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"adumbrate" Definitions
  1. adumbrate something to give a general idea or description of something without details

10 Sentences With "adumbrate"

How to use adumbrate in a sentence? Find typical usage patterns (collocations)/phrases/context for "adumbrate" and check conjugation/comparative form for "adumbrate". Mastering all the usages of "adumbrate" from sentence examples published by news publications.

The obscure vocabulary words — adumbrate, impecunious — are gone.
His photographs have used a variety of techniques to adumbrate this world.
The interpolated notebook entries, meanwhile, adumbrate a serpentine journey through Poland, Budapest, Belgrade, Croatia, Odessa, Sofia and Bucharest.
As a result, we encounter image after image of sublime strangeness, drifting like stray dreams until the context they adumbrate comes into focus.
Speaking of shadows, the word I learned today is ADUMBRATE, which I thought was "adulbrate" until I looked it up here since I solved the puzzle on paper and "ball" or "balm" works in the passage.
Granted, there are certain bridges to be found: Broodthaers's dialogue with Mallarmé begins in the poetry and culminates in his reimagining of Un coup de dés as nonverbal abstraction; the eagles that appear several times in the poems, as pointed out by Elizabeth Zuba in her translator's note to the Siglio volume, adumbrate his later preoccupation with the bird (the line "O Melancholy bitter castle of eagles" from My Ogre Book is even carried over into one of his Department of Eagles museum projects).
Jung indicates that communities may uniquely adumbrate their meaning.Jolande Jacobi, Die Psychologie von C.G.Jung (Zürich: Rascher 1939), translated by Ralph Manheim as The Psychology of C.G.Jung (London: Routledge & Kegan Paul 1942; Yale Univ.
Organization is necessary as well as 'inspiration'. The re-creation of word and image which happens fitfully in the poetry of such a poet as Coleridge happens almost incessantly with Shakespeare." Geoffrey Yarlott, in 1967, responds to Eliot to claim, "Certainly, the enigmatic personages who appear in the poem...and the vaguely incantatory proper names...appear to adumbrate rather than crystalize the poet's intention. Yet, though generally speaking intentions in poetry are nothing save as 'realized', we are unable to ignore the poem, despite Mr Eliot's strictures on its 'exaggerated repute'.
What I mean is that I'm confronting language in an > investigative way, trying to search for some truth in the semantics of its > arrangement both poetical and literal. Transgressionzz, the album, is born > of this desire to interrogate violently. My process isn't at all concerned > with the pressure of social convention and so very much like the title of > the album I felt as if the act of recording this album itself was an act > that goes against some command or law; that I was breaking some moral code > in recording it. Also, being my debut album, it would adumbrate some violent > entry into the music industry.
The dedication to Monsieur de Gericke Conseille de Legation appears in the left margin on p. 38 in Howard's reconstruction of the work. The selection and juxtaposition of themes from Figaro and Don Giovanni may have had special significance for Liszt. Leslie Howard describes it as follows: > Bearing in mind George Bernard Shaw's perceptive observations upon Liszt's > musical interpretation of the morality of the Don in the Don Giovanni > Fantasy, it might be similarly if cautiously suggested that the combination > and disposition of the themes in the minuet scene in the present work also > adumbrate a moral fable: that the flirtatiousness of Cherubino which may > seem harmless enough at the beginning could be leading to the unforgivable > behaviour of a Don Giovanni, unless good common sense (See Figaro: "Non più > andrai...") hinders him from doing so.

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