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162 Sentences With "at one with"

How to use at one with in a sentence? Find typical usage patterns (collocations)/phrases/context for "at one with" and check conjugation/comparative form for "at one with". Mastering all the usages of "at one with" from sentence examples published by news publications.

They'd be gentler with each other because they would have felt at one with each other, gentler with environment because they'd feel at one with the environment.
It was nice to see Freddie at one with himself.
Like Kushner's Angel, Merrill's feels at one with the protagonists.
Without distraction, closer to God, at one with the universe.
Paper, in short, was at one with this artist's nature.
He knew, and was at one with, the natural world.
After a while, though, she became at one with the sound.
The obsession is at one with your core sense of self.
By the fifteenth play, the chorus was at one with my pulse.
So it'll take some time to feel at one with your strap-on.
And yet somehow they became a coherent whole, at one with the music.
Surely the opportunity to be at one with nature offers something inspiring, something sublime.
They reflect the immediate surroundings, making the viewer feel at one with the river.
We are at one with each other, we are looking at each other, not up.
The sun is shining, the birds are chirping, and nature is at one with itself.
Rest under the palm trees, swim with the dolphins and feel at one with nature.
In this place, more or less at one with nature, it is the only symbol.
"You can't become at one with yourself and connected with all things through microdosing," he says.
This wasn't for show — his movements were completely, visibly at one with the sound they produced.
That's what makes me happy — the process of discovering things, being totally at one with myself.
Michael says: WE HAVE IN THIS MEETING FOUND YOU INTELLIGENT & YOUR SERIOUS NATURES AT ONE WITH US. . . .
Kinkaid kept the deficit at one with some clutch stops, and his teammates equalized when given a man advantage.
The illusion here, says Hack, was for the model to look "at one" with the background, not completely camouflaged.
Devoid of ego, they are at one with the earth and the sky and, by extension, all of creation.
You feel as if you're at one with nature, able to communicate and interact with trees, flowers, and bushes.
I felt utterly in sync, at one with everything, like I'd won meditation VR.  If only it were a game.
That position is ideal for her chastity, and yet it's also perfect for her when she's at one with Aminta.
It works extremely well, appearing gauche only until you accept its service to blunt statement: manner at one with matter.
I will feel at one with all of the people of my island homeland, no matter their race, creed, or gender.
The impetuous pace of the film is at one with its moral shamelessness, and, without thinking, we sign up for both.
Monk spoke of the virtues of live performance, characterizing it as a time when the performer is at one with her material.
The promising outlook for what has historically been a fringe party comes as the Greens find themselves at one with the liberal zeitgeist.
Nothing says "at one with nature" like a naked soak under the stars in an Alaskan-made cedar hot tub ($3,990, including shipping).
Nothing says "at one with nature" like a naked soak under the stars in an Alaskan-made cedar hot tub ($3,990, including shipping).
Yet it also invokes the oceanic feeling of a being at one with the universe that dovetails with a climactic family road trip.
Stick-in-the-mud Albert is all flush from a fast horseback ride and the feeling of Waldeinsamkeit, or being at one with nature.
The bracketing of Kollwitz and Coe is a curatorial coup, generating a force field, in thought, of possibilities for expressiveness at one with conscience.
But Melville's style is at one with his substance—hard, cold, illusionless, yet presented with such panache that, against all expectation, it breeds joy.
Sex with another person is so much more enjoyable and close when you are fully at one with yourself and have stripped any body anxieties.
The cute boat Vince relied on in the "Big Fish" video's fully at one with the sand on what initially looks like a deserted beach.
This vein puts Calder at one with the Prokofiev of "Peter and the Wolf" or the tongue-in-cheek tales and drawings of Maurice Sendak.
They are perfectly at one with the wearer (heaven forfend a wig upstages a performer!), folding seamlessly and whisper-soft into the landscape of their universe.
"I knew that this man wasn't at one with himself over something," she says in Rudi Dolezal's Grammy-nominated 22011 documentary Freddie Mercury: The Untold Story.
The three artists are at one with their work, absorbed by it, and we too are invited to be alone with our thoughts by their example.
I am no doomsday prep-er, nor do I watch the endless slog of reality shows about people living at one with nature and a film crew.
The fingers of the right hand are folded down to clasp the left in a gesture of self-possession: Cromarty at one with nature, catching herself lovingly.
In a quartet of studio shots, Bass styles herself as a posthuman athlete, so at one with her game that a pair of basketballs replaces her derrière.
Mercedes also returned to the top of the constructors' standings with their first one-two finish of the year and Hamilton finally felt at one with the car.
" She describes her connection with nature as integral to how she developed as an artist: "Being at one with Mother Nature also allowed [my] imagination to run wild.
Maybe the trend stems from a desire to be more at one with nature and get back to our roots, like the rustic-wedding trend of the early 2010s.
His friend Lil B, spiritually at one with The Based God but not, in himself, The Based God, had held sway over the world of basketball for too long.
At low doses, this can be a pleasant experience, making someone feel "at one with the universe," says James Giordano, professor of neurology and biochemistry at Georgetown University Medical Center.
In the skit, she chewed an entire container of gum, shot members of the press with a water gun and lunged at one with the White House briefing room podium.
The video creates a dichotomy between the late-night sleepless reality in Brooklyn and the surreal dream sequence, where I am completely at one with the earth, in the chorus.
Giving up paint, she began making her "Pénétrables," rectangles of stretched canvas with canvas attachments into which viewers could insert their arms, legs or heads, becoming literally at one with art.
It seems even people who are this much at one with the forest can only handle so much rain and after we're all close to sodden, we retreat into a nearby cafe.
Meant to be the ultimate pose of relaxation, it asks us to feel the ground that supports us along the entire length of our bodies, and to feel at one with it.
Ms. Pantastico excelled in the concerto's outer movements, where the upward sweep of a leg or the downward tap of a toe showed her uncannily at one with Michael Jinsoo Lim's solo violin.
Houston's second straight win over the Red Sox kept Boston's magic number for clinching the American League East at one, with the New York Yankees winning earlier in the day to stay alive.
TNI's persistent belief that it is at one with the people—the outgoing minister of defence, also a retired general, describes his philosophy of warfare as "total people's defence"—only stokes their fears.
The luxe abode would be made entirely of renewable resources and offer tenants a chance to truly be at one with nature, with the tree's branches and leaves extending up four narrow floors.
"To me cooking is about touching, feeling, smelling, using all your senses and being at one with your ingredients," Ms. Dávila said as she stirred a skillet brimming with onions and Serrano peppers.
By most always depicting serene women at one with their surroundings, he helped sell almost everything there was to sell, all the while lamenting that his 'real artistic-spiritual work' went unseen (boo hoo).
Here, without any need to swing a sword or open my life-preserving Estus Flask, I do feel at one with this game, I get it, and I think there's something here for me.
" He moved to Devon in 2014, and feels "very spiritually at one with the landscape here" — a landscape he described as "rugged and rainy," a "psychedelic countryside" and "the greenest place I've ever lived.
But the plenitude of contending voices, white and Indian, has a you-are-there effect, demonstrating positions that, with minor editing, could be at one with both the enlightenments and the bigotries of our day.
Founded on Enlightenment principles of individuality, freedom, tolerance and justice, the United States was the only place besides Israel where Jews could live at one with their nation, unburdened by fear or confusion about identity.
A stay at a small property like a boutique hotel with a handful of rooms or a bed-and-breakfast is drastically different than a stay at one with hundreds or even thousands of rooms.
Before we were able to expel every single fucking thing in our heads onto a digital landscape that never, ever, ever stops marching forwards, artists seemed different, somehow not at-one with the rest of us.
Not even three minutes after the Lightning goal, the Islanders answered, with Travis Hamonic firing a long shot that went through Bishop's legs to tie the score at one with 14:16 left in the first period.
"Against Interpretation," published in 1966, still provides reading pleasure of a rare sort: Not only is the mind at work exhilarating, the book as a whole feels like the testament of a writer at one with her moment.
The Oscars are the biggest, most glamorous, most artificially self-inflated event American culture has to offer, and no one with their own story and background will ever feel at one with it; the Oscars exist to be punctured.
He was friendly with tennis pros like Rod Laver and golfers like Arnold Palmer, a man at one with the country-club world inhabited by so many wealthy white suburbanites, the same people who viewed Vietnam War protestors with such contempt.
At City Hall, the queue spilled through the doors and onto the municipal steps, and I felt at one with the crowd, which I imagined to have gathered like us on the whim of proposals not yet twenty-four hours old.
An individual who manages to express a deep-seated Muslim spirituality at one with his queer nature is much more effective at transforming the way that people of faith think about gender and sexuality than any theological or scriptural argument could be.
Traveling alone comes with a certain kind of romanticism: hand-making pasta with the locals in an Italian villa, belting karaoke surrounded by your newest friends in Tokyo, feeling at one with your thoughts while cruising down the Pacific Coast Highway in California.
Situated on the estate of a 12th-century Catalan farmhouse, the rural hotel offers a choice of one of five glass "pavilions," in which both the floors and walls are made of glass, allowing guests to be at one with the nature around them.
A gifted musician, Elio easily moves from piano to guitar (much as his family shifts from speaking Italian to French to English), talent that makes him seem at one with the villa's miles of bookshelves, its velvet sofas, scattered Oriental rugs and tastefully arranged antiques.
In fairness, the biggest detractors of CUVs tend to be those who write about them, who will always choose the station wagon that sits closer to the earth and makes you feel like you're at one with the Autobahn, or the sports car with the wonderful exhaust note.
While many books about medicine and illness address this, Awdish's work is singular in its rawness and willingness to show us a person at one with her pain and isolation, able to relate completely through her writing to the intense feelings of helplessness that confront almost every patient admitted to a hospital.
Next time you tweet about going back to the dark ages, think about what that entails: returning to nature, to your human roots, being one with the animals (before you slaughter them mercilessly with your bare hands), being at one with our lord, eating fresh food you've made yourself, and getting the absolute shit kicked out of your shins.
He was able to state positively that the praefect of Rome was at one with the band of traitors.
However, embroiled in a struggle for psychoanalytic respectability, the plurality of Freud's followers were not at one with him on this issue, and opposition was especially contentious in the United States.
Fränger writes that the figures in Bosch's work "are peacefully frolicking about the tranquil garden in vegetative innocence, at one with animals and plants and the sexuality that inspires them seems to be pure joy, pure bliss."Bosing, 51. Fränger argued against the notion that the hellscape shows the retribution handed down for sins committed in the center panel. Fränger saw the figures in the garden as peaceful, naive, and innocent in expressing their sexuality, and at one with nature.
The architecture of this building is sympathetic with the coastline, and from some angles becomes at one with the cliffside. In the summer, the population swells to over 40,000 with the influx of holiday makers.
Because they are disconnected, they do not build a related, simpler and more understandable conception and scientific endeavor as, for example, the biological sciences do. This philosophy of science of unification is at one with Staats’ attempt to construct his unified psychological behaviorism.
In Larmore's opinion, Taylor is wrong in not recognizing that "We have never been, and we will never be, at one with ourselves" and, therefore, should not jump to conclusions that are based on faith - which Larmore believes Taylor did in his book (Section II, paragraph 12).
It's different from rehearsal. It was such an incredible kind of electric feeling atmosphere for everybody. You felt at one with the crowd again, similar to very early on, when everybody was excited about what was happening." Matt Cheslin says, "It was great, it's been quite nostalgic.
A promo of "At One With The Universe And You" was also released to radio stations. Also in 1979, he appeared in the motion picture Where the Buffalo Roam, starring Bill Murray and Peter Boyle. He's credited as the "Longhair Kid" (one of the featured "hippies").
The painting Tet is a good example of his Veil Paintings. The thinned acrylic paint was allowed to stain the canvas, making the pigment at one with the canvas as opposed to "on top". This conformed to Greenberg's conception of "Modernism" as it made the entire picture plane flat.Hopkins, David.
Druids in Dungeons & Dragons are spellcasters of neutral alignment who gain divine magic from being at one with nature. As of 4th edition druids power source was changed to primal. Unlike clerics and paladins, druids do not have special powers against undead. Because of their spiritual oaths, druids cannot wear metal armor.
On May 22, 2016, Davis was awarded an honorary Doctor of Humane Letters in Healing and Social Justice from the California Institute of Integral Studies in San Francisco during its 48th annual commencement ceremony.Olivia Ford, "2016 Honorary Doctorate: Angela Y. Davis at One with Communities of Struggle", CIIS Today, May 13, 2016.
Dunya combines different languages, themes and cultures, and expresses pain as well as joy. The songs and recitals are retrospective thoughts on some of Azami’s personal experiences, and about life as a "seeker" aspiring to be at one with the world of God. The album was released by Awakening Records on 1 September 2006.
Professor of English Carter Martin, an authority on O'Connor's writings, notes simply that her "book reviews are at one with her religious life." A prayer journal O'Connor had kept during her time at the University of Iowa was published in 2013. It included prayers and ruminations on faith, writing, and O'Connor's relationship with God.
Helena fired at one with a VT fuze. It exploded close to the aircraft, which crashed into the sea. To preserve the secrecy of the weapon, its use was initially permitted only over water, where a dud round could not fall into enemy hands. In late 1943, the Army obtained permission for it to be used over land.
Jean Sibelius wrote an orchestral tone poem called Aallottaret (The Oceanides) in 1914. The Manchester-born painter Annie Swynnerton, the first woman to be admitted to the Royal Academy in 1922, painted a work called Oceanid some time before 1908. It shows a strong, unidealised female figure at one with nature, typical of Swynnerton's many depictions of "real" women and her feminist politics.
Original member of the Wiggles and classical musician Phillip Wilcher declared that Hi-5 "successfully explore the essential components that come together to make music"; he detailed how the educational appeal "seems to happen gently and [the group] seem so at one with their audience of young folk... They also seem to know the subtle difference between childlike and childish".
Lecoq first appears in L'Affaire Lerouge, published in 1866, in which he is described as "formerly an habitual criminal, now at one with the law, skilful at his job". Lecoq plays only a minor role in this story, much of which is taken up by Mister Tabaret, an amateur sleuth nicknamed "Tirauclair" (French for "clarifier"), whom Lecoq recommends to help solve a murder.
To captures this in the temae, the practitioner moves at one with an energising in-to-out flow of breath. These two aspects of (1) invigorating, clean actions in straight lines, and (2) the strength of actions performed in harmony with the in-to-out flow of the breath, contribute to the dignified and beautiful appearance of the temae of the Ueda Tradition.
Townshend has stated "The song is simply about losing one's ego as a devotee of Meher Baba. I constantly try to lose myself and find him. I'm not very successful, I'm afraid, but this song expresses how much of a bargain it would be to lose everything in order to be at one with God." "Bargain" begins with a gentle acoustic guitar part played by Townshend.
Julie/Miyax (My-yax) is an Inuk girl torn between modern Alaska and the old Inuit tradition. After her mother's death, she is raised by her father Kapugen (Kah-Pue-Jen). In his care, Miyax becomes an intelligent and observant girl at one with the Arctic tundra. Life is good until one day when Miyax is sent to live with Aunt Martha, a distant and cold woman.
After a long duel, Connor kills the Kurgan and earns the Prize. Connor returns to Scotland with Brenda and reveals he's now a mortal man who can age and have children. He is also now "at one with all living things," able to read the thoughts and feelings of people all around the world. He hopes to encourage cooperation, understanding, and peace among humanity.
Trimmer criticized the values associated with fairy tales, accusing them of perpetuating superstition and unfavourable images of stepparents.Tucker, 108–10. Rather than seeing Trimmer as a censor of fairy tales, therefore, Nicholas Tucker has argued, "by considering fairy tales as fair game for criticism rather than unthinking worship, Mrs Trimmer is at one with scholars today who have also written critically about the ideologies found in some individual stories".Tucker, 114.
The children are known as "witches" and indeed often appear unkempt, covered in dirt, and at one with the elements. When Fadette helps Landry to find his brother, she makes him promise to return the favor. She helps Landry cross a small river, on the other end of which he finds his brother. At the next village fête, Fadette asks Landry to dance with her and only her.
Skeletonwitch was formed in 2003 in Athens, Ohio. Guitarist Hedrick heard the demo tracks from Nate Garnette's former band, Serkesoron, while they were both college students at Ohio University and decided to form a band. Skeletonwitch released their first album, At One with the Shadows, on August 11, 2004 with Shredded Records. After forming the band, they sought a vocalist, whom they ultimately found in Nate's older brother, Chance Garnette.
Primitive Methodist preachers and communities differed from their Wesleyan counterparts. Although the Wesleyans tended towards respectability, Primitives were poor and revivalist. According to J. E. Minor, Primitive Methodist preachers were less educated and more likely "to be at one with their congregations" or even "dominated by them". Primitive Methodist preachers were plain speaking in contrast to Wesleyan services "embellished with literary allusions and delivered in high-flown language".
The appeal of mastering an 'instrument' to the point of virtuosity? The transformation of one's own self? For me, it is the process of empathizing with mind and soul, of feeling at one with music and movement that bring these much loved creatures to life. The Salzburg Marionette Theatre performs mainly operas such as Die Fledermaus and The Magic Flute and a small number of ballets such as The Nutcracker.
It ranks among the most anthologized American poems of the twentieth century. He declined the position later called United States Poet Laureate previously, accepted the appointment for 19761977 during America's Bicentennial, and again in 1977–1978 though his health was failing then. He was awarded successive honorary degrees by Brown University (1976) and Fisk, (1978). In 1977 he was interviewed for television in Los Angeles on At One With by Keith Berwick.
The modern teachings and practices of Aghor are known as Aghor Yoga. Aghor Yoga can be practiced by anyone without regard to religious or ethnic background and irrespective of whether s/he adopts traditional Aghori dietary practices. The essence of Aghor Yoga is that fundamentally humans are each an individual whole, at one with divine consciousness. Aghor Yoga believes that by learning to identify with one's wholeness, one becomes free from a limited way of being.
Nominalism is older than Scotus, but its revival in Occamism may be traced to the one-sided exaggeration of some propositions of Scotus. Scotist Formalism is the direct opposite of Nominalism, and the Scotists were at one with the Thomists in combatting the latter; Occam himself was a bitter opponent of Scotus. The Council of Trent defined as dogma a series of doctrines especially emphasized by the Scotists (e.g. freedom of the will, free co-operation with grace, etc..).
Beyond the Permafrost is the second full length album by American death metal band Skeletonwitch. The album blends thrash metal and influence from the NWOBHM movement with death/black metal vocals. Beyond The Permafrost is also the last full length album that features Derrick Nau on drums. The album's lyrical content follows similar themes that were prominent in their first album, At One With The Shadows, including themes such as vampires, sorrow, and all things macabre.
" Whittaker and McTeer also spoke to Wolf. Whittaker found the story "quite remarkable" and said of the subjects: "They were trying actually to make some sense of their lives, to come to terms and explore themselves in very painful and joyous ways and to be at one with themselves." McTeer said that: "[Vita] didn't quite fit in anywhere. She wasn't quite in the Bloomsbury set; she wasn't quite a bohemian; she didn't quite belong in the aristocracy.
The time and cost estimates were also understated to ensure work commenced. There were many other engineering and design problems that had not been solved when work had commenced. The opera supports the idea that the architect was fully competent to solve these problems and indeed was able to provide solutions that were far more elegant than anything that anyone less inspired, less talented and at one with a vision could provide. Some time after that there was indeed a change of government.
In 1912, Chidley moved to Sydney, where he became a familiar bearded figure dressed in a Grecian-style tunic and sandals, giving public lectures and wandering the streets, carrying a bundle of his pamphlets. He preached the "Answer" to living a natural life to Sydneysiders. "Do nothing which is unnatural however slight" was his precept. He believed people should return to nudity, natural coition and a diet comprising only fruit and nuts to "be at one with Nature and one another".
While earning his life as an itinerant worker and then as editor of printing from 1954 to 1970, he wrote for L'Humanité and Commune, published autobiographical novels, corresponded with Bernard Groethuysen. The best known of these works, "Travaux", which relates in particular his experiences as a worker, ends with these words: "There is a kind of sadness in the worker's lot, which is cured only by participation in politics. Now in spirit I was at one with my class."Navel, George [trans.
Whether Pater earns the structural irony of the novel's concluding pages, as a still-pagan Marius dies a sanctified Christian death, is legitimately questionable." Walter Pater, Marius the Epicurean, ed. Harold Bloom (New York, 1970), Introduction, p.xvi Nevertheless Bloom praises Pater's integrity in his handling of Marius's epiphany in the Sabine Hills: "The self knows that it is joined to no immortal soul, yet now believes also that its own integrity can be at one with the system of forces outside it.
She visited Roma camps and felt herself to be at one with them. Vita's mother had a wide array of famous lovers, including financier J. P. Morgan and Sir John Murray Scott (from 1897 until his death in 1912). Scott, secretary to the couple who inherited and developed the Wallace Collection, was a devoted companion and Lady Sackville and he were rarely apart during their years together. During her childhood, Vita spent a great deal of time in Scott's apartments in Paris, perfecting her already fluent French.
Viola Molteno, who had married Lennox in 1954, was totally at one with him in almost everything. She also yearned for a simple life and they were united in creating a sense of peace. Her first husband had been a soldier in Hong Kong at the time of the Japanese attack and she and their son Robert had been imprisoned in a Japanese camp in the Philippines. Lennox had previously married Margaret Stevenson, already a widow with two children, Vicky and Derek, who had been recently bereaved.
In 1968 he entered domestic journalism and then studio presentation, working on The World This Weekend, PM and The World at One. With his fluent Russian he moved back to front-line journalism at the time of the Gorbachev revolution, making a series of award-winning documentary programmes. Clough also covered South Africa months after the release of Nelson Mandela, and for a season he presented Europhile, a European Affairs magazine on Radio 4. He was a question setter for and the presenter of Round Britain Quiz.
Guests travelled up and down the line and were given a parbuckling demonstration (the lifting of timber onto the train). Pettigrew could not attend, but Sim told the gathering that "Mr Pettigrew was at one with him in all these works". Workers standing on the Mary Ann, 1875 Pettigrew's tramway was Queensland's first major private railway. According to Kerr "the early adoption of tramways for hauling logs, and its influence on the development on the railways system in Queensland, centres on one man, William Pettigrew".
232 The teachings of Aghor are meant to be universal, transcending all particularities of Hinduism or Indian culture. The contemporary Aghor lineage of Baba Kinaram includes people from many religious faiths and countries of origin, including the United States and Europe. The lineage also recognizes great spiritual beings of all religions (such as Moses, Buddha, Jesus, and Mohammed) as abiding in the realized state of Aghor – that is existing in wholeness and at one with the Divine. Aghor focuses on the idea of jivanmukta, or reaching liberation from material issues in this lifetime.
This marked the beginning of the urbanisation of the islands of the Rivo Alto group, heart of the modern city of Venice.Arieli Marina, "From the Myth to the Margins: The Patriarch's Piazza at San Pietro di Castello in Venice" Renaissance Quarterly, Vol. 64, No. 2 (Summer 2011), pp. 353-429, cf pp. 363-64 Agnello's dogeship was marked by the expansion of Venice into the sea through the construction of bridges, canals, bulwarks, fortifications, and stone buildings. The modern Venice, at one with the sea, was being born.
Before evolution, Eugene Halliday posits an "involution", whereby the motions of this absolute sentient power creates the universe and all the beings in it. Consciousness tends to fall into identification with beings, down to the grossest physical level of the mineral world. Through the process of evolution, sentience evolves through mineral, plant, animal and human to rediscover its true nature as Consciousness itself, at one with the infinite field of consciousness. This return of consciousness to its source, is the Reflexive Self-Consciousness of the title of the book.
On 25 January 1915, Daniel Boyle declared that the Irish were "at one with the Empire." His son in law was gazetted a second lieutenant in the 10th (Pals battalion) Royal Dublin Fusiliers on 22 February 1916, and Boyle placed himself at the head of the Manchester Committee (along with Sir David McCabe) for the Irish Flag Day (in aid of Irish soldiers). However, things were starting to change. On a personal level, he began to base himself more in London, and resigned from Manchester City Council on 8 February 1917.
"It is a beauteous evening, calm and free" is a sonnet by William Wordsworth written at Calais in August 1802. It was first published in the collection Poems, in Two Volumes in 1807, appearing as the nineteenth poem in a section entitled 'Miscellaneous sonnets'. The sonnet describes an evening walk on the beach with his nine-year-old daughter Caroline Vallon. Wordsworth reflects that if his young daughter is seemingly unaffected by the majesty of the scene it is because, being young, she is naturally at one with nature.
Nevertheless, during the reign of the Participazio family, Venice grew into its modern form. Though Heraclean by birth, Agnello, the first Participazio doge, was an early immigrant to Rialto and his dogeship was marked by the expansion of Venice towards the sea via the construction of bridges, canals, bulwarks, fortifications, and stone buildings. The modern Venice, at one with the sea, was being born. Agnello was succeeded by his son Giustiniano, who stole the remains of Saint Mark the Evangelist from Alexandria, took them to Venice, and made him the republic's patron saint.
The figures are engaged in diverse amorous sports and activities, both in couples and in groups. Gibson describes them as behaving "overtly and without shame",Gibson, 80 while art historian Laurinda Dixon writes that the human figures exhibit "a certain adolescent sexual curiosity". Many of the numerous human figures revel in an innocent, self-absorbed joy as they engage in a wide range of activities; some appear to enjoy sensory pleasures, others play unselfconsciously in the water, and yet others cavort in meadows with a variety of animals, seemingly at one with nature.
Tucker, 106–07; see also O'Malley, 124–25. Trimmer criticized the values associated with fairy tales, accusing them of perpetuating irrationality, superstition, and unfavorable images of stepparents.Tucker, 108–10; see also Darton, 96–97 and O'Malley, 124–25. Rather than seeing Trimmer as a censor of fairy tales, therefore, children's literature scholar Nicholas Tucker has argued, "by considering fairy tales as fair game for criticism rather than unthinking worship, Mrs Trimmer is at one with scholars today who have also written critically about the ideologies found in some individual stories".
In 1577 Morton allowed him to return, and in 1579 he became minister of Liberton near Edinburgh. In June 1581, when Morton was under sentence of death and on the eve of ignominious execution, Davidson and another minister went to him, but found him, to their surprise and joy, at one with them in his religious experience and hopes. He begged Davidson to forgive him, and assured him of his forgiveness for what he had said against him in his book. Davidson was moved to tears, and a very affecting farewell followed.
The pavilion, bandstand, pagodas, steps and walls are all built from a form of reconstituted stone which looks realistically natural. The park has one of the country's largest herbaceous borders. The flowerbeds, which once contained roses and annuals that were very expensive to maintain, now have plants that can be sustained ecologically, as they are perennials. According to Ismail, this type of planting is a return to the ideas of the gardener William Robinson and the horticulturist Gertrude Jekyll, and is "completely at one with the period during which the [Norwich] parks were created".
This view, that Nearing chose to "drop out" of politics and society itself and live life as a rugged agrarian individualist at one with nature, is a common interpretation—and certainly one with some merit. Another possible reading of Nearing's motivations and decision-making lies in his own writing. Nearing repeatedly drew inspiration from the life story of Count Leo Tolstoi, whose life Nearing clearly saw as analogous to his own: > Count Leo Tolstoi is a classic example of an individual in potential and > actual conflict with his group. He was talented and had immense vitality.
Manchan of Mohill, uniquely among Mainchíns, founded many early Christian churches, alluded to by the Martyrology of Donegal as "" (meaning ), and the Martyrology of Gorman as "" (""). When or where he commenced his religious course is unknown. However the translator of the Annals of Clonmacnoise disbelievingly recorded "the Coworbes of Saint Manchan [at Lemanaghan] say that he was a Welshman and came to this kingdom at one with Saint Patrick". Persons of this name from Wales include () mentioned in the "11th-century life of Cadoc" of Llancarfan in Glamorganshire, and Mannacus of Holyhead whose feast day falls on 14 October.
He had the ability to hypnotize his audience to such an extent that frequently the listeners uttered the rhyme word before the poet. As with his politics and his poetry, Rusafi's religious views also courted controversy. His belief in a mystical interpretation of Islam gave rise in 1934 to what Khulusi considers his Magnum opus, al-Shakhsiyya al-Muhammadiyya aw Hall al- Lughz al-Muqaddas (The Personality of Muhammad or the Solution of the Sacred Enigma). In it he asserted that the Prophet Muhammad was at one with the universe and God, and that his word was that of God.
Whether, besides denying Mary's perpetual virginity, Bonosus also denied Christ's divinity cannot be determined with certainty, but it is certain that the Bonosians, to whom we find references in the councils and in ecclesiastical writers up to the seventh century, denied this dogma. On this point they were at one with the Photinians. As a consequence, they affirmed the purely adoptive divine filiation of Christ. However, they differed from the Adoptionists in rejecting all natural sonship, whereas the Adoptionists, distinguishing in Christ the God and the man, attributed to the former a natural, and to the latter an adoptive sonship.
The organizers of the event took steps to lift the march from a purely political level to a spiritual one, hoping to inspire attendees and honored guests to move beyond "articulation of black grievances" to a state of spiritual healing. Speakers at the event structured their talks around three themes: atonement, reconciliation, and responsibility. The Day of Atonement became a second name for the event and for some came to represent the motivation of the Million Man movement. In the words of one man who was in attendance, Marchers aimed at "being at one with ourselves, the Most High, and our people".
These cities are economic nerve-centers and attract large corporations, with an emphasis on economic development and employment generation. Planned as a single point destination for both domestic and global companies, the Mahindra World City developments comprise co-located Zones including Special Economic Zones, Domestic Tariff Area and Residential & Social Infrastructure. The Social Infrastructure Zone, located alongside the Business Zone, offers residences, schools, hospitals, retail outlets, business hotels, recreation and leisure facilities, and wide green spaces to enable balanced living, at one with the natural environment. The environment replete with culture, sports, music and festivals also ensures a fulfilling lifestyle.
The series of transformations she undergoes in this poem, as well as the actions she takes lend serious ground for feminist discussion. In the finale of the poem, as she builds up speed and tries to form herself a new identity, the i sound is repeated to represent the "I" of her identity: > The child's cry > > Melts in the wall. > And I > Am the arrow, > > The dew that flies > Suicidal, at one with the drive > Into the red > > Eye, the cauldron of morning. The words containing the i sound, cry, I, flies, suicidal, drive, Eye, all represent her thrusting her 'I'dentity into reality.
Earmilk writer Steph Evans characterized it as "upbeat" and rock and roll-infused, while Neil Z. Young of AllMusic defined it as "peppered with fuzzy synths". According to James Grebey of Spin, the production displays a "cool aloofness" that is "betrayed, sublimely, by the more emotional vocals". Similarly, Dancing Astronaut writer Alex Hitchcock observed the contrast between the "high-spirited, synth-filled melody" and the "brooding, emotionally-charged vocals". In the bridge, he sings about "standing in a cathedral in Europe and feeling at one with the universe", as interpreted by Spectrum Culture writer Josh Goller.
"As the Day of Atonement was over, navigation was considered dangerous due to possible winter storms" Assuming an apostolic practice of observing Yom Kippur, a small number of evangelical Christians observe it today. Among congregations of the Churches of God, the Day of Atonement is observed as an annual Sabbath where members fast in observance of Leviticus 23:27-29. Most, like Roderick C. Meredith, leader of the Living Church of God, also believe that the Day of Atonement "pictures the binding of Satan at the beginning of the Millennium and the world becoming at one with God."Roderick C. Meredith, The Holy Days—God's Master Plan at www.tomorrowsworld.org.
Ruberg worked mostly in the Laurentian forests of Quebec, in direct contact with nature. He valued the freedom and simplicity of nature, and felt that working outdoors was more inspiring and truthful to his art. The film critic Natalie Edwards, in reviewing the documentary Ruberg, describes Ruberg's austere work environment as complementing his simple philosophy of life: > … the bird sounds, forest sights, rustic life, and devotion to nature create > an atmosphere at one with the artist … we listen with openness to the simple > unsophisticated beliefs of Ruberg as he speaks of the greater artistic value > resulting from the simpler and more primitive handling of the work.
The philosopher José Guilherme Merquior described Life Against Death and Foucault's Madness and Civilization as similar calls "for the liberation of the Dionysian id." The political scientist Jeffrey B. Abramson credited Brown with providing the only account of preambivalence that highlights "the Freudian concept of identification and its significance as a desire to be at one with another person." However, he criticized Brown for "seeking to achieve a final state of satisfaction that would end the self to be satisfied", a conclusion that he considered "nihilistic" and close to the views of Spinoza. Abramson attempted to follow Brown's reading of Freud, while avoiding Brown's eschatological approach.
Williams started his career in social clubs before performing with the BBC Big Band on BBC Radio Humberside. This led to appearances on BBC Radio 2's Big Band Special, BBC television's Pebble Mill at One with David Jacobs, and Gloria Hunniford's Open House with Burt Bacharach. He played the role of Frank Sinatra for the West End show The Rat Pack for 150 performances at the Haymarket Theatre, the Adelphi Theatre, and subsequent UK and European tours. In 2006 he performed in BBC1's 'Doctor Who – A Celebration' concert with David Tennant and the BBC National Orchestra of Wales with the BBC National Chorus of Wales conducted by Ben Foster.
From 1757 he associated also with John Taylor, who in that year became divinity tutor at Warrington Academy; and in 1761 he preached Taylor's funeral sermon at Chowbent, Lancashire. An appendix to the printed sermon takes Taylor's side in disputes about the Academy, against John Seddon, and shows, according to Alexander Gordon writing in the Dictionary of National Biography, that Harwood was by this time at one with Taylor's semi- Arian theology; although he says that he never adopted the tenets of Arius. His letter of 30 December 1784 to William Christie shows, for Gordon, that in later life he inclined to Socinianism. On 16 October 1765 Harwood was ordained to the Tucker Street Presbyterian congregation, Bristol.
Although primitivism in art is usually regarded as a Western phenomenon, the structure of primitivist idealism can be found in the work of non-Western and especially anticolonial artists. The desire to recover a notional and idealized past in which humans had been at one with nature is here connected to a critique of the impact of Western modernity on colonized societies. These artists often critique Western stereotypes about "primitive" colonized peoples at the same time as they yearn to recover pre-colonial modes of experience. Anticolonialism fuses with primitivism's reverse teleology to produce art that is distinct from the primitivism of Western artists which usually reinforces rather than critiques colonial stereotypes.
He only became at one with God at the age of 31 in the first century. In his present (2015) "incarnation" he only started accepting he was Jesus at the age of 40 (although he said he has had memories of being Jesus since he was 2).Man Claims to be Jesus on This Morning - This Morning - 15 July 2015 - available on YouTube When asked by Eamonn Holmes what his message to the world is, Miller responded that there are two forms of love: the love that flows from the individual to another (natural love) and then there is God's Love (Divine Love). God's love can enter a person and has the power to transform a person.
Sonya supports Paul Robinson (Stefan Dennis) when he falls ill with depression, allowing him to visit the nursery to be at one with nature. When Paul recovers, he uses the nursery, and Sonya, as a marketing campaign to try to get himself re-elected as mayor; however, the nursery is trashed by Jayden Warley (Khan Oxenham) in revenge as his mother Sue Parker (Kate Gorman) is the stand-in mayor. Paul convinces Sonya not to press charges against Jayden and Sonya realises that Paul did this to blackmail Sue into standing down as mayor. Toadie tells Sonya that he has received poison pen letters about her and she becomes fearful of going out.
Boyd's early sculptures and reliefs were mostly in terracotta and plaster. James Gleeson, writing in the Sun-Herald,quoted in Sydney in June 1966 provides insight into Boyd's choice of sculptural medium during his transition from the ceramic industry, his method of working, and its influence on the forms he favoured: > Boyd’s technique is not merely original (for that in itself is not > necessarily a virtue), it is original and entirely at one with the intention > of the artist. He has perfected the ideal means for saying what he wants to > say, so the originality of his technique is also artistically important. > First stage in the transmutation of nature into art is a wax model.
To account for the fact of synthesis in cognition, in express opposition to associationism, as represented by Hume, was, in truth, his prime object, starting, as he did, from the assumption that there was in knowledge that which no mere association of experiences could explain. To the extent, therefore, that his influence prevailed, all inquiries made by the English associationists were discounted in Germany. Notwithstanding, under the very shadow of his authority a corresponding, if not related, movement was initiated by Johann Friedrich Herbart. As peculiar and widely different from anything conceived by the associationists as Herbart's metaphysical opinions were, he was at one with them and at variance with Kant in assigning fundamental importance to the psychological investigation of the development of consciousness.
Although his influence as a logician and linguist in grammar and rhetoric was considerable, his reputation rests on his works in psychology. At one with the German physiologist and comparative anatomist Johannes Peter Müller in the conviction psychologus nemo nisi physiologus (one is not a psychologist who is not also a physiologist), he was the first in Great Britain during the 19th century to apply physiology in a thoroughgoing fashion to the elucidation of mental states. In discussing the will, he favoured physiological over metaphysical explanations, pointing to reflexes as evidence that a form of will, independent of consciousness, inheres in a person's limbs. He sought to chart physiological correlates of mental states but refused to make any materialistic assumptions.
In this speech, Heidegger declared that "science must become the power that shapes the body of the German university." But by "science" he meant "the primordial and full essence of science", which he defined as "engaged knowledge about the people and about the destiny of the state that keeps itself in readiness [...] at one with the spiritual mission." He went on to link this concept of "science" with a historical struggle of the German people: > The will to the essence of the German university is the will to science as > will to the historical spiritual mission of the German people as a people > ["Volk"] that knows itself in its state ["Staat"]. Together, science and > German destiny must come to power in the will to essence.
While neither displayed an interest in mysticism, both seemed to their disciples to advance a spiritual explanation of the universe. Also, she describes the fashionable creed of the time as "vitalism" and the term adequately sums up the prevailing worship of life in all its exuberance, variety and limitless possibility which pervaded pre-war culture and society. For her, Eucken and Bergson confirmed the deepest intuitions of the mystics. (Armstrong, Evelyn Underhill) Among the mystics, Ruysbroeck was to her the most influential and satisfying of all the medieval mystics, and she found herself very much at one with him in the years when he was working as an unknown priest in Brussels, for she herself had also a hidden side.
Fleva was again a member of the Assembly in the 1914 legislature. Immediately after the start of World War I, when Romania found itself in uncertain neutrality, he spoke from the Assembly rostrum as an advocate of the Entente Powers. At the time, he believed that fighting alongside the Entente, and therefore against Austria-Hungary, would guarantee Romania's integration of Transylvania and other irredenta: "our public, being a Latin people [...] could only have felt its interests as being at one with those of the Triple Entente [...]. We must not be looking on impassably to the fate of the Romanian nation in Transylvania, to how it is being torn asunder." Radu Milian, "Dezbateri parlamentare și de presă din România în perioada neutralității (1914–1916)", in Revista Crisia, Vol.
Their deaths left Claude Choules, who served in the Royal Navy during the war and who lived in Australia until his death in 2011, as the last surviving British veteran. Duffy said that she felt that she should "honour that great tradition of poets who were also soldiers", describing the poem as "an attempt at healing and being at one with the world", and "a tribute and blessing, even an apology, on behalf of poetry and all poets." She added that she "had been thinking about Afghanistan and trying to enthuse new war poetry among contemporary poets." The poem was broadcast one week after Duffy published a selection of poems she had commissioned from poets such as Sean O'Brien, Paul Muldoon and Daljit Nagra about the ongoing war in Afghanistan.
Krona inquires about the law of universes, wishing to know how the Worldsoul and other entities like it function and exist, hoping to learn of some higher plan or design. However, he is horrified to learn that the Worldsoul has no actual function other than to simply exist, resonate and, most importantly, to feel, to share in the positive emotions of every lifeform that dwells upon its surface, at one with the Universe in a Great Dance with the other souls of worlds. This explanation, such as it is, defies all logic and science Krona has studied, and he believes this renders himself and his entire life, in effect, pointless. In a fit of rage, he attempts to destroy the Worldsoul, but is stopped by the Trinity, who have survived the destruction of Earth.
This was the beginning of what would be called the 'Flagstaff War' or the 'Northern War'. In 1846 Hone Heke and Te Ruki Kawiti agreed peace terms with the government. The British colonial government did not re-erect the flagstaff again, fearing to provoke further conflict. The flagstaff that now stands at Kororareka was erected in January 1858 at the direction of Kawiti's son Maihi Paraone Kawiti; with the flag being named Whakakotahitanga, “being at one with the Queen.” As a further symbolic act the 400 Ngāpuhi warriors involved in preparing and erecting the flagstaff were selected from the ‘rebel’ forces of Kawiti and Heke – that is, Ngāpuhi from the hapu of Tāmati Wāka Nene (who had fought as allies of the British forces during the Flagstaff War), observed, but did not participate in the erection of the fifth flagpole.
Poteat demonstrated to his students that making the shift to a Post-Critical mode of thinking requires escaping from the largely subconscious and profoundly self-alienating abstractedness of the Critical mode—the "default mode" of Modernity. As one is able to break free, he taught, the way is cleared to be more at one with one's authentic self, more fully present to the authentic selves of others and to the things of the world with which one is concerned. For this to happen, an acute awareness of those self-alienating tendencies and their tragic consequences must be developed. In place of hypercritical suspicion as the driving, central motive of thought, one comes to share in a Post-Critical sensibility, centered on the recovery of a passionate methodological faith in the tacit intimations of reality, a truth in common, that reveals itself inexhaustibly.
'Half-way House of the Soul' Landfall Review Online. February 1, 2012 Siobhan Harvey, prominent poet and critic, writes about Johnson's last book of poetry, To Beatrice Where We Cross the Line, 'A skilled practitioner at whatever literary craft he turns his hand to…Johnson is a writer at one with the word, its power, its airy finesses and everyday solidities, its resourcefulness, its craft.'Lasavia – Hold My Teeth Writing in the New Zealand Herald on Johnson's critically well-received English to English translations of the Dang Dynasty poet, Li He (The Vertical Harp – the selected poems of Li He) writer and critic Iain Sharp wrote: ‘Mike Johnson is the most underrated of all living New Zealand authors. Sometimes gothic, sometimes lyrical, sometimes both at once, his output over the past three decades has been extraordinary.
Julie has also turned her attention to painting wildlife, earning a place among the top wildlife and western painters, winning awards and showing her work in exhibits throughout the US and Europe. In the 2014 Art Renewal Center's International Salon, she won seven awards and two purchase awards, including 1st and 3rd in the Animal Category and 1st place in the Imaginative Realism Category. In November 2015, she was awarded the Mountain Oyster Club's Denise McCalla Memorial Top Choice Award. She was named a Living Master by the Art Renewal Center and was recently invited to show her equine paintings at the American Academy of Equine Arts Invitational Salon in conjunction with the Kentucky Derby. > “When I’m painting animals with all their beauty and wild nature, I > experience the kind of at-one-with-the-universe feeling described by people > who meditate. It’s both soothing and exciting, the way nature itself is.
"Hatching by Lord, J.V. In 1986, he was appointed Professor of Illustration at University of Brighton and his inaugural lecture Illustrating Lear's Nonsense was published a few years later. Robert Mason reviewing Lord's lecture A Journey of Drawing An Illustration of a Fable writes: > Lord's fastidious verbal dissection of the process of making a single pen > and ink illustration, The Crow And The Sheep, over a period of 11 hours and > 11 minutes on the 10th and 11th of February 1985, was intimate and unique. > Its very length, and its combination of intense focus interspersed with > frequent digressions – about how to avoid actually working, the tendency of > Rotring pens to clog, contemporary news topics (mortgage rate increases / > African famines / American defence spending…) and the maximum and minimum > temperatures of the days in question (minus 3 and minus 7 degrees > Fahrenheit) made the audience feel at one with the process..."The Journal of > the Association of Illustrators August / September 2003 Robert mason reviews > John Vernon Lord.
Rogers, Lawrence M., (1973) Te Wiremu: A Biography of Henry Williams, Pegasus Press, pp. 296–97 Maihi Paraone Kawiti was a supporter of te ture (the law) and te whakapono (the gospel). Deputations came to Maihi Paraone Kawiti from the Taranaki and Waikato iwi asking the Ngāpuhi to join the Māori King Movement; the reply from Maihi Paraone Kawiti was that the Ngāpuhi had no desire for a ‘Māori Kingi’ as ‘Kuini Wikitoria’ was their ‘Kingi'. Maihi Paraone Kawiti, as a signal to Governor Thomas Gore Browne that he did not follow his father's path, arranged for the fifth flagpole to be erected at Kororāreka; this occurred in January 1858 with the flag being named Whakakotahitanga, "being at one with the Queen." As a further symbolic act, the 400 Ngāpuhi warriors involved in preparing and erecting the flagpole were selected from the ‘rebel’ forces of Kawiti and Heke – that is, Ngāpuhi from the hapu of Tāmati Wāka Nene (who had fought as allies of the British forces during the Flagstaff War), observed, but did not participate in the erection of the fifth flagpole.
The Dasheng qixin lun 大乘起信論 or Awakening of Faith in the Mahayana makes no distinction between the two, with the yingshen "response body" being the Buddha of the 32 signs who revealed himself to the earthly disciples. Sharf (2002: 111-112) explains that the Chinese understanding of yingshen "resonant/response [buddha-]body" incorporates the Buddhist notion of nirmāṇakāya a corporeal (or seemingly corporeal) body manifest in response to the needs of suffering beings and the Chinese cosmological principles that explain the power to produce such bodies in terms of wuwei nonaction and ganying sympathetic resonance. "The sage, bodhisattva, or buddha, through the principle of nonaction, becomes at one with the universe, acquires the attributes of stillness and harmonious balance, and, without any premeditation or will of his own, spontaneously responds to the stimuli of the world around him, manifesting bodies wherever and whenever the need arises." Paralleling the use of ganying 感應 in Chinese Buddhism, Japanese Buddhism borrowed the Sino-Japanese loanword kannō 感應.
The BBC News at One may be broadcast on BBC One only however during periods of breaking news or major announcements in the House of Commons carried only on the News Channel, if its an international story coverage will switch for the hour to simulcast with BBC World News. A similar arrangement applies for the BBC News at Six, generally simulcast on both BBC One and the News Channel but, as ever, subject to change for breaking news for the News Channel. The BBC News at Ten began simulcasting on the channel on 30 January 2006 as part of the Ten O'Clock Newshour, followed by extended sport and business news updates. The bulletin was joined in being simulcast on 10 April 2006 when the BBC News at One (with British Sign Language in-vision signing) and BBC News at Six bulletins were added to the schedule following a similar format to the News at Ten in terms of content on the channel once each simulcast ends. During the summer, the hour-long programme News 24 Sunday was broadcast both on BBC One and the BBC News Channel at 09:00, to replace The Andrew Marr Show, which is off air.

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