In 1991, he co-founded and sang for The Canaille, an alternative rock band, later to be known as Dorian Grey.
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It is one of his most famous songs (along with Paris canaille, ', '), becoming with time the most constantly covered French song worldwide.
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Cap Canaille is a 1983 French drama film directed by Juliet Berto and Jean- Henri Roger. It was entered into the 33rd Berlin International Film Festival.
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The scenic Corniche des Crêtes road crossing the Cap Canaille through the Parc nationale des Calanques. The Massif des Calanques appears in the background. The Corniche des Crêtes is a picturesque and narrow coastal road in the south of France, winding from Cassis to La Ciotat along the Mediterranean shore. The road was opened to traffic in 1969 and it leads along the Falaises (high cliffs) up to Cap Canaille, a cape 362 metres above the sea, and the highest cliff in France.
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" Writing in the Sunday Times, Anthony Rhodes called it "one of the finest novels of its kind I have read." Her next book, published in 1956, Canaille collected two short novels, "For What We Receive" and "The Weeping and The Laughter." In his review for The Observer, John Wain called Sully "a writer of originality and power. In ....Canaille, these qualities are so much to the fore that one never knows what she will do from one page to the next.
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Jean-Henri Roger (24 January 1949 - 31 December 2012) was a French film director, screenwriter and actor. He directed the 1983 film Cap Canaille, which was entered into the 33rd Berlin International Film Festival.
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Her film Cap Canaille (1983) was entered into the 33rd Berlin International Film Festival. In 1987, she was a member of the jury at the 37th Berlin International Film Festival. She died of breast cancer at age 42.
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Following Adolf Hitler's rise to power with the Nazi Party in 1933, Litvak moved to France. Paris became his favored locale for shooting films. Thirteen of his thirty- seven films were set there. He made Cette vieille canaille (1933) and Flight Into Darkness (1935).
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Date: December 1 - December 2 Location: Itchimbia Park Attendance: 41.800 Bands: Imposibles, Xtreme Tornamesas, Quito Mafia, Desus Nova, Lax'n'Busto, Messiah, Sarcoma, Funda Mental, Colapso, Paura, Koyi K Utho, Viuda Negra, Basca, Darkest Hour, Suburbia, Guardacan, Tanque, Canaille, Mamá Vudú, El Otro Yo, Sudakaya, Lucybell.
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Maid in Paris (French: Paris canaille) is a 1956 French comedy film directed by Pierre Gaspard-Huit and starring Dany Robin, Daniel Gélin and Tilda Thamar.BFI.org The screenplay concerns a young woman who visits Paris and falls in love with a police officer there.
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Her first bands and projects were Kadesh and Tobende Ordnung (Raging Order). In 1986, she began her collaboration with Irène Schweizer. She appeared in the Canaille Festivals mostly with Lindsay Cooper and Joëlle Léandre. She took part in different projects of the Vienna Art Orchestra from 1988 until 1995.
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The 10th corps comprised two Polish divisions under General Jan Henryk Dąbrowski, one Saxon corps, one contingent from Baden, two Italian divisions and about 10,000 French troops, in total about 45,000 men. Inside Danzig stood 14,400 men under the Prussian commander General Count Friedrich Adolf von Kalkreuth. Napoleon was however to describe these men as ‘canaille' (rabble)(Correspondence 12208).
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More recently, rivalries with Eintracht Trier and SV Elversberg have also developed. The club has numerous supporter groups: Virage Est (meaning East Stand in French), Boys, SC95, Nordsaarjugend, Clique Canaille and Leone Pazzo, with around 200–300 people standing in the ultras section for matches. In celebration of the club's 110th birthday on 8 November 2014, the supporters created a huge tifo display.
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Born Marcelle Jeanine Saunier in Nancy, France, she moved with her family in 1940 to the Free Zone in Annecy. After high school, she turned to the theater, performing under the name Janine Saulnier. After eight years of studying piano, singing and drama, in 1950 she met Léo Ferré and fell in love with his songs. In 1952 she sang his "Paris canaille", which became a hit.
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"'''''" is a German pejorative term used to refer to tabloid journalism and the yellow press. The term is a neologism from the early 20th century, formed from the word journalism and the French word canaille, meaning scum, scoundrel or rabble. The term was introduced by the Austrian writer Karl Kraus in an article in his journal Die Fackel in 1902.Karl Kraus: "Die Journaille." Die Fackel 3 (1902), issue 99, pp.
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Port-Miou calanque in Cassis View of the Cassis Harbour The town is situated on the Mediterranean coast, about east of Marseille. Cap Canaille , between Cassis and La Ciotat ("the civitas") is one of the highest maritime bluffs in Europe, a sailor's landmark for millennia. It is east of Marseille and in the department of Bouches-du-Rhône. One of its main beach, called "Bestouan" is made cooler by a karstic source.
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Muratt Atik started his career as a theatre actor starring in numerous theatre productions : La Visite - Alain BERTHEAU, Danton et Robespierre - Pierre LEFEVRE, Le Barbier de Séville - Pierre LEFEVRE, Les Émigrés - Philippe AMBLARD, Les Aveux les plus Doux - Alain BERTHEAU, Les Aveux les plus Fous - Philippe AMBLARD. His most recent productions include Cabaret Canaille - Nicolas BRIANCON and Festival d’Anjou with Clara MORGANE and Nicolas BRIANCON. Muratt Atik is currently playing Cengizhan in Turkish TV show EVE DÖNÜS on ATVTurkey.
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La Granda Candèla ("the great candle" in Provençal Occitan) a small peak considered by many as a test for an expert hiker with some climbing abilities. The calanques between Marseille and Cassis are popular amongst tourists and locals alike, offering several vantage points (such as the Corniche des Crêtes and Cap Canaille) allowing spectacular panoramas. A great number of hikers frequent the area, following numerous pre- marked trails. The cliffs are also used as training spots for rock climbers.
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Occasionally, her pranks backfire on her. She has a Romanian accent in the US and a Bristol accent in the UK. In the US and UK versions, she is voiced by Alicyn Packard, Jo Wyatt (season one) and Teresa Gallagher (season two). Little Miss Naughty has been published under the alternative titles of Madame Canaille (French), Doña Traviesilla (Spanish), Unsere Ulla Ungezogen (German), Mevrouwtje Stout (Dutch), Η Κυρία Ατακτούλα (Greek), Jangnan Yang (; Korean), Táoqì Xiǎojiě (; Taiwan) and Menina Marota (Portuguese).
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However, it is known that it included at least the document "canaille de D ..." (a commonplace initial which it was absurd, after Panizzardi's telegram, to attribute to Dreyfus), and a sort of military biography of Dreyfus, based on, but not identical with, a memorandum from Du Paty, who had been told to make the various documents of the secret dossier coincide with one another. This biography presented Dreyfus as a traitor by birth, having begun spying as soon as he entered the service.
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Similarities are seen between calanques and rias, the river mouths formed along the coast of Brittany in Northern France. The limestone calanques of the Massif des Calanques lie within the recently created Calanques National Park (2012) and include the Calanque de Sormiou, Calanque de Morgiou, Calanque de Port-Miou and Calanque de Sugiton. There are additional calanques in the parc, further east along the coast, incised into Cap Canaille. These calanques formed in very different rock strata, often in layers of cemented pebble conglomerate.
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Little served on the 1936 Seafisheries Commission which published its report in 1937. Little was honoured by the King of Norway, the Royal Humane Society and the Carnegie Commission for rescuing Norwegian mariners from the wreck of the Snorre in 1907. The Snorre had been anchored in Bonavista harbour but was set adrift after its anchor chains snapped in a storm and crashed into the rocks at Canaille Point. Little swam into the raging sea to save a sailor who had lost his grip on a rescue line.
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Schweizer was one of the organisers of the Canaille festivals that staged the first International Women's Jazz Festival for Improvised Music in 1986 in Frankfurt. In the early 1990s, Nicols, Schweizer and Léandre formed the "highly theatrical and often satirical" improvising trio, Les Diaboliques, who released three albums between 1994 and 1998. Nicols said that FIG were "tremendously influential" on the second- generation improvisation scene that developed in its wake. Léandre, after seeing FIG for the first time performing in Paris, said she had been "shocked ... to see only women onstage".
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Léo Ferré (24 August 1916 – 14 July 1993) was a Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after the Second World War until his death. He released some forty albums over this period, composing the music and the majority of the lyrics. He released many hit singles, particularly between 1960 and the mid-seventies. Some of his songs have become classics of the French chanson repertoire, including "Avec le temps", "C'est extra", "Jolie Môme" and "Paris canaille".
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The separation between us is thereby decided in really the most absurd way. Have you grasped nothing of the reason why I am in the world? [...] Now it has gone so far that I have to defend myself hand and foot against people who confuse me with these anti-Semitic canaille; after my own sister, my former sister, and after Widemann more recently have given the impetus to this most dire of all confusions. After I read the name Zarathustra in the anti-Semitic Correspondence my forbearance came to an end.
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Back in France, Gontran continues to teach and in 2005 he wrote his first cookbook named "a croquer", with an immediate success. Eight other books will follow in eight years: "Ultra chocolat", "Gontran joue de la casserole", "Les bons plats de Gontran", "Gontran fait son pain", "pains" "Pains, Toastés", "Cuisinez givré" & "Mini Cakes, tartes pies & Co". Followed by several editorial collaboration. His overflowing energy combined with his atypical career path has attracted the interest of the TV channels Canal+ and Cuisine TV. Gontran presents his own TV shows: "Canaille+" "les Tartines de Gontran", followed by "Gontran cuisine".
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The soldiers joined them, a scene enjoyed by millions as French TV news broadcast it, creating more publicity. Shortly afterward, Gainsbourg purchased the original manuscript of "La Marseillaise". He replied to his critics that his version was closer to the original as the manuscript actually features the words "Aux armes et cætera..." for the chorus. This album, described by legendary drummer Sly Dunbar as "Perhaps the best record he ever played on", was his biggest commercial success, including major hits "Lola Rastaquouère", "Aux armes et cætera", and a French version of Sam Theard's jazz classic "You Rascal You" entitled "Vieille canaille".
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General Saussier was charged with interrogating Esterhazy in regard to the "document of deliverance"; he obtained no details from him, but made him promise to send back the document to the minister. On 15 November (the day when Matthew Dreyfus wrote his denunciation) it was "restored" to Saussier in a triple envelope, sealed with Esterhazy's arms: the "document of deliverance," as Esterhazy called it, was a photograph of the document "canaille de D . . ." There is nothing to prove that Esterhazy had ever had it in his hands. Billot acknowledged the receipt by the hand of his "chef de cabinet," General Torcy.
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Gonse answered by vaguely advising him to act with prudence, and was opposed to the "expertises" in handwriting that Picquart requested. On 14 September L'Eclair published a retrospective article under the title "The Traitor" which pretended to bring to light the real motives for the judgment of 1894. The article revealed for the first time the fact of the communication to the judges of a secret document, but this document – the letter "canaille de D ..." – now became a "letter in cipher" in which the following phrase was found: "This creature Dreyfus is becoming decidedly too exacting." This article had been brought to "L'Eclair" by a contributor to the Petit Journal.
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London: Collins. p. 59. W. S. Gilbert used the term in 1882 when he wrote the libretto of the comic opera Iolanthe. In Act I, the following exchange occurs between a group of disgruntled fairies who are arranging to elevate a lowly shepherd to the peerage, and members of the House of Lords who will not hear of such a thing: Gilbert's parallel use of canaille, plebs (plebeians), and hoi polloi makes it clear that the term is derogatory of the lower classes. In many versions of the vocal score, it is written as "οἱ πολλοί", likely confusing generations of amateur choristers who had not had the advantages of a British Public School education.
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Deeply hurt, in turn the singer published a striking reply. Other critics did not like that the original text was truncated, half of the chorus line (including the most military-oriented section of the song) being edited out. Some years later in 1981, Gainsbourg purchased the original manuscript of "La Marseillaise" at an auction, which was signed by the composer. He then showed critics that his version was, in fact, closer to the original than any other recorded version as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus as author Rouget de l'Isle did not bother writing the full chorus each time, preferring to shorten it with the word etc.. Two other singles were taken from the album: Vieille canaille (a French version of You Rascal You written in the 1920s by Sam Theard) and Gainsbourg's own Lola Rastaquouère.
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98 Something like this happened on March 11–12, 1785 in Utrecht when agitators like Ondaatje whipped the crowd into a frenzy, the Utrecht city hall was surrounded by 2,000 angry Free Corps men, and the Utrecht vroedschap reluctantly agreed to withdraw Sicherman's appointment, after Ondaatje made clear that the Constituted would not be fobbed off. "We are not '48-ers," he declared, "but 85-ers, who understand our rights and liberties well enough, ... we are not canaille" referring to a similar event during the revolution of 1748, when the Doelisten had indeed been fobbed off by the then-stadtholder. But the reaction was swift: 17 members of the vroedschap resigned in protest, and soon a petition of notable citizens was sent to the States with a request to intervene. The States excoriated Ondaatje and his mob and manage to intimidate Ondaatje sufficiently to elicit a humble apology. On 23 March the 19 vroedschap members reoccupied their seats, and opened criminal proceedings against Ondaatje and other instigators of the events of 11 March.
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There is no right and wrong in Proust nor in his world. > (Except possibly in those passages dealing with the war, when for a space he > ceases to be an artist and raises his voice with the plebs, mob, rabble, > canaille.) Tragedy is not concerned with human justice. Tragedy is the > statement of an expiation, but not the miserable expiation of a codified > breach of a local arrangement, organised by the knaves for the fools. The > tragic figure represents the expiation of original sin, of the original and > eternal sin of him and all his ‘soci malorum,’ the sin of having been born. > >> ‘Pues el delito mayor > Del hombre es haber nacido.’ The final quotation is from Pedro Calderón de la Barca's La vida es sueño (Life is a Dream), and "soci malorum" is a quotation from Arthur Schopenhauer's Studies in Pessimism:Studies in Pessimism is a translation, excerpted from Parerga und Paralipomena; the quotation is from the final paragraph of the section "On the Sufferings of the World" > In fact, the conviction that the world and man is something that had better > not have been, is of a kind to fill us with indulgence towards one another.
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