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10 Sentences With "belabors"

How to use belabors in a sentence? Find typical usage patterns (collocations)/phrases/context for "belabors" and check conjugation/comparative form for "belabors". Mastering all the usages of "belabors" from sentence examples published by news publications.

But Adam belabors the drawbacks of having a famous father: the absences and sharing him with fans.
Mostly, the series belabors a point better made in a more bite-sized format -- namely, that being bad can be harder than it looks.
It's a sequence that's as much about 2017 as it is about 2049, but Villeneuve never belabors the point, which just makes the moment's casual brutality all the more affecting.
There is a lynching that feels more like a plot device than like a catastrophe, and an incestuous relationship that belabors the point about lineage without illuminating either party's experience.
I feel like the big reveal will disappoint a lot of people, especially if the show belabors it until the mid-season finale, which is what I fear is going to happen.
He immediately becomes enraptured by her; she, for her part, belabors him and sets Prence free. Brodrib makes as if to threaten her, but Bradford stops him. Marigold calls on her friends, the handsome and arrogant Sir Gower Lackland among them, who enter with swords drawn just as Faint-Not Tinker awakens and falls from the parapet. Lackland is accompanied by Thomas Morton, Lady Marigold's uncle, and by the parson, Jewel Scrooby.
Even when they break up, they never end. Either Kelly lets the memory of the guy live rent-free inside her head, or, as is the case here, the guy keeps after her and she keeps swearing she's walking away, but she never actually leaves. It's like the couples are stuck in some eternal limbo where they're never together but they're never quite free of each other." Eric Danton of the Hartford Courant also offered a mixed review: "A stab at weary resignation on "The War is Over" belabors the battlefield conceit, though the song also makes a point it didn't intend to make: Clarkson doesn't need a bunch of lyrical frippery to be great.
Howard Sachar sees Karsh as the "preeminent scholar-spokesman of the Revisionist (politically- rightist) Movement in Zionism." Author David Rodman opined, "Karsh stitches together a seemingly irrefutable case for the validity of the traditionalist narrative, possibly bringing to an end once and for all the New Historian phenomenon as a sustainable historiographical project." Prominent New Historian Benny Morris called Karsh's Fabricating Israeli History "a mélange of distortions, half-truths, and plain lies that vividly demonstrates his profound ignorance of both the source material... and the history of the Zionist-Arab conflict," titling his article "Undeserving of a Reply".Morris, 1996, "Undeserving of a Reply", The Middle East Quarterly Morris adds that Karsh belabors minor points while ignoring the main pieces of evidence.
The children, of course, watched the fathers behavior, realize the miserable plight of their mother and many a time, Ashok gets upset and asks his mother why she does not protest, and the mother pacifies him to keep cool. One night, when the father returned drunk and belabors the mother Ashok comes out of his room and stands between them and protests against the father. Father gets furious against the impertinent son Ashok and in trying to hit the boy slips down the stairs and succumbs to his injuries, Both mother and son get stunned at the suddenness of the fatal accident. However, the mother gives a different report to the police to save Ashok, saying that her husband had an accidental fall being drunk and tipsy before anybody could help him.
In a contemporary review for the Chicago Tribune, Greg Kot noted heavy influence from The Beatles in the album's "sense of pop and studio craft" and wrote that the biting humor and irony expressed in Wallinger's lyrics was balanced out by "memorable melodies and moments", calling all the album's songs "worth savoring." Chris Willman of the Los Angeles Times felt that his "Lennonisms sound somehow endemic, not affected" and the wide range of musical influences on Goodbye Jumbo did not constitute "petty theft", stating that the album "comes together marvelously." Don McLeese of Rolling Stone wrote that Goodbye Jumbo "displays an ambition as broad as the emotional range of its music" and that while Wallinger's "missionary zeal occasionally belabors his messages", the album's music is "sufficiently vital to overpower resistance". Spins Jon Young dubbed it as a "winning opus".

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