumes). The first production opened at the Théâtre Impérial de l´Opéra in Paris on 12 November 1866, with Guglielmina Salvioni (Naïla), Eugenie Fiocre (Nouredda) and Louis Mérante (Djémil) in the principal roles. The production was not particularly successful, Salvioni being considered unsuited to the rôle of Naïla.
Design sketch by Philippe Chaperon for Act IV, tableau 2, of Le dernier jour de Pompéï (1869) Still, the first new work of the season was a French opera, Victorin de Joncières' four-act Le dernier jour de Pompéï, which premiered on 21 September 1869. Marie Schroeder sang the lead soprano role of Ione. It did not go unnoticed that the libretto, by Charles Nuitter and Louis-Alexandre Beaumont, was, like Rienzi, based on a novel by Edward Bulwer-Lytton (The Last Days of Pompeii). It was also duly noted that Wagner had strongly influenced Joncières' music.
The figure on the right wears a similar red chaperon to the probable van Eyck self-portrait in the National Gallery, London. Near to them are two magpies and two peacocks, the latter are symbols both of immortality and of pride, to which even a powerful man as Rolin might succumb.Louvre page, section "The garden" However Martí Domínguez states- Peacocks were the symbol of Jesus Christ and magpies were regarded as evil. Artists like to oppose the symbolic birds, the dichotomy between good and evil: Van Eyck, in the panel of the Chancellor Rolin, will also use the peacock and the magpie.
At around the same time he was also active in his brother Simon's Parisian school (notably alongside François Tortebat, Michel Dorigny, Michel Corneille l'Ancien, Nicolas Chaperon, Charles Poërson) and helped complete some of Simon's paintings. Aubin's later style and compositions were similar to Simon's, painting draped figures in bright colours to break up a scene, often as a curve within a triangle and with figures raised above each other, such as the observer in The Centurion Cornelius Kneeling Before Saint Peter, painted as a May for Notre-Dame de Paris and now in the chapelle Saint-Pierre.
Enzyme ClpP is a highly conserved serine protease present throughout bacterial and also found in the mitochondria and chloroplasts of eukaryotic cells. The ClpP monomer is folded into three subdomains: the "handle", the globular "head", and the N-terminal region. By itself, ClpP can assemble into a tetradecamer complex (14-members) and form a closed proteolytic chamber. A fully assembled Clp protease complex has a barrel-shaped structure in which two stacked ring of proteolytic subunits (ClpP or ClpQ) are either sandwiched between two rings or single-caped by one ring of ATPase-active chaperon subunits (ClpA, ClpC, ClpE, ClpX or ClpY).
MEAI (5-methoxy-2-aminoindane or 5-MeO-AI or Chaperon) is a recreational drug and binge drinking prevention drug, first chemically described in 1980, and first pharmacologically described in a peer reviewed paper in 2017 by David Nutt et al., followed by another in February 2018 which detailed pharmacokinetics, pharmacodynamics and metabolism of MEAI. In 2018, a company in the United States began offering an MEAI-based drink called "Pace". MEAI was an early candidate of alcohol replacement drugs that came to market during a late 2010s movement to replace alcohol with less-toxic alternatives spearheaded by British psychopharmacologist David Nutt.
Hopman was employed by the United States Lawn Tennis Association and the Southern California Tennis Association from 1952 through 1954 to be the travelling companion and chaperon of Connolly. In 1962, she persuaded the International Tennis Federation to begin sponsoring the Federation Cup, now known as the Fed Cup, an international team event for women similar to the Davis Cup for men. She was awarded the CBE in July 1962. Hopman became the first life member of "Tennis Victoria" in 1965 but the following year underwent unsuccessful surgery for a brain tumor and died in January 1968.
He is obviously a member of the nobility, being very well dressed in a fur lined brown jacket over a black undervest. His headdress, a chaperon, contains two wings which hang down over the man's shoulders and extend to his chest. The edges of the cloth are given a shredded look at the edges of their trains. The hood is brightly and dramatically coloured using a pigment, ultramarine, extracted from the expensive lapis lazuli gemstoneThat he had access to this pigment reflects his wealth and influence at this relatively early stage in his unfortunately short 21 odd year career.
He had a musical career of three decades and sold 26 million records and was particularly popular in the 1970s. In 1967, he records his first 45 rpm vinyl disc Les Fiancés, under the pseudonym C.Jérôme. This first shot didn't reach success, unlike Le petit Chaperon rouge est mort, and Quand la mer se retire that he sang on the TV show "Salut les copains". In 1972, his first big hit Kiss Me reaches the first place in the French music charts, and the third in Austria, the 4th in Belgium and the 5th in Switzerland.
His original title was Costantino Fortunato (lit. Lucky Costantino). Le Maître Chat, ou le Chat Botté was later published by Barbin in Paris in January 1697 in a collection of tales called Histoires ou contes du temps passé. The collection included "La Belle au bois dormant" ("The Sleeping Beauty in the Wood"), "Le petit chaperon rouge" ("Little Red Riding Hood"), "La Barbe bleue" ("Blue Beard"), "Les Fées" ("The Enchanted Ones", or "Diamonds and Toads"), "Cendrillon, ou la petite pantoufle de verre" ("Cinderella, or The Little Glass Slipper"), "Riquet à la Houppe" ("Riquet with the Tuft"), and "Le Petit Poucet" ("Hop o' My Thumb").
Retrieved on January 5, 2018. In 1962, he organized and directed the U.P. Mobile Theater, which travels around the Philippines to give performances. Several of Guerrero's plays have been translated into and produced in Chinese, Italian, Spanish, Tagalog, Visayan, Ilocano and Waray. Six of his plays have been produced abroad: "Half an Hour in a Convent" at the Pasadena Playhouse, California; "Three Rats" at the University of Kansas; "Condemned" in Oahu, Hawaii; "One, Two, Three" (premiere performance) at the University of Washington, Seattle; "Wanted: A Chaperon" at the University of Hawaii; and "Conflict" in Sydney, Australia.
In the first round, Bill Werbeniuk, 14th in the world rankings, was beaten 1–6 by Bob Chaperon. Malcolm Bradley, in his first season as a professional player, beat David Taylor 6–3. Bob Harris, who to that point had made little impact as a player, beat world number six Eddie Charlton 6–3 after being 1–3 behind. Jimmy White was 3–1 ahead of Tony Jones but the match went to the deciding frame before White won, 6–5. Another first- year professional, Danny Fowler, beat Rex Williams, the former world billiards champion, 6–3.
The Tomle building is nonetheless of particular interest because it features the typical trees and fantasy landscapes that Aadnes was known for. Notable details include a suitor placing his hand high on his lover's bodice while her chaperon sleeps, and also a little boy peeking under the skirts of a lady on a swing. There are also paintings by Aadnes in other places in eastern Norway, such as the Lunde church in Nordre Land, the Nordsinni church, and the Bagn church. Many of the buildings where he painted wall panels have been lost, some through renovation and other in fires.
In January 1964, the Ronettes left for their first tour of the UK, where they made a strong impact from the very beginning. "We must have been quite a sight in the Heathrow waiting room," Ronnie Spector later recalled, "three black American girls sitting with their legs all crossed the same way, our three identical, enormous hairdos piled a foot or so over our heads. When our young chaperon finally showed up, he was all smiles." On their first night in the UK, the women attended a party at Tony Hall's house where they met the Beatles.
Couderc was born in Toulouse where his father had a grocery shop. He was working in his father's business when Louis Benoît Alphonse Révial (1810-1871) a tenor from Toulouse already studying at the Conservatoire de Paris convinced him to study singing and facilitated his entry to the conservatory in 1830. After studying singing there under Louis Nourrit, Couderc made his debut as Rodolphe in Boieldieu's Le petit chaperon de rouge at the Opéra-Comique in 1834. He created several roles with the company between 1834 and 1841 and was greatly admired for his acting ability.
White was also worn in factional disturbances in Paris in 1413, by opponents of the Armagnacs, during one of King Charles VI's bouts of madness.M-N Bouillet, A Chassang, Dictionnaire universel d'histoire et de géographie contenant l'histoire proprement dite, la biographie universelle, la mythologie, la géographie ancienne et moderne, Hachette, Paris, 1878 The chaperon was one of the items of male clothing that featured in the charges brought against Joan of Arc at her trial in 1431.Many references throughout the proceedings (often translated as "hat" in English versions). See Articles 12–17 of the Charges etc.
In addition to being featured in many Renaissance portraits by virtue of being the fashion of the day, the Italian cappuccio was of interest because the mazzocchio's shape made it a good subject for the developing art of perspective. The painter Paolo Uccello studied the perspective of the mazzocchio and incorporated it in some of his paintings (e.g. in The Counterattack of Michelotto da Cotignola at the Battle of San Romano). Apart from portraits, many of the best, and least formal, depictions of the chaperon in art come from paintings of the Nativity and other scenes of the early life of Christ.
English-speaking cultures supposed, perhaps correctly, that the institution was particularly strict in southern Europe, especially in Spain, to which they attributed the word duenna, a misspelling of the Spanish word "dueña".The Spanish word dueña was supposed to denote a particularly eagle-eyed supervisor of unmarried females. In fact, in Spain, the word dueña (from the Latin domina) has no particular connotations of chaperonage and merely denotes a female proprietor, supervisor of servants, or married woman. In Spain a chaperon is called a carabina; the word chaperona is not usually found except in Central America.
Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweller or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame)The panel measures 19.1 cm x 13.2 without frame. oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck. The painting was commissioned and completed sometime around 1430. It contains a number of elements typical of van Eyck's secular portraits, including a slightly oversized head, a dark and flat background, forensic attention to the small details and textures of the man's face, and illusionistic devices.
It was first staged on January 24, 1891Sardou and the Sardou plays, Jerome Alfred Hart, page 100 at the Comédie-Française with sets and costumes designed by the author, and executed by Eugène Carpezat, Philippe Chaperon, and others. In the next performance, on the 26th, radical Republican members of the audience took offense at Sardou's criticism of Maximilien Robespierre. They became threatening to the point of riot, with noise, confusion, shouted threats to Sardou's life, and police finally called to clear the crowd away.New York Times, February 15, 1891 The protesters were led by the socialist newspaper editor Prosper-Olivier Lissagaray and included the deputy Eugène Baudin.
In 1878, Darcourt was a young beauty in the company of Coco, at the opening of Jules Brasseur's Théâtre des Nouveautés in Paris. She appeared in operettas, often with the Opéra-Comique, including Le Premier Baiser (1883), Vie Parisienne (1883), Le Château de Tire-Larigot (1884), La Nuits aux soufflets (1884), L'Oiseau bleu (1884), La Vie mondaine (1885), Le Petit Chaperon rouge (1885), L'amour Mouillé (1887), Le Puits qui parle (1888), Juanita (1891), and Le Commandant Laripète (1892). In 1899 Darcourt was in the casts of Le Faubourg and Les Amants Legitimes in Paris. She was in Sylvie, ou La Curieuse d'Amour in 1900.
The Hsp100 family of eukaryotic heat shock proteins is homologous to the ATPase-active chaperon subunits found in the Clp complex; as such the entire group is often referred to as the HSP100/Clp family. The family is usually broken into two parts, one being the ClpA/B family with two ATPase domains, and the other being ClpX and friends with only one such domain. ClpA through E is put into the first group along with Hsp78/104, and ClpX and HSIU is put into the second group. Many of the proteins are not associated with a protease and have functions other than proteolysis.
The King (standing to the left of Chaucer; his face has been defaced) wears a patterned gold-coloured costume with matching hat. Most of the men wear chaperon hats, and the women have their hair elaborately dressed. Male courtiers enjoyed wearing fancy-dress for festivities; the disastrous Bal des Ardents in 1393 in Paris is the most famous example. Men, as well as women, wore decorated and jewelled clothes; for the entry of the Queen of France into Paris in 1389, the Duke of Burgundy wore a velvet doublet embroidered with forty sheep and forty swans, each with a pearl bell around its neck.
It is now believed to be a chaperon molecule involved in protein trafficking between the endoplasmic reticulum-Golgi intermediate compartment (ERGIC) and Golgi. The protein contains two hydrophobic transmembrane domains that help anchoring the molecule on the ER membrane, such that its large luminal domain orients inside the ER lumen and both the N- and C-termini are facing the cytosol. ERGIC2 forms a complex with two other proteins, ERGIC3 and ERGIC32, resulting in a shuttle for protein trafficking between ER and Golgi. It has been shown to interact with a number of proteins, such as beta-amyloid, protein elongation factor 1alpha, and otoferlin.
Ben American Horse and Samuel American Horse, sons of Oglala Lakota Chief American from the Pine Ridge Reservation, South Dakota, attended Carlisle and went "Wild Westing" with their father.Oskate Wicasa 131 Often entire families worked together, and the tradition of the "Wild Wester" community is not unlike the tradition of circus families and communities.Oskate Wicasa 6 Carlisle Wild Westers were attracted by the adventure, pay and opportunity and were hired as performers, chaperons, interpreters and recruiters. Frank C. Goings, the recruiting agent for "Buffalo Bill" Cody and other "Wild West" shows at Pine Ridge, South Dakota, was a Carlisle "Wild Wester" with experience as a performer, interpreter and chaperon.
The championship is currently held by Brady Gollan, who defeated 2014 champion Alan Whitfield 6–4 in the 2018 final to achieve the longest gap between titles in the event's history, thirty years after first winning in 1988. Many former champions have gone on to play on the world tour such as Alain Robidoux, Kirk Stevens, Bob Chaperon, Jim Wych, Bill Werbeniuk and most notably Cliff Thorburn who won the competition in 1972, 1974, 1975, 1976, 1977 and 2001, eventually going on to become the first player in the modern era from outside the United Kingdom to win the World Snooker Championship in 1980.
As described in a film magazine, Judith Stafford (Vidor) returns to her San Francisco home after a lengthy sojourn abroad during which Aunt Sophia (Brundage), a social climber, was her chaperon. While aqua-planing off the south coast of France, Judith intentionally falls off her plane and is very much annoyed when Larry Saunders (Butler) of Oklahoma, whose yacht is nearby, dives to her rescue. Judith berates Larry and she swims to the boat of her host, Count Henri (Burke). Later, when Larry comes to San Francisco, he visits his old friend Tobias Stafford (Sprotte), and is amazed to discover that Judith is Tobey's daughter.
It was a failure, but in 1873 he succeeded with his incidental music to Leconte de Lisle's tragedy Les Érinnyes and with the dramatic oratorio, Marie- Magdeleine, both of which were performed at the Théâtre de l'Odéon. His reputation as a composer was growing, but at this stage he earned most of his income from teaching, giving lessons for six hours a day. Design by Philippe Chaperon for Le roi de Lahore, 1877 Massenet was a prolific composer; he put this down to his way of working, rising early and composing from four o'clock in the morning until midday, a practice he maintained all his life.Massenet, pp.
G Charpentier et Cie, Paris, 1883. and at the same theatre in 1883 he appeared as Tancrède in Le droit d'aînesse, Zug in Premier baiser and Tirechappe in Roi de carreau. 1884 found Berthelier as Bricoli in L’oiseau bleu, Karamatoff in Babolin, Hercule III in La nuit aux soufflets, and the Marquis de Valpointu in Le chateau de Tire-Larigot, and in 1885 as Chiquito in the premiere of La vie mondaine, Bardoulet in the premiere of Le petit chaperon rouge and in the revue Nouveautés de Paris. In 1886, he was at the Nouveautés as Gavaudan in the premiere of Serment d’amour, Satan in Adam et Eve and the seneschal in the premiere of Princesse Colombine.
Le mage is an opera in five acts by Jules Massenet to a French libretto by Jean Richepin. It was first performed at the Paris Opéra in Paris on 16 March 1891 in costumes by Charles Bianchini and sets by Auguste Alfred Rubé, Philippe Chaperon and Marcel Jambon (Act I), Amable and Eugène Gardy (Act II), Alfred Lemeunier (Act III), and Jean-Baptiste Lavastre and Eugène Carpezat (Acts IV and V). Since its premiere run of 31 performances Le mage has been rarely performed (it was seen in The Hague in 1896), and is one of Massenet's least known operas.Irvine D. Massenet: a chronicle of his life and times. Amadeus Press, Portland, 1997.
A fully assembled Clp protease complex has a barrel-shaped structure in which two stacked heptameric ring of proteolytic subunits (ClpP or ClpQ) are either sandwiched between two rings or single-caped by one ring of hexameric ATPase-active chaperon subunits (ClpA, ClpC, ClpE, ClpX, ClpY, or others). ClpXP is presented in almost all bacteria while ClpA is found in the Gram-negative bacteria, ClpC in Gram- Positive bacteria and cyanobacteria. ClpAP, ClpXP and ClpYQ coexist in E. Coli while only ClpXP complex in present in humans as mitochondrial enzymes. ClpYQ is another name for the HslVU complex, a heat shock protein complex thought to resemble the hypothetical ancestor of the proteasome.
Ursule is the legitimate daughter of the widower Dr Denis Minoret’s deceased illegitimate brother-in-law by marriage, Joseph Mirouët; not only is she the doctor’s niece, she is also his goddaughter and ward. Fifteen years old when the novel begins, she has been brought up by the doctor. Dr Minoret, an atheist rather than an agnostic, and a devoted student of the Encyclopédie, has persisted in his rationalistic atheism for most of his eighty-three years. At the beginning of the novel he is, however, converted to Christianity – emotionally by the example of Ursule’s piety, and intellectually by his experience of animal magnetism, or the paranormal, and by his longstanding friendship with Abbé Chaperon.
Charles Perrault ( , also , ; 12 January 1628 – 16 May 1703) was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales, published in his 1697 book Histoires ou contes du temps passé. The best known of his tales include Le Petit Chaperon Rouge ("Little Red Riding Hood"), Cendrillon ("Cinderella"), Le Maître chat ou le Chat botté ("Puss in Boots"), La Belle au bois dormant ("Sleeping Beauty"), and Barbe Bleue ("Bluebeard").Biography, Bibliography (in French)/ Some of Perrault's versions of old stories influenced the German versions published by the Brothers Grimm more than 100 years later.
The staging was directed by Pedro Gailhard, with costumes designed by Comte Lepic, and sets by Eugène Carpezat (act 1), Enrico Robecchi and his student Amable (act 2), Auguste Alfred Rubé, Philippe Chaperon and their students Marcel Jambon (act 3), and Jean-Baptiste Lavastre (act 4). The opera had been seen 150 times by 1919 but faded from the repertory and was not performed again in Paris until the 2015 revival at the Palais Garnier. While Le Cid is not in the standard operatic repertory, the ballet suite is a popular concert and recording piece which includes dances from different regions of Spain. It was specially created by Massenet for the prima ballerina Rosita Mauri.
To save her husband, Lydia seeks the assistance of the oldest of the London vampires: the enigmatic and haughty Simon Ysidro. Ysidro agrees to help, to keep Farren from forming an alliance with humans, but on one condition: over Lydia's strenuous objections, he recruits a drab but romantic-minded governess, Margaret Potton, to travel with them as Lydia's chaperon. The three of them trail Asher across Europe to Constantinople, as he joins forces with Farren's strong-willed and alluring vampire-wife, Anthea. In Constantinople, the trail dies, as Asher has been kidnapped by the vampire lord of the city, who is struggling to keep control as a rival seeks to destroy him.
The gorget in this 1772 portrait of Colonel George Washington by Charles Willson Peale, was worn in the French and Indian War to show his rank as an officer in the Virginia Regiment. Elaborately decorated gilt-brass gorget of c. 1630, probably Dutch A gorget , from the French ' meaning throat, was a band of linen wrapped around a woman's neck and head in the medieval period or the lower part of a simple chaperon hood. The term later described a steel or leather collar to protect the throat, a set of pieces of plate armour, or a single piece of plate armour hanging from the neck and covering the throat and chest.
Louis Ponchard's grave (Père Lachaise cemetery, 11th division) Louis Antoine Ponchard (31 August 1787 – 6 June 1866) was a 19th-century French operatic tenor and teacher. He made his debut in 1812 in L'Ami de la maison, opera by Grétry. In 1825, he sang the leading role − George Brown − at the première of La dame blanche by Boïeldieu. He also participated to the premières of the Boïeldieu's operas Petit Chaperon Rouge and Deux Nuits, Joconde ou Les coureurs d'aventures, by Nicolas Isouard, La muette de Portici by Michele Carafa, Zémire et Azor by Grétry as well as many operas by Auber such as Le maçon in 1825 and also La journée aux aventures by Étienne Méhul in 1816.
On March 31, 1887, Chief Blue Horse, Chief American Horse and Chief Red Shirt and their families boarded the S.S. State of Nebraska in New York City, and began a new journey for the Lakota people when they crossed the sea to England with Buffalo Bill to perform at the Golden Jubilee of Queen Victoria. Luther Standing Bear was taught to be brave and unafraid to die; he left the reservation to attend Carlisle and bring honor to his family. In 1902, with his wife Nellie and their children, Standing Bear joined Buffalo Bill's Wild West and traveled through England for eleven months. Luther was hired as an interpreter and chaperon for seventy-five Indians.
Chaperon is a diminutive of chape, which derives, like the English cap, cape and cope, from the Late Latin cappa, which already could mean cap, cape or hood (OED). The tail of the hood, often quite long, was called the tippitSD Reed, From Chaperones to Chaplets:Aspects of Men's Headdress 1400–1519, M.S. Thesis, 1992, University of Maryland, available online -NB Headgear Reed categorises as Hoods, Chaperones, & (some) Sack Hats are all covered by this article or liripipe in English, and liripipe or cornette in French. The cape element was a patte in French and in English cape, or sometimes cockscomb when fancily cut. Later a round bourrelet (or rondel) could form part of the assemblage.
She spent several months traveling in Great Britain and on the continent, and in 1893, again went to England where she was the guest of Lady Henry Somerset at Reigate for some weeks. In 1895, she made a trip to the Mediterranean and the Orient as chaperon to a party of five young ladies, and spoke on temperance in the many countries visited. Not only was her voice heard in the cause of temperance, but she also was a writer. Barnes edited a manual on young women's temperance work and was a regular contributor both of prose and poetry to the Oak and Ivy Leaf, the organ of the National Young Women's Christian Temperance Union.
Portrait of Giovanni di Nicolao Arnolfini, 29 x 20cm. Gemäldegalerie, Berlin Portrait of Giovanni di Nicolao Arnolfini is a small portrait by Jan van Eyck believed to be the same person as in the famous 1434 Arnolfini Portrait due to the similarities of facial features. Thus, the work is van Eyck's second portrait of Giovanni di Nicolao Arnolfini, a wealthy merchant from Lucca, a city in Tuscany in central Italy, who spent most of his life in Flanders. The painting was long thought a self-portrait; in colourisation, costume and tone, it is very similar to the signed and dated Portrait of a Man in a Red Chaperon in London, which is generally accepted as a self-portrait.
Poster from the 1867 Paris production which depicts the death of Rodrigo in the King's presence After the première and before leaving Paris, Verdi authorised the Opéra authorities to end Act 4, Scene 2 with the death of Posa (thus omitting the insurrection scene) if they thought fit. After his departure, further (unauthorised) cuts were apparently made during the remaining performances.Budden, p. 25–26 Despite a grandiose production designed by scenic artists Charles-Antoine Cambon and Joseph Thierry (Acts I and III), Édouard Desplechin and Jean-Baptiste Lavastre (Acts II and V), and Auguste Alfred Rubé and Philippe Chaperon (Act IV), it appears to have been a "problem opera" for the Opéra—it disappeared from its repertoire after 1869.
The great hall of the Münster palace. A table placed on a platform rises in the middle of the stage Design by Philippe Chaperon for the final scene in a production of the opera in 1897 The Anabaptist soldiers feast and sing of the glory of their prophet at the banquet to celebrate his coronation. Young girls dance for them while others bring them wine and food (Bacchanale (Choral dance: Gloire, gloire au prophète) The three Anabaptists are watching Jean hoping that he will be drunk enough to be easily captured. Jean, for his part, warns his soldiers that they must be ready to close all the doors of the palace as soon as they receive his order.
Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV). Le roi de Lahore is Massenet's third extant opera and was his first major success in Paris, spawning performances across Europe and leading to his place as one of the most popular composers of his time.
Plate from The Garden that I love On 14 November 1865 Austin married Hester Jane Homan-Mulock, tenth child of Thomas Homan-Mulock and Frances Sophia Berry at St Marylebone Parish Church, London. In his Autobiography, Austin gives a curious account of their first meeting with her. Seeing the photograph of a young lady in an album belonging to a friend in Florence, he had asked: "Who is that?" and received the reply, "The girl you ought to marry, if you can." Austin brought home a letter of introduction, the presentation of which led to his receiving at his cottage in Hertfordshire two of the Misses Mulock and their chaperon, together with their friend T. A. Trollope, brother of Anthony Trollope.
It was the third play Sardou had written specifically for her. Both their first collaboration, Fédora (1882), and their second, Théodora (1884), had been highly successful.Hochman (1984) p. 312 Pierre Berton, who played Baron Scarpia, had been Bernhardt's on and off lover for many years and a frequent stage partner.Berton and Woon (1923) pp. 101–104 and passim The elaborate sets for the production were made by a team of designers and painters who had worked with Sardou before: Auguste Alfred Rubé, Philippe Chaperon, Marcel Jambon, Enrico Robecchi, Alfred Lemeunier, and Amable Petit.Girardi (2000) p. 9. This group of designers, working in various combinations, created the sets for most of the major opera, ballet, and drama productions in Paris in the second half of the 19th century.
Born and raised in Petaling Jaya, Malaysia, Yeoh is the eldest daughter of Audrey Chan & Allen Yeoh. Yeoh was a valedictorian at Seaport High School and went on to receive a full scholarship from the Public Service Department of Malaysia (JPA) to study in United States of America when she was 18. She received a Bachelor of Science degree in Operations Research and Industrial Engineering from Cornell University, Ithaca, New York. At Cornell University, she was inducted into a secret honor society called The Sphinx Head. In university, she was most known for being the chaperon to Sage Chapel for four years and for her efforts in introducing the labyrinth concept to the university for students’ psychological and health benefits.
Manon () is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (Manon Lescaut, ballet, 1830) and Auber (Manon Lescaut, opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to Manon, Le portrait de Manon (1894), involving the Chevalier des Grieux as an older man.
In April 2016 The Apartments undertook a nine-show Three for the Road French tour as a trio with Antoine Chaperon, Natasha Penot and Walsh, playing Chartres, Saint-Lô , Lille, Paris, Amiens, Beaumont, Hyères, Grenoble, and Lyon. Jim Yamouridis, Seb Martel and Fabrice Fabrice Barré supported The Apartments for part of the tour. In July 2016 The Apartments, including Brown, Connolly, Fish, Miro Bukovsky, Clare Moore, and Walsh, played a headline show as part of 'Monet's Garden: The Musée Marmottan Monet, Paris' at the National Gallery of Victoria. During 2017 and 2018 The Apartments / Peter Milton Walsh focused on playing locally in Australia with shows in Sydney and Brisbane before Peter Milton Walsh based himself in the south of France for three months.
The boat was originally fitted with 540 Lalande-Chaperon alkaline cells which used Zinc and copper oxide electrodes with potassium hydroxide electrolyte, manufactured by Coumelin, Desmazures et Baillache. These were located towards the bow of the ship arranged into six banks of 45 parallel paired cells connected in series. To vary the speed, banks could be connected in different combinations, 6 banks in series giving 150 V and 8 knots, 3 banks in series in parallel with the other 3 in series giving 114 V and 7 knots, 2 banks in series paralleled 3 times giving 84 V and 5.5 knots, all 6 banks in parallel giving 45 V and 6 knots. A bank was capable of delivering a maximum of 166 amps.
Design sketch by Philippe Chaperon for act 3 (1878) In a hall of the palace Polyeucte, Félix, Sévère, and Albin, High Priest of Jupiter, are present. They begin to talk about the Christians, upon whom Félix calls for vengeance; but Sévère protests. On this Félix bids all to repair to the temple of Jupiter, but Sévère warns him that noble heads may have to fall; and when Félix answers that the believers are the dregs of the people, reveals that he himself has witnessed the baptism of one equal to any then present. The Governor demands the convert's name, and, not obtaining it, declares that he will condemn the whole family to death, should they turn from the orthodox creed.
According to Fashion in the age of the black prince: a study of the years 1340-1365, "Charles d'Artois is stated in detail as consisting of one cote of white camocas, and 1 surcot, mantel and chaperon of vermillion camocas, which he had as one of the said company for the feste de l'estoille." It continues to say that "camocas, sometimes specified in the same account as camocas de domasque (Damascucs), was an extremely expensive imported silk, the use of which for a livery of this kind of somewhat surprising". Some of the embroidered garments of the king (such as royal doublets or aketons) were stuffed with camocas in murray, blue, cendre and pink. Princess Isabella and her ladies were given hoods in camocas of gold and blue.
Having started the 1987/1988 season ranked 92nd, Fisher required a good performance in any tournament to have hope of keeping his professional status. This he achieved at the 1987 Grand Prix; he beat Paul Watchorn 5–4, making his first and only century break - an effort of 100 exactly - in the process, before whitewashing Davis 5–0 and overcoming Eugene Hughes and Martin Clark to reach the last 16 stage for the first time in his career. In his last-16 match, Fisher held Bob Chaperon to 2–3 but eventually lost 2–5; despite this, the £4,500 he earned in prize money, and the ranking points, improved his ranking position to 58th. He earned nothing else throughout that season, but finished it within the top 64 who automatically retained their place on tour.
As described in a film magazine, Betty Jordan (Francisco), daughter of a Montana banker, is in the East attending boarding school and falls desperately in love with Burke Randolph (Desmond), a matinee idol, who performs valiant deeds behind the footlights each night in the title role of an old-fashioned melodrama, The Western Knight. She is expelled from school after Burke treats a chaperon rather roughly during an automobile ride. When Betty returns home to Montana, Sheriff Pat McGann (Delmar), who is in love with her, finds a picture she has of Burke in his cowboy suit, and in a fit of jealousy sends copies of it out to the other neighboring sheriffs with the request that Burke be arrested on sight. When his show hits a small western town, Burke is arrested.
Set designs for the original production at the Salle Le Peletier Working the ship in L'Africaine The stage designs for the original production at the Paris Opera were created by Auguste Alfred Rubé and Philippe Chaperon for Act 1 (Council Scene) and Act 2 (Dungeon Scene); Charles-Antoine Cambon and Joseph Thierry for Act 3 (Sea Scene and Shipwreck) and Act 4 (Hindu Temple); Jean- Baptiste Lavastre for scene 1 of Act 5 (Queen's Garden, not shown); and Edouard Desplechin for scene 2 of Act 5 (The Manchineel Tree). Engravings depicting the amazing sets appeared in periodicals throughout Europe. The final scene designed by Desplechin received special praise for its originality. Possibly because of advance publicity and high expectations, the Shipwreck Scene of act 3, executed by numerous stagehands, was deemed by the press to be somewhat disappointing.
Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two five-act verse comedies, L’Artiste ambitieux (1820) and L’Indiscret ( 1825), both put on at the Odéon, which sometimes rise to comic truth. His other pieces include: Les fiancés (1809); Stanislas en voyage (1812); La clochette, opéra comique (1817); Le petit chaperon rouge, opéra comique (1818); Paris à Pékin (1817); Le mariage à la hussarde (1819); Le grenadier de Fanchon (1824); Le bénéficiaire, with Étienne (1825); La mère au bal et la fille a la maison (1826); M. Jovial, with Choquart (1827); Le père de la débutante, with Bayard, etc.
Rick knows Benito would not allow him to go away alone with Debbie, so Marco and Helen Daniels (Anne Haddy)' Debbie's step-great-grandmother hatch a scheme to get the couple to London without Benito or Julie (Julie Mullins), Debbie's stepmother finding out. The plan is for Marco to chaperon Rick and Helen and Debbie to invent an outback painting holiday. The plan works until news of the couple giving away their concert tickets to terminally ill Leukemia patient Terry Carter (Lee Cheesewright) ends up on The Casey Butler show, a British talk show, which goes to air in Australia which is seen by Benito and Julie who try to keep the couple apart on their return to Australia. When Debbie catches Rick allegedly in a steamy clinch with Annalise Hartman (Kimberly Davies) at Number 22, she promptly storms out.
His success was great (he was praised by Berlioz) and lead to further important roles in the Opéra-Comique repertoire: Fra Diavolo, Le songe d'une nuit d'ete, Les mousquetaires de la reine, Zampa, Le postillon de Longjumeau, Le petit chaperon rouge and Rose et Colas. In 1860 he sang in an official cantata 'Vive l'empereur' with music by Jules Cohen. On 2 February 1861 he appeared as Alexis in La circassienne by Auber, and in the same year a revival of Le postillon de Longjumeau (Chapelou).Soubies A, Malherbe C. Histoire de l'opéra comique — La seconde salle Favart 1840–1887. Flammarion, Paris, 1893. In Le joaillier de Saint-James (17 February 1862) he created the role of Bernard, and on 6 June 1863, in a brilliant revival of Zampa Montaubry sang the title role, thus assisting a box-office success.
In 1929, while pursuing his work for the concert hall and the stage, Maurice Jaubert began writing and conducting for cinema. Among his most important collaborations in the following decade were Alberto Cavalcanti’s Le Petit Chaperon Rouge; Jacques and Pierre Prévert’s L'Affaire est dans le sac; Jean Vigo’s Zero for Conduct and L’Atalante; René Clair’s Quatorze Juillet and Le Dernier Milliardaire; Julien Duvivier’s Carnet de bal (Life Dances On) and La Fin du Jour (The End of a Day); Henri Storck’s Belgian documentaries LÎle de Pâques and Regards sur la Belgique ancienne; and Marcel Carné’s Drôle de drame, Hôtel du Nord, Quai des brumes (Port of Shadows), and Le Jour se lève (Daybreak). He also worked briefly in the UK, scoring We Live in Two Worlds directed by Alberto Cavalcanti and produced by John Grierson.New Worlds and the Old - Documentary Films of the Quarter reviewed by H. Forsyth and William Farr.
After this short period at the Opéra Comique Ugalde moved over to operetta, both in Paris and elsewhere. At the Théâtre des Nouveautés she created Manola in Le jour et la nuit (5 November 1881), Wladimir in Fatinitza (6 April 1882), Falka in Le droit d'aînesse (27 January 1883), Stenio Strozzi in L’Oiseau bleu (16 January 1884), Denisette in Le Petit Chaperon rouge (1885) and Rosette in Serment d'amour (1886). She sang the first D’Artagnan in Les petits mousquetaires (5 March 1885) at the Théâtre des Folies-Dramatiques, as well as, after a serious illness, triumphing as René Belamour in Suppé’s Juanita. At the Théâtre des Bouffes-Parisiens (from 1887), where her mother had taken over the management, she gave first performances in several other operettas. Ugalde toured Belgium in 1888 and 1889 before returning to the Nouveautés as Jovaline in Le Royaume des Femmes (28 February 1889).
The stage represents the chateau of the Count of Nevers, in Touraine. In the background, large open windows show gardens and a lawn, on which several lords play ball; on the right, a door leading into the inner apartments; at left, a window closed by a curtain and which is supposed to lead to a prayer room; at the front of the stage, other lords are playing dice, cup and ball,etc. Nevers, Tavannes, Cossé, Retz, Thoré, Méru and other Catholic lords look at them and talk to each other Set design by Philippe Chaperon for Act 1 of the 1897 production at the Palais Garnier The Catholic Count of Nevers is entertaining his fellow noblemen. Their host informs them that before they can go to dinner, they must await the arrival of Raoul, a young Huguenot sent to them from the King in an effort to reconcile Protestant and Catholic.
That same year in the Mercantile Credit Classic, Rea beat Billy Kelly 5–3 in the first qualifying round and then had a chance to play the man who would dominate snooker over the next decade, Stephen Hendry. Rea lost 5–1, losing two other close frames.Everton, Clive (ed.), Snooker Scene, January 1987, pp. 22–23. In September 1987 Rea defeated Pascal Burke 5–1 and Geoff Foulds 5–4 in the first two qualifying rounds of the Fidelity International, but was swamped 5–0 by John Spencer in the third round.Everton, Clive (ed.), Snooker Scene, October 1987, pp. 8–11; Rea would earn £875. One month later Rea defeated Mike Watterson 9–6 in the first round of the UK Open and held Bob Chaperon to 7–6 in the following round, before losing 9–6.Everton, Clive (ed.), Snooker Scene, November 1987, pp. 21–22.
Van Eyck painted a second portrait during his visit to Portugal, his 1428 Portrait of a Man with a Blue Chaperon. Art historians tend to look to this work to deduce how the Isabella portrait may have looked. The Blue Hood painting is rendered in a miniaturist scale, presumably so as to make it easier to ship back to Bruges, so it is reasonable to assume the future Queen's portrait was of much the same scale. Although the original has been lost and is today known only from a few copies, van Eyck was a renowned and widely copied artist at the time and its probable influence can be seen in paintings of the queen by Rogier van der Weyden as well as in a depiction by an unknown northern artist of the mid-15th century, although both works show Isabella at a much older age.
An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it. The opera finally premiered at the Opéra's new house, the Palais Garnier on 7 October 1878, in stage sets designed by Jean Émile Daran (Act I), Louis Chéret (Act II), Auguste Alfred Rubé and Philippe Chaperon (Act III), Eugène Louis Carpezat and Antoine Lavastre (Act IV), and Jean-Baptiste Lavastre (Act V). Despite the splendid staging, the premiere was a failure – "the sorrow of my life", noted Gounod Huebner 1990, p. 217.
Fowler started his professional career by whitewashing Bob Chaperon, Roy Andrewartha and Dave Martin all 5–0 in the qualifying rounds of the 1984 International Open before being whitewashed himself by Dennis Taylor, 0–5 in the first round. At the end of the season, he recorded 10–0 wins over both John Hargreaves and Jim Donnelly in the qualifying 1985 World Snooker Championship before being next out in the next qualifying round, 2–10 to John Parrott, and finished his debut professional season ranked 55th for the snooker world rankings 1985/1986. His best ranking tournament finishes were both in the 1989–90 snooker season, when he reached the semi-final stages of the 1989 Grand Prix and the 1989 Dubai Classic. At the 1993 World Championship, Fowler played the defending two-time World Champion Stephen Hendry in the first round but lost 1–10.
An epitoge is a garment worn over the left shoulder that sometimes forms part of academic or court dress. The epitoge is descended from the chaperon, a mediaeval hat that descended from a cloak with a hood with the head tucked into the opening of the cowl, so that the long tail or liripipe and the abbreviated cape hung at opposite sides of the head (wearer's right and wearer's left respectively). Over time, the cape portion was reduced to a small pleated flap and the cowl was curled up into a roundel, and it then became the practice to wear the garment over the left shoulder rather than on the head, with the narrow liripipe in front and the wider cape behind. The garment is commonly used in French universities, where bands of ermine trimming are used to indicate the degree (one band for a bachelor, two for a master, and three for a doctor).
Two teams of scenic artists took responsibility over the stage decorations, Charles Séchan, Léon Feuchère, Jules Diéterle and Édouard Desplechin designing Acts I, II, IV and V, and René-Humanité Philastre and Charles-Antoine Cambon providing the materials for Act III. La Juive enjoyed an international success comparable to that of Meyerbeer's popular grand operas. It made its American premiere at the Théâtre d'Orléans on 13 February 1844. The work was also used for the inaugural performance at the newly constructed Palais Garnier in Paris on 5 January 1875 (the title role was sung by Gabrielle Krauss; the scenery was recreated after the original designs by Jean-Baptiste Lavastre and Édouard Desplechin, Chéret, Charles-Antoine Cambon, and Auguste Alfred Rubé and Philippe Chaperon). La Juive received its first performance at the Metropolitan Opera in New York on January 16, 1885. Richard Wagner, who admired La Juive, may have 'borrowed' from it the Act I organ effect, for his 1868 opera Die Meistersinger von Nürnberg.
In her last term in college, Hurst wrote the book and lyrics for a comic opera, The Official Chaperon, which was given on the Washington University campus in June 1909.Untitled, St. Louis Post- Dispatch, May 30, 1909, image 8, column 5Marguerite Martyn, "Marguerite Martyn Discovers Real College Playwright in Fannie Hurst," St. Louis Post-Dispatch, June 17, 1909, image 13Brooke Kroeger, Fannie Hurst: The Talent for Success of Writer Fannie Hurst, 2013, location 272 After her college graduation, Hurst briefly worked in a shoe factory before moving to New York City in 1911 to pursue a writing career. Despite having already published one story while in college, she received more than 35 rejections before she was able to sell a second story and establish herself as a regularly published author. During her early years in New York she worked as a waitress at Childs and a sales clerk at Macy's and acted in bit parts on Broadway.
Merrywood, Ford's estate on Stone Pond in Marlborough, New Hampshire Gravesite of Paul Leicester Ford He was the great- grandson (through his mother's family) of Noah Webster and the brother of the noted historian Worthington C. Ford. He wrote lives of George Washington, Benjamin Franklin, and others, edited the works of Thomas Jefferson, and wrote a number of novels, which had considerable success, including The Honorable Peter Stirling (1894), Story of an Untold Love, Janice Meredith, Wanted a Matchmaker, and Wanted a Chaperon. Ford's edition of The Writings of Thomas Jefferson is still regarded as one of the monuments of American historical scholarship, setting the standard for documentary editing for half-a-century, till the appearance of the first volume of The Papers of Thomas Jefferson, edited by Julian P. Boyd. Ford's edition remains valuable for its accuracy of transcription from original manuscripts and its careful annotation of the documents chosen for publication.
In 2012, Afghanistan recorded 240 cases of honour killings and 160 cases of rape, but the number for both honour killings and rapes is estimated to be much higher. In 2013, in eastern Ghazni, a man attacked a woman and attempted to rape her, and as a result the relatives of the woman killed both the woman and the man in an honour killing. In Afghanistan, crimes such as adultery, rape and trafficking are often conflated with each other, and it is generally not acceptable for a woman and a man to be alone together (unless married or related), and if this happens the response can be very violent: an Afghan medical doctor and his female patient were attacked by an angry mob who threw stones at them after the two were discovered in his private examining room without a chaperon. Recently, the security forces have been also alleged to rape children in the country.
The book was, like many others by Christine de Pizan, made for a number of patrons; though dedicated to Charles VI of France; manuscripts were presented to John, Duke of Berry, Philip the Bold, Duke of Burgundy, Louis I, Duke of Orléans, and Queen Isabeau of Bavaria. There are four known illustrated versions extant: Harley 4431 (part of the collection de Pizan prepared for Isabeau of Bavaria), BNF 836, and Brussels 10982 and 10983. The four all have different illustrations of different scenes, placing different accents on textual aspects; for instance, Harley 4431 has eight illustrations, of which four are set in the heavens, thus "privileging the celestial portion of Christine's journey". In 1549 a modernized prose version was produced by Jean Chaperon and printed by Estienne Groulleau in Geneva, under the title Le Chemin de long estude de Dame Cristine de Pise; this was the last printed edition of any of her texts in the sixteenth century.
The man in grey seems to be carrying another sort of hat, but all the other ones visible are chaperons worn in style F, mostly with the cornettes to the front. The young Charles the Bold has his patte wrapped round the back of his neck, and the man on the extreme right has his bourrelet further than usual down his back, with the patte hanging down from it. Most of the chaperons are black, although the man in blue has one in salmon-pink; black was having one of its earliest periods of being the most fashionable colour at the time.T Kren & S McKendrick (eds), Illuminating the Renaissance - The Triumph of Flemish Manuscript Painting in Europe, Getty Museum/Royal Academy of Arts, 2003, The chaperon never became quite this dominant in Italy or France; nor does it seem to have been worn as often by grand personages, although this is sometimes the case.
This was fastened on the left shoulder (so as not to impede sword strokes) by a brooch, typically a fibula and later a round brooch on the Continent, and nearly always a round one for Anglo-Saxons, while in Ireland and Scotland the particular style of the penannular or Celtic brooch was most common. In all areas the brooch could be a highly elaborate piece of jewellery in precious metal at the top of society, with the most elaborate Celtic brooches, like the Tara Brooch and Hunterston Brooch, perhaps the most ornate and finely made of all. The "cappa" or chaperon, a one-piece hood and cape over the shoulders was worn for cold weather, and the Roman straw hat for summer fieldwork presumably spread to the invading peoples, as it was universal by the High Middle Ages. Shoes, not always worn by the poor, were mostly the simple turnshoe – typically a cowhide sole and softer leather upper, which were sewn together, and then turned inside out.
In early 1933 Bose was appointed as Chief of the Press Division in the office of Hitler's Vice-Chancellor Franz von Papen. Since Papen failed in the task he had been assigned by Reichspresident von Hindenburg, to act as a "chaperon" and corrective of Hitler and the other radicals in the government, Bose and other leading men on Papen's staff decided to take care of that task themselves. Together with his assistant Wilhelm von Ketteler, Papen's speech writer and spin doctor Edgar Jung, and Papen's aides Fritz Günther von Tschirschky and Hans Graf von Kageneck, Bose formed a pocket of resistance against the National Socialist system that was later referred to as "the vanguard of conservative resistance". In order to overthrow the not-yet fully consolidated regime, Bose and his colleagues plotted to create an atmosphere of critical political tensions in Germany that would allow them to prompt the old President von Hindenburg – who retained the position of Commander in Chief of the Germany Army – to declare a state of national emergency.
In the 2000 World Championship, Johnson beat Somporn Kathawung in Round 4, before losing to Ian McCulloch in Round 5. Johnson started the season as World No.90. At the 2002 LG Cup, Johnson was beaten in the last 128 5–3 by Bob Chaperon, and by 5–4 in the last 128 of the 2002 British Open by Darren Clarke. At the 2002 UK Championship, Johnson beat David John 5–3 in the last 128, before losing 5–3 to Rod Lawler. These last-128 defeats then followed: 5–2 against Justin Astley in the 2003 Welsh Open, 5–4 against David McLellan in the 2003 European Open, 5–2 against James Reynolds in the 2003 Irish Masters, and 5–0 against Nick Pearce in the 2003 Scottish Open. In the 2003 World Championship, however, Johnson beat David McLellan 10–5 in the last 128, Simon Bedford 10–6 in the last 96, and Bradley Jones in the last 80, to set up a last-64 match against Ian McCulloch, which Johnson only narrowly lost 10–7.
Father Jules Chaperon (military chaplain), Syria-Cilicia Medal recipient Brig-Gen Georges Journois, Syria-Cilicia Medal recipient (Levant) General Jean-Édouard Verneau, Syria-Cilicia Medal recipient The Syria-Cilicia Medal () was a French decoration awarded to military personnel engaged in the hostilities that erupted in the Middle East in the immediate aftermath of World War I. Instituted in 1922, this campaign medal was awarded by the French Government for military service in the interwar period, to those serving on its behalf, since 1918, against de facto powers in The Levant. The Levant Campaign began in January 1920 when the Arab Kingdom of Syria engaged French armed forces in what would become called the Franco-Syrian War. This campaign ended on 24 July 1920, when French troops entered Damascus abolishing the Arab Kingdom of Syria. Turkey took advantage of the situation by also engaging France in what is now called the Franco-Turkish War pitting the French Colonial Forces and French Armenian Legion against the Turkish forces known as the Kuva-yi Milliye.
By the 1990s, Griffiths had begun to struggle in the rankings, but he still reached the semi-final of the 1992 World Championship, with victories over Bob Chaperon, Neal Foulds and Peter Ebdon before losing to Stephen Hendry. Having lost at the Crucible in 1996 against his old rival Steve Davis (whom he never defeated at the Crucible in seven attempts) in the last 16 (after beating the young Scottish player Jamie Burnett in a final frame decider 10–9 in the first round, having trailed 0–6 and 5–9), he immediately announced his retirement from the game. Unusually for a snooker player, Griffiths retired whilst still inside the top 32 and 23rd in the rankings, despite only entering the 1997 World Championship qualifiers in his final season as a professional. He won his qualifying match to play in the main tournament at the Crucible one last time, where he lost in the first round to fellow countryman and debutant Mark Williams, in another final-frame decider, 9–10.
In 2013, Afghanistan made international news in regard to the story of a woman who was raped by a man, jailed for adultery, gave birth to a child in jail, and was then subsequently pardoned by Afghanistan president Hamid Karzai, as international interest and outrage grew. And in the end of her whole ordeal, societal pressure and her families pressure she was forced to marry the man who raped her. In 2013, in eastern Ghazni, a man attacked a woman and attempted to rape her, and as a result the relatives of the woman killed both the woman and the man in an honor killing. In Afghanistan, crimes such as adultery, rape and trafficking are often conflated with each other, and it is generally not acceptable for a woman and a man to be alone together (unless married or related), and if this happens the response can be very violent: an Afghan medical doctor and his female patient were attacked by an angry mob who threw stones at them after the two were discovered in his private examining room without a chaperon.
Lefebvre's early education took place in the Conservatoire de Paris under the guidance of David Banderali for her voice training and Théodore-François Moreau-Sainti for her opéra comique training, both in which she would win first prizes. Lefebvre debuted at the Opéra-Comique on 12 October 1849 as Carlo Broschi in La part du diable by Daniel Auber. Her following roles were often labeled as mezzo-soprano "dugazon" roles, including Le Toréador et Le Postillon de Lonjumeau by Adolphe Adam (Madeleine); Joconde and Jeannot et Colin by Nicolas Isouard (Jeannette); Joseph en Égypte by Étienne Méhul (Benjamin); Le Pré-aux-clercs by Ferdinand Hérold (Isabelle); Le Petit Chaperon rouge by François-Adrien Boieldieu (Rose d'amour); L'Épreuve villageoise (Denise) by André Grétry; Fra Diavolo (Zerline), La Sirène and Haydée by Daniel Auber; and especially Fromental Halévy's operas, Les Mousquetaires de la reine (Berthe de Simiane), La Dame de pique, Le Val d'Andorre, and La Fée aux roses. Throughout the 1850s, Lefebvre's career was marked by the creation of many roles.
Radamès (Giuseppe Fancelli) and Aida (Teresa Stolz) in act 4, scene 2 of the 1872 La Scala European première (drawing by Leopoldo Metlicovitz) Verdi originally chose to write a brief orchestral prelude instead of a full overture for the opera. He then composed an overture of the "potpourri" variety to replace the original prelude. However, in the end he decided not to have the overture performed because of its—his own words—"pretentious insipidity". This overture, never used today, was given a rare broadcast performance by Arturo Toscanini and the NBC Symphony Orchestra on 30 March 1940, but was never commercially issued. Aida met with great acclaim when it finally opened in Cairo on 24 December 1871. The costumes and accessories for the premiere were designed by Auguste Mariette, who also oversaw the design and construction of the sets, which were made in Paris by the Opéra's scene painters Auguste-Alfred Rubé and Philippe Chaperon (acts 1 and 4) and Édouard Desplechin and Jean-Baptiste Lavastre (acts 2 and 3), and shipped to Cairo.
Gluck himself is said to have been working on an opera based on Roland, but he abandoned it when he heard Piccinni had taken on the same libretto. Sketch for the second acte, for a representation at the Paris Opera, 1905 Armide remained on the repertoire of the Parisian Académie Nationale de Musique throughout the late eighteenth and early nineteenth century, with revivals held in 1805, 1811, 1818, 1819 and 1825. A new production directed by Émile Perrin in 1866 featured sets by Édouard Desplechin (Act II), Auguste Alfred Rubé and Philippe Chaperon (Act III), and Charles-Antoine Cambon (Acts IV and V). Another big-budget production was staged at the Opéra on 12 April 1905, starring Lucienne Bréval in the title role, Alice Verlet, Agustarello Affre, Dinh Gilly, and Geneviève Vix.Giroud, Vincent, liner notes for Marston 52059-2, Early French Tenors, Volume 1: Émile Scaramberg, Pierre Cornubert, and Julien Leprestre, accessed December 3, 2009 The costumes were designed by Charles Bianchini and Charles Bétout; the sets were by Cambon's student Eugène Carpezat (Act I), Amable (Acts II and V), and Marcel Jambon and Alexandre Bailly (Acts III and IV).
Gay & Kren (2003), 91 RvdW, Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good Philip the Good was Duke of Burgundy from 1419 until his death in 1467, and had appointed van der Weyden as his official court painter. He is pictured aged around 50 years, in three- quarter profile. As was van der Weyden's habit, the sitter's face has been elongated, even though heavy drinking had by the time taken a toll on his features, visible in his portrait in the "Recueil d'Arras".Soudavar (2008), 10He is near skeletal in the Jean Wauquelin miniature He wears a black gown and black chaperon, and a jewelled collar of firesteels in the shape of the letter "B", representing the Duchy of Burgundy, ending in the insignia of the Order of the Golden FleeceThe order was instituted by Philip in 1430 He holds a folded paper in his joined hands,van der Weyden's portraits are noted for their especial attention on the detail of the sitter's hands, but they are always placed low, so as not to distract from the face which have been highly detailed by the artist.
In the meantime he had trained his voice to extend his repertoire to tenor roles such as one in Le petit chaperon rouge by François-Adrien Boieldieu. Ferdinand Hérold wrote three tenor roles for him in Marie (1826), La Fiancée (1829) and Zampa (1831), the third of which was Chollet's favourite role. The title roles in Fra Diavolo by Daniel-François-Esprit Auber (1830) and Le duc de Guise by George Onslow (1837) were also written for and premiered by Chollet, whilst he still occasionally sang baritone parts, such as Gasparillo in Le portefaix by José Melchor Gomis (1835). Chollet in 1840 The closure of the Salle Feydeau freed up Chollet and he chose to go out on tour again, spending a month in Belgium in April 1832, starting in Brussels (which he had already visited seven years earlier) and also singing first tenor in The Hague. After four years' absence he returned to Paris and joined the Opéra- Comique in 1835, where he had successes in Le Chalet by Adolphe Adam (1834), L’Éclair by [acques Fromental Halévy (1835), Le postillon de Lonjumeau by Adolphe Adam (1836) and Le perruquier de la Régence by Ambroise Thomas (1838).
In the second qualifying round, the Scottish Professional Championship winner Stephen Hendry made a break of 141 in his victory over Paddy Browne; this was the highest break in qualifying for which Hendry earned a prize of £1,750. He had led 8–3 and 9–8 before winning the match 10–9. Level at 8–8 against Bob Chaperon, Frank Jonik conceded the next frame when 22 points behind, despite the to stotalling 22 points, enough for him to draw the gamestill being on the table. He then conceded the 18th frame while 53 points behind with six reds still remaining, meaning that up to 75 points were available without , and lost the match 8–10. Jimmy van Rensberg beat Ian Williamson on the final black in the of their contest, clearing to brown to win the frame 42–41. On the way to his second- round qualifying match, Steve Newbury was involved in a traffic collision which injured his wife and wrecked his car; despite the accident, Newbury beat Omprakesh Agrawal 10–5. There was one whitewash in the second round, Ray Edmonds beating Billy Kelly 10–0. Hendry made breaks of 117 and 91 in his 10–8 third-round defeat of Wayne Jones, during which Jones had recovered from 3–7 behind to level at 8–8.
Born in 1970, McLellan turned professional alongside around three hundred other players in 1991. His first few seasons hailed no significant progress, although he enjoyed victories over Bob Chaperon in the 1991 Benson & Hedges Championship, and the veteran Rex Williams in qualifying for the 1994 World Championship. McLellan reached his first quarter-final at Event 2 of the 1994 Minor Tour, where he defeated nineteen-year-old John Higgins 3–1, Drew Henry 3–0, Scott MacFarlane 3–1 and Robin Hull 5–2, before losing 3–5 to Jason Weston. The following season at the 1996 International Open, he beat Jason Smith, Yasin Merchant, Steve Judd, Mark Johnston-Allen and Steve James, before losing 4–5 to compatriot Chris Small in the last 32. McLellan repeated this feat at the next year's edition of the tournament, defeated this time 5–0 by Peter Ebdon. At the 1997 World Championship, McLellan won five matches to reach the main stages at the Crucible Theatre; he defeated Joe Jogia, Peter Lines and Tony Jones all 10–9, Nick Dyson 10–6 and Neal Foulds 10–9 to set up a meeting with the six-time World Champion Steve Davis in the last 32. In the event, Davis led 5–0, and prevailed 10–2. After this success, McLellan's form slipped, and he did not progress beyond the last 64 of a ranking tournament again.

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